Three in One



The name of Moone, County Kildare is said to derive from the Irish Maen Colmcille, meaning ‘Colmcille’s property’. This is because although the place was converted to Christianity in the fifth century by Palladius (who preceded St Patrick in Ireland), a monastery was founded here 100 years later by St Colmcille. No trace of that establishment remains, the ruins on site being those of a Franciscan friary of c.1300 (although parts of the structure may be earlier). A late 18th century image shows that considerably more then survived, including a Lady Chapel on the north side and a tall, square tower but these were then demolished. The remains of the church are remarkable for holding one of the finest High Crosses in Ireland, of local granite and rising some seven metres. It was only discovered in 1837, buried in ground near the south-east wall of the building; a further missing portion of the base was found in 1875 and restored in 1893. Dating from the ninth century, it is extremely well-preserved, all four sides carved with human and animal figures, many of them representing stories from both the Old and New Testament. The cross sits beneath what was apparently meant to be a temporary cover, but the plastic roof has been there for so long it has probably acquired protected structure status.




Not far away from the remains of the Franciscan friary rises another ancient structure: a 15th century tower house. The original owners are unknown, perhaps the Eustace family who came into possession of this part of the country through inheritance in 1447. They remained in occupation until at least the mid-17th century, but then lost the property during that era’s upheavals. As so often, there is only one point of access, a door on the east side to the south of which are stone steps leading all the way to the top. While the ground floor features the customary high, vaulted space, much of the interior was converted, probably in the 18th century, into a brick-lined dovecote. However the upper storey still holds an old stone chamber with a chimney and windows.




Between monastic ruins and tower house stands the third significant building on this site: a mid-18th century Palladian building known as Moone Abbey House. In the aftermath of the Williamite Wars, the land around here was bought by Thomas Ashe, a Dublin alderman. He died in 1741 and seven years later, Moone was acquired on a 999-year lease by Samuel Yates of Colganstown, County Dublin: he is believed to have commissioned the new house. Colganstown has been attributed to Nathaniel Clements, and his name has also been mentioned in association with Moone Abbey House along with that of Dublin-based architect John Ensor. The building was intended to make a good impression but is less substantial than initially appears to be the case, since the central block is only one-room deep. Among its quirkier features are the convex quadrant walls that in turn lead to rather unusual two-storey, two-bay wings with Dutch gables. An engraving of 1792 by Daniel Grose (see bottom of page) shows that originally the main house was of two storeys and with a Diocletian window at the top. The third storey – and porch – are 19th century additions. Like its immediate neighbours, Moone Abbey House has undergone various vicissitudes over the course of several centuries but thankfully survives. The course of Ireland’s history can be discovered in these three adjacent buildings, all still standing and, in the case of the house, still happily serving as a family home.




And finally, Daniel Grose’s view of the site in 1792.

 

 

Neighbours II




Coote Terrace is a row of three late Georgian three-bay, two-storey over basement villas in Mountrath, County Laois, the name derived from the Coote family who lived nearby in Ballyfin. They are in diverse condition, this one being well-maintained and with a handsome front garden. Its neighbour, on the other hand, looks in need of serious attention if the house is to survive.



Neighbours I



Moore Hall can be found on O’Moore Street, Tullamore, County Offaly. The house dates from the mid-1750s when built by Richard Moore, who may have been related to Charles Moore, Earl of Charleville (of the first creation). It was probably quite simple but just over a century later a doctor called John Ridley added the central limestone bay with its extraordinary first floor window in Jacobean Mannerist style that sits atop a more regular doorcase flanked by Doric columns and finished with a wide fanlight.  Aside from the unfortunate uPVC windows, the building survives in good condition, unlike its immediate neighbour, a pretty early 19th century cottage with Wyatt windows on either side of a tall and wide gothic doorcase: sadly this house is fast falling into dereliction.


Seven Years On



This week marks the seventh birthday of the Irish Aesthete, a somewhat surprising event. Nobody who begins such an enterprise imagines what its future might be like, or indeed how long it will continue. Somehow, this one has continued without interruption and thrice weekly since being started, almost on a whim, in September 2012. Since then it has ventured throughout the country and – thankfully – there remains an abundance of material (albeit in varying states of repair) for consideration.




