The south lodge at Berkeley Forest, County Wexford. Dating from c.1800 it is in Georgian Gothic form and once featured a doorcase (now blocked up) between the two lancet windows with granite surrounds. The other side of the house, which just has two windows, gives an idea of this building’s diminutive proportions.
A gate lodge at the entrance to the former Castle Morres estate in County Kilkenny. The main house here, built for the de Montmorency family, dated from the mid-18th century, its design attributed to Francis Bindon: the remains of the building were demolished in 1978. This lodge was constructed later, at some point in the second quarter of the 19th century and is presumed to have been the work of Daniel Robertson.
The purity of the building’s cut-limestone Temple pedimented portico façade is rather marred by the later addition of an attic storey, and even more by the rather lumpen extension to one side. Even so, one can still gain an idea of the building’s original appearance (and adjuncts can always be reversed).
Writing of Creagh Castle, County Cork in 1841 local antiquarian John Windele declared ‘The Gateway is the handsomest thing I have seen in the country, formed of panelled piers, surmounted by ogee crocheted pinnacles with finials, etc., the arches depressed, the workmanship is excellent.’ Although no architect is known to be responsible, the entrance gateway is thought to have been designed by brothers George and James Pain and to date from c.1827.
Located on a narrow country road and exceptionally wide (and therefore impossible to photograph fully face-on), these are the entrance gates to Newberry, County Cork. It would appear that the outer pair of classical ashlar pillars dating from the 18th century and topped with eagles comes from an older entrance to the estate close to the adjacent church of St Senach. In the 1840s, the present gateway was created and the older pillars incorporated into this, but separated by rustic rubble walls from a smaller pair of pillars, this time crowned by pineapple finials. Sadly the Georgian Gothic lodge on the other side of the road has now fallen into ruin.
Another set of entrance gates in County Cork, this time dating from the early 19th century and formerly leading to Rye Court. As was discussed some months ago (see last January 26th, https://theirishaesthete.com/2019/01/26/ryecourt), the house here was one of a number burnt by the IRA in this part of the country in June 1921 and has stood a ruin ever since. Entrance to the site is now through a secondary opening to the left of the gates, and between the two rises the ghostly residue of a lodge, soon to be entirely smothered in vegetation.
Fortgranite, County Wicklow was discussed here a month ago (see: https://theirishaesthete.com/2019/04/15/fortgranite). The estate’s best-known gatelodge takes the form of a rusticated toy castle, but this one greets visitors at the start of another drive. Of local granite, of course, and dating from c.1840, it is unusual in presenting identical facades both front and rear: on both sides, there is a canted breakfront at the centre of the building featuring a doorcase. Other than for reasons of symmetry, one wonders why the necessity for two entrances in such a small lodge?
Looking like a miniature fort, this is the former gatelodge to Belmount, County Cork which sits across a bridge spanning a tributary of the river Bride. The main part of the building rises three storeys, with two-storey castellated extensions to the rear running along the waterfront. Above the entrance are the remains of an Oriel window, a finial over that bearing the date 1837: sadly now roofless, there are only traces remaining of how the interior once looked.
The Lion Gate at Mote Park, County Roscommon. This was once one of the entrances to an estate owned by the Crofton family who settled here in the second half of the 16th century; in 1798 they became Barons Crofton of Mot . In the 1620s their forebear George Crofton built Mote Castle, but it was replaced by a new house at some date between 1777-87. This property was in turn rebuilt after being gutted by fire in 1865 but only survived another century: the last of the Croftons left Mote in the 1940s after which the contents were auctioned: the house itself was demolished in the 1960s. In February 2015 its former portico, rescued at the time of the demolition, was sold at auction for €12,000.
According to a history of Mote Park compiled in 1897 by Captain the Hon Francis Crofton, the Lion Gate was erected in 1787 and its design has sometimes been attributed to James Gandon, although this is disputed. Whatever the case, it takes the form of a Doric triumphal arch with screen walls linking it to what were once a pair of identical lodges (but are now used for housing livestock). A plinth on top of the arch features a Coade Stone lion, one foot resting on a ball. Over time this had become much weathered (not helped by bees nesting inside the animal) and when taken down a few years ago three of its feet fell off. Following restoration work at the Coade workshop in Wiltshire, the lion was reinstated in September 2016 and now once more surveys what is left of the Mote parkland: this restoration was funded by a number of sources, predominantly American supporters of the Irish Georgian Society.
Set into a wall to the immediate west of the main entrance into Mearescourt, County Westmeath is this pedestrian gateway. It appears to be a survivor from the main house at the end of the drive: this was developed over the 17th and 18th century around an earlier tower house and the building’s present front dates from c.1760. Probably when this work was completed and a classic Paladian doorcase installed, the earlier version was removed. However, rather than simply dispose of it, the owners recycled the stone here. So this is a late-Baroque ashlar limestone doorcase with moulded architraves, the cornice supported by carved brackets, a rare survivor from the period although in need of some attention to ensure its future.
Killua, County Westmeath was originally built in c.1780 as a regular three-storey classical house, before being transformed into a gothic castle fifty years later to the designs of James Pain. Two of its lodges represent these different periods and styles. That above is the Temple Lodge with its Ionic portico and high gabled pediment. Further along the former estate walls stands the Castle Gate Lodge, presumably also designed by Pain and intended to prepare visitors for what lay ahead since it incorporates many of the features found in the main house. The other difference between the two is that whereas the older lodge is still occupied and in good condition, the more recent one has fallen into disrepair.