Something of a Mystery


The history of Coolrain, County Laois is something of a mystery. The main block looks to be early-to-mid 18th century, of two storeys over raised basement and five bays with a central breakfront. The latter features a fine cut-limestone Gibbsian doorcase approached by a short flight of steps and flanked by sidelights, with a Venetian window directly above on the first floor. On either side of the main block, and seeming to be slightly later in date, are fine carriage arches, that to the right (south-east) further extending to a small stable yard. But the carriage arches are just that and no more: there is nothing behind them and the entrances are blocked up (if indeed they were ever open). It would appear their main, perhaps only, function was to extend the house façade and thereby give an impression of greater grandeur to anyone arriving there. Who designed and/or built Coolrain (and when) is unknown, but all indications are that the original owner was a member of the landed gentry with aspirations to climb the social ladder.






At some date after its construction, Coolrain was enlarged by an extension to the rear but only on the left (north-west) side. The gable ends of the older section of the building indicate it was originally just one room deep, with the central portion extended back to accommodate a staircase hall lit by another Venetian window on the return. This window was subsequently blocked up, although one wonders why this was necessary since the extension does not intrude on its space. Aforementioned extension had a kitchen in the basement and a dining room immediately above, and looks to have been added towards the end of the 18th century. The gardens behind presumably ran down to the river Tonet not far away, but to the west of the house and yard are the remains of a little rectangular folly, presumably a tea room (since it has a small basement where the servants could prepare refreshments) from which there would have been a charming view of Coolrain.






In his 1837 Topographical Dictionary of Ireland, Samuel Lewis lists Coolrain (then spelt ‘Cooleraine’) as being occupied by one T. Palmer. There were a number of Palmers living in Laois at the time, not least at Cuffsborough some eight miles to the south where the house has a similar doorcase (albeit set into a grander façade). Lewis notes that there were extensive flour and oatmeal mills in the adjacent village of Coolrain, so it may be that the occupants of the big house were involved in such a commercial enterprise. Later it was the residence of the Campion family who farmed the surrounding land until the death in 1921 of the last member to live there. Coolrain seems to have fallen into ruin subsequently, being too big and too hard to maintain for the average farmer. More recently some work was initiated on the outbuildings, but this appears to have been abandoned, and the house now stands in the middle of a field, the mystery of its origins and early history becoming ever-harder to discern.

A-Bandon




Like many Irish houses, Castle Bernard, County Cork has a long and complex architectural history, some aspects of which are still not clear. The place takes its name from the Bernard family, the first of whom – christened Francis like many of his successors – came here during the Plantation of Munster in the late 16th century. He acquired lands which had formerly been owned by the O’Mahonys and was centred around a great square tower house called Castle Mahon to the immediate south of the river Bandon. This became the Bernards’ residence, its name at some date changed to Castler Bernard, until c.1715, Francis Bernard, great-grandson of the original settler, and Solicitor-General of Ireland, Prime Serjeant and Judge of the Court of Common Pleas initiated work on a new building, seemingly to the designs of John Coltsman of Cork. This involved adding wings to the old tower house, the whole encased in brick with Corinthian pilasters and other ornamentations in Portland stone. A decade later the surrounding demesne was transformed into a formal garden with terraces, cascades, jets d’eau and statuary. This arrangement lasted until the end of the 18th century when Castle Bernard underwent a further transformation.





In 1794 the Cork architect Michael Shanahan, best-known work commissioned in Ulster by his patron Frederick Hervey, Earl-Bishop of Derry, prepared designs for a new house at Castle Bernard. (For more on Shanahan and the Earl-Bishop, see It’s Downhill All the Way, October 28th 2013 and Let the Door be Instantly Open, For There is Much Wealth Within, March 31st 2014). This involved pulling down the additions to the original tower house, and instead erecting a structure to its immediate east, a linking corridor running between the two. In 1800 another Corkman, William Deane, prepared estimates of £522.4s.4d. for work in finishing the house. In both instances, the client was Francis Bernard who from 1793 gradually scaled the hierarchy of the peerage until 1800 when created first Earl of Bandon. The house he commissioned was classical in style, of two storeys over basement and with a nine-bay entrance front. The garden front was similar but broken by a substantial full-height bow occupying the three centre bays. Just fifteen years later, Lord Bandon undertook further work, this time by an unknown architect, in order to give it the – largely superficial – appearance of a gothic castle, and thereby provide better links both to the old tower house and to the Bernard family’s ancient pedigree. While the garden front experienced little other than the insertion of gothic tracery in its windows, battlements and turrets were added to the façade, and the Bernard coat of arms carved in stone above the main entrance. No great changes were made to the interior, which despite the gothic fenestration otherwise retained its classical decoration. On the ground floor, an entrance hall with Ionic pilasters and columns gave access to a wide corridor which ran like a spine down the centre of the house. Among the reception rooms, the most notable was an oval drawing room overlooking the garden: one sees in its design the abiding influence of the Earl-Bishop on Shanahan.





