Splendid Ecclesiastical Remains

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Among the splendid ecclesiastical remains of Cong [County Mayo], the twelfth century advocates may revel, and defy us to prove an earlier date for their erection than that of the introduction of the Augustinian Order into Ireland, even if their ornamentation and design did not afford ample data for judging their age. These ruins would scarcely have held together to the present day, had not Sir B. L. Guinness restored several of the dilapidations, cleared out much of the rubbish which had accumulated within and around them, and rendered the burial ground sufficiently decent for the interment of Christian people. We enter the abbey from the village by a very beautiful doorway, which, although it has been often figured, we would here present to our readers, but that we know it is of the “composite order,” having been made up some years ago of stones taken from another arch in this northern wall. Within it, we find ourselves in the great abbey church, one 140 feet long, entirely paved with tombstones; facing the east window, with its three long, narrow lights, and having in each side wall of the chancel a slender window looking north and south. The chancel walls are perfect, but the northern wall of the nave no longer exists. Underneath the chancel window the guides and village folk maintain that Roderick O’Conor was buried, when, after fifteen years’ retirement within this abbey, he died here in 1198. But this we know from history to be incorrect, for the Donegal Annals distinctly state that “Ruaidrí Ua Conchobair, King of Connacht and of all Ireland, both the Irish and English, died among the canons at Cong, after exemplary penance, victorious over the world and the devil. His body was conveyed to Clonmacnois, and interred to the north of the altar.” But, although Roderick himself was not buried here others of his name and lineage were. Thus we read that in 1224, “Maurice the Canon, son of Roderick O Conor – the most illustrious of the Irish for learning, psalm-singing and poetical compositions – died and was interred at Cong.” It is probably his tomb which is pointed out as that of the king. “A.D.1226, Nuala, daughter of Roderick O’Conor, and Queen of Ulidia, died at Cunga Feichín, and was honourably interred in the church of the canons.” And in 1274, Finnuala, daughter of King Roderick, died at, and was probably buried at Cong. But although the dust of the last monarch is not beneath our feet, that of chieftains, warriors, and prelates remains and especially that of the abbots, down to the days of James Lynch, whose decorated tomb is dated 1703; and even later, for the Rev. Patrick Prendergast who was always styled “The Lord Abbot,” was interred here in 1829.’

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‘The O’Duffys were distinguished ecclesiastics in this locality, and the Annals contain many entries concerning them. Thus we read that in “A.D. 1150 Muireadhach Ua Dubhthaigh, Archbishop of Connacht, chief senior of all Ireland in wisdom, in chastity, in the bestowal of jewels and food, died at Cunga on the 16th of the month of May, on the festival of St. Brénainn, in the 75th year of his age.” His name is inscribed on the great processional “Cross of Cong,” made in 1123. “A.D. 1168, Flannagán Ua Dubhthaigh, bishop and chief doctor of the Irish in literature, history, and poetry, and in every kind of science known to man in his time, died in the bed of Muireadhach Ua Dubhthaigh, at Cunga.” Cadhla or Catholicus O Duffy, and several of the name, attained to the see of Tuam; in 1136, we read of the death at Clonfert, of Donnell O Duffy, “Archbishop of Connacht and successor of Cíarán, head of the wisdom and piety of the province”; and Cellach O Duffy was Bishop of “Mayo of the Saxons” in 1209. But none of these died abbots of Cong, and the only Abbot of the name referred to in the Annals is the one described by the Four Masters in the following quotation, under the year 1223: Dubhthach ua dubhthaigh abb Conga decc. “Duffagh O Duffy, Abbot of Cong, died”.’

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‘The original plan of this abbey is not easily made out at present. Through an arched doorway in the southern wall we pass into a low vaulted apartment, and thence into a large open space containing the principal stairs, which lead up to the second story of the great tower, the upper portion of which, however, no longer exists. The space to the east and south of this, which was formerly occupied by the monastery, is now a graveyard, and the site of the Roman Catholic chapel, and is divided by a high screen wall, the western facade of which forms the present great architectural feature of this splendid pile…It measures 80 feet in length, and contains a doorway and two windows, with circular arches; and two large and most elaborate ornamented lancet-headed doors, with undercut chevrons along the deep moulding of the arches, which spring from clustered pillars, the floral capitals of which – all of different patterns – present us with one of the finest specimens of twelfth-century stone-work in Ireland. Several stones have been inserted in these doorways, which now present us with some of the finest and most enduring specimens of carved limestone in this or any other country. Above the string course appear some narrow lights probably those of the dormitories. To the west of this wall stood the open cloisters, which were probably so low as not to obscure the decorated front represented on the foregoing page. From this point the ground slopes gradually to the river, where, according to tradition, the friars of old had a fish house – the walls of which are still standing – so constructed that, when the salmon or trout got into the crib below, it touched a wire, that rang a bell, to inform the providore or cook of its arrival.’

