Tag Archives: County Kilkenny

A Quiet Spot


‘A fifth tower stood at Aghaviller, (probably Agha-oillir, field of the pilgrim) the lower part only remains; above the foundation it measured fifty feet round; beneath this, it has a circular base, projecting six inches, and fourteen inches high, resting on a square foundation; that at Kilree is built in the same way, as the others probably are: this tower is peculiar by having a door-way even with the ground, and apparently co-eval with the building; this door way is five feet one inch high, two feet nine inches wide at top, and from two to three feet wide at bottom: internal diameter of the building, eight feet ten inches, wall four feet thick, two courses remain for floors, and part of a third story with a small window: on the first, an old floor is remembered to have stood about forty years ago. The first story within, is twelve feet high; without, it is thirteen feet to the old door way, which this had, like others, opening to the first floor, but which has been modernly walled up. The tower stands twenty feet to the S. of the foundation of the old church and at the S. W. angle; it is built of siliceous breccia.’
From A Statistical Survey of the County of Kilkenny by William Tighe (1802)




‘The pillar tower is fifty-one feet in circumference at the base; hence the diameter is sixteen feet two inches. There are two doorways; one at the ground level, of cut stone, rectangular, with places for hanging-irons; a small bolt hole and a rabate are on the inside; it is five feet two inches high by two feet ten and a half inches wide and looks N.E. The other doorway, and in all probability the original one is about 13 feet up from the ground to the door-still. The higher and narrow that on one below, and looks north. A rectangular open, of dressed stone, is situated at about twenty-seven feet up; it may be three feet high by two wide; its aspect is S.S.W. The tower terminates a few feet above this open, begin only a dilapidated stump.’
From Transactions of the Kilkenny Archaeological Society (1855)




Although a number of authors have written about the ruins found at Aghaviller, County Kilkenny, much of the site’s history remains obscure, and even the origins of its name open to question. For example, in his 1856 Introduction to the Annals of the Four Masters, John O’Donovan is scathing about Tighe’s earlier suggestion that the place’s name derived from the Irish meaning Field of the Pilgrim, declaring this to be ‘a mere silly guess by one who had no acquaintance with the Irish annals or Irish literature, and who indulged in those wild etymological conjectures which characterize the Irish antiquaries of the previous century.’ (O’Donovan instead insisted that the Irish name meant ‘Field of the Watercresses’). Even the origin of the religious foundation here continue to be uncertain. The church was dedicated to St Brénainn (that is, St Brendan of Birr, rather than the more famous St Brendan of Clonfert) and dates from the 12th century, although it underwent modifications in the 15th century when a substantial tower, serving as residence for the clerics, was built over the chancel: the latter survives but only the foundations of the nave can be seen. The round tower adjacent is notable both for being truncated and for being set on a square stone plinth. A quiet spot less well know or visited than many other such sites in the county.

Just a Skeleton



The skeleton of the former Roman Catholic chapel in Hugginstown, County Kilkenny. This building was constructed c.1800, in other words almost three decades before Catholic Emancipation, and had an interior that preserved its original decoration, a rare survivor from that period. However, as so often is the case, this was judged to be outdated and forty years ago the church was put out of service, with  a singularly unimpressive replacement erected elsewhere in the village. The interior was subsequently dismantled and the roof removed, so that today only the shell seen here remains. 


A Good News Story


Back in January 2017, the Irish Aesthete wrote about an abandoned property called Brandondale in County Kilkenny as follows: ‘The house dates from c.1800 when it was built by Peter Burtchaell whose family had come to Ireland in the middle of the 17th century. The Burchaells were involved in the linen industry which then thrived in this part of Ireland, and also seem to have acted as agents for the Agars, Lords Clifden, large landowners whose seat was Gowran Castle in the same county. Peter Burchaell married the heiress Catherine Rothe and her fortune duly passed into the family which would have provided the necessary money for building a house like Brandondale. In his Handbook for Ireland (1844) James Fraser wrote that the property, ‘occupying a fine site on the northern acclivities of Brandon hill, commands the town, the prolonged and lovely windings of the Barrow, the picturesque country on either side of its banks, and the whole of the Mount Leinster and Black Stairs range of mountains.’ The architecture of the house was that of a two-storey Regency villa, old photographs showing it distinguished by a covered veranda wrapping around the canted bow at the south-eastern end of the building which had views down to the river.’