The Bernard family remained in residence at Castle Bernard until June 1921 when the 70-year old fourth earl and his wife were woken in the early hours of the morning by a group of IRA members and ordered out of the house, which was then set on fire. Lord Bandon was then taken into captivity by the men and held for the next three weeks, constantly moved from house to house before being released at the gates of the now-ruined Castle Bernard after three weeks: during this time he had lost a stone in weight and never recovered from the experience, dying less than three years later. He and his wife had no children, so the title passed to a first cousin twice-removed, Air Chief Marshal Percy Bernard, widely known as ‘Paddy’ Bandon. But he inherited not a lot else and so, although some compensation was received by the family, Castle Bernard was not rebuilt (the fifth earl constructed a modest bungalow behind the ruin). Since he in turn had no son, the earldom became extinct. Although his descendants still live on the estate, the land in front of Castle Bernard is now a golf course.


Towering Over the Scene


Two adjacent ecclesiastical ruins at Taghadoe, County Kildare, that to the left being a truncated round tower. A monastic site us believed to have been established here in the 6th century, its foundation attributed to a Saint Tua. From this evolved the Irish name Teach Tua (House of Tua) which eventually became anglicised as Taghadoe. The tower is all that remains of that religious settlement; rising some 20 metres, it has lost the original conical top.



The adjacent church is presumably on the site of an older structure, of which there are no visible remains. It was built in 1831, likely as part of the church rebuilding programme undertaken by the Church of Ireland’s Board of First Fruits. This must have suffered from a severe shortage of parishioners as it closed for services after just forty years and now stands a roofless shell. The building’s distinctive feature are the four octagonal towers, one at each corner. These lean out at a slight angle, as though in imitation of the older round tower which does likewise.

A Former Family Seat


About half way on the train journey between Dublin and Cork, passengers will see a vast ruin close to the line: this is Loughmoe Castle, County Tipperary former seat of the Purcell family. The Purcells were of Norman origin, their name derived from the word Pourcel, meaning Piglet and indicating they were once swineherds. Their circumstances improved when members of the family moved to Ireland in the late 12th century and settled in Counties Tipperary and Kilkenny. At the start of the 13th century Hugh Purcell married a daughter of Theobald FitzWalter, Chief Butler of Ireland and founder of the powerful Butler clan. As part of the marriage agreement, the Purcells were granted territory around Loughmore/Loughmoe, which thereafter became their principal residence. The name Loughmoe derives from the Irish ‘Luach Mhagh’ meaning Field of the Reward. This refers to a legend that Purcell won both his bride and estate by meeting a challenge to rid the area of wild beasts. Whatever the truth, this was the start of a powerful and enduring alliance. In 1328 James Butler, first Earl of Ormonde created his kinsman Richard Purcell Baron of Loughmoe: since the title was not granted by the crown it had no official status but was used by successive generations of the family until the last male heir Colonel Nicholas Purcell died in 1722.






The earliest section of Loughmoe Castle is a tower house on the south side of the site, dating from either the 15th or 16th century. Of five storeys, it has curved corners and, on the ground floor, a typical vaulted chamber measuring 37 by 29 feet. At some point in the late 16th or early 17th century, the family greatly expanded the building to the north, creating an immense fortified manor house. The middle section rises four storeys, but that at the far end matches the original tower house by rising five storeys. The main difference between the two portions is that the newer has mullioned windows of eight, six or twelve panels, ensuring the interiors enjoyed much more light. A number of chimney pieces survive within the castle from this period, one of them bearing the arms of the Purcells and Butlers, further evidence of their close links.






