Tag Archives: Ruins

Remembering What’s Lost



Ireland’s Decade of Centenaries, marking the country’s ten years of transformation 1913-23 is now drawing to a close, but there are still opportunities for analysis and reflection about what happened during that period. On Saturday, October 7th the Irish Aesthete will be participating in County Tipperary’s annual Dromineer Nenagh Literary Festival (celebrating its own 20th anniversary), in conversation with poet Vona Groarke about some of the great houses which were burnt in the early 1920s, many of them never rebuilt and lost forever. One such was Ardfert, County Kerry, set on fire in August 1922. The photographs above show the building before and after the conflagration, while those below are images of the interior, including the panelled hall with its classical grisaille figures, and the splendid main staircase, all lost in that fire, after which the house was pulled down so that nothing survives as a memory of its existence.



For further information about this event and others in the Dromineer Nenagh Literary Festival, please see: Left without a Handkerchief – dnlf

In Solemn Grandeur



‘This lofty and massive building, which rears its high head in solemn grandeur, and seems to look down with fostering protection and watchful guardianship on the town beneath it, was built by Hugh de Lacy, about the year 1140, in the reign of John. Though some difference of opinion exists on this point – some referring it as the work of Eva, daughter of Dermot McMurrough, and others attributing it to Isabel, daughter of Strongbow, and others, to King John, &; but concurrent, circumstantial and historical evidence, fix on de Lacy as the founder. The walls of the tower are of the amazing thickness of seven feet, two inches; the inner diameter of the same ten feet, and the exterior circumference is seventy seven feet. The whole building was amply provided with loop-holes, and with arched and mullioned windows, &, from which to pour, if necessary, on their assailants the sweeping shot of artillery and musketry, or the less destructive missile.’
From the Dublin Penny Journal, Volume III, July 26th 1834





‘The only ancient relic in Carlow is “the Castle.” It is situated on a gentle eminence, overlooking the river; and is said to have been erected by Hugh De Lacy, who was appointed lord-deputy of Ireland in the year 1179. It was built after the Anglo-Norman style of architecture; a square area, surrounded by thick walls, fortified and strengthened at each corner by a large round tower. Until the year 1814, it had bravely withstood the attacks of time and war; but its ruin was effected by the carelessness of a medical doctor, into whose hands it came, and who designed to put it “in order” for the “accommodation” of insane patients. In the progress of his work he applied gunpowder, with some unexplained object, to the foundations, and in a moment completed its destruction, leaving but two of its towers, and the wall between them. Their present height is sixty-five feet, and the length from one tower to the other is one hundred and five feet; as the ruin is but one side of a square, it affords a correct idea of the large space the castle formerly occupied.’
From Ireland: its scenery, character etc. by Mr and Mrs Hall, 1840.


A Pocket Church



Visited on a particularly wet day during this particularly wet summer, here is what remains of the little church at Kilbunny, County Waterford, named after St Munna and originally founded in the 8th century. The present building, with its restored Romanesque arch entrance and chevron moulding, is from the 11th century. Seemingly at one time some 230 monks lived here, but it is difficult to imagine such numbers today: certainly, only a handful of them would fit into the church which only measures about 8.5 metres in length and 5 metres in width. Outside, a faint trace of what was possibly representing a human head, can be discerned at the base of the arch on the right-hand side, while inserted into the wall on the left-hand is an animal head, perhaps that of a ram. On the ground to either side are bullaun stones, it is thought originally used as baptismal or water fonts. 