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From Sir William Wilde’s Lough Corrib, Its Shores and Islands, first published in 1867.

 

A Place of Work

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Given their association with the terrible years of famine in the 1840s, workhouses in Ireland have few admirers. Yet it is often not realised that they followed a model already introduced in Wales and England where 350 such premises were constructed in the mid-1830s. George Wilkinson was responsible for the design of some of these buildings and following the introduction of legislation in 1838 Ireland’s Poor Law Commissioners appointed him their architect, requesting he devise plans for 130 workhouses here. There is a certain generic quality to Wilkinson’s work, reliant on an interpretation of the Tudor domestic idiom which gives the resultant properties a gentle appearance at odds with their purpose. But they are often handsome, sturdily-constructed buildings and, where still standing, have proven capable of adaption for alternative use. Such is the case in Carrickmacross, County Monaghan where the main block of the old workhouse – completed in 1842 at a cost of £5,000 (plus £977 for fittings) – was restored in 2002 and now provides premises for a variety of local social and educational groups.

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Too Large for Modern Rural Life

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During the reign of James I the splendidly named Sir Faithful Fortescue whose family originated in Devon came to this country where prior to his death in 1666 he bought an estate in County Louth. From him descended several branches of the Fortescues, one of which eventually acquired the titles of Viscount and Earl of Clermont. Meanwhile the parcel of land first acquired by Sir Faithful was further supplemented by various successors and came to include an estate called Stephenstown close to the village of Knockbridge. Here sometime around 1785-90, Matthew Fortescue built a new house to mark his marriage to Mary-Anne McClintock whose own Louth-based family had, through her mother (a Foster), already inter-married with the Fortescues.

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Stephenstown is a large, square house of two storeys over raised basement and with five bays to each side. Around 1820, the next generation of Fortescues added single-storey over basement wings to either side but that to the south was subsequently demolished. At some other date seemingly the building’s windows were given Tudor-revival hood mouldings, probably not unlike the make-over given during the same period to nearby Glyde Court (see The Scattering, April 20th 2015). However later again these openings reverted to a classical model, with classical pediments on the ground floor and entablatures on the first, the whole covered in cement render. A single storey porch on the entrance front was the only other alteration. From what remains, it would appear the interior had delicate neo-classical plasterwork, perhaps on the ceilings (none of which survive) and certainly on friezes below the cornice in diverse rooms.

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It is not easy to piece together the history of Stephenstown in the last century. The last direct descendant of the original builder was another Matthew Fortescue who in 1894 married a cousin, Edith Fairlie-Cuninghame. He died twenty years later without a direct heir, after which his widow married an Australian clergyman, the Rev. Henry Pyke who took on the Fortescue surname to become Pyke-Fortescue. Curiously the couple are listed as dying on the same day, 24th September 1936, upon which Stephenstown seemingly passed to another relative, Digby Hamilton. He sold up in the 1970s after which the house stood empty (and the trees in the surrounding parkland were all cut down). When Alistair Rowan and Christine Casey published their volume on the buildings of North Leinster in 1993, they noted that Stephenstown was ‘an elegant house, too large for modern rural life, empty in 1985, and likely to become derelict.’ That likelihood has since become a reality.

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How we Cherish our Heritage

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In 1716 the Cork-born Anglican cleric Edward Synge was appointed Archbishop of Tuam, County Galway, holding the office until his death in 1741. At some time during this period, he built a new archiepiscopal palace which to this day remains the largest and most prominent building in the town. Of three storeys over basement and of seven bays, the centre three forming an entrance breakfront, the house was set amidst gardens that to the rear ran down to the river Nanny. Its most significant external feature is the main doorcase, of cut limestone with fluted Ionic pilasters beneath a pediment. The palace was seemingly vacated in the 1950s; it now serves as the adjunct to a local supermarket.