The Purcells were still in residence at Loughmoe Castle in the 17th century, but problems arose owing during two great periods of civil disturbance. In the Confederate Wars James Purcell, whose wife Elizabeth was sister of James Butler, first Duke of Ormonde, supported the Roman Catholic cause, with consequences when this side lost. Matters were made worse by his death in 1652, leaving a widow and young son fighting to hold onto the family’s hereditary lands. Following the restoration of Charles II in 1660, and the appointment of the Duke of Ormonde as Lord Lieutenant of Ireland the following year, the Purcells’ circumstances improved. Nicholas’ son James seems to have lived quietly at Loughmoe until the onset of the Williamite Wars when he supported the Catholic James II from the moment the king arrived in Ireland in May 1689. James Purcell fought at the Battles of the Boyne and Aughrim, and was a signatory of the Treaty of Limerick. Following the defeat of the Jacobite cause, he did not follow the example of others and flee to France but remained in Ireland, living on at Loughmoe where he appears to have retained his property; in 1705 he was one of the limited number of Roman Catholics permitted to carry firearms. He died in 1722, predeceased by his only son, after which Loughmoe passed to one of his daughters, married to a member of the White family; they were the last link of the Purcells with the castle.

The Advantages of Generous Patronage


It is difficult to visualize today, but the mediaeval friary in the centre of Ennis, County Clare originally stood on an island at a point where the river Fergus divided. The exact date of its establishment is uncertain, but the Franciscan order is believed to have been invited to open a new house here towards the middle of the 13th century: Donnchadh Ó Briain, King of Thomond is often credited with being responsible for this shortly before his death in 1242. Thereafter the friary and its grounds became the preferred burial place for generations of O’Briens and MacNamaras, the two ruling families in this part of the country. Frequently in reparation for their misdeeds over the next three centuries they gave the friars, who had little source of income, many gifts such as vestments, chalices, stained glass and books.




The advantages of having rich and generous patrons can be seen throughout what remains of Ennis Friary. As the community expanded, so the building work continued. In 1314, for example, Maccon Caech MacNamara added a sacristy and refectory to the site. And a the start of the 15th century, the handsome cloister – only sections of which survive – was constructed along with the south transept: the belfry tower dates from around 1475.




Ennis Friary contains many fine limestone carvings, mostly dating from the 15th and early 16th centuries. One of these depicts St Francis, founder of the Franciscan order, with his stigmata on display. Another shows the Virgin and Child, and a third is an affecting image of Ecce Homo, the words uttered by Pontius Pilate in St John’s Gospel when Christ, having been scourged and crowned with thorns, was presented to a hostile crowd. One of the most interesting features in the building is a series of carved panels with scenes from Christ’s Passion dating from a late-15th century tomb erected by the MacMahon family and recycled in the 1840s for a monument to the Creagh family. Unfortunately this has been placed behind glass and spotlit – making it almost impossible to photograph. A copy of the tomb stands on the site of the original in the former chancel.




Ennis Friary, like other such establishments, was suppressed in the 16th century but seemingly members of the Franciscan order continued in residence until at least 1570, thereafter being obliged to remain secretly in Ennis. In the early 17th century, Donough O’Brien, fourth Earl of Thomond handed over the site to the Church of Ireland, and services began to be held in the old church. Other parts of the site were used for legal proceedings, the former sacristy becoming a courtroom. The Church of Ireland remained here until 1871 when a new church elsewhere in the town opened and within a couple of decades the friar’s church had lost its roof. It was returned to the Franciscan order in 1969 but is now managed by the Office of Public Works which ten years ago embarked on a somewhat controversial programme of restoration when the decision was taken to re-roof the main body of the church and, as mentioned, to place the MacMahon/Creagh Tomb behind glass.

Rags and Tatters


The remains of Ardclinis church, County Antrim, believed to have been founded in the early Christian period by St MacNissi, or perhaps St MacKenna: the present ruins are from the later Middle Ages. A crozier, called the Bachil McKenna, used to be set into the building and was used by local people for the taking of oaths and detection of false statements. However, it was subsequently acquired by a local farmer called Galvin. He and his successors, when not employing the crozier as a hook in the family home, would dip it into water being given to sick cows: in the early 1960s it was acquired by the National Museum of Ireland. In front of the ruins is a blackthorn ‘Rag Tree.’ Traditionally rags, belonging to someone sick or with a particular problem, are tied to a tree in the belief that this will resolve the issue.