‘The last of the Burtchaell line to live at Brandondale was Richard, who occupied the place until his death in 1903. He and his wife Sarah had no children and she remained on the property for the next twenty-nine years, struggling to make ends meet by taking in paying guests. After her death the house and remaining fifty acres were sold to the Belgian Baron Kervyn de Lettenhove who first resided there and then rented out the place before he in turn sold it. In the 1980s Brandondale was bought by an Englishman Walter Dominy who moved in with his family and established a printing business. After this failed, in 1993 Mr Dominy left a suicide note in his car while travelling on the Rosslare to Fishguard ferry: fifteen years later an English tabloid newspaper found him living in France. But meanwhile Brandondale changed hands yet again and at some point was subject to a spectacularly poor refurbishment which saw the Regency veranda removed and all the old fenestration replaced with uPVC. In recent years it was taken into receivership and offered for sale on 25 acres for just €150,000, an indication of the building’s atrocious condition (and also of a Compulsory Purchase Order from the local council on part of the land). The place has apparently been sold once more but still sits empty and deteriorating: it can only be a matter of time before Brandondale’s condition is judged so bad that, despite being listed for preservation, demolition is ordered. After which, no doubt, an application will be lodged for houses to be built on the land. A fait accompli.’ (A Fait Accompli « The Irish Aesthete)




That was then, this is now. Happily, the Irish Aesthete’s gloomy predictions of what would happen to Brandondale have proven incorrect. In fact, far from being demolished, the house was subsequently bought by a young couple who are gradually restoring the place as their time and funds allow, and who intend to live in the building as soon as possible. The salvation of Brandondale, rather like that of Cangort Park, County Offaly (see A Work in Progress « The Irish Aesthete) indicates that none of our architectural heritage is beyond salvation and that there are citizens here willing to take on the challenge of bringing such properties back to life. A good news story and one that deserves applause and support. 

Requiring Restoration



The former north gate lodge at Barraghcore, County Kilkenny. J.A.K Dean dates this building to c.1835, while http://www.buildingsofireland propose it was constructed a decade earlier. A singularly stocky example of the genre, of T-form with the stem projecting forward. While the rear is a blank wall, the other three sides have large tripartite windows, giving more light to the interior than was often the case. The window surrounds, although now painted, are of granite, as is the tall doorcase and the corbels supporting the hipped roof. An unusually well-designed lodge, this could easily be restored and made into an attractive residence.


A Reminder



In the little village of Newmarket, County Kilkenny stands this rather substantial building, of nine bays and one storey with half-attic. Designed in a loosely Tudoresque style with arched limestone ashlar recesses at ground level, the centre of the facade is occupied by a single-bay breakfront featuring a large carriage arch, now blocked, above which a framed plaque is carved with the date 1839. Now seemingly disused, it was presumably constructed an agricultural outbuilding for the Castle Morres estate which lay immediately to the south. While Castle Morres itself is gone (unroofed in the 1930s and demolished in 1978), this survives as a reminder of a now-vanished estate.


Back to Front



The somewhat unsatisfactory entrance front of Mount Juliet, County Kilkenny is explained by the fact that until the start of the last century, this was actually the rear of the house: the original facade, with main door approached via double steps above a raised basement, is on the other side where the land drops steeply down to the river Nore. Mount Juliet dates from the third quarter of the 18th century when built for Somerset Hamilton Butler, first Earl of Carrick. His descendants continued to own the estate until 1914 when it was sold by the sixth earl to Major Dermot McCalmont who had inherited a fortune from his second cousin, Hugh McCalmont; it was then that the house underwent considerable modifications. The interior, much of its decoration commissioned by the second Earl of Carrick in the 1780s, contains plasterwork in the style of Michael Stapleton, including these medallions with classical figures. The McCalmont family sold the property in 1988 and it has since served as an hotel.


