No Admission


A blocked doorcase in the former farmyard at Grangemore, County Westmeath. The main house here, now also a ruin, was built in the opening years of the 19th century by a member of the Fetherston family: it later passed by marriage to the Briscoes. During the last century what remained of what was once a substantial estate fell into decline, the house standing empty for periods until it was stripped of disposable assets and unroofed in the late 1950s. Its shell now stands in the midst of fields, as does the complex of which this doorcase forms a part.

A Tantalising Hint


A former gate lodge to Elm Park, otherwise known as Clarina Park, County Limerick. Designed by brothers James and George Pain, the house here was built 1833-36 for Eyre Massey, third Baron Clarina following the latter’s marriage to 18-year old heiress Susan Barton (her father was the Hiberno-French wine baron Hugh Barton). Built at the cost of £50,000 with an abundance of towers and castellations, Elm Park was demolished in the early 1960s. Today this lodge, the carriageway since enclosed to increase accommodation, is one of the few extant buildings to give a tantalising hint of the lost house’s appearance.

Presents of Mind I


One of the gates at the entrance of the Keep Gate standing in the grounds of Birr Castle, County Offaly incorporating the Parsons family coat of arms. With machicolations, slit and loop windows, and crenellated battlements, this two-storey miniature castle was designed by Mary, third Countess of Rosse in 1847-8 and constructed as a famine relief project. Well inside the grounds of the estate, the Keep Gate forms part of a star-shaped moat around the castle, the moat being designed by the Countess’s uncle Captain Richard Wharton Middleton.
The Keep Gate is one of many buildings to feature in a splendid new publication Flights of Fancy: Follies, Families and Demesnes in Offaly written by County Architect Rachel McKenna. After initial chapters investigating the nature of follies and other demesne architecture, McKenna goes on to consider in depth fifteen different estates in Offaly, some well-known – like Birr and Charleville – others less familiar such as Ballycumber, Prospect and Acres’ Hall. Running to 348 pages, the work is extensively and admirably illustrated with abundant colour photographs, maps and plans, drawings old and new and many other images to complement the text. Published by Offaly County Council, this is a model of the kind of book all local authorities should be producing: one hopes others will follow Offaly’s lead in demonstrating such pride in the region’s built heritage. Hard to fault and impossible to resist, not least because the volume’s price is a very affordable €30.


Flights of Fancy: Follies, Families and Demesnes in Offaly by Rachel McKenna is published by Offaly County Council.

A Most Happy – and Narrow – Escape


‘We have had a most happy – and narrow escape [from] having the whole house burned – Most fortunately the fire broke out by day – if it had been in the night, nothing could have saved us – and nothing would have saved us either by day or night but the extraordinary courage, zeal, activity, steadiness & obedience of the people who came to our assistance – 30 men & boys who went on unremittingly for above 3 hours from 7 o’clock in the morning till half after 10 carrying water up, up, up ladders & staircase & pouring continually, continually down the chimney till at last the fire was got under and extinguished – the total extinction & complete safety was not effected till half after seven in the evening…
Lovell & I first met in the study, he carrying the tin box with the title deeds – I undertook the carrying out of all the papers with 2 men he left me – Mrs Smith’s son and Dargan – most steady they were – in less than an hour’s time they had carried out all the presses of leases, etc, boxes of surveys & every rent book – The top of Mr Hind’s [the land agent] in which were his accounts & I know not what & it was impossible to open the locks –
First I tried to get the things out of the study window – impossible opening from top – too high up – weight of presses – breadth of table – imposs – The men actually carried the who alcove mentioned through the hall – down the stairs – while every instant bucket men were ascending – how it was done Heaven knows – Honora and I carried out all my papers & Lovell’s – and my mother’s – letters – (pigeon holes) money accounts, books all laid on the grass before library window –my father’s picture on the veranda – all the library side of the hall pictures, Mr Dat etc.
The quiet at front of house seemed most extraordinary! – as if it knew nothing & nature knew nothing of what was going on – But what is still more extraordinary, my dear Fanny, believe me if you can – I whom you have seen such an egregious coward in small or no danger in a carriage felt all the this time without fear – absolutely as if the magnitude of the danger swallowed up fear – I was absolutely bereft of feeling & could think & did think as coolly as I do now – and more clearly – I cannot understand it but it is a fact…’


Extract from a letter of May 14th 1828 written by Maria Edgeworth to her half-sister Fanny and describing a fire that damaged but did not destroy the family home at Edgeworthstown, County Longford. Dating from 1791 and painted by Mrs Mary Powys the upper picture shows the house as it was after improvements carried out by Richard Lovell Edgeworth. The lower picture shows the same building in the late 1850s, some ten years after Maria Edgeworth’s death. The little bow window to the left gave light to her equally modest bedroom – but it fell off the wall some years later. Thankfully the greater part of the house still stands, although altered to serve as a nursing home. Both images and the letter are included in Maria Edgeworth’s Letters from Ireland most skilfully selected and edited by Valerie Pakenham, and just published by Lilliput Press.