Honest Tom




Text here…On the banks of the river Fergus in Ennis, County Clare stands a stone known as Steele’s Rock. On this, supposedly, in the early 19th century sat a man called Thomas Steele who used it as a vantage point from which to gaze on a nearby house called Abbeyfield (today a garda station, see: In need of TLC « The Irish Aesthete). Therein lived a young lady, Miss Crowe, with whom Steele was much in love but his passion was not reciprocated and, it seems, she never even troubled to notice her putative suitor. This tale is only one of many told about Thomas Steele, certainly one of the more colourful characters living in Ireland at the time. Born in 1788 to a gentry family, he had been raised by his uncle and namesake at Cullane, a house built just a few years before his birth and beautifully sited on the western shore of Lough Cullaunyheeda: following his uncle’s death in 1821 he inherited the property. Most country gentlemen would have settled down to enjoy their estate, but Thomas Steele was never wont to behave like most country gentlemen. A classical scholar of note, throughout his life he was inclined to become involved in a variety of different projects. In 1825, for example, having undertaken experiments with underwater diving apparatus, he patented ‘Steele’s improved diving-bell.’ and around the same time became a partner in the Vigo Bay Co., which was trying to recover gold and silver bullion from Spanish ships sunk in Vigo Bay in 1702. A complete failure, the company was wound up somewhat acrimoniously in 1826, but this didn’t deter him: an associate of the English diving siblings John and Charles Deane, in 1836 Steele used their new diving helmet to explore the wreck of the Intrinsic soon after he had sunk off the County Clare coast. Interested in developing equipment to provide underwater illumination, four years later he dived with the Deanes to look at the wreck of Henry VIII’s great ship, the Mary Rose, off Portsmouth. But prior to these enterprises, in 1823, he had decided to go to Spain and join rebels fighting against the absolutist monarch Ferdinand VII. Accordingly, he mortgaged the house and land at Cullane for some £10,000, using the funds raised to buy arms and shipping these to Spain. Once there, he joined the Legion Estrenjera of the rebel army, distinguishing himself in the battle of the Trocadero and the defence of  Cadiz. Following the liberals’ defeat, he returned to Ireland and published an account of what he had witnessed,, Notes on the war in Spain (1824). 





A couple of years after returning from Spain, Thomas Steele found another cause with which to become involved: Catholic Emancipation. Which is not to suggest he planned to become a Roman Catholic: he had previously written a letter to the elderly Pope Pius VII urging him to convert to Protestantism. But after meeting Daniel O’Connell, Steele had become an ardent supporter of the latter’s Catholic Association and was soon appointed its Vice-President of the Association. Although he never converted from the Established church, on his land at Cullane he erected an outdoor altar, so that mass could be said there any time O’Connell visited: the ‘altar’ was actually a dolmen cap stone that had previously stood at what was believed to be the dead centre of Ireland near Birr, County Offaly: it has since been returned to its original site). In 1828 Steele seconded O’Connell’s nomination for election in County Clare and was with him with the Catholic Relief Bill of 1829 passed. Strongly supportive of his hero’s repudiation of physical violence and despite being called the ‘Head Pacificator’, Steele was a noted duellist who that same year fought an inconclusive duel with William Smith O’Brien over what he believed to be a personal slight from the latter. More importantly, his total belief in O’Connell, and his personal disregard for money, led him to be popularly known as ‘Honest Tom’. Once Catholic Emancipation had been achieved, he continued to give his support to the next great cause: the repeal of the 1800 Act of Union. Following the government’s prohibition of the Clontarf monster meeting in October 1843, Steele was tried on conspiracy charges and imprisoned with O’Connell in Richmond jail. So closely was he allied with O’Connell that he never recovered from the latter’s death in May 1847 and the following April, suffering from depression and facing financial ruin, he jumped off Waterloo Bridge in London. Although rescued from the water, he never received and died in June 1848. His body returned to Ireland, he was buried in Glasnevin cemetery, Dublin, beside O’Connell’s tomb.





A date stone at Cullane is market 1799, but the house is thought to date from the early 1780s. Of two storeys over basement, the three-bay facade has a central breakfront with fan-lit doorcase on the ground floor and tripartite window above; between the two there used to be a carved stone bearing the Steele coat of arms, but this has been removed. On the eastern side, and overlooking the lake, the house is of three storeys, with a great central bow and tripartite windows to left and right of the ground floor. No interior decoration survives. Since Miss Crowe of Ennis refused to acknowledge or return his ardour, Thomas Steele had never married, and after his death the Cullane estate was inherited by a niece, Maria Wogan, married to Charles FitzGerald Studdert of Newmarket House. Their descendants continued to live there until 1954 when the place was sold to the Land Commission and the house left to fall into its present state of ruin, a sad end for what had once been the home of one of Daniel O’Connell’s most ardent supporters. 