A Short and Bloody Existence

‘One summer night, when there was peace, a score of Puritan troopers, under the pious Sir Frederick Hamilton, broke through the door of the Abbey of White Friars at Sligo. As the door fell with a crash they saw a little knot of friars gathered about the altar, their white habits glimmering in the steady light of the holy candles. All the monks were kneeling except the abbot, who stood upon the altar steps with a great brass crucifix in his hand. “Shoot them!” cried Sir Frederick Hamilton, but nobody stirred, for all were new converts, and feared the candles and the crucifix. For a little while all were silent, and then five troopers, who were the bodyguard of Sir Frederick Hamilton, lifted their muskets, and shot down five of the friars.’
From The Curse of the Fires and of the Shadows (1897) by W.B. Yeats.





Sir Frederick Hamilton was born in Scotland in the late 16th century, youngest surviving son of Claud Hamilton, first Lord Paisley. As youngest son, he was obliged to make his own way and, like so many of his fellow countrymen, saw opportunities in Ireland. Here in 1620 he married Sidney Vaughan whose father, Sir John Vaughan, was a member of the Privy Council for Ireland and Governor of Londonderry (responsible for commanding the garrison and fortifications of Derry, and of nearby Culmore Fort). Two years later he received a grant of land in County Leitrim, he and his wife gradually building up a holding of some 18,000 acres, much of which had been seized from the O’Rourke family, against whom thereafter he remained almost constantly at war. At the centre of his land, he established a town next to an existing settlement called Clooneen (from the Irish Cluainín Uí Ruairc, meaning O’Rourke’s small meadow). This was given the name Manorhamilton and here in 1634 he built a large fortified house. Come the outbreak of the Confederate Wars in the 1640s Hamilton, who during the previous decade had spent time in the Swedish army, once more found himself under attack from the O’Rourkes. In July 1642, in retaliation for their latest assault, he sacked Sligo and burnt much of the town, including the abbey (an event described above by W.B. Yeats). In 1643, after Manorhamilton was unsuccessfully attacked again, he hanged 58 of his opponents from a scaffold erected outside the castle. Ultimately in 1647 he was forced to return to Scotland, having lost hold of the land he had taken in Ireland. He died soon afterwards in Edinburgh.





Manorhamilton Castle, County Leitrim is one of six late 16th/early 17th century fortified houses considered as a group by Maurice Craig (in The Architecture of Ireland, 1982). The others are Rathfarnham Castle (A Whiter Shade of Pale, August 26th 2013), Kanturk Castle (An Abandoned Project, December 7th 2015), Portumna Castle (Jacobean Sophistication, August 2nd 2017), Raphoe Palace (From Bishops to Bullocks, July 24th 2017) and Burncourt (Burnt Out, July 4th 2016). All six display an awareness of Renaissance architecture while displaying defensive features such as a flanking tower at each corner. Manorhamilton Castle is the least well-preserved of these properties, and it had one of the shortest lifespans. As mentioned, it was built by Frederick Hamilton in 1634, soon after his return from fighting in Germany with the Swedish army of Gustavus Adolphus (one of Hamilton’s sons was named Gustavus and he would later become first Viscount Boyne). Five years after Hamilton had retired to Scotland and died, his mansion at Manorhamilton was attacked and burnt by the army of Ulick Burke, fifth Earl of Clanricarde, Roman Catholic leader of the Royalist army in Ireland. Badly damaged, Manorhamilton Castle never recovered and soon fell into ruin.

Dirty Money


In the 1830s, William Drummond Delap of Monasterboice House, County Louth was paid £1,933 by the British government. The reason: he was being compensated for the abolition of slavery in the Caribbean colonies. Mr Delap, it transpires, had owned 96 slaves on two plantations in Jamaica. Slavery there, and on the other islands in the area, had been abolished in 1833, but such was the level of complaint about loss of revenue from former owners, not least those like Mr Delap who lived on the opposite side of the Atlantic, that four years later parliament passed the Slave Compensation Act, resulting in some £20 million being paid out.
Little work has been done in Ireland on the benefits enjoyed during the 17th and 18th centuries by some country house estate owners who were involved in plantations, although twelve years ago History Ireland published a highly informative article by Nini Rodgers on the subject of Irish links to the slave trade (see: https://www.historyireland.com/18th-19th-century-history/the-irish-and-the-atlantic-slave-trade). In England, and indeed in France too, much more research has been undertaken on the matter, not least at University College London’s Centre for the Study of the Legacies of British Slave-ownership, where archival examination has discovered who were the beneficiaries: it has, for example, documented which country houses owe their existence, in part or whole, to money that came through slavery in the Caribbean. In 2013, the centre created a database of the individuals who were paid compensation when slavery was finally abolished, and it includes some 170 names of people in Ireland, not least William Dunlop Delap. His brother Colonel James Bogle Delap, a friend of George IV, received £4,960. Among the others, some are well-known, such as two members of the banking La Touche family (£6,865 between them) and Howe Peter Browne, second Marquess of Sligo (£5,425). However, by far the largest beneficiary was one Charles McGarel of Larne, County Antrim whose claim for 2,777 slaves on twelve different plantations led to his receiving no less than £135,076. (To explore the documentation relating to Ireland, see: https://www.ucl.ac.uk/lbs/search).





