In 1716 the Cork-born Anglican cleric Edward Synge was appointed Archbishop of Tuam, County Galway, holding the office until his death in 1741. At some time during this period, he built a new archiepiscopal palace which to this day remains the largest and most prominent building in the town. Of three storeys over basement and of seven bays, the centre three forming an entrance breakfront, the house was set amidst gardens that to the rear ran down to the river Nanny. Its most significant external feature is the main doorcase, of cut limestone with fluted Ionic pilasters beneath a pediment. The palace was seemingly vacated in the 1950s; it now serves as the adjunct to a local supermarket.
Like many other religious sites, the former Franciscan friary at Ross Errilly, County Galway continued to serve as a burial site long after it had officially been put out of commission during the 16th century Reformation. Later visitors often commented on the poorly interred bodies here: in 1851 the Rev. John Hervey Ashworth claimed he had counted no less than sixty skulls scattered about the semi-ruinous buildings (see To Walk the Studious Cloisters Pale, July 14th 2014). Today there are no corpses to be seen, but many handsome tombstones inserted into the mediaeval walls, such as the two examples seen here dating from the early 18th century.
Situated to the immediate north of Kinvara, County Galway Dunguaire Castle was built in the early sixteenth century by the O’Hynes clan. Few of the tourists who stop to photograph the picturesque building know of its link with one of the great British society scandals of the last century. In 1918 Christabel Hart had married — against his family’s wishes — John Russell, heir to the second Lord Ampthill. Exceptionally tall and nicknamed ‘Stilts’ Russell enjoyed going to fancy dress balls in drag. Meanwhile his young wife spent the evenings in London dancing with a string of what her husband would refer to as ‘detestable young men.’ In June 1921, following a visit to a clairvoyant, Christabel Russell discovered she was five months pregnant. John Russell denied paternity and at once sued for divorce, claiming that no physical contact whatever had taken place between them and that the marriage had, on her insistence, never been fully consummated. In the resultant court case it transpired the couple had shared a bed for two nights just before Christmas 1920. According to Christabel Russell her husband had taken the opportunity to attempt what was referred to in accounts of the resultant court case as ‘incomplete’ or ‘partial’ intercourse; it seems he had already tried to do the same on several previous occasions, which she described as ‘Hunnish scenes, usually preceded by threats to shoot himself and once to shoot my cat, which often slept on the bed.’ Matters became still more confused when it was discovered that Christabel Russell, despite her pregnancy, showed ‘all the signs of virginity.’ One widespread explanation was that she had taken a bath immediately after her husband and had used the same sponge: even in later life her son Geoffrey (the fourth Lord Ampthill) was popularly known as the ‘sponge baby.’ The Russells eventually divorced in 1937 and Christabel, Lady Ampthill moved to Ireland, settling in County Galway where she enjoyed the hunting. For several decades until her death in 1976 her home was Dunguaire Castle.
As is still remembered, legislation collectively known as the Penal Laws meant that for much of the 18th century Roman Catholics under the authority of the British government found it hard to practice or express their faith publicly. It is worth pointing out that these laws were as much an affliction in England, Wales and Scotland as they were in Ireland, but the numbers of Catholics here were proportionately far greater than in those other countries. only in the late 1700s/early 1800s was the legislation gradually relaxed, ultimately leading up to the Roman Catholic Relief Act of 1829 which created full emancipation for members of this faith. But even prior to that date, Catholics had begun to embark on the construction of what at the time were always called chapels, buildings in which they could gather to hold their services. The great age of Catholic church building came in the post-emancipation era, which makes these early buildings all the more precious since relatively few of them still survive. They tended to be simple in form and design, not least because the costs involved in putting them up were borne by the local population, few of whom would have been wealthy. Weekly collections among the faithful led to the creation of a fund which was then used to pay for construction costs: Thackeray’s account of visiting various chapels during his tour of Ireland in 1842 make plain that the majority of those in attendance were the poorest of the poor.
St Brigid’s in Portumna, County Galway dates from 1825, and was therefore constructed a few years before full Catholic Emancipation had been achieved. A basic T-plan in form, it has a three-bay nave leading up to a pair of wide single-bay transepts, this simple design being a reflection of the limited resources then available. In 1858 a three-bay wide and one-bay deep porch was added to the west end, rising two storeys before being topped by a square-plan tower drum. It may be around this time that the exterior of St Brigid’s received its neo-gothic ornamentation such as the crenellated parapets and towers, and corner buttresses, thereby dressing up the original structure. In this form it remained in use for the next century. However in the late 1950s a new St Brigid’s was built on the adjacent former market square, using stone from the Portumna Castle which had been built in the 1860s and gutted by fire in 1922: evidently the local community felt their old church was no longer good enough for services. The now redundant church was converted into a sports hall, and served as such for some time before being deemed unfit for that purpose also. Since then it would appear the building (transferred into private ownership) and an adjacent abandoned convent, has sat empty, a prey to the elements and to vandalism.