A Neighbourhood Replete with History



A modest village in County Laois, Aghaboe (from the Irish Achadh Bhó, meaning ‘field of cows’), has been briefly mentioned here before (see Happily Disposed in the Most Elegant Taste « The Irish Aesthete) in relation to Heywood, some 12 miles away, where a pair of mediaeval windows have been incorporated into an 18th century folly. But Aghaboe itself deserves attention, since it was once the site of an important early Christian monastery, adjacent to which is now a restored early 18th century house along with other buildings of interest. 





The original abbey at Aghaboe was established in the 6th century by St Canice, who was interred here and around whose tomb would grow a substantial monastic settlement. In the 8th century, one of the abbots was St Fergal (otherwise Virgilius), mathematician and astronomer who would later move first to France and then to Austria where he became Abbot of St Peter’s Abbey in Salzburg. Nothing from this period in the monastery’s history survives due to repeated assaults on the place. The abbey was attacked and plundered by the Vikings in 913 before being rebuilt in 1052 with the relics of St Canice enshrined here. It was burned again in 1116 and rebuilt in 1189. In 1234 an Augustinian priory was established on the site (a Norman motte and bailey had already been constructed nearby). However, both the priory and a town which had grown up around it were burnt in 1346 by Diarmaid Mac Giollaphádraig, St Canice’s shrine being destroyed in the process.  In 1382 Finghan MacGillapatrick, Lord of Upper Ossory established a Dominican friary here and this survived until its suppression in 1540. What remains at Aghaboe are traces of the Dominican church, a long, barn-like building without aisles typical of the mendicant preaching orders, with one transept at the south-west end. There is a fine window at the east end of the nave and an ogee-headed piscina nearby on the south wall. In the transept, the east wall features a tall arched niche and there are also a couple of smaller aumbries. A watercolour by Daniel Grose dated 1792 depicts an elaborately carved doorcase on the south side but this has since disappeared. A few other traces of the church’s former decoration survive on the exterior of the Church of Ireland church lying behind the ruin: this dates from 1818 although the curious tower here – the lower portion square-shaped, the upper an awkwardly-placed octagon – may be a survivor from the Middle Ages, along with the three much-weathered heads over the west door. 





Just a few hundred yards south-east of the ruined and present churches, and overlooking both, stands Aghaboe House, a curiously double-fronted residence. The south facade, thought to date from c.1730, is of seven bays and two storeys, with a fine limestone pedimented doorcase. The north side is some 40 years later and is of five bays, centred on fan-lit doorway below a Venetian window above which a pediment breaks the shallow roofline. Internally, the house – which may incorporate elements of an older residence – is similarly divided into two parts, suggesting it was originally one room deep, with the larger rooms to the north, not least the double-height staircase hall with benefits from the Venetian window on the upper floor. Recently offered for sale, Aghaboe House was in a semi-ruinous condition when bought almost 40 years ago in 1984 by its present owner who has since gradually restored the building, along with others on the site, including another two-storey block diagonally to the immediate east. This might once have had a match on the western side; if so, it has long since disappeared. For much of the last quarter of the 18th century, Aghaboe House was home to the historian and Church of Ireland clergyman Rev Edward Ledwich (author of the text accompanying Francis Grose’s Antiquities of Ireland, published 1791-95) which suggests it could have served as a glebe house until a new one was built in 1820. The enlargement of the main house might even have been undertaken by Ledwich while he was in residence, since he and his wife had at least four daughters and four sons. Along with its neighbours, Aghaboe House contributes to an assemblage of buildings covering some 1,500 years of Irish history.



