The Gamekeeper’s Return

Thro’ the long morning have I toil’d
O’er heath and lonely wood,
And cross the dark untrodden glen
The fearful game pursu’d:
But deeper now the gathering clouds
Collect along the sky,
And faint and weary warn my steps
Their homeward course to hie.

And now the driving mist withdraws
Her grey and vapoury veil:
I mark again the sacred tower
I pass’d in yonder dale.
A little while, and I shall gain
Yon hill’s laborious height;
And then perhaps my humble cot
Will chear my grateful sight.





Ah now I see the smoke ascend
From forth the glimmering thatch;
Now my heart beats at every step,
And now I lift the latch;
Now starting from my blazing hearth
My little children bound,
And loud with shrill and clamorous joy
Their happy sire surround.

How sweet when Night first wraps the world
Beneath her sable vest,
To sit beside the crackling fire
With weary limbs at rest;
And think on all the labours past,
That Morn’s bright hours employ’d,
While all, that toil and danger seem’d,
Is now at home enjoy’d.





The wild and fearful distant scene,
Lone covert, whistling storm,
Seem now in Memory’s mellowing eye
To wear a softer form;
And while my wand’rings I describe,
As froths the nut-brown ale,
My dame and little list’ning tribe
With wonder hear the tale.

Then soft enchanting slumbers calm,
My heavy eyelids close,
And on my humble bed I sink
To most profound repose;
Save, that by fits, the scenes of day,
Come glancing on my sight,
And, touch’d by Fancy’s magic wand,
Seem visions of delight.

The Gamekeeper’s Return at Night by Sir Samuel Egerton Brydges (1821).
Photographs of the former Gamekeeper’s Lodge at Woodlawn, County Galway. 

Once Mighty


Located in north-east County Cork, the village of Glanworth takes its name from the Irish Gleannúir (meaning Valley of the Yews). It was evidently the site of an ancient settlement that included a monastery, since it is believed that in the ninth century this was subjected to attacks by the Vikings, who sailed up the river Funcheon (a tributary of the Blackwater). One of Glanworth’s most distinctive features is its 13-arch limestone bridge crossing the Funcheon. Dating from the first quarter of the 17th century, it is said to be among the oldest and narrowest bridges still in daily use in Ireland. A now-abandoned mill built c.1780 lies beside the bridge, and on a high ridge above both of them are the remains of what was once a mighty castle.






Glanworth Castle was originally built by the Condon family in the late 12th century but by 1300 it had passed into the possession of the Roches, who were styled Lords of Fermoy. The castle remained in their hands until the Confederate Wars of the mid-17th century when it seems to have been badly damaged and likely abandoned. It has stood a ruin ever since. The remains seen today date from four different periods, with the earliest section being the rectangular hall-keep, surrounded by a protective wall nearly six feet thick, with round towers at each corner and a gatehouse on the western side. Not long afterwards, the gatehouse was enlarged and converted into a domestic residence (which the hall-keep had originally been). Then in the 15th century the gatehouse grew up to become a typical tower house. Finally, a separate kitchen building was constructed inside the old walls.






To the immediate north of Glanworth Castle stand two ruined churches, one being the former place of worship of the Church of Ireland which dates from c.1810 and the other being the only surviving remains of a Dominican Friary dedicated to the Holy Cross. It was founded in 1475 by the Roche family who lived adjacent in the castle, but the Dominicans can hardly have been there for very long, since the friary was closed down (as part of the Dissolution of the Monasteries) in 1541. At that time the site included a cloister, dormitory, hall ‘and other buildings’ but none of these remain. The church’s finest feature is the east window; in the 19th century this had been moved to the Church of Ireland church but has since been restored to its original location.


A-Bandon




Like many Irish houses, Castle Bernard, County Cork has a long and complex architectural history, some aspects of which are still not clear. The place takes its name from the Bernard family, the first of whom – christened Francis like many of his successors – came here during the Plantation of Munster in the late 16th century. He acquired lands which had formerly been owned by the O’Mahonys and was centred around a great square tower house called Castle Mahon to the immediate south of the river Bandon. This became the Bernards’ residence, its name at some date changed to Castler Bernard, until c.1715, Francis Bernard, great-grandson of the original settler, and Solicitor-General of Ireland, Prime Serjeant and Judge of the Court of Common Pleas initiated work on a new building, seemingly to the designs of John Coltsman of Cork. This involved adding wings to the old tower house, the whole encased in brick with Corinthian pilasters and other ornamentations in Portland stone. A decade later the surrounding demesne was transformed into a formal garden with terraces, cascades, jets d’eau and statuary. This arrangement lasted until the end of the 18th century when Castle Bernard underwent a further transformation.





