First Impressions



Kinnitty Castle, County Offaly was originally known as Castle Bernard, its name reflecting that of the man responsible for commissioning much of what is seen today, Thomas Bernard, although an earlier house is incorporated to the rear of the building. All cased in crisp limestone, it was designed in the early 1830s by architect siblings James and George Pain, and reflects the period’s fondness for the Tudor-Revival style, although an octagonal tower on the south-west corner harks back to an earlier era. Kinnitty Castle was burnt out in 1922 and subsequently rebuilt, before becoming an agricultural college in the 1950s. A quarter of a century ago it was converted into an hotel, and remains so to the present. Inside the main gates is a pretty Tudoresque lodge (with the most charming ogee-headed doorcase) which is thought to be older than the main house, perhaps dating to the opening years of the 19th century and designed by Samuel Beazley. Alas, despite providing a first impression for guests to the hotel, it stands empty and has been allowed to fall into the present sad condition.


Copycats



After Monday’s post explaining the history of Thomastown Castle, County Tipperary, these pictures might be of interest since they show the gate tower that formerly gave access to the main house. It dates from around 1812 and was likewise designed by Richard Morrison: note the Mathew family coat of arms prominently displayed over the gateway. Aside from this detail, the building is almost identical to a similar gate tower at the entrance to the demesne of Borris House, County Carlow. This was also designed by Morrison and at the same date: one wonders if the estates’ respective owners ever noticed or remarked on the duplication?


Differing Fates II



The Rathdiveen or ‘Tiara’ gate lodge stands at what was once another of the entrances to Rockingham, County Roscommon. Dating from c.1810 like many other buildings on the estate, this one is believed to have been designed by John Nash, the architect of the main house, but it has also been attributed to Humphrey Repton with whom Nash had earlier worked. However, since the two men had famously fallen out and ended their partnership in 1800, a link with Repton seems highly unlikely. The lodge’s most distinctive feature is a highly-distinctive bowed pediment reminiscent of a tiara which rises above a Doric colonnaded portico: the facade’s frieze echoes that found on the adjacent gate posts. Unfortunately, some years ago the latter were moved during road-widening works and not correctly realigned, thereby disrupting the symmetry of the entrance. Nevertheless, the lodge itself has been well-maintained by private owners, a contrast with the poor condition of the lodge shown here a few days ago which is in public ownership.

Differing Fates I



The two-storey gatehouse which formerly provided the main entrance to the Rockingham estate in County Roscommon; this building, like most of the others here, was commissioned by Robert King, first Viscount Lorton from architect John Nash. The gatehouse, however, is not in the classical idiom employed elsewhere at Rockingham but instead is an exercise in Tudorbethan Gothic with a crenellated parapet and pointed-arch windows, sandstone used for the main body of the building and limestone for the dressings. For the past half century this part of the former estate has been in public ownership, jointly managed by the local authority and Coillte. It might therefore have been thought that the historic buildings under their care would be decently maintained, but instead the gatelodge, under which many visitors pass as they arrive at the site, has been allowed to fall into neglect; hardly an impressive introduction to the place. Instead of being left in its present condition, the building ought to be restored, and could repay investment by being offered for holiday lets.


Seeking Fresh Purpose


A little classical gem: a lodge at the entrance to St Patrick’s College, Carlow. The English-born architect Thomas Alfred Cobden, who designed the main buildings on the site (and who for a couple of decades received an astonishing number of commissions in this part of the country), is thought to have been also responsible for the lodge which dates from around 1820. It has a beautifully austere facade, the pedimented portico supported by a pair of Doric columns, these features made of the local granite. The interior has an entrance hall and two rooms, but alas at the moment is empty and – inevitably – falling into neglect: surely some use can be found for the place?



A Grand Approach I



A triumphal arch that formerly announced entrance to the Oak Park estate in County Carlow. Constructed of crisp granite, it dates from the late 1830s when designed by William Vitruvius Morrison for owner Colonel Henry Bruen. The external side has flanking screen walls and a carriage turn, while there are paired Ionic columns on either side of the arch. The park side is simpler with Doric pilasters. It seems the architect and his father, Sir Richard Morrison, had previously proposed a similar design to both Barons Court, County Tyrone and Castle Coole, County Fermanagh, so this is a case of third time lucky. There are rooms on either side of the arch which seemingly was occupied up to 1970. The gates which once stood inside the arch are long-since gone as this is now a public road.


Quite Ordinary Shapes


‘The lodge was built all over and each side of the gate, in two two-storey octagonal turrets joined by a Gothic arch. Four octagonal rooms in the turrets and an up and down room in the arch housed the Conarchy family, who were all, however, quite ordinary shapes.’
The above passage describes the gatelodge entrance to the fictional Kilskour Castle in Sheila Pim’s A Brush with Death, published in 1950. An ardent gardener who wrote extensively on the subject, Pim (1909-1995) also produced four detective novels (often with a strong horticultural theme) from the mid-1940s onwards, although A Brush with Death is more concerned with art and provides an amusing portrait of Dublin’s cultural world in the middle of the last century.
As for the lodge shown here, it was the original entrance to Heywood, County Laois and is thought to have been designed around 1810 by the estate’s then-owner Michael Frederick Trench, who was also responsible for erecting a number of Gothic follies in the grounds (for more on these, see https://theirishaesthete.com/2018/08/27/heywood/)

Going Nowhere



The east or Raheenroe gate lodge that formerly provided entrance to Castle Oliver, County Limerick. Both this and the west (Ballyorgan) lodges and gates were designed in the mid-1840s for the Misses Oliver Gascoigne by Yorkshire-based architect George Fowler Jones: his clients’ intention was to provide work to local tenants during the Great Famine. As with the main house, Jones chose a high Gothic style but while the east lodge looks like a miniature medieval French castle (the corner turret once had a tall conical roof), that at the west gate was meant to evoke the Scottish manorial style, the architect having been born in Inverness. Both alas are now derelict but being sturdily constructed could easily be restored and made habitable again.


Not Plain but Somewhat Bald


The main house at Loughcrew, County Meath – or at least its re-erected portico – was shown here last week  (see https://theirishaesthete.com/2020/06/17/loughcrew) . The Naper family estate was once ringed with a number of lodges, one of which also featured on this site some time ago (see https://theirishaesthete.com/2016/09/05/cursed). Formerly in a poor state of repair, that building is now undergoing restoration and should yet be occupied once again. Not far away stands another lodge, alas in a poor state of repair, and while not plain it is now rather bald. Perhaps someone might like to undertaken a similar rescue of what, even in its present state, remains a very handsome and sturdy little building?

Leading to Ruin



The main entrance to Oaklands, County Tipperary, a house built in the late 18th century. Centred on fine rusticated limestone gateposts, the walls curve outward to a pair of lodges. That on the right retains what is likely to have been the original form of both, single storey with a pedimented façade featuring windows on either side of a doorcase slightly recessed inside an arch. At some date the lodge on the left was enlarged, and given a hodge-podge of decorative details including Doric pilasters and Tudoresque mouldings above the windows. All now derelict, like the house to which these gates once gave access.



More on Oaklands next Monday.