Marlfield


A pair of coach houses in the stableyard of Marlfield, County Tipperary. Dating from the last decades of the 18th century, the house was occupied by successive generation sof the Bagwell family until burnt by anti-Treaty forces in January 1923. One of the country’s finest libraries in private hands was lost in the fire, along with a valuable collection of Old Master paintings. Three weeks later, John Philip Bagwell, who was a Senator in the Free State Dail as well as General Manager of the Great Northern Railways, was kidnapped by the same group that had burnt his home, and held hostage in the Dublin Mountains. After some days he managed (or was allowed) to escape following the threat of reprisals from the government. Marlfield was subsequently rebuilt in a simplified form but the Bagwells eventually sold the estate and more recently the house has been subject to further alterations. It is now for sale.

Rising from the Dead

Anyone driving south-east from Durrow, County Laois on the N77 cannot fail to notice a striking ruin on a rise just outside the town. This is Knockatrina, yet another Irish house with unclear origins. The land here was owned by the Flower family, created Viscounts Ashbrook in 1751, whose main residence was nearby at Castle Durrow. The fifth Lord Ashbrook had three sons, the youngest of whom, Lt-Colonel Robert Flower is known to have been living in Knockatrina by the late 1860s following his marriage to Gertrude Hamilton: with no expectations of inheriting the main property, this would have been as much as he could expect to receive. And as the youngest of the family, he had to earn his living which he proved admirably capable of doing since he had a strong interest in engineering. He was responsible for a number of inventions, including a handloom for the unskilled and a latch-hook needle for faster weaving: these devices would be put to use by his neighbour the fifth Viscount de Vesci who in 1904 opened a carpet factory in Abbeyleix. Two years later Robert Flower became eighth Viscount Ashbrook, neither of his elder brothers having had male heirs (in 1877 the sixth Lord Ashbrook had divorced his wife Emily on the grounds of adultery with a Captain Hugh Sydney Baillie). As a result he came into possession of Castle Durrow but by that time the family finances were in poor condition and three years after his death in 1919 the ninth viscount was obliged to sell Castle Durrow.






Knockatrina was inherited by the eighth Lord Ashbrook’s eldest daughter the Hon Frances Mary Flower who in 1893 married Henry White, the younger son of a neighbour. As early as 1908 she and her husband were in trouble for failure to pay debts yet somehow they managed to hang on. Following her husband’s death in 1923, Frances White continued to farm and train horses, despite being declared bankrupt in 1928. It was only in 1946 that she finally moved out of Knockatrina and into a nursing home in Kilkenny where she died the following year aged eighty.
Knockatrina meanwhile had been bought by Mary Mooney who acted as housekeeper and companion to another local woman, Amy Mercier (Mary Mooney would be the beneficiary of the latter’s will). It seems Ms Mooney acquired Knockatrina as an investment rather than a residence since in 1958 her agent, a farmer in the vicinity, arranged to have the house stripped of all removable fittings and unroofed (this was the period when any such building with a roof was liable to domestic rates, hence many of them had the slates removed). Left a shell, Knockatrina quickly deteriorated and the land on which the remains stand was subsequently sold.






As is so often the case, no records appear to exist offering information about when Knockatrina was built or who might have been its architect. It has been proposed that Robert Flower was responsible for the house’s construction but this seems unlikely, not least because by the time he moved there the family was already burdened by debt. More importantly, on the basis of design it looks to belong to the group of medium-sized country houses including Rathwade, Wykeham and Mount Leinster Lodge. There were all in nearby County Carlow and built during the 1830s to the designs of the prolific (and – like the Flowers – permanently indebted) Daniel Robertson in a loosely Tudor Gothic style. If Knockatrina belongs to the same group, and indeed was designed or inspired by the same architect, this means it would have been erected during the lifetime of the fourth Viscount Ashbrook, whose first wife Deborah Friend was a considerable heiress. Given its proximity to Castle Durrow, Knockatrina would then have served as either a dower house or an agent’s residence. However neither would have been required by the late 1860s, so handing it on to a younger son made sense. Inevitably given that the house has been unroofed for almost sixty years almost nothing of the interior survives (other than some tiles on the entrance hall floor). Fortunately, as can be seen in the photographs above, the present owner does not wish for the building to fall into further disrepair. On the contrary, he is keen to undertake a programme of restoration over the coming years and return Knockatrina to residential use. All being well it won’t be long before the view from the N77 offers passers-by not a ruin but once again a fully functioning house.

Playing to the Gallery


The extraordinary first-floor gallery at Crom Castle, County Fermanagh. Designed by Edward Blore, the present house dates from the mid-1830s to replace an earlier castle destroyed by fire: ironically sections of this one suffered the same fate soon after completion and had to be reconstructed. The core of the castle is given over to an inner hall that features a bifurcating staircase composed of wood and plaster and in late-Perpendicular style. It rises to the generous gallery screened by a run of arches at either end, the whole lit by an immense octagonal roof lantern.