William Drummond Delap was a descendant of Hugh Dunlop who around 1600 moved from Ayrshire in Scotland to Sligo where he was involved in the wine trade. His son Robert moved to County Donegal, which is where successive generations of the family lived, their surname becoming corrupted to Delap. Robert Delap, born in 1754, graduated from Trinity College Dublin and was admitted to the Middle Temple before being called to the Irish bar in 1778. Two years before he had married Mary Ann Bogle, daughter of James Bogle of Castlefin, County Donegal. It was Mary Ann’s family, likewise of Scottish origin, which had plantation interests in Jamaica: the UCL Legacies of British Slave-ownership site lists 21 persons of that name. Evidently she acquired a substantial stake in these properties following her marriage: Robert Delap died at sea while returning from the Caribbean in 1782, leaving a widow with several young children including William Drummond who was then barely two years old. In 1805 he married Catherine, eldest daughter of William Foster, Bishop of Clogher and brother of John Foster, last Speaker of the Irish House of Commons. In 1811 John Foster described his niece’s husband as ‘a good man of business resident in London where he acted as a merchant and has a West India property of his own to look after.’ Around 1830 he decided to move to Co Louth, where many of his wife’s family owned land, and there he bought various parcels to create an estate of more than 1,200 acres on which he either built, or more likely enlarged, Monasterboice House. He also laid out elaborate terraced gardens and planted many specimen trees. On a rise south-west of the house he erected a folly, called Drummond Tower after his maternal grandmother who had helped to raise him after his father’s early death. In 1861 he resumed by licence the family’s original surname of Dunlop.





Not much appears to be known about the history of Monasterboice House, now a ruinous building. At its core looks to be a typical late-mediaeval tower house, which as was so often the case has been subject to various structural alterations but is still clearly distinct rising on the northern section of the site. To the south is what appears to be a late 18th/early 19th century residence, of two storeys over basement, three bays with the centre one in the form of a substantial bow. The ground floor of this has glazed doors that once opened onto the terraced gardens and is flanked by Wyatt windows typical of the period. The house’s principal entrance lies on the west side, and was formerly approached by a long avenue. Perhaps to harmonise with the old tower house, this section was gothicised in the Tudoresque manner with arched windows and a large porte-cochere in front of a castellated porch. The back of the house opens to two large yards beyond which was the walled garden. It looks as though the building was developed in three sections, first the tower house, then the villa and finally a Tudor-Gothic expansion. In Samuel Lewis’s Topographical Dictionary of Ireland, he writes of Monasterboice House that ‘a spacious mansion is now being erected by the proprietor.’ Lewis’ work came out in 1837, just as compensation was being paid to former plantation owners, such as William Drummond Delap/Dunlop. A suspicion forms that the money he then received was used to improve his country residence. Future generations did not enjoy it for long: his son and heir Robert Foster Dunlop married a cousin, the Hon Anna Skeffington but the couple had no son and their daughters do not seem to have occupied the place. At the start of the last century, the estate built up by William Drummond Delap was divided up and while the Louth Archaeological and History Society Journal reported in 1945 that the house was ‘in a fair state of preservation’ that is certainly no longer the case.

Taking a Defensive Position


Charles Fort outside Kinsale, County Cork has been discussed here before (see On the Defensive, May 29th 2017). Built between 1678-83 it stands on land to the south-east of the harbor. Directly across on a promontory to the south-west is an earlier fortification known as James Fort. Both structures were named after British monarchs, Charles Fort deriving its title from Charles II, James Fort from his grandfather James I. He had succeeded to the English throne in 1603, just over a year after the combined Irish and Spanish forces had been defeated at Kinsale by Charles Blount, Lord Mountjoy. The vulnerability of Ireland’s southern coastline to invasion led the crown authorities to initiate the construction of a fortress from which any approaching ships could be seen and the occupants of which could provide a defence of Kinsale Harbour.




