Category Archives: High Cross

Composed Of Different Parts



After Monday’s post about St Mary’s Cathedral in Tuam, County Galway which featured a High Cross, here is another of the latter, located to the west of the church in the hilltop village of Tynan, County Armagh. This one has a rather complex history. There may have been an ancient monastic settlement in Tynan, but the cross, having been moved at least twice, was only placed in its present position in 1960 and is composed of elements from two monuments, although both are believed to date from the 10th century. The upper shaft and head derive from one cross and the lower shaft comes from another. The east face of the lower shaft incorporates a carved panel showing Adam and Eve; on the opposite side is a heavily weathered panel showing a tall figure and several smaller figures. Above panels of interlaced decoration, the head,  decorated with tall bosses with traces of interlace, has been extensively mended and partially reconstructed.  

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In Three Parts


‘The cathedral movement has taken root in Ireland. Our readers must be familiar with the new cathedral at Kilmore, and the restorations in progress at S. Patrick’s, Dublin, ( though, we regret to say, without good professional advice) at the cost of Mr. Guinness; and at Limerick under Mr. Slater’s care. A scheme for a new cathedral at Belfast, for the diocese of Connor, has been brought before the public, by the Bishop of Down, Connor, and Dromore, as a memorial to Jeremy Taylor, and now in the far west in the county of Galway the restoration or rather rebuilding of the once metropolitical and still cathedral church of Tuam has been undertaken in a manner which deserves special and laudatory mention.’  
From The Ecclesiologist, Volume XXII, 1861




St Mary’s Cathedral in Tuam, County Galway, is a building in three parts, one of which comprises just an arch, albeit of exceptional scale and beauty. The earliest place of worship here is supposed to have been established in the 6th century by local saint Jarlath. However, several hundred years passed before a cathedral was constructed, at some date in the first half of the 12th century and under the patronage of Turlough Mór O’Conor, High King of Ireland in the decades before his death in 1156. Unfortunately this building was almost entirely destroyed by an accidental fire in 1184, leaving just the elaborately carved chancel arch still standing. In his Ecclesiastical Architecture of Ireland (Dublin, 1845), the antiquarian George Petrie provided the following detailed description of this structure: ‘Of the ancient church of Tuam the chancel only remains; but, fortunately, this is sufficient to make us acquainted with its general style of architecture, and to shew that it was not only a larger, but a more splendid structure than Cormac’s church at Cashel, and not unworthy of the powerful monarch to whom it chiefly owed its erection. This chancel is a square of twenty-six feet in external measurement, and the walls are four feet in thickness. Its east end is perforated by three circular-headed windows, each five feet in height and eighteen inches in width externally, but splaying on the inside to the width of live feet. These windows are ornamented with the zig-zag and other mouldings, both externally and internally, and they are connected with each other by label, or stringcourse mouldings, of which the external one is enriched with paterae. In the south wall there is a window similarly ornamented, but of smaller size.
But the great feature of this chancel is its triumphal arch, — now erroneously supposed to have been a doorway, — which is, perhaps, the most magnificent specimen of its kind remaining in Ireland. It is composed externally of six semicircular, concentric, and recessed arches, of which the outer is twenty feet six inches in width at its base, and nineteen feet five inches in height ; and the inner, fifteen feet eight inches in width, and sixteen in height. The shafts of the columns, — which, with the exception of the outermost at each side, are semicircular, — are unornamented; but their capitals, which are rectangular, on a semi-circular torus, are very richly sculptured, chiefly with a variety of interlaced traceries, similar to those on the base of the stone cross ; and in two instances, — those of the jambs, — with grotesque human heads.
The imposts are, at one side, very richly sculptured with a scroll and other ornaments ; and, at the other side, present a kind of inverted ogive ; and these imposts are carried along the face of the wall as tablets. The bases are unornamented, and consist of a torus and double plinth. The arch mouldings consist of the nebule, diamond frette, and varieties of the chevron, the execution of which is remarkable for its beauty. I have only to add, that all the ornamental parts of this chancel are executed in red sandstone.’ 