In 1794 the Cork architect Michael Shanahan, best-known work commissioned in Ulster by his patron Frederick Hervey, Earl-Bishop of Derry, prepared designs for a new house at Castle Bernard. (For more on Shanahan and the Earl-Bishop, see It’s Downhill All the Way, October 28th 2013 and Let the Door be Instantly Open, For There is Much Wealth Within, March 31st 2014). This involved pulling down the additions to the original tower house, and instead erecting a structure to its immediate east, a linking corridor running between the two. In 1800 another Corkman, William Deane, prepared estimates of £522.4s.4d. for work in finishing the house. In both instances, the client was Francis Bernard who from 1793 gradually scaled the hierarchy of the peerage until 1800 when created first Earl of Bandon. The house he commissioned was classical in style, of two storeys over basement and with a nine-bay entrance front. The garden front was similar but broken by a substantial full-height bow occupying the three centre bays. Just fifteen years later, Lord Bandon undertook further work, this time by an unknown architect, in order to give it the – largely superficial – appearance of a gothic castle, and thereby provide better links both to the old tower house and to the Bernard family’s ancient pedigree. While the garden front experienced little other than the insertion of gothic tracery in its windows, battlements and turrets were added to the façade, and the Bernard coat of arms carved in stone above the main entrance. No great changes were made to the interior, which despite the gothic fenestration otherwise retained its classical decoration. On the ground floor, an entrance hall with Ionic pilasters and columns gave access to a wide corridor which ran like a spine down the centre of the house. Among the reception rooms, the most notable was an oval drawing room overlooking the garden: one sees in its design the abiding influence of the Earl-Bishop on Shanahan.





The Bernard family remained in residence at Castle Bernard until June 1921 when the 70-year old fourth earl and his wife were woken in the early hours of the morning by a group of IRA members and ordered out of the house, which was then set on fire. Lord Bandon was then taken into captivity by the men and held for the next three weeks, constantly moved from house to house before being released at the gates of the now-ruined Castle Bernard after three weeks: during this time he had lost a stone in weight and never recovered from the experience, dying less than three years later. He and his wife had no children, so the title passed to a first cousin twice-removed, Air Chief Marshal Percy Bernard, widely known as ‘Paddy’ Bandon. But he inherited not a lot else and so, although some compensation was received by the family, Castle Bernard was not rebuilt (the fifth earl constructed a modest bungalow behind the ruin). Since he in turn had no son, the earldom became extinct. Although his descendants still live on the estate, the land in front of Castle Bernard is now a golf course.


A Former Family Seat


About half way on the train journey between Dublin and Cork, passengers will see a vast ruin close to the line: this is Loughmoe Castle, County Tipperary former seat of the Purcell family. The Purcells were of Norman origin, their name derived from the word Pourcel, meaning Piglet and indicating they were once swineherds. Their circumstances improved when members of the family moved to Ireland in the late 12th century and settled in Counties Tipperary and Kilkenny. At the start of the 13th century Hugh Purcell married a daughter of Theobald FitzWalter, Chief Butler of Ireland and founder of the powerful Butler clan. As part of the marriage agreement, the Purcells were granted territory around Loughmore/Loughmoe, which thereafter became their principal residence. The name Loughmoe derives from the Irish ‘Luach Mhagh’ meaning Field of the Reward. This refers to a legend that Purcell won both his bride and estate by meeting a challenge to rid the area of wild beasts. Whatever the truth, this was the start of a powerful and enduring alliance. In 1328 James Butler, first Earl of Ormonde created his kinsman Richard Purcell Baron of Loughmoe: since the title was not granted by the crown it had no official status but was used by successive generations of the family until the last male heir Colonel Nicholas Purcell died in 1722.