For more information about Aghaboe House and its sale, see: Aghaboe House, Aghaboe, Ballacolla, Co. Laois – Property.ie

An Irregular Beauty




Caught in the rain, this is Ballyannan Castle, a semi-fortified house built c.1650 for St John Brodrick, an English soldier who had arrived in Ireland almost a decade earlier as a captain of foot. By deft political footwork, he survived the turmoils of the rest of the century, only dying in 1711 at the age of 84 and leaving behind several sons, one of whom became the first Viscount Midleton. While the Brodrick family survives, Ballyannan did not do so, abandoned by the mid-18th century and already ruinous in 1786. The house is notable for its circular corner towers above which rise exceptionally tall chimneys. Ballyannan was once surrounded by extensive and elaborate pleasure gardens, described in 1743 as containing ‘all the irregular beauties that charm the fancy and delight the senses,’ but little now remains in fields given over to agricultural use, other than a small brick summerhouse (alas, heavy rain discouraged a visit to this. Another time…)



Replete with Memories


Lisronagh, County Tipperary is today not so much a village as a hamlet, but this was not always the case. According to Samuel Lewis, in 1837 it had a population of 981, whereas in the census of 2016, the number of inhabitants had fallen to 184. The latter figure is even a fraction of what it had been in the Middle Ages: surviving documentation from 1333 show Lisronagh’s population likely exceeded 400. At that time, the land here was held by Lady Elizabeth de Burgh, daughter of a descendant of William de Burgh, the Anglo-Norman knight who in the late 12th century had acquired vast estates in this part of the country. William de Burgh is thought to have built some kind of fortified structure at Lisronagh, probably of wood, but this was probably later replaced by a stone castle. That building is not what is seen on the site today, since the earlier structure appears to have been destroyed in the 15th century by Edmond Butler, eighth Baron Dunboyne and Seneschal of Tipperary. 





Lisronagh Castle, or what remains of it, is a 16th century tower house. A document dated 1530 in the collection of the National Library of Ireland shows the grant by one Richard Howet to Piers Butler, Earl of Ossory (later eighth Earl of Ormond) ‘of the tenement of the castle of Lisronagh.’ The present building may have been built thereafter, and remained the property of the Butler family at least into the latter part of the 17th century. When and how it fell into disrepair does not appear known. A large opening close to the base of the east wall (which faces the adjacent road) suggests this was the original entrance, although that is around the corner on the north side. High above the arched doorcase are corbels that would once have supported the now-lost machiolation; also largely gone are the window stones, presumably removed at some date. Internally, the tower house follows the usual pattern with a large, vaulted chamber of the ground floor. A flight of stairs to the immediate right of the entrance leads to the floors above, one of which retains a fireplace but otherwise little of the interior decoration survives. 





Immediately north of Lisronagh Castle is an abandoned church. Dedicated to St John the Baptist, it dates from 1831 when constructed with the aid of funds from the Board of First Fruits, and on the site of a Medieval building (presumably serving the 400-plus populace recorded as having been here in the 1330s). The church very much conforms to the Board of First Fruits typology, having a three-bay nave with access at the west end beneath a two-stage bell tower. The entrance features a handsome stone carved Tudor arch but otherwise there is little decoration and certainly nothing inside, which has been given over to vegetation (as has the eastern end of the church). Services ceased here a century ago, in 1923, and the building subsequently became roofless and open to the elements. So there they now stand, side by side, two historic properties, both abandoned, both replete with memories of the past.

Prior to This



The remains of the 15th century church at Cloughprior, County Tipperary. Its name derives from the fact that in the 12th century the land on which the building stands came into the possession of the Augustinian Priory of St John the Baptist some ten miles south at Tyone, on the outskirts of Nenagh. It subsequently became a parish church but then fell into ruin, although the surrounding graveyard has consistently remained a place of burial. Of note here is a separate, walled section set aside for members of the Waller family who for some 20o years lived close by at Prior Park, a house dating from the 1770s. One of those more recently interred was 26-year old Edward de Warenne Waller, killed in a terrorist bomb attack in Bali in 2002. 



