The Sculpture Gallery of the Municipal Art Gallery, Parnell Square, Dublin. This space, and those to the immediate north, were added 1931-33 by City Architect Horace O’Rourke to what had originally been the first Earl of Charlemont’s town residence (designed c.1763 by Sir William Chambers). This is unquestionably O’Rourke’s finest contribution to the site: a double-height room with coved ceiling leading to a central glazed section, apsed ends to east and west, and screens of paired Doric columns to north and south. Beyond lie a sequence of interconnecting galleries reached through identical doorways of polished walnut.
‘The Abbey of Mellifont, in the County of Louth, situate about five miles from Drogheda, in the Barony of Ferrard, was originally one of the most important and magnificent monastic edifices ever erected in Ireland. It was founded, or endowed, by Donough M’Corvoill, or O’Carroll, prince of Oirgiallach, the present Oriel, A.D. 1142, at the solicitation of St. Malachy, the pious and learned archbishop of Armagh, and was the first Cistercian Abbey erected in Ireland.
The monks by whom it was first inhabited were sent over from the parent Monastery of Clairvaux in Normandy, by St. Bernard, and four of them were Irishmen, who had been educated there for the purpose. On the occasion of the consecration of the Church of Mellifont in 1157, a remarkable Synod was held here, which was attended by the primate Gelasius, Christian bishop of Lismore and apostolic legate, seventeen other bishops, and innumerable clergymen of inferior ranks. There were present also Murchertach, or Murtogh O’Loghlin, King of Ireland, O’Eochadha, prince of Ulidia, Tiernan O’Ruaire, prince of Breiffny, and O’Kerbhaill, or O’Carroll, prince of Ergall, or Oriel. On this occasion the King (Murtogh O’Loghlin) gave as an offering for his soul to God, and the Monks of Mellifont, 140 oxen or cows, 60 ounces of gold, and a townland, called Finnavair-na-ningen, near Drogheda. O’Kerbhaill gave also 60 ounces of gold, and as many more were presented by the wife of Tiernan O’Ruaric, who was a daughter of the prince of Meath, that is a former prince Murchad. She likewise gave a golden chalice for the high altar, and sacred vestments. &c., for each of the nine other altars that were in the church. This was the unfortunate Dearbhfhorguill, or Dervorgal, whose abduction by the profligate Dermod Mac Murrogh, King of Leinster, was the first link in the chain of events which led to the introduction into Ireland of the British arms, under the celebrated Strongbow. Her pious donations to the abbey of Mellifont appear to have been in some measure intended as an expiation of her crime; and hither she retired towards the end of her life, which she closed in religious exercises about the year 1193…’
‘On the establishment of the English power in the district called the Pale, in which Mellifont is situated, it was taken under the especial protection of the settlers. In 1177 a confirmation of their house and possessions was granted by King Henry II. as appears by the Charter of his son John, who renewed and confirmed the same; and in 1203 a new charter was granted to the abbey by King John, confirming to it several additional possessions which it had acquired after the arrival of the English. Many other grants and confirmations were made by succeeding Princes.
For a considerable period the abbey of Mellifont, as well as the other Cistercian monasteries in Ireland, continued to be connected with the parent establishment at Clairvaux, to which monastery, considerable sums of money were continually remitted. To correct this abuse, an act was passed in the reign of Edward III. enjoining all ecclesiastics not to depart the kingdom on any account whatsoever, nor to raise or transmit any sums of money privately or openly from hence, contrary to the form of the statute. In consequence of this enactment, Reginald, the abbot of Mellifont, was by a jury in 1351, found guilty of raising from the abbots of Boyle, Knockmoy, Bective and Cashel, the sum of 664 florins, one half of which he had remitted to the abbot and convent of Clairvaux; and again, in the year 1370, the abbot, John Terrour, was similarly indicted for remitting to the same abbey the sum of forty marcs. This abbot was, in the year 1378, indicted for killing one of his monks, named John White, in the year 1367; but the jury acquitted him. In 1380, it was enacted by parliament that no mere Irishman should be permitted to make his profession in this abbey…’
‘In 1540, Richard Conter, the last abbot, surrendered his abbacy, and had an annual pension of £40. granted to him for life. He had 16 fishing corraghs or skin-boats at Oldbridge, on the Boyne, which produced him annually £13. 13s. 4d., which, with various other possessions, amounting in the whole to £315. 19s. were granted to Sir Edward Moore, (ancestor to the present noble family of that name,) who made it his principal seat, converting the abbey into a magnificent residence, and, at the same time, a place of defence. In the memorable rebellion of 1641, a considerable body of the Irish sat down before it, and the garrison, which consisted of only 15 horse, and 22 foot, made a vigorous defence; but, on the failure of their ammunition, the foot surrendered, and the horse, charging vigorously through the enemy, arrived safe at Drogheda.