The earliest section of Loughmoe Castle is a tower house on the south side of the site, dating from either the 15th or 16th century. Of five storeys, it has curved corners and, on the ground floor, a typical vaulted chamber measuring 37 by 29 feet. At some point in the late 16th or early 17th century, the family greatly expanded the building to the north, creating an immense fortified manor house. The middle section rises four storeys, but that at the far end matches the original tower house by rising five storeys. The main difference between the two portions is that the newer has mullioned windows of eight, six or twelve panels, ensuring the interiors enjoyed much more light. A number of chimney pieces survive within the castle from this period, one of them bearing the arms of the Purcells and Butlers, further evidence of their close links.






The Purcells were still in residence at Loughmoe Castle in the 17th century, but problems arose owing during two great periods of civil disturbance. In the Confederate Wars James Purcell, whose wife Elizabeth was sister of James Butler, first Duke of Ormonde, supported the Roman Catholic cause, with consequences when this side lost. Matters were made worse by his death in 1652, leaving a widow and young son fighting to hold onto the family’s hereditary lands. Following the restoration of Charles II in 1660, and the appointment of the Duke of Ormonde as Lord Lieutenant of Ireland the following year, the Purcells’ circumstances improved. Nicholas’ son James seems to have lived quietly at Loughmoe until the onset of the Williamite Wars when he supported the Catholic James II from the moment the king arrived in Ireland in May 1689. James Purcell fought at the Battles of the Boyne and Aughrim, and was a signatory of the Treaty of Limerick. Following the defeat of the Jacobite cause, he did not follow the example of others and flee to France but remained in Ireland, living on at Loughmoe where he appears to have retained his property; in 1705 he was one of the limited number of Roman Catholics permitted to carry firearms. He died in 1722, predeceased by his only son, after which Loughmoe passed to one of his daughters, married to a member of the White family; they were the last link of the Purcells with the castle.

The Advantages of Generous Patronage


It is difficult to visualize today, but the mediaeval friary in the centre of Ennis, County Clare originally stood on an island at a point where the river Fergus divided. The exact date of its establishment is uncertain, but the Franciscan order is believed to have been invited to open a new house here towards the middle of the 13th century: Donnchadh Ó Briain, King of Thomond is often credited with being responsible for this shortly before his death in 1242. Thereafter the friary and its grounds became the preferred burial place for generations of O’Briens and MacNamaras, the two ruling families in this part of the country. Frequently in reparation for their misdeeds over the next three centuries they gave the friars, who had little source of income, many gifts such as vestments, chalices, stained glass and books.




The advantages of having rich and generous patrons can be seen throughout what remains of Ennis Friary. As the community expanded, so the building work continued. In 1314, for example, Maccon Caech MacNamara added a sacristy and refectory to the site. And a the start of the 15th century, the handsome cloister – only sections of which survive – was constructed along with the south transept: the belfry tower dates from around 1475.




Ennis Friary contains many fine limestone carvings, mostly dating from the 15th and early 16th centuries. One of these depicts St Francis, founder of the Franciscan order, with his stigmata on display. Another shows the Virgin and Child, and a third is an affecting image of Ecce Homo, the words uttered by Pontius Pilate in St John’s Gospel when Christ, having been scourged and crowned with thorns, was presented to a hostile crowd. One of the most interesting features in the building is a series of carved panels with scenes from Christ’s Passion dating from a late-15th century tomb erected by the MacMahon family and recycled in the 1840s for a monument to the Creagh family. Unfortunately this has been placed behind glass and spotlit – making it almost impossible to photograph. A copy of the tomb stands on the site of the original in the former chancel.




Ennis Friary, like other such establishments, was suppressed in the 16th century but seemingly members of the Franciscan order continued in residence until at least 1570, thereafter being obliged to remain secretly in Ennis. In the early 17th century, Donough O’Brien, fourth Earl of Thomond handed over the site to the Church of Ireland, and services began to be held in the old church. Other parts of the site were used for legal proceedings, the former sacristy becoming a courtroom. The Church of Ireland remained here until 1871 when a new church elsewhere in the town opened and within a couple of decades the friar’s church had lost its roof. It was returned to the Franciscan order in 1969 but is now managed by the Office of Public Works which ten years ago embarked on a somewhat controversial programme of restoration when the decision was taken to re-roof the main body of the church and, as mentioned, to place the MacMahon/Creagh Tomb behind glass.