How, one wonders, might the generation which contributed often very tiny sums of money judge what has become of St Brigid’s church in our own age? Would they consider the shillings and pence they could scarcely have afforded to hand over well-spent on a building which their descendants seem willing to leave fall into dereliction? Would they be satisfied that this is how their legacy, the hard-earned – and hard-paid for – right to free and open expression of faith, should be treated in such a fashion? Asking these questions is not intended to offend or to criticise the burghers of Portumna. The present circumstances of St Brigid’s are by no means unique: they are replicated in towns right across the country and are symptomatic of a greater problem. Like so many other historic properties in Ireland, this one is listed by the local county council as being a ‘protected structure’ but one wonders what protection it is being offered. According to information provided by the Citizens Information Board, ‘A protected structure is a structure that a planning authority considers to be of special interest from an architectural, historical, archaeological, artistic, cultural, scientific, social or technical point of view. If you are the owner or occupier of a protected structure, you are legally obliged to prevent it becoming endangered, whether through damage or neglect.’ That legal obligation is meant to be enforced by the relevant local authority: there is no evidence of enforcement here but again that is hardly unusual. Last week, after two months’ negotiation between political parties, this country finally got a new government. When the various ministerial portfolios were announced, there was no reference to anyone being responsible for the department of heritage: apparently it comes under the remit of the Minister for Regional Development, Rural Affairs, Arts & the Gaeltacht but is of so little consequence that the name wasn’t even judged worthy of inclusion in this long-winded title. Too often the excuse offered for neglect of the country’s architectural heritage is that it represents the interests or legacy of alien others: this is the explanation customarily proffered to explain the wasteful abandonment of our country houses, for example. Nothing could more truly be representative of the national narrative than St Brigid’s, raised by and for the local population to serve their needs and to express their beliefs. Its neglect, like the title of new government ministries and the manner in which legislation regarding protected structures fails to be enforced, accurately express Ireland’s attitude towards our heritage: we may pay lip service to the visible evidence of our past but really we don’t care what becomes of it.
Do not attempt to adjust your screens: the tilt is real. This is the 10th century round tower in Kilmacduagh, County Galway, at some 111 feet the tallest such structure in the world. The conical cap, which unusually overhangs the drum, collapsed in 1858 and was rebuilt almost twenty years later. The tower has a circumference of fifty-six feet and walls six and a half feet thick. In addition, Kilmacduagh’s round tower has the greatest number of windows – eleven, all angle-headed – and a doorway almost twenty-three feet above the ground, leading to questions about how anyone ever gained access: the height is too great for a solid ladder and the alternative would be a rope ladder of exceptional length. But most extraordinary of all, the tower leans over a foot and a half to the south-west.
At the start of the 7th century Colman MacDuagh who had hitherto been living as a hermit on the Burren, was persuaded by his cousin Guaire Aidne mac Colmáin, King of Connacht to establish a monastery in this part of the country. Legend has it that while Colman was walking through woods in the area seeking a spot for the new foundation, his girdle fell to the ground. Taking this as a divine omen he chose the place for his monastery. The girdle is said to have been studded with gems and kept for centuries by the O’Shaughnessys, descendants of King Guaire, and then by another branch of the family the O’Heynes. It has long since disappeared but an additional item associated with Colman, his supposed crozier (although likely of later manufacture) which was credited with the power to make a thief restore stolen items, is now in the National Museum of Ireland.
The fame of Saint Colman (as he became after his death in 632) attracted many followers and the monastery at Kilmacduagh thrived for several centuries. Indeed such was its importance that in the 12th century Kilmacduagh became the centre of a new diocese (subsequently merged with Galway). However like so many such establishments in Ireland it was subject to frequent attacks. The buildings were plundered several times before finally being devastated at the start of the 13th century by the Norman knight William de Burgh during his conquest of Connacht. At some date before his death in 1253 Owen O’Heyne founded the nearby house of St Mary de Petra for Augustinian canons. They remained here until the Dissolution of the monasteries in the 16th century after which the lands of Kilmacduagh were granted to the Richard Burke, second Earl of Clanricarde, a descendant of William de Burgh. Today the remains of sundry buildings from different dates can be found on the site including the cathedral, the friary of St Mary de Petra, churches dedicated to John the Baptist and the Virgin and the former glebe house as well as the world’s tallest, and only leaning, round tower.
Thoor Ballylee, County Galway is a 15th/16th century tower house originally built by the de Burgo family but now best known as the former property of poet William Butler Yeats who acquired it a century ago and subsequently undertook a restoration of the old building. Opened to the public in 1965, the tower closed seven years ago after being flooded by adjacent Streamstown river. It might have remained shut thereafter but for the endeavours of a local group, the Yeats Thoor Ballylee Society, which tirelessly worked for the building’s refurbishment in time for last year’s 150th anniversary of the poet’s birth. These pictures were taken two months ago, since when the tower – like so much of the surrounding country – has once more been subjected to severe flooding. However, according to the society’s website (http://yeatsthoorballylee.org) determined efforts are being made to ensure it will reopen later in the spring: an example of local, private initiative that deserves to be applauded and emulated elsewhere.
*A plaque on the castle’s wall contains the following text: ‘I the poet William Yeats/With old millboards and sea-green slates/And smithy work from the Gort forge/Restored this tower for my wife George./And may these characters remain/When all is ruin once again.’
The 15th century de Burgo tower house which forms the core of Tulira Castle, County Galway. This was one of a number of country houses acquired by new owners during the course of 2015, significant others including Bellamont Forest, County Cavan and Capard, County Laois. But many others remain on the market, such as Milltown Park, County Offaly, Newhall, County Clare, Kilcooley, County Tipperary and Furness, County Kildare, all of which have been discussed here on earlier occasions. Let us hope the coming year is kind to them and all of Ireland’s architectural heritage.