Nevertheless, no such site can survive without support: there is little purpose in being a voice crying in the wilderness. So, as on previous occasions, sincerest thanks to everyone who has taken the trouble to be interested in what appears here. Your engagement and commitment makes the enterprise worthwhile. Here are seven views of the gardens at Glin Castle, County Limerick, home of the late Knight of Glin who died eight years ago this month but who during his lifetime did so much to ensure the survival of Ireland’s architectural heritage.


The Final Witness


The former Market House in Eyrecourt, County Galway. The building dates from c.1750 and is one of a number erected in the 18th century by local landlords the Eyre family to improve the circumstances of the locality. The linen industry, one of the few businesses free from import duties on goods sent to England, thrived during this period and both Eyrecourt and nearby Lawrencetown became active centres for the fabric’s manufacture, hence the need for a market house.



Designed on a T-plan and of five-bays and two-storeys, the building subsequently appears to have served a number of other purposes, including court house, school, town hall and theatre. However, at some date in the last century it was damaged by fire and has stood a roofless ruin ever since, last witness to what was once a thriving industry in the area.


More on Eyrecourt in due course…

Awaiting Developments


Wilton House on College Square North, Belfast. Dating from the early 1830s, the neo-classical building was originally constructed as two houses and is believed to have been designed by Thomas Jackson, a young Waterford-born architect who had recently gone into partnership with the older Thomas Duff of Newry. Towards the end of the 19th century, the pair of houses were combined into one so as to operate as the Hotel Metropole. In 1907 it began to be used as a mission hall for the Adult Deaf and Dumb Organisation which through various incarnations remained on the site until 2011. Since then it has sat empty and falling into dereliction, although at least the property still stands, unlike many others in the immediate vicinity which were lost to bombing and subsequent demolition during the 1970s. Wilton House was finally sold last year to developers who have lodged a planning application to convert the house into eight apartments, with a seven-storey extension to the rear containing a further 19 apartments.

The Only One of its Kind


‘In 1280, Richard de Burgh was virtually ruler of Connacht, and on June 28, 1283, there was a grant given him and his wife, Margaret, of the land which Emmelina, late Countess of Ulster, held in Ulster. It is therefore more than probable that Emmelina, Dowager Countess of Ulster, suggested to the Red Earl, to make a foundation for the Carthusian Order in Connacht. Anyhow, in or about the year 1280, Richard de Burgo established a monastery for the Chartreuse brethren at Kinalehin, doubtless, colonized from Hinton. King Edward I was favourably disposed towards the new foundation, and, on July 27, 1282, issued letters, dated from Rhuddlan, guaranteeing English protection “for the prior, monks, and lay brothers of the Carthusian Order, de Domo Dei, in Kinalehin”…John de Alatri, Bishop of Clonfert, Papal Nuncio and Collector, was a munificent patron of the Kinalehin house from 1281 to 1295, in which latter year he was translated by Pope Boniface VIII to the Archbishopric of Benevento. His successor, Robert, an English Benedictine monk of Canterbury, was consecrated at Rome by Gerard, Bishop of Sabina, in December, 1295 It is evident from the State Papers that these two bishops of Clonfert were in the favour of the Holy See and of Edward I, and both were on intimate terms with the Red Earl. The Carthusians had also a friend in Stephen de Fulburn, Archbishop of Tuam, who was Lord Justice of Ireland in 1286. William Bermingham, his successor, was also a generous patron, to the detriment, as it would seem, of the English Dominicans of Athenry.





‘The next entry we meet with concerning Kinalehin is in the ecclesiastical taxation made by order of Pope Boniface VIII, in 1302, which, however, was not completed till the year 1307, under Pope Clement V. In this taxation, the Carthusian Priory of Kinalehin, written “Kenaloyn,” is valued at £6 13s. 4d., the tenth being given as 13s. 4d. It is stated to be in the deanery of “Dondery” – now Duniry – in which there were then five rectories, namely, those of Duniry, Lickmolassy, Kinalehin, Lickerrig, and Kilconickny – and six vicarages, viz., Duniry, Lickmolassy, Kinalehin, Kilcorban, Kilmalinoge and Drummackee. The vicarage of Kinalehin is valued at £1 7s. 4d. yearly, and the tenth at 2s. 83/4d.- the sum total of the deanery of Duniry being given as £22 2s. 8d.
Richard de Burgo, Earl of Ulster, was almost at the pinacle of his power in 1307, and on June 15, 1308, he was appointed for a time as Lord Lieutenant of Ireland. In November, 1307, Robert, Bishop of Clonfert, died, and a licence to elect was issued by Edward II on December, 7 of the same year. The chapter elected Gregory O’Brogan Dean of Clonfert, to the vacant see, who received restitution of temporalities on March 22, 1308. A few months later, Edward de Burgo was provided by Pope Clement V as Provost of Tuam.’