Rags and Tatters


The remains of Ardclinis church, County Antrim, believed to have been founded in the early Christian period by St MacNissi, or perhaps St MacKenna: the present ruins are from the later Middle Ages. A crozier, called the Bachil McKenna, used to be set into the building and was used by local people for the taking of oaths and detection of false statements. However, it was subsequently acquired by a local farmer called Galvin. He and his successors, when not employing the crozier as a hook in the family home, would dip it into water being given to sick cows: in the early 1960s it was acquired by the National Museum of Ireland. In front of the ruins is a blackthorn ‘Rag Tree.’ Traditionally rags, belonging to someone sick or with a particular problem, are tied to a tree in the belief that this will resolve the issue.

A Short and Bloody Existence

‘One summer night, when there was peace, a score of Puritan troopers, under the pious Sir Frederick Hamilton, broke through the door of the Abbey of White Friars at Sligo. As the door fell with a crash they saw a little knot of friars gathered about the altar, their white habits glimmering in the steady light of the holy candles. All the monks were kneeling except the abbot, who stood upon the altar steps with a great brass crucifix in his hand. “Shoot them!” cried Sir Frederick Hamilton, but nobody stirred, for all were new converts, and feared the candles and the crucifix. For a little while all were silent, and then five troopers, who were the bodyguard of Sir Frederick Hamilton, lifted their muskets, and shot down five of the friars.’
From The Curse of the Fires and of the Shadows (1897) by W.B. Yeats.





Sir Frederick Hamilton was born in Scotland in the late 16th century, youngest surviving son of Claud Hamilton, first Lord Paisley. As youngest son, he was obliged to make his own way and, like so many of his fellow countrymen, saw opportunities in Ireland. Here in 1620 he married Sidney Vaughan whose father, Sir John Vaughan, was a member of the Privy Council for Ireland and Governor of Londonderry (responsible for commanding the garrison and fortifications of Derry, and of nearby Culmore Fort). Two years later he received a grant of land in County Leitrim, he and his wife gradually building up a holding of some 18,000 acres, much of which had been seized from the O’Rourke family, against whom thereafter he remained almost constantly at war. At the centre of his land, he established a town next to an existing settlement called Clooneen (from the Irish Cluainín Uí Ruairc, meaning O’Rourke’s small meadow). This was given the name Manorhamilton and here in 1634 he built a large fortified house. Come the outbreak of the Confederate Wars in the 1640s Hamilton, who during the previous decade had spent time in the Swedish army, once more found himself under attack from the O’Rourkes. In July 1642, in retaliation for their latest assault, he sacked Sligo and burnt much of the town, including the abbey (an event described above by W.B. Yeats). In 1643, after Manorhamilton was unsuccessfully attacked again, he hanged 58 of his opponents from a scaffold erected outside the castle. Ultimately in 1647 he was forced to return to Scotland, having lost hold of the land he had taken in Ireland. He died soon afterwards in Edinburgh.





Manorhamilton Castle, County Leitrim is one of six late 16th/early 17th century fortified houses considered as a group by Maurice Craig (in The Architecture of Ireland, 1982). The others are Rathfarnham Castle (A Whiter Shade of Pale, August 26th 2013), Kanturk Castle (An Abandoned Project, December 7th 2015), Portumna Castle (Jacobean Sophistication, August 2nd 2017), Raphoe Palace (From Bishops to Bullocks, July 24th 2017) and Burncourt (Burnt Out, July 4th 2016). All six display an awareness of Renaissance architecture while displaying defensive features such as a flanking tower at each corner. Manorhamilton Castle is the least well-preserved of these properties, and it had one of the shortest lifespans. As mentioned, it was built by Frederick Hamilton in 1634, soon after his return from fighting in Germany with the Swedish army of Gustavus Adolphus (one of Hamilton’s sons was named Gustavus and he would later become first Viscount Boyne). Five years after Hamilton had retired to Scotland and died, his mansion at Manorhamilton was attacked and burnt by the army of Ulick Burke, fifth Earl of Clanricarde, Roman Catholic leader of the Royalist army in Ireland. Badly damaged, Manorhamilton Castle never recovered and soon fell into ruin.