Following the catastrophic fire in 1184, nothing appears to have been done to the site of St Mary’s Cathedral until the start of the 14th century, when the Dean of the time was granted ‘relaxation of a hundred days of enjoined penance to those who contribute to the rebuilding of Tuam Cathedral, begun by the late Archbishop William [de Birmingham, 1289–1312] and continued by the Dean Philip, who petitions for aid to complete it.’ Like so many other religious buildings, in the 16th and 17th centuries, St Mary’s suffered from alternate assault and neglect: the earliest surviving written description of the building from c.1672 by John Lynch describes it as falling down. However, in 1688 Archbishop John Vesey rebuilt the tower, an event commemorated by a plaque which carries both his name and that of James II. Other minor alterations and improvements were made to the second cathedral over the next 150 years, the entrance of which remained the former chancel arch and sanctuary. The style of the building is English Gothic, with a five-light east window incorporating two quatrefoil windows under a sexfoil centrepiece. Despite its merits, in The Ecclesiologist the anonymous author judged the cathedral harshly, declaring ‘with most perverse ingenuity a conventicle-like oblong structure was stuck on to the east of this, the chancel arch being converted into a portal, the chancel into a porch, and an inner door cut through the eastern triplet. This hideous building was the titular cathedral but really Anglican parish church of Tuam.’ When further work took place in the 19th century, the second cathedral became a Diocesan Synod Hall, Library and Registry.




Reverting to The Ecclesiologist, in 1861 it reported that the Anglican population of Tuam had more than doubled from 310 to 640, ‘and the Vicar and Provost of Tuam, the Rev. C. Seymour , who has already introduced choral service and the observance of the holy-days, was alike anxious to promote more church room, and to provide Tuam with a worthy cathedral. He has accordingly placed the matter in the hands of Sir Thomas Deane who has, we are glad to say without sacrificing the old chancel, produced the plans of a church of real cathedral character and considerable dimensions at a computed cost of £9,000, while funds enough are promised to render the commencement of the building a matter of proximate accomplishment.’ Two years later, The Builder was able to inform its readers that the Deane’s design for the extension to the west end of the older building ‘partakes of the character of St Patrick’s Cathedral, Dublin and St Canice’s in Kilkenny. The walls and the tower will present the Irish characteristic of crennelated [sic] battlements. The clerestory windows of the nave will be of the circular cusped type. At each end of the nave will extend aisles supported externally by buttresses, and lighted by pointed windows in the early style. The western entrance, at the extremity of the nave, will be a broad pointed archway. Immediately over it will extend a double arcade of pointed windows, and above these the principal window of the nave, consisting of a group of seven pointed windows. The choir, which will be without aisles, will be lighted by ordinary pointed windows. Each transept will be lighted with circular windows, and large five-light windows at the extremities. The tower will be a plain quadrangle flanked by four small towers, and all surrounded by crenellated battlements, and above it will rise a stone spire. The material to be used in the external structure is limestone. The interior of the church will be lined with a remarkably fine description of red sandstone, from Nefin in the County of Mayo, supposed to be the same stone that was used in the construction of the ancient arch. On each side of the nave, within, will extend a row of four columns, each consisting of a central column of limestone, encircled by four smaller columns composed of green Galway marble. The roof, within, will be open timbered.’ The only prominent feature not mentioned in this description is the High Cross now located in the south transept, for the obvious reason that it was not in this place at the time. Dating from around the same period as the original cathedral was constructed, the cross is believed to have stood close to this building but following the fire was dismantled, with different pieces acquired by different owners. Only in the 19th century was it reassembled and brought to Dublin for the Great Exhibition of 1852. Following this event, the cross returned to Tuam but then was the subject of an argument between the Roman Catholic church and the Church of Ireland, each claiming ownership. Eventually agreement was reached whereby it was placed at a point in the town between the two faiths’ respective cathedrals. By the 1980s the cross was suffering damage from pollution and, following restoration, was moved to its present location in St Mary’s. 