‘The Bruce invasion occasioned considerable unrest in the years 1315-1318, and though the fortunes of war seemed to favour Edward Bruce (who was joined by his brother Robert, in 1317), the victory of Faughart, near Dundalk, on October 14, 1318, established the English power more securely than before.
In Connacht, the death of Felim O’Connor at the battle of Athenry, led to a civil war, and in 1318, Turlough O’Connor had a rival in Cathal O’Connor. The Red Earl, weary of war alarms, retired to the Abbey of Athassel, Co. Tipperary, leaving his vast estates to his grandson William. The English in Thomond got a crushing defeat at Dysert O’Dea, on May 10, 1318. No wonder that the Carthusian monks of Kinalehin felt insecure. What with the retirement of the Red Earl, the constant attacks on Sir William de Burgo, and the internecine feuds of the Irish, the year 1320 found the brethren of the Domus Dei on the slope of Sliabh Echtge, in a pitiable plight. The worthy Bishop of Clonfert died in 1319, and no election of a successor could be made for two years, “owing to the fighting in these parts,” as stated in the brief appointing his successor, John (Archdeacon of Kilmacduagh), in 1322. Accordingly, in 1321, the priory was suppressed by order of the General Chapter of the Grande Chartreuse, and in the same year the Carthusians left Kinalehin for ever. Sir William de Burgo died in 1324, and the Red Earl died penitently with the Augustinian monks of Athassal, on July 29, 1326, being succeeded in his title and possessions by his grandson William, murdered in 1333.
It only remains to add that in 1371 the Franciscans were given the ruinous priory of Kinalehin by Pope Gregory XI, and the friary was built in 1372. It flourished till 1740.’


Extracts from The Carthusians in Ireland by W. H. Grattan Flood, The Irish Ecclesiastical Record, 4th Series, Vol. XXII, No. 477, September 1907

A New Purpose


After last Wednesday’s sad spectacle of the decaying former hospital in Ballinasloe, County Galway, here is a more positive example of what can be done with such properties. The Richmond Surgical Hospital on North Brunswick Street, Dublin originally opened in 1811 in what had once been a 17th century convent. Eventually in 1895 a new building was begun on the site, designed by Dublin practice of Carroll & Batchelor in the then-fashionable English Renaissance idiom employing red brick and terracotta. The U-shaped hospital has a central block with two wings that thrust forward, each with two floors of balconies for convalescents to enjoy light and fresh air, and each topped with ogee-shaped copper domes. The Richmond continued to operate as a hospital until being closed in 1987 during one of the era’s rounds of health service rationalisation. Thereafter it served for a time as a courthouse but in 2013 was bought by the Irish Nurses and Midwives Organisation, which body last year opened the building as an education and event centre thereby demonstrating that an old hospital can find a new purpose.

A Poor Example


The slowly decaying carcase of the former St Brigid’s Hospital in Ballinasloe, County Galway. Opened in 1833, it was originally called the Connacht District Lunatic Asylum, one of more than twenty built across Ireland during the middle decades of the 19th century. Many of them, including this one, were designed by Dublin architect William Murray who drew on the plans and ideas of his cousin, Francis Johnston: he had been responsible for the first such public institution in Ireland, the Richmond Lunatic Asylum (now part of the Dublin Institute of Technology campus) built 1810-14. St Brigid’s design was inspired by ideas developed at the end of the 18th century by philosopher and social reformer Jeremy Bentham about how best to manage inmates in large institutions. He conceived of a building which he called a Panopticon (from the Greek panotes, meaning ‘all seeing’) which was originally circular, those in charge occupying the central section and thus able to observe what was happening around them. The Ballinasloe hospital is a variation on this theme. Here, as was also the case in the slightly earlier Limerick Lunatic Asylum likewise designed by Murray, wings radiate on four sides from a central block which provided accommodation for the governor and other members of staff: access to the wings and their extensions was only possible via the central block, the importance of which is emphasised by the clock tower topped by copper ogee dome. St Brigid’s is vast. At the turn of the last century, for example, it had more than 1,150 inmates and after that date further buildings were constructed on the site. After closing down in 2013, today most of it stands empty and decaying, like so many other historic properties that are the responsibility of the Health Service Executive. The longer the building stands empty and neglected, the more likely it will fall into further decay – or worse be subject to the kind of vandalism from which other similar former institutions have suffered. The state owns St Brigid’s: its present condition sets a poor example of care for what is supposed to be a ‘protected structure’.