Such are the chief incidents in the history of this important monastic foundation, of which but trifling remains are now to be found, but these are sufficient evidence of its ancient beauty and splendour. They consist of the ruins of a beautiful little chapel, dedicated to St. Bernard, which in its perfect state was an exquisite specimen of the Gothic, or pointed architecture of the thirteenth century.
This chapel had a noble eastern window, and three smaller ones on each side, nearly all of which are now destroyed, together with the entrance doorway…This doorway was ornamented with a profusion of gilding, and painting in variegated colours, and was justly considered as one of the most beautiful specimens of the kind to be found in Ireland. It is said to have been sold to make a chimney piece!
Not inferior in architectural elegance to this chapel, are the ruins of an octagonal building, supposed a baptistery, on the top of which was a large cistern, from which water was conveyed by means of pipes, to the different offices of the abbey. The style of this building, which is Roman, indicates an earlier age, and it is probably coeval with the foundation of the monastery.
To these is to be added, the lofty abbey gateway; it is now appropriated to the humble purpose of a mill-dam.’
Extracts from The Dublin Penny Journal, Volume 1, Number 22, November 24, 1832. The little chapel described here as being dedicated to Saint Bernard was actually the abbey’s Chapter House and likewise the ‘Baptistry’ was the monks’ Lavabo.
‘We have had a most happy – and narrow escape [from] having the whole house burned – Most fortunately the fire broke out by day – if it had been in the night, nothing could have saved us – and nothing would have saved us either by day or night but the extraordinary courage, zeal, activity, steadiness & obedience of the people who came to our assistance – 30 men & boys who went on unremittingly for above 3 hours from 7 o’clock in the morning till half after 10 carrying water up, up, up ladders & staircase & pouring continually, continually down the chimney till at last the fire was got under and extinguished – the total extinction & complete safety was not effected till half after seven in the evening…
Lovell & I first met in the study, he carrying the tin box with the title deeds – I undertook the carrying out of all the papers with 2 men he left me – Mrs Smith’s son and Dargan – most steady they were – in less than an hour’s time they had carried out all the presses of leases, etc, boxes of surveys & every rent book – The top of Mr Hind’s [the land agent] in which were his accounts & I know not what & it was impossible to open the locks –
First I tried to get the things out of the study window – impossible opening from top – too high up – weight of presses – breadth of table – imposs – The men actually carried the who alcove mentioned through the hall – down the stairs – while every instant bucket men were ascending – how it was done Heaven knows – Honora and I carried out all my papers & Lovell’s – and my mother’s – letters – (pigeon holes) money accounts, books all laid on the grass before library window –my father’s picture on the veranda – all the library side of the hall pictures, Mr Dat etc.
The quiet at front of house seemed most extraordinary! – as if it knew nothing & nature knew nothing of what was going on – But what is still more extraordinary, my dear Fanny, believe me if you can – I whom you have seen such an egregious coward in small or no danger in a carriage felt all the this time without fear – absolutely as if the magnitude of the danger swallowed up fear – I was absolutely bereft of feeling & could think & did think as coolly as I do now – and more clearly – I cannot understand it but it is a fact…’
Extract from a letter of May 14th 1828 written by Maria Edgeworth to her half-sister Fanny and describing a fire that damaged but did not destroy the family home at Edgeworthstown, County Longford. Dating from 1791 and painted by Mrs Mary Powys the upper picture shows the house as it was after improvements carried out by Richard Lovell Edgeworth. The lower picture shows the same building in the late 1850s, some ten years after Maria Edgeworth’s death. The little bow window to the left gave light to her equally modest bedroom – but it fell off the wall some years later. Thankfully the greater part of the house still stands, although altered to serve as a nursing home. Both images and the letter are included in Maria Edgeworth’s Letters from Ireland most skilfully selected and edited by Valerie Pakenham, and just published by Lilliput Press.
A pair of coach houses in the stableyard of Marlfield, County Tipperary. Dating from the last decades of the 18th century, the house was occupied by successive generation sof the Bagwell family until burnt by anti-Treaty forces in January 1923. One of the country’s finest libraries in private hands was lost in the fire, along with a valuable collection of Old Master paintings. Three weeks later, John Philip Bagwell, who was a Senator in the Free State Dail as well as General Manager of the Great Northern Railways, was kidnapped by the same group that had burnt his home, and held hostage in the Dublin Mountains. After some days he managed (or was allowed) to escape following the threat of reprisals from the government. Marlfield was subsequently rebuilt in a simplified form but the Bagwells eventually sold the estate and more recently the house has been subject to further alterations. It is now for sale.