A Spouse’s Savings



In October 1981 Christie’s held an auction on its premises in London, offering the studio contents of an Irish artist who had died 40 years earlier and, until this sale, had been largely forgotten. The artist in question was Mildred Anne Butler, born into a gentry family in County Kilkenny in 1858. Following her father’s death in 1881, she trained in London and then travelled elsewhere in Europe to improve her technique, specialising in watercolour. By 1892 she was exhibiting with the Watercolour Society of Ireland and she also showed work at both the Royal Academy in London and the Royal Hibernian Academy in Dublin. Throughout her life, the same subjects recurred: primarily birds, animals such as cattle and garden scenes, usually recorded  from the immediate surroundings of Kilmurry, her family home in County Kilkenny. Here she lived until her death in October 1941 at the age of 83: although one of six children, she survived all her siblings, none of whom had offspring, and so she inherited the property. She bequeathed Kilmurry and its contents to a distant cousin,  Doreen Archer Houblon and it was only a few years after the latter’s death that the contents of Butler’s studio were offered for sale. It was an opportune moment, since this style of work had begun to come back into fashion: Edith Holden’s Country Diary of an Edwardian Lady, which came out in 1977, had been a publishing sensation, selling over one million copies in its first year. And the work of another Irish watercolourist and contemporary of Mildred Anne Butler, Rose Barton, was also experiencing a revival in popularity. Ever since then, Kilmurry has been associated with Butler but the story of an earlier owner is just as interesting, if not more so. 





Kilmurry is a house that has been enlarged and altered on many occasions but the core of it, perhaps the section that forms the inner hall, is thought to date back to the 17th century, perhaps around the time that the lands here were granted to Colonel John Bushe. Originally an entrance hall with flanking reception rooms, what is today  the main drawing room appears to have been added around the mid-18th century by the colonel’s grandson, Reverend Thomas Bushe, Rector of Gowran, Prebendary of Inniscarra, and Chaplain of King’s College, Mitchelstown, Co. Cork. According to Richard Lalor Sheil, the Rev. Bushe ‘was in the enjoyment of a lucrative living, and being of an ancient family, which had established itself in Ireland in the reign of Charles the Second, he thought it incumbent upon him to live upon a scale of expenditure more consistent with Irish notions of dignity than English maxims of economy and good sense.’ In other words, he was inclined to allow expenditure to exceed income and in consequence fell badly into debt. In 1767 the Rev. Bushe and his wife Catherine had a son, Charles Kendal Bushe, whose middle name arose from the following circumstances. One night an elderly man called Kendal, who lived not far away on what is now the Mount Juliet estate, sought refuge at Kilmurry, having been attacked and robbed by highwaymen. So grateful was Mr Kendal for the assistance provided by the Bushes that, when he died, he left all his property to the family, on condition that the eldest son should bear his name. It will not come as a surprise that the Rev Bushe, owing to his impecunious state, subsequently sold this unexpected inheritance. Meanwhile his son Charles Kendal, became an extremely successful lawyer: in due course he would act as Solicitor-General for Ireland (1805-1822) and then Lord Chief Justice of the King’s Bench for Ireland (1822-1841). Unfortunately, as a young man he had signed some papers presented to him by his father without knowing what they contained: at the age of 21, he discovered that he was saddled with some £30,000 worth of parental debts. Kilmurry, which he adored, had to be sold and he left Ireland to avoid creditors. Meanwhile, the feckless Rev Bushe retired to his living in Mitchelstown. 





