Living Very Handsomely


‘1699. My father when he maryed (sic) my mother set up house-keeping at Stradbally and the year after he marryed he built the Big house that is the Hall, Big Staircase, and Big Parlour. My G-Fr. Pole gave him all the timber and 500 deal Boards to build it. He then planted a good many ditches and trees, made the south hedge of ye avenue, enclosed ye kitchen garden and the new orchard, and set the hedges round ‘em. He kept race horses which my G-Fr. Pole did not like and he gave him £100 on condition he wo’d never keep any more which he never strictly observed.
My eldest sister was born at Ballyfin, my sister Betty and I at Stradbally.
1703. My father’s circumstances were so bad that it was thought best he sho’d go into the Army and he therefore borrowed £300 from William Doxy of Rahinahole with which he purchased a Capts Commission in … Regiment. In 1704 he brook up the house and let Stradbally to Major Lyons and he was sent out of peque by the Late Duke of Ormond (now James Butler) (because he wo’d not vote for him in Parlmt) to Spain with recruits, and thereby also got one vote out of the way…’




1714. ‘[My father] left London and came over to Ireland to his new post and now by his long absence from his own home, and liveing in a manner as an exile in a parsimonious way, and by lands encreasing in value and leases falling and thereby his estate riteing, he was left in considerable circumstances, and so resolved to repair and refit his mansion House of Stradbally, in order to bring home his familly and spend his days at home, and so the latter end of 1714, he began to improve Stradbally, he made ye avenue that is, planted the trees, he built the Bridges going to it, added the Drawing-room to the big house next to the Big parlour, he winscoted the second floor entirely, floored the garret, built the Back stairs to the big house, built and finished the road to the Big house, made the big stairs, winscoted and floored the little Parlour and finished in a plain way the second floor of the little house, built a Brew house, walled the garden at the N:E: end of the house, also the Partarre, he laid out the new kitchen garden and planted it all with the choicest fruits, and planted the orchard at the N:W: side of the garden, he did all this and a good dail more in about 18 months time, and in April 1716 he came over to York to bring us over…’





From the time my Father came from England he lived very handsomely, more so than anyone in this county except my Uncle Pole, he kept his coach and chariot and six mares and four servants in Livery besides his Butler, and other outservants, as steward, gardner, etc., he kept a very plentifull house and table, his allowance was, 12 beefs a year, 40 muttons, 26 barrels of wheat for bread, 60 barrels of Mault, 2 hogsheads of wine, pork, veal, lambs, Wilde and tame fouls, and all other things in proportion. He continued in this method, and never encreased or decreased, when there was the least company, his table was never covered with less than 5 & 6 but very often with more, he used to have variety of white wines, the Poor never went away empty from his door, for both F: and M: were exceedingly charitable.
My father was ever doing some improvement or other, for Stradbally, when he came to it in 1716 was but a rough uncouth place.’

Extracts from the Autobiography of Pole Cosby (1703-1766) originally published in the Journal of the Co Kildare Archæological Society and Surrounding Districts, Vol V, 1906-1908.
Photographs show the stableyard at Stradbally, County Laois as designed for Robert Cosby by Lanyon, Lynn & Lanyon in 1866-67.

New Owner Needed


In January 1854 Zachary Mudge paid the Encumbered Estates Commission £2,490 for an estate of  3, 635 acres in County Mayo. Mudge, whose father had been an admiral in the British navy, subsequently built a lodge at Glenlossera using local sandstone with yellow brick for the door- and windowcases. Gradually the estate was sold, much of it to the Land Commission, and finally the house itself passed into other hands in the late 1920s. In recent years Glenlossera Lodge was offered for sale but without a new owner the place has been allowed to fall into serious disrepair.

Et in Arcadia…


Closing the fifteenth annual Historic Houses Conference at Dublin Castle last week, Professor Christopher Ridgway urged the importance of ‘moving the narrative beyond the litany of loss and destruction.’ This site might sometimes seem to deal only in the latter currency, to offer a ceaseless round of bad news, of historic properties fallen into disrepair, of estates permitted to slide into ruin. On occasion however, a more cheerful story can be told, one that has nothing to do with loss and destruction. Such is the case this week at Oakfield, County Donegal.




Oakfield is of interest for many reasons, not least its links to one of the loveliest estates in England: Rousham, Oxfordshire. The main house at Oakfield, built in 1739 at a cost of £1,680, was commissioned by William Cotterell, then-Dean of Raphoe. Cotterell was a younger son of Sir Charles Lodowick Cotterell who, like his father before him (and several generations of the same family thereafter) held the court position of Master of Ceremonies. In 1741 Dean Cotterell’s brother, Sir Clement Cotterell who performed the same role in the royal household, inherited the Rousham estate from a cousin. William Kent had already been working on the gardens at Rousham but now also undertook improvements to the house. Clearly the Cotterell brothers were men of taste and this can also be seen at Oakfield even if Kent did not work there. In fact the house’s elevations are stylistically somewhat anachronistic and seem to harp back to the late 17th century. Nevertheless, tit is a handsome building in an admirably chosen setting: on a bluff offering views across to Croaghan Hill some five miles away. 