Whom Love Binds as One



An ancient story lies behind the name of Ightermurragh Castle, County Cork. In the second quarter of the 17th century,  Edmund fitzjohn FitzGerald, son and heir of the last official Seneschal of Imokilly, had three daughters. Since there was no son to inherit his property, he decided to divide it between the trio, allowing them to choose which part of the property they would take.  The eldest said ‘Beigh Inse na Chruithneactha agam sa’ (I will have the Wheat Field by the River): this is a tower house called Castle Richard. The middle daughter said ‘An Cnoc Ghlas damh-sa’ ( The Green Hill for me): this is a townland which came to be known as Knockglass. Finally, the youngest daughter, Margaret FitzGerald said ‘Agus an t-Iochtar mo Rogha’ (The lower is my choice): from this utterance the name Ightermurragh is said to have derived.





Margaret FitzGerald married a local man, Edmond Supple, whose family was said to have descended from a Norman knight called de Capel or de la Chapelle. The couple embarked on constructing a new residence for themselves at Ightermurragh; a chimneypiece still extant on the first floor carries the following inscription in Latin ‘Edmundus Suppel Dominus Margritatque Gerald, hanc struxere Domum quos ligat unus amor 1641’ (Edmund Supple and Margaret Gerald, whom love binds as one, built this house in 1641). As was so often the case, especially during the troubled period of the Confederate Wars, the couple did not long enjoy the place: before long: in 1642 the Catholic rebels, having failed to persuade Supple to join them, drove him and his wife and children from Ightermurragh Castle and burnt it out. Edmund Supple died in 1648 and not long after the remains of the building and surrounding lands came into the possession of Roger Boyle, Earl of Orrery who managed to hold onto this acquisition even after the Restoration of Charles II when many old Irish families managed to have their estates returned to them. Edmund Supple’s descendants instead received other land in the area and built a new house for themselves, which they called Supple’s Court. In the 18th century, Ightermurragh Castle – presumably restored – was leased to a branch of the Smyth family. However, in 1772 Mr Beverley Smyth was attacked by a band of robbers who broke into the building and supposedly roasted the occupant on a gridiron in order to make him tell them where he kept his money. The castle was thereafter abandoned and left to fall into its present condition. 





Of five storeys (including an attic and semi-basement) and divided by four string courses, Ightermurragh Castle – really a fortified house – stands on a rise above the river Womanagh and is cruciform in shape. What might be considered the main block runs east to west and measures 72 by 32 feet, with walls some five feet thick. The dimensions of the wings are 20 by 16 feet, the walls around four feet thick;; that to the south held the entrance, to the north the main staircase.  Forty-five feet high, the building retains six of the original seven chimneystacks which rise a further ten or 15 feet; twelve of the fireplaces survive in situ. Of various dimensions, there are 45 windows, although none on the west gable end. 


The Shifting Lens



Next week, on Monday 8th and Tuesday 9th May,  the 21st annual Historic Houses Conference takes place at Maynooth University, County Kildare with the theme ‘Picturing the Country House’. The Irish Aesthete will be among this year’s speakers, giving a talk entitled The shifting lens: A Century of Photographing Ireland’s Ruined Country Houses.
Over the past 100 years, many of these historic properties have been either destroyed or left to fall into ruin. During the same period, how such houses are represented in photographs has also changed. In the early 1920s, pictures were taken to provide objective evidence of damage and loss: their primary purpose was functional. However, gradually other, more personal responses to ruined houses began to emerge, so that today it might be said there is a pocket industry in recording decay and neglect (the Irish Aesthete is guilty as charged). Might this change in approach have affected attitudes towards Ireland’s country houses, perhaps encouraging perception of them less as emblems of a foreign oppressor and more as gracious remnants of a former era, their loss more a source of regret than delight. Over 100 years, have these photographs helped to alter ways of thinking, or do they reflect the evolution of a different mindset? To be discussed at next week’s conference…


For further information on the 21st annual Historic Houses Conference, please see 21st CSHIHE Conference flyer.pdf (maynoothuniversity.ie)