In December 1793 Charles Kendal Bushe married Anne Crampton and thanks to her dowry – and a loan from a friend – he was able to pay off his most pressing creditors and return to Ireland where his career flourished. Nevertheless, he was never rich and so, in 1814 when Kilmurry was once more offered for sale, he lacked the necessary funds to repurchase his old family home. That is, until his wife told him that she had saved all the money he had given her over the years to buy jewellery and other items: the sum was sufficient to cover the purchase price, and the Bushes now moved back to Kilmurry. It is likely that soon after this further alterations were made to the property. The  west-facing, five-bay building, its limestone parapet lined with urns, which had been added by the Rev Bushe was now flanked by single-storey wings with tripartite windows and dies surmounted by sphinxes. A new, severely neo-classical entrance was created on the north front with Doric pilasters and half-columns. Immediately inside is the hall, with the library to the right and the dining room to the right. Continuing through the house, the next space is a substantial inner hall (as mentioned, likely to be the oldest part of the building) with the drawing room to the right and staircase hall to the left, the latter leading to what were formerly service quarters. To the rear lies an orangery (once Mildred Anne Butler’s studio) which looks over the two-acre walled garden. Despite his passion for the place, after Charles Kendal Bushe died in 1843 his children sold Kilmurry, the new owner being Captain Henry Butler, father of Mildred Anne Butler and himself a talented artist. Creativity ran in the family, because the dining room in Kilmurry contains an extraordinary chimneypiece, elaborately carved by another of the captain’s daughters, Isabel Butler, together with a local carpenter. Unfortunately, following the death of Doreen Archer Houblon, all the contents of the house were sold, not just Mildred Anne Butler’s studio, but the furniture and some 5,000 books in the library. Kilmurry then went into a period of serious decline before being bought and wonderfully restored by the present owners. More recently they have placed the property on the market: perhaps the house awaits another Anne Kendal Bushe with her secret stash of funds…


Up in Alms



The former Ormonde Hospital in Kilkenny city. Originally established by Walter Butler, 11th Earl of Ormonde in 1632, the Hospital of Our Most Holy Lord and Saviour Jesus Christ was actually an almshouse built at 4 High Street (the site today occupied by a bank building) where it remained for the next 200 years, being repaired in 1783 when it provided accommodation for eight widows and their families. In 1839 John Butler, second Marquess of Ormonde moved the hospital to this site on Barrack Street, into a property constructed in the then-fashionable Tudor-revival style, and the old premises on High Street were demolished two years later. Today the building shown here is occupied by various social services.


Seeking Asylum



After Monday’s post about Skiddy’s Almshouses in Cork, here is a similar institution in Kilkenny city: St James’s Asylum. This dates from 1803 when established by James Switzer (then spelled Switsir), a Quaker builder responsible for constructing the nearby military barracks on land provided by the Earl of Ormond; seemingly, when he had completed this job, there was sufficient material left over to erect the almshouse. A charity was accordingly established by Act of Parliament, and the relevant deeds stated that there were to be 20 beneficiaries, all female, twelve Protestant and eight Roman Catholic. Furthermore, the residents were to be ‘decent and respectable persons, the widows or daughters of respectable persons resident in the county or city of Kilkenny or county of Carlow for ten years or more.’ To ensure decent respectability, none of the women who secured placed could ever have been a servant, ‘or the widow or daughter or niece of a servant.’ Today run by a charity, the building is of fifteen bays and two storeys with a central pedimented three-bay breakfront. Unfortunately, during a renovation of the premises, uPVC windows were installed to replace the six-over-six timber sash older models. Two other features are notable, the first being a large statue of the asylum’s founder looming over the garden from his recessed stone niche; the figure here was carved by Benjamin Schrowder, otherwise known for having assisted Edward Smyth in carving the emblematic keystones on the Custom House, Dublin. And then there is the splendid stone gateway which would not be out of place at the entrance to a country house, not least because the pedimented outer sections suggest a pair of identical lodges.


Further Philanthropy



After the last post about Talbot’s Inch, County Kilkenny, here is another instance of the philanthropy displayed by Ellen, Dowager Countess of Desart: Aut Even Hospital. It dates from 1915 when built as a private hospital (today one of the oldest in Ireland) and follows the style of such facilities typical at the time, having a central two-storey administrative block from which radiate four single storey wings. The architect on this occasion was Albert Murray, then in his mid-60s and more conventional than William Alphonsus Scott who had designed the houses at Talbot’s Inch (it has been suggested that Scott’s drinking habits – W.B. Yeats referred to him as a ‘drunken genius’ – may explain why he did not receive this commission). However, there are some handsome touches, not least the exaggeratedly large entrance arch, within which are a pair of doors, the elaborately carved lower panels coming from the Kilkenny Woodworkers’ Company which had been founded by Lady Desart’s brother-in-law, Captain the Hon Otway Cuffe: a plaque in the entrance hall dedicates the building to his memory. Today, the cottage hospital, now owned by a private group, is engulfed by extensions dating from the 1980s and showing no sympathy for the original block. On the contrary, this looks poorly maintained and, as so often with our architectural heritage, one must fear for its preservation.