Oakfield remained in use as a deanery until the disestablishment of the Church of Ireland in 1869 when it was sold to Thomas Butler Stoney, another younger son (this time of James Stoney of Rossyvera, County Mayo). A Captain in the Donegal Artillery Militia, Stoney also occupied all the other positions expected of someone in his position: County High Sheriff, Deputy Lieutenant of the county, Justice of the Peace. Following his death in 1912 Oakfield was inherited by his only son, Cecil Robert Vesey Stoney, a keen ornithologist who eventually moved to England in the early 1930s. The house and surrounding lands thereafter passed through several hands before being bought twenty-one years ago by businessman Gerry Robinson who together with his wife Heather has since undertaken an extensive restoration of the property. 




Over the past two decades, not only have the Robinsons restored the residence at the centre of Oakfield, but they have created a 100-acre parkland around it. Some of this is based in the old walled gardens immediately adjacent to the house but the rest is spread over two areas bisected by a road. This division applies also to the spirit of the two sections, the upper garden having a more classical aspect thanks to elements such as a Nymphaeum on one side of the lake. The lower garden’s principal architectural feature is a newly-created castellated tower house overlooking another stretch of water. Between this pair of substantial structures are other, smaller buildings to engage a visitor’s interest. Oakfield is an admirable demonstration of what imaginative vision allied with sound taste can achieve. Walking around the grounds, it is hard to believe this is County Donegal. But that is what sets Oakfield apart: like Rousham on the other side of the Irish Sea, once inside the gates one is temporarily transported to Arcadia.


For more on Oakfield, see: http://www.oakfieldpark.com

At the End of the Day


Evening Light at Drummin, County Kildare. The core of the house dates from the mid-18th century when it was built by the Rev. William Grattan. At that time the west facade, seen here, was the entrance front, the door being located where the arched window is now in the middle of the breakfront. At some point in the 19th century, lower wings were added on either side that to the left (north) side becoming the new entrance.

Surrendering to the Elements


Buried in the midst of woodland in north-west County Cork, Lohort Castle has had a turbulent past and, by the look of the place today, is experiencing a none-too secure present. As so often in Ireland, the building’s origins are uncertain. It has been proposed that a castle was constructed here in the late 12th centuries on the instructions of Prince (future King) John, but more likely it was one of the innumerable tower houses that appeared on the Irish landscape in the 15th and 16th centuries. As such it would have been built for the MacCarthys who were then the dominant family in the region. At the time, the castle would have been at the centre of a larger site with other buildings surrounded by an enclosing wall. In plan and form it is typical of the Irish tower house, being rectangular and rising five storeys to a machiolated parapet, with only one small point of access on the ground floor. The building’s most striking feature is its curved external walls, which while unusual are not unique. An engraving from the early 1740s shows it looking much as is still the case today, albeit surrounded by a moat (drained in 1876) and protected by star-shaped Vaubanesque outerworks. The only obvious differences are the stepped gable on the east side of the roof and the chimney stacks: these were added towards the end of the 19th century. 





In the late 1630s Lohort Castle passed out of the hands of the MacCarthys and came into the possession of Sir Philip Perceval, an English adventurer who acquired an extensive estate in Ireland. With the onset of rebellion in 1641 Perceval garrisoned the castle with 150 soldiers but it still fell to the native Irish who remained in occupation until 1650 when besieged by Sir Hardress Waller and his troops. It was written that Waller ‘by the Help of Cannon reduced it in four days’ but there is no evidence of such damage on the exterior walls (which are ten feet thick at the base) so perhaps the threat of cannon fire was enough to encourage surrender. Lohort was duly returned to the Percevals and remained in their hands for several centuries. It was Sir Philip’s grandson, John Perceval, created first Earl of Egmont in 1733, who paid most attention to the building. Formal classical gardens with long straight vistas were laid out in the surrounding grounds while alterations were made inside the main building including the provision of a library and an armoury holding sufficient weapons to equip men. In 1740 the builder John Hickey was hired by Lord Egmont to carry out this work but he miscalculated the costs and the following year was imprisoned for debt. Following the first earl’s death, his son seems to have lost interest in Lohort which was thereafter occupied by an agent.





In the late 19th century, Lohort again changed ownership, being bought by the O’Briens: Sir Timothy O’Brien was a cricketer famous for his short-temper. It was presumably during their tenure that further alterations were made to the original building in the mid-1870s. The need for additional guest accommodation was resolved by an unknown architect designing a large twin-towered gate house at the end of an avenue directly in front of the castle. As well as providing more bedrooms, this building added further drama to the site. The O’Briens were still in ownership when the gatehouse and castle were burnt by the IRA in July 1921 during the War of Independence. However, both were sufficiently sturdy to survive and, after some restoration work, to be habitable once more. This no longer looks to be the case. About a decade ago Lohort was offered for sale, and finally found a buyer at the end of 2011. Either before or after that date some rather aggressive work appears to have been undertaken on the buildings (and to an adjacent stableyard) but then halted. As a result, they are now suffering badly, the gatehouse especially being in pitiful condition. What an English army could not achieve four centuries ago, neglect in our own time may yet accomplish. 