Work began on the construction of James Fort even while James I predecessor, Elizabeth I, was still alive. Its advantageous position meant there had already been an earlier fortification on the site; known as Castle Ny-Parke this had been occupied for a time during the Siege of Kinsale by Spanish troops before they were displaced by Sir Richard Smyth, a brother-in-law of Richard Boyle, the future Earl of Cork. But there was a concern that the Spaniards could return, and in greater numbers, hence the decision to build anew. The fortress’s design came from a military engineer Paul Ive who in 1589 had published a treatise The Practise of Fortification. A few years later Ive was praised by Walter Raleigh for his ‘judgement, invention and industry’ so it is understandable he was given the commission of overseeing the construction of James Fort which cost £675. This is four-sided fortress at the centre of a pentagonal bastion; inside the fort’s walls are various other structures to provide accommodation for troops and so forth. The remains of a hexagonal blockhouse lies close to the water’s edge.




Developments in fortification design, especially the construction of increasingly sophisticated star-shaped bastions following the example of those created by the French Comte de Vauban, meant Ive’s work at James Fort quickly came to look old-fashioned. Hence the decision to build the larger and more modern Charles Fort on the other side of the harbour entrance. Before then James Fort had seen some action in the 1640s during the Confederate Wars but it suffered greater damage in the Williamite Wars towards the end of the 17th century when a gunpowder store exploded. Thereafter the building went into steady decline and by the 19th century was already described as being a ruin: it has remained in this condition to the present day.

All Things Human Hang by a Slender Thread


From History of the Irish Hierarchy by Rev. Thomas Walsh (1864):
‘Athassel, in the Barony of Clanwilliam, and on the west side of the river Suir. William Fitz Adelm de Burgo founded this abbey under the evocation of St. Edmund, king and confessor, for canons regular of St. Augustine.
A.D. 1204, the founder was interred here.
A.D. 1309, the prior was sued by Leopold de Mareys and Company, merchants of Lucca, for the sum of five hundred marcs, £2,500 sterling.
A.D. 1319, the town of Athassel was maliciously burned by the Lord John Fitz Thomas.
A.D. 1326, Richard, the Red Earl of Ulster, was interred here.
A.D. 1326, Bryan O’Brien burned Athassel to the ground.
A.D. 1482, David was prior.
A.D. 1524, Edmund Butler was prior, and the last who presided over this venerable establishment. Its property in land consisted of 768 acres, besides twenty messuages, and the income of rectories amounting to £111 16s 8d, or twenty-two marcs, which would in American money exceed $550.
All this property was granted forever to Thomas, earl of Ormond, at the yearly rent of £49 3s 9d. Queen Elizabeth confirmed this grant and remitted the reserved rent.
Athassel is one of the most extensive ruins in the kingdom, and scarcely yielded to any in extent and splendor. The whole work was uniform, regular, and finished in a fine limestone.’





From The Official Illustrated Guide to the Great Southern and Western Railway by George S. Measom (1867):
‘The site was chosen with the usual taste and judgement of “monks of old”; although a few shriveled trees are now all that remains of the woods by which it was formerly encompassed, and of which there is abundant evidence. A gentle, fertilizing and productive river still rolls beside its shattered glories; and the ruins afford ample proof of the vast extent, as well as the singular beauty of the structure, when the “Holy Augustinians” kept state within its walls. To their order may be traced the most elaborate and highly wrought of all the ecclesiastical edifices in Ireland; their abbeys in that country “evincing a style of architectural elegance and grandeur but little inferior to their fabrics in England and on the Continent”.’





From The Parliamentary Gazetteer of Ireland (1846):
‘The ruins of the edifice are still extensive, and indicate its former magnitude and splendor. The choir measured 44 feet by 26; the nave, of the same breadth as the choir and supported by lateral aisles, was externally 117 feet in length; the tower was square and lofty; and the cloisters were extensive. A tolerable view of the ruins from the north-west, and exhibiting the dilapidated tower, the roofless nave, the cloisters and a roofless chapel in the south-west corner, is given by Dr. Ledwich in his Antiquaries of Ireland. “We cannot,” says that antiquary, “behold the numerous arches, walls, windows, and heaps of masonry promiscuously mixed in one common ruin, without saying with Ovid: Omnia sunt hominum tenui pendentia filo: Et subito casu, quæ valuere, ruunt.’ [All things human hang by a slender thread: that which seemed to stand strong, suddenly falls into ruin]