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A Site Lonely and Desolate


‘Adjacent to a branch of “the Bog” are the interesting ruins of Clonmacnois, the school where, according to Dr O’Conor, “the nobility of Connaught had their children educated, and which was therefore called Cluain-mac-nois, the secluded recess of the sons of nobles.” It was also, in ancient times, a famous cemetery of the Irish kings, and for many centuries it has continued a favourite burial-place, the popular belief enduring to this day, that all persons interred here pass immediately from earth to heaven. The abbey is said to have been founded by St. Kieran around the middle of the sixth century, and soon became “amazingly enriched”, so that, writes Mr Archdall, “its landed property was so great, and the number of cells and monasteries subjected to it so numerous, that almost half of Ireland was said to be within the bounds of Clonmacnois.” The ruins retain marks of exceeding splendour. In the immediate vicinity there are two “Round Towers”.’
From Ireland: Its Scenery, Character, &, by Mr & Mrs S.C. Hall, Vol. 2 (1842) 






‘We now pass the Grand Canal, and at Shannon Bridge see, on the right, the celebrated ruins of Clonmacnoise, the most recent description of which is given by Dr. Rodenburg, as follows: “Close to the shore stands Clonmacnoise, one of the most remarkable ruins in this island of the saints. The banks rise here slightly, and on the grass-clad mound stand two round towers, ruins of churches and a cemetery. On the first hillock are the sunken walls of an old ecclesiastical building; on another hill is the great round tower. The roof has disappeared, and a broad belt of ivy winds like a garland round its centre. Down in the bottom, rather further inland, is the second round tower, still perfect, and behind it, M’Dermott’s Church with its splendid round arched portal, fresh as if carved but yesterday. From the mound of the great round tower to the second the ground is covered with upright gravestones, among which stands a ruin, St Kieran’s Church, where the saint himself is said to be buried. The wonder of Clonmacnoise is St Kieran’s Stone, a cross of rare beauty, covered with sacred images. A wall surrounds the holy spot, which is to this day the scene of many pilgrimages and processions”.’
From How to Spend a Month in Ireland, and What it Will Cost by Sir Cusack Patrick Roney (1861) 






‘Like most of these sites, Clonmacnoise occupies a site lonely and desolate, significant of that spirit of asceticism which was wont to exclude the world and repel its busy life. The loneliness of Glendalough is that of the secluded valley; that of Clonmacnoise of the desolate flat in the midst of a wild moorland country, over which the Bog of Allen stretches its almost interminable waste. “If ever,” says Otway, “there was a picture of grim, hideous repose, it is the flow of the Shannon from Athlone to Clonmacnoise.” Round a swampy flat of meadow the river winds in an amphitheatre, upon the southern curve of which the seven churches are erected. To obtain the best view of the group, one should ascend the green hill which rises at the northern extremity like an oasis in the desert. From this he will see the churches, the two round towers, the overhanging bastions of the old castle of O’Melaghlin, all rising, ruinous and desolate, as if out of the brown bog that stretches away southward…In the extensive churchyard most of the churches are situated, and the intervening spaces are crowded with tombs and graves ancient and modern – for it is still a favourite place of burial with the people – with inscriptions in the oldest form or Irish characters to the modern Roman and Italian letters. But perhaps the most remarkable and interesting objects are the numerous antique crosses, some of the most exquisite workmanship and richly carved with scriptural subjects.’
From Picturesque Europe: A Delineation by Pen and Pencil, by Bayard Taylor, Vol. 1 (1875)  


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Flying High


This High Cross formerly stood in the village of Bealin, County Westmeath but seemingly was moved a short distance to its present location by the Handcock family who owned the local Twyford estate. However, Bealin may not have been its original location, as it carries an inscription that reads OROIT AR TUATHGALL LAS DERNATH IN CHROSSA (‘A Prayer for Tuathgal who caused this cross to be made’). Tuathgal was an abbot of the monastery at Clonmacnoise, County Offaly who died in 811, suggesting that the cross came from that site. While much of the cross is covered in the customary Celtic knot pattern, one side features a lion at the bottom and the other a hunting scene with a horseman and spear, and a dog biting the leg of a deer. Unfortunately, the cross’s present position, in the middle of boggy fields above Bealin village, makes it difficult to visit and examine.

