Site icon The Irish Aesthete

The Irish Aesthete Recommends V

????????????????????????????????????????????????????????????????????????????????????????????????????????????????

A photograph of Dromore Castle, County Limerick built in the late 1860s for William Pery, third Earl of Limerick to the designs of Edward William Godwin (also responsible for James Whistler’s ‘aesthetic’ house on Tite Street, London). On a hill overlooking a lake and with views across the Shannon to County Clare, the castle looked ravishing but suffered from chronic damp (seemingly paint never stayed long on the walls) and was not occupied by the Perys for more than a few decades. The family sold Dromore in 1939 and since the middle of the last century it has grown steadily more ruinous: the roof was removed in the 1950s in order to avoid paying tax on the building. Today it can still be seen, a striking sight some twelve miles west of Limerick city.
Dating from around 1920 this photograph was taken by Franz S. Haselbeck, the son of German emigrants who had settled in Limerick in the early 1900s. Haselbeck was a professional photographer who lived and worked in the area until his death in 1973 and now a book of his images has been published by The Collins Press. With an introduction by his granddaughter who has been responsible for preserving the material, Franz S. Haselbeck’s Ireland includes pictures spanning the entire course of his long career, and shows scenes of a world which has since disappeared, many of them taken in the years before Independence. What makes the work especially fascinating are the photographs of buildings which subsequently fell into serious disrepair, not just Dromore but also Mount Shannon House in Castleconnell, immediately east of Limerick city. Acquired and greatly enlarged in the late 18th century by John FitzGibbon, first Earl of Clare (notoriously one of the most hated men of his generation), the house and its contents were sold by the family in the 1880s when they had run through all their money. After changing hands on a couple of occasions, it was burnt out in 1920 during the Troubles, so the picture below, which shows the rear of the building with its fine conservatory intact, must have been taken before that date. There are many other such photographs in the book, not all of them featuring country houses but all meriting close study.

Exit mobile version