A Very Pleasant Place


Writing in 1744, the indefatigable Mrs Delany described Seaforde, County Down as being ‘a very pleasant place and capable of being made a very fine one; there is more wood than is common in this country and a fine lake of water with very pretty meadows. The house is situated on the side of a hill and looks down on his woods and water. The house is not a very good one, but very well filled; for he has ten children, the youngest about ten years old – but that’s a moderate family to some in this country.’ In fact the ‘he’ to whom Mrs Delany here refers, Matthew Forde (1699-1780) had ten children with his two wives, so it is not surprising to find Mrs Delany some years later worrying that ‘there is one error which most fathers run into, and that is in providing too little for daughters; young men have a thousand ways of improving a little fortune, by professions and employments, if they have good friends, but young gentlewomen have no way, the fortune settled on them is all they are to expect – they are incapable of making an addition.’ In fact, all three Forde daughters did marry, so they must have been provided with some money by their father.





The Forde family claim descent from the Norman de la Fordes who are believed to have settled in Fordestown (now Fordstown), County Meath in the 13th century. The move to County Down occurred in the first half of the 17th century when Mathew Forde, of Dublin and Meath, ought the Barony of Kinelarty, running to more than 20,000 acres, from Thomas Cromwell, future first Earl of Ardglass for £8,000. The acquisition of property here began in 1617 then Forde married Eleanor MacArtan, niece of Phelim Macartan who more than a decade before had sold some of the land of the Lordship of Kinelarty to Lord Ardglass’s father. For the next century or so, the Fordes lived primarily in Dublin (where they sat in the Irish House of Commons) and County Wexford, where they also held property and which they represented in Parliament. It was only during the lifetime of the Matthew Forde of whom Mrs Delany wrote, that they started to spend more time in County Down (and indeed, to stand for election there). The original house at Seaforde, disparagingly described earlier as ‘not a very good one’, had been built by Matthew Forde’s father (also called Matthew). Other than a bare outline in grass, nothing remains of this building, which was destroyed by fire in 1816 and soon afterwards replaced by the present house in severe neo-classical style fronted in sandstone ashlar: its design is attributed to English architect Peter Frederick Robinson. Seaforde remains home to the Forde family.





As Mrs Delany noted, the situation of Seaforde is fine, aided by house and yards being flanked by large lakes to the immediate east and west. To the north of these buildings lies a five-acre walled garden, the origins of which date to the mid-18th century. As was the case with similar estates throughout these islands, in the Victorian era, these gardens were elaborately laid-out with axial paths and complex formal planting. The south-facing wall was covered in a series of greenhouses; tropical fruits such as pineapples grown in these won prizes at fairs in Belfast. However, by the middle of the last century, Seaforde’s walled garden had fallen into dereliction, and all the greenhouses cleared away. It was only following the marriage of Patrick Forde to Lady Anthea Lowry-Corry in 1965 that work began to reclaim the area, and to transform it into what can be seen today. At its centre stands a hornbeam maze, planted in 1975 to mark the Fordes’ tenth wedding anniversary and now the oldest surviving maze in Ireland. Elsewhere, can be seen perhaps the finest collection of Eucryphia on the island, and many specimen trees, as well as some of the earliest Wellingtonia to be grown here (in the mid-19th century). The gardens at Seaforde, together with an adjacent butterfly house, are seasonally open to the public.


For more information on the gardens at Seaforde, see: https://www.seafordegardens.com