A Work in Progress


Hillsborough Castle, County Down has long been misnamed since there is nothing castle-like about its appearance. The core of the house dates from the 18th century when it was built for the Hill family who were created Marquesses of Downshire. Owners of some 1115,000 acres in Ireland, it was said the Hills could travel from Larne in County Antrim to Blessington, County Wicklow without ever losing sight of their land. At Hillsborough, it appears there was a house on the site by c.1760 but this was enlarged in the mid-1790s for the second marquess to designs of Robert Brettingham. Further additions were made in the late 1820s for the third marquess who employed a local architect, Thomas Duff of Newry. It was at this time that the pedimented portico with four giant Ionic columns was added on the garden facade. This had hitherto been the entrance front, but that was now moved to face the main square of Hillsborough town. Hillsborough Castle remained in the ownership of the Hills until 1922 when sold by the sixth marquess to the British government. The house then served as a residence first for successive governors of Northern Ireland and then for Secretaries of State for Northern Ireland. Since 2014 Hillsborough Castle has been managed by Historic Royal Palaces.





Over the past three years, both the house and grounds at Hillsborough have benefitted from considerable, and ongoing, attention. The gardens run to almost 100 acres and originally incorporated the main road to nearby Moira which ran in front of the Ionic portico and followed the line of the Yew Walk. However here as elsewhere the desire for privacy led the family to enclose this part of their land and lay it out for their own pleasure with the development of water features, ornamental bridges, the Doric Lady Alice’s Temple and a rusticated ice house.





When the scheme of improvements was initiated at Hillsborough in 2014, landscape designer Catherine FitzGerald, eldest daughter of the late Knight of Glin, was appointed to oversee a revitalisation of the gardens. Collaborating with her regular business partner, landscape architect Mark Lutyens, she drew up a master-plan which is being gradually implemented. So far the most notable feature introduced has been the re-working of the terrace outside the drawing room: here a harsh gravel surface has been replaced with reclaimed stone intermingled with diverse planting. Immediately beyond, the Jubilee Parterre has similarly been softened, while thousands of bulbs were planted on either side of the Yew Walk. This is very much a project in progress with much more yet to be done, as is also the case inside the house where extensive refurbishment is likewise underway. The intention is that in the years ahead, Hillsborough will receive in the region of 200,000 visitors, thereby generating revenue that can in turn be used for further developments: an excellent enterprise that merits being emulated elsewhere in Ireland.

Brought to Book


In September 1753 Michael O’Reilly wrote from Dublin to the Roscommon-based antiquarian Charles O’Conor ‘I think a man should read books as he eats victuals; surfeits of either cannot be digested; and too many books as too many dishes will cause surfeit.’ The problem for O’Reilly, as for many readers today, was that more volumes were being produced than could be consumed: the market seemed to be ahead of supply. Toby Barnard’s newly-published Brought to Book: Print in Ireland 1680-1784 examines the history of publication here during this period. Barnard notes the steady rise in work being brought out. In the 1680s the average number of new titles published in Dublin was 52: by the 1790s that figure had risen to 480. For a long time Irish authors preferred, if possible, to publish in England, the understandable expectation being that they would thereby earn more and reach a larger audience. Furthermore, because the British government’s Copyright Act of 1710 did not apply to Ireland, authors who published here enjoyed no legal entitlement to payment for their work. While this had an impact on the development of Irish publishing, ultimately the drive towards an indigenous industry was too strong to be resisted.


Barnard notes how many of the books produced here were local editions of work already successful in other countries. Initially interest in books about Ireland attracted little interest, one dealer noting that such volumes were ‘very little noticed by them whom they did most concern.’ But with the passage of time, increased communication and greater awareness of the need to improve the state of the country, work of Irish subject matter increased in appeal – and sales. Then as now, criticism was not always well-received: the English agronomist Arthur Young was much admired when he wrote about his own country – the Dublin Society made him an honorary member in 1771 – but drew a less favourable response when he turned his attention to matters Irish: the first edition of his Tour of Ireland had to be published in London when insufficient subscribers could be found here. Contrary to what is often thought and despite the Penal Laws, devotional books for Roman Catholics were published in Ireland from the 1720s onwards, albeit under a suppositious mainland European imprint. The first work in the Irish language known to have been produced in Dublin for Catholic readers appeared in 1736: intended as an aid for other members of the clergy, it was a series of sixteen sermons by Bishop Gallagher of Raphoe, County Donegal. By the end of the period covered, books such as Charlotte Brooke’s The reliques of Irish poetry (1788) were both recording and celebrating the nation’s ancient culture. As Barnard points out ‘the venerable was valued as evidence of the complex culture in an earlier Ireland.’ The course of this transition is traced in his own book, illustrating how complex cultures also existed here during the early modern period.


Brought to Book: Print in Ireland 1680-1784 by Toby Barnard is published by the Four Courts Press.