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Off its Head



Located on the north-east corner of the Rock of Cashel, County Tipperary, this is Scully’s Cross – or at least what remains of it. Dating from 1867, the rusticated base of the structure contains a mausoleum to the wealthy Roman Catholic Scully family: above the entrance is a plaque carved with their name in Irish Ó Scolaidhe. A stepped pyramid then leads up to the base of the cross proper, its shaft, each side of which is carved with a series of biblical scenes, rising some 20 feet high. The top of the cross – ringed in the early Irish Christian style – can be found scattered on the ground around the mausoleum, having fallen when the monument was struck by lightning in 1976. 

A Right Pair



The village of Villierstown, County Waterford was established in the 1740s by John Villiers, first Earl Grandison who wished to have a settlement for weavers and other personnel working in the linen industry he was then establishing in the area. The industry has long-since gone, but two monuments still stand in the centre of the village recalling later members of the family. In front of the church (constructed by Lord Grandison in 1748) is a High Cross erected by Henry Villiers-Stuart in memory of his parents, Henry, Baron Stuart de Decies and his Austrian-born wife Pauline. Due to doubts over the validity of their marriage, following Lord Stuart de Decies’ death in 1874 the title was not inherited by the next generation. To the immediate west is a second monument, this one a public fountain in rock-faced limestone ashlar; it was erected in 1910 by the younger Henry’s children in memory of their mother Mary who had died three years earlier.


Cross Again




Not too far from Termonfeckin Castle, seen here earlier in the week, stands St Fechin’s church, alas now standing forlorn and neglected in the midst of a graveyard. Here can be found a sandstone High Cross, some nine feet tall and somewhat weathered but with an unbroken nimbus ring. Above a tapered shaft decorated on all four sides with abstract, interwoven patterns, the centre of the east face shows the Crucifixion, while the west face depicts Christ in glory.



Just Plain Cross



More High Crosses, these ones found in the graveyard of St John’s church in Ballymore Eustace, County Kildare. The first stands to the immediate north of the early 19th century church. Standing 3.4 metres high, it is composed of three elements: head, shaft and pyramidal base. Rather than the usual elaborate carving customary on these crosses, it is relatively plain, perhaps because carved from unyielding granite. The only decoration of note can be seen on the west face which features a central boss with rounded moulding within a solid ring. Possibly dating from the 10th century, the cross’s two arms carry an inscription noting that it was re-erected on the present site by Ambrose Wall in 1689; he would be killed the following year during the Siege of Limerick. What remains of a second cross can be found south of the church; all that survives here is the tapered shaft and, deep in the vegetation, another pyramidal base. 

Stumped



In the graveyard of a church in Boho, County Fermanagh can be found what remains of a High Cross; just the base and shaft. The latter features Adam and Eve on one side, with a serpent curling up between them, and on the other the Virgin between two saints and, above them, the Baptism of Christ. The rest of the much-weathered sandstone is decorated with interlacing spiral patterns. This site also contains the grave of the Rev James McGirr, a local Catholic priest who during his lifetime gained a reputation as a faith healer. Before he died in 1815, McGirr seemingly declared ‘the clay that covers me will cure anything that I was able to cure when I was with you while I was alive.’ Ever since, anyone in the area who has a common ailment will take a spoonful of the grave’s soil, place it inside a pouch and then sleep with this under the pillow. Afterwards, soil must be returned to the graveyard as otherwise it is thought to bring bad luck. A notice inside the adjacent church from the present parish priest points out that a lot of soil from the McGirr grave has been removed of late and requests only a teaspoon-full be taken, and, most importantly, ‘This soil must be returned to the plot on the fourth day.’ Elsewhere in the graveyard, there are some especially handsome old gravestones to be seen (and some shockingly bad modern ones too).


High and Low



Tucked away in a corner of the grounds of Kinnitty Castle, County Offaly is this sandstone High Cross, thought originally to have stood not far away on the site of a monastery at Drumcullen. An inscription on the south face of the base records that it was commissioned by Máel Sechnaill, High King of Ireland (846-62) while on the other side the cross is noted as being the work of ‘Colman’. The monument now rises seven feet 10 inches but was originally almost three feet taller, the cross-head being damaged. The north face offers, among other scenes, Eve tempting Adam, the south shows the Crucifixion.