Anyone driving south-east from Durrow, County Laois on the N77 cannot fail to notice a striking ruin on a rise just outside the town. This is Knockatrina, yet another Irish house with unclear origins. The land here was owned by the Flower family, created Viscounts Ashbrook in 1751, whose main residence was nearby at Castle Durrow. The fifth Lord Ashbrook had three sons, the youngest of whom, Lt-Colonel Robert Flower is known to have been living in Knockatrina by the late 1860s following his marriage to Gertrude Hamilton: with no expectations of inheriting the main property, this would have been as much as he could expect to receive. And as the youngest of the family, he had to earn his living which he proved admirably capable of doing since he had a strong interest in engineering. He was responsible for a number of inventions, including a handloom for the unskilled and a latch-hook needle for faster weaving: these devices would be put to use by his neighbour the fifth Viscount de Vesci who in 1904 opened a carpet factory in Abbeyleix. Two years later Robert Flower became eighth Viscount Ashbrook, neither of his elder brothers having had male heirs (in 1877 the sixth Lord Ashbrook had divorced his wife Emily on the grounds of adultery with a Captain Hugh Sydney Baillie). As a result he came into possession of Castle Durrow but by that time the family finances were in poor condition and three years after his death in 1919 the ninth viscount was obliged to sell Castle Durrow.
Knockatrina was inherited by the eighth Lord Ashbrook’s eldest daughter the Hon Frances Mary Flower who in 1893 married Henry White, the younger son of a neighbour. As early as 1908 she and her husband were in trouble for failure to pay debts yet somehow they managed to hang on. Following her husband’s death in 1923, Frances White continued to farm and train horses, despite being declared bankrupt in 1928. It was only in 1946 that she finally moved out of Knockatrina and into a nursing home in Kilkenny where she died the following year aged eighty.
Knockatrina meanwhile had been bought by Mary Mooney who acted as housekeeper and companion to another local woman, Amy Mercier (Mary Mooney would be the beneficiary of the latter’s will). It seems Ms Mooney acquired Knockatrina as an investment rather than a residence since in 1958 her agent, a farmer in the vicinity, arranged to have the house stripped of all removable fittings and unroofed (this was the period when any such building with a roof was liable to domestic rates, hence many of them had the slates removed). Left a shell, Knockatrina quickly deteriorated and the land on which the remains stand was subsequently sold.
As is so often the case, no records appear to exist offering information about when Knockatrina was built or who might have been its architect. It has been proposed that Robert Flower was responsible for the house’s construction but this seems unlikely, not least because by the time he moved there the family was already burdened by debt. More importantly, on the basis of design it looks to belong to the group of medium-sized country houses including Rathwade, Wykeham and Mount Leinster Lodge. There were all in nearby County Carlow and built during the 1830s to the designs of the prolific (and – like the Flowers – permanently indebted) Daniel Robertson in a loosely Tudor Gothic style. If Knockatrina belongs to the same group, and indeed was designed or inspired by the same architect, this means it would have been erected during the lifetime of the fourth Viscount Ashbrook, whose first wife Deborah Friend was a considerable heiress. Given its proximity to Castle Durrow, Knockatrina would then have served as either a dower house or an agent’s residence. However neither would have been required by the late 1860s, so handing it on to a younger son made sense. Inevitably given that the house has been unroofed for almost sixty years almost nothing of the interior survives (other than some tiles on the entrance hall floor). Fortunately, as can be seen in the photographs above, the present owner does not wish for the building to fall into further disrepair. On the contrary, he is keen to undertake a programme of restoration over the coming years and return Knockatrina to residential use. All being well it won’t be long before the view from the N77 offers passers-by not a ruin but once again a fully functioning house.
The extraordinary first-floor gallery at Crom Castle, County Fermanagh. Designed by Edward Blore, the present house dates from the mid-1830s to replace an earlier castle destroyed by fire: ironically sections of this one suffered the same fate soon after completion and had to be reconstructed. The core of the castle is given over to an inner hall that features a bifurcating staircase composed of wood and plaster and in late-Perpendicular style. It rises to the generous gallery screened by a run of arches at either end, the whole lit by an immense octagonal roof lantern.