‘The lodge was built all over and each side of the gate, in two two-storey octagonal turrets joined by a Gothic arch. Four octagonal rooms in the turrets and an up and down room in the arch housed the Conarchy family, who were all, however, quite ordinary shapes.’
The above passage describes the gatelodge entrance to the fictional Kilskour Castle in Sheila Pim’s A Brush with Death, published in 1950. An ardent gardener who wrote extensively on the subject, Pim (1909-1995) also produced four detective novels (often with a strong horticultural theme) from the mid-1940s onwards, although A Brush with Death is more concerned with art and provides an amusing portrait of Dublin’s cultural world in the middle of the last century.
As for the lodge shown here, it was the original entrance to Heywood, County Laois and is thought to have been designed around 1810 by the estate’s then-owner Michael Frederick Trench, who was also responsible for erecting a number of Gothic follies in the grounds (for more on these, see https://theirishaesthete.com/2018/08/27/heywood/)
The east or Raheenroe gate lodge that formerly provided entrance to Castle Oliver, County Limerick. Both this and the west (Ballyorgan) lodges and gates were designed in the mid-1840s for the Misses Oliver Gascoigne by Yorkshire-based architect George Fowler Jones: his clients’ intention was to provide work to local tenants during the Great Famine. As with the main house, Jones chose a high Gothic style but while the east lodge looks like a miniature medieval French castle (the corner turret once had a tall conical roof), that at the west gate was meant to evoke the Scottish manorial style, the architect having been born in Inverness. Both alas are now derelict but being sturdily constructed could easily be restored and made habitable again.
The main house at Loughcrew, County Meath – or at least its re-erected portico – was shown here last week (see https://theirishaesthete.com/2020/06/17/loughcrew) . The Naper family estate was once ringed with a number of lodges, one of which also featured on this site some time ago (see https://theirishaesthete.com/2016/09/05/cursed). Formerly in a poor state of repair, that building is now undergoing restoration and should yet be occupied once again. Not far away stands another lodge, alas in a poor state of repair, and while not plain it is now rather bald. Perhaps someone might like to undertaken a similar rescue of what, even in its present state, remains a very handsome and sturdy little building?
The main entrance to Oaklands, County Tipperary, a house built in the late 18th century. Centred on fine rusticated limestone gateposts, the walls curve outward to a pair of lodges. That on the right retains what is likely to have been the original form of both, single storey with a pedimented façade featuring windows on either side of a doorcase slightly recessed inside an arch. At some date the lodge on the left was enlarged, and given a hodge-podge of decorative details including Doric pilasters and Tudoresque mouldings above the windows. All now derelict, like the house to which these gates once gave access.
The south lodge at Berkeley Forest, County Wexford. Dating from c.1800 it is in Georgian Gothic form and once featured a doorcase (now blocked up) between the two lancet windows with granite surrounds. The other side of the house, which just has two windows, gives an idea of this building’s diminutive proportions.
A gate lodge at the entrance to the former Castle Morres estate in County Kilkenny. The main house here, built for the de Montmorency family, dated from the mid-18th century, its design attributed to Francis Bindon: the remains of the building were demolished in 1978. This lodge was constructed later, at some point in the second quarter of the 19th century and is presumed to have been the work of Daniel Robertson.
The purity of the building’s cut-limestone Temple pedimented portico façade is rather marred by the later addition of an attic storey, and even more by the rather lumpen extension to one side. Even so, one can still gain an idea of the building’s original appearance (and adjuncts can always be reversed).
Writing of Creagh Castle, County Cork in 1841 local antiquarian John Windele declared ‘The Gateway is the handsomest thing I have seen in the country, formed of panelled piers, surmounted by ogee crocheted pinnacles with finials, etc., the arches depressed, the workmanship is excellent.’ Although no architect is known to be responsible, the entrance gateway is thought to have been designed by brothers George and James Pain and to date from c.1827.
Located on a narrow country road and exceptionally wide (and therefore impossible to photograph fully face-on), these are the entrance gates to Newberry, County Cork. It would appear that the outer pair of classical ashlar pillars dating from the 18th century and topped with eagles comes from an older entrance to the estate close to the adjacent church of St Senach. In the 1840s, the present gateway was created and the older pillars incorporated into this, but separated by rustic rubble walls from a smaller pair of pillars, this time crowned by pineapple finials. Sadly the Georgian Gothic lodge on the other side of the road has now fallen into ruin.
Another set of entrance gates in County Cork, this time dating from the early 19th century and formerly leading to Rye Court. As was discussed some months ago (see last January 26th, https://theirishaesthete.com/2019/01/26/ryecourt), the house here was one of a number burnt by the IRA in this part of the country in June 1921 and has stood a ruin ever since. Entrance to the site is now through a secondary opening to the left of the gates, and between the two rises the ghostly residue of a lodge, soon to be entirely smothered in vegetation.
Fortgranite, County Wicklow was discussed here a month ago (see: https://theirishaesthete.com/2019/04/15/fortgranite). The estate’s best-known gatelodge takes the form of a rusticated toy castle, but this one greets visitors at the start of another drive. Of local granite, of course, and dating from c.1840, it is unusual in presenting identical facades both front and rear: on both sides, there is a canted breakfront at the centre of the building featuring a doorcase. Other than for reasons of symmetry, one wonders why the necessity for two entrances in such a small lodge?