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A Rock and a Hard Place

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Some 150 feet above the plains of County Laois rises an outcrop of limestone called the Rock of Dunamase (from the Irish Dún Másc meaning ‘fort of Másc’). On top of this are the remains of a once-substantial fortress, the origins of which have been discovered by archeological excavation to date back to the 9th century when a hill fort (or dún) was constructed on the site. This cannot have survived very long since Dunamase was attacked and pillaged by Vikings around the year 843-44. According to the Annals of the Four Masters, ‘Dun Masg was plundered by the foreigners, where Aedh, son of Dubdharchrich, Abbot of Tir-da-glas [modern Terryglass, County Tipperary] and Cluain-eidhnach, was taken prisoner; and they carried him into Munster, where he suffered martyrdom for the sake of God; and Ceithearnach, son of Cudinaisg, Prior of Cill-dara, with many others besides, was killed by them during the same plundering expedition.’ It would appear that as a result of this devastation, no further occupation of Dunamase occurred until the 12th century and the arrival of the Normans.

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By the second half of the 12th century, Dunamase was evidently in the possession of Diarmait Mac Murchada, King of Leinster since it was given as part of his daughter Aoife’s dowry when she married Richard de Clare (‘Strongbow’) in 1171. Thereafter the site continued to pass through the female line for several generations: Aoife and Richard de Clare having no adult sons, their lands went to an only daughter Isabel de Clare who married William Marshall. None of their five sons outliving them, the lands were divided between five daughters, one of whom – Eva Marshall – married the Welsh March lord William de Braose. Once more this couple only had daughters, the second of whom Maud married Roger Mortimer; in the mid-1320s their grandson, another Roger, the first Earl of March, became the lover of Queen Isabella (the She-Wolf of France) and led the revolt against her husband Edward II. When the king’s son, Edward III, had Mortimer executed for treason in 1330, the family lost their Irish property and although it was later restored to them, by that stage Dunamase seems to have come under the control of the local O’Mores. In any case, by the middle of the 14th century it had begun to fall into a state of disrepair and although there are stories that Dunamase was destroyed by Cromwellian troops (as there are about almost every other dilapidated fortress in Ireland), it seems that by the time the latter came to Ireland in the mid-17th century the site had long since become uninhabitable. Some restoration work was undertaken towards the close of the 18th century by Sir John Parnell, Chancellor of the Irish Exchequer and Lord of the Treasury (also great-grandfather of Charles Stewart Parnell): he incorporated stone door and window cases from other local antiquarian sites into the upper portion of the old castle with the intention of creating a banqueting hall but the work remained incomplete and was abandoned after his death in 1801.

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After more than six centuries of neglect in an exposed position, it is understandable not a lot of the Rock of Dunamase’s Norman castle survives. Sometimes utilising the natural rock formation for defensive purposes, a series of walls had been constructed, the interior portion of the site accessed by an outer and inner barbican, the second of these incorporating a ditch and a drawbridge. The upper part of the rock was further protected by a curtain wall with its own gatehouse, and at the very top was a large hall or keep. This part of the structure was most modified by Sir John Parnell but it is likely he also undertook remedial work elsewhere on the rock and thereby secured what has survived to the present day since otherwise even more might have been lost. Now a visitor to Dunamase needs to bring along imagination in order to conceive how the place once looked. On the other hand, the views from the top remain superlative, stretching in every direction for many miles and only occasionally spoilt by injudicious development (made even more apparent from such high ground). It is easy to understand why the Rock of Dunamase was chosen as a place of defence but also, given the site’s relative inaccessibility, why it was subsequently abandoned.

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Waiting in the Wings

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When it comes to country houses, architectural historians and conservationists often, and understandably, focus their attention on the main property. But it is usually only one part of a larger conglomerate of buildings, all of which interact with each other and are also worthy of study – and preservation. Here are the two stable blocks at Bantry House, County Cork, added to the estate by Richard White, Viscount Berehaven (later second Earl of Bantry) around 1845 and very much intended to be seen as part of the site’s architectural ensemble. Distinguished by their copper-domed cupolas, from sufficient distance the pair appear to serve as free-standing wings to the house between them. While one has found alternative use in recent years, the other sadly awaits attention (and thus for the present is best seen from the aforementioned distance).

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