Relics of Auld Decency



The remains of Tober House, County Wicklow. The building is believed to date from c.1720 when constructed for a branch of the Powell family (not Power, as is often stated) It appears the house originally rose two storeys over basement but an additional floor was later added above the moulded string course. It’s curious to note that the windows on the ground floor are not symmetrically spaced: one of them on the ground floor being much closer to the entrance than the other. Parts of the slate cladding on the south wall survive, as does the handsome limestone lugged doorcase. Tober is said to have been gutted by fire at the end of the 18th century, perhaps during the time of the 1798 Rebellion when this part of the country was engulfed by violence. It has stood a ruin ever since.



Taking a Defensive Position


Charles Fort outside Kinsale, County Cork has been discussed here before (see On the Defensive, May 29th 2017). Built between 1678-83 it stands on land to the south-east of the harbor. Directly across on a promontory to the south-west is an earlier fortification known as James Fort. Both structures were named after British monarchs, Charles Fort deriving its title from Charles II, James Fort from his grandfather James I. He had succeeded to the English throne in 1603, just over a year after the combined Irish and Spanish forces had been defeated at Kinsale by Charles Blount, Lord Mountjoy. The vulnerability of Ireland’s southern coastline to invasion led the crown authorities to initiate the construction of a fortress from which any approaching ships could be seen and the occupants of which could provide a defence of Kinsale Harbour.




Work began on the construction of James Fort even while James I predecessor, Elizabeth I, was still alive. Its advantageous position meant there had already been an earlier fortification on the site; known as Castle Ny-Parke this had been occupied for a time during the Siege of Kinsale by Spanish troops before they were displaced by Sir Richard Smyth, a brother-in-law of Richard Boyle, the future Earl of Cork. But there was a concern that the Spaniards could return, and in greater numbers, hence the decision to build anew. The fortress’s design came from a military engineer Paul Ive who in 1589 had published a treatise The Practise of Fortification. A few years later Ive was praised by Walter Raleigh for his ‘judgement, invention and industry’ so it is understandable he was given the commission of overseeing the construction of James Fort which cost £675. This is four-sided fortress at the centre of a pentagonal bastion; inside the fort’s walls are various other structures to provide accommodation for troops and so forth. The remains of a hexagonal blockhouse lies close to the water’s edge.




Developments in fortification design, especially the construction of increasingly sophisticated star-shaped bastions following the example of those created by the French Comte de Vauban, meant Ive’s work at James Fort quickly came to look old-fashioned. Hence the decision to build the larger and more modern Charles Fort on the other side of the harbour entrance. Before then James Fort had seen some action in the 1640s during the Confederate Wars but it suffered greater damage in the Williamite Wars towards the end of the 17th century when a gunpowder store exploded. Thereafter the building went into steady decline and by the 19th century was already described as being a ruin: it has remained in this condition to the present day.

All Things Human Hang by a Slender Thread


From History of the Irish Hierarchy by Rev. Thomas Walsh (1864):
‘Athassel, in the Barony of Clanwilliam, and on the west side of the river Suir. William Fitz Adelm de Burgo founded this abbey under the evocation of St. Edmund, king and confessor, for canons regular of St. Augustine.
A.D. 1204, the founder was interred here.
A.D. 1309, the prior was sued by Leopold de Mareys and Company, merchants of Lucca, for the sum of five hundred marcs, £2,500 sterling.
A.D. 1319, the town of Athassel was maliciously burned by the Lord John Fitz Thomas.
A.D. 1326, Richard, the Red Earl of Ulster, was interred here.
A.D. 1326, Bryan O’Brien burned Athassel to the ground.
A.D. 1482, David was prior.
A.D. 1524, Edmund Butler was prior, and the last who presided over this venerable establishment. Its property in land consisted of 768 acres, besides twenty messuages, and the income of rectories amounting to £111 16s 8d, or twenty-two marcs, which would in American money exceed $550.
All this property was granted forever to Thomas, earl of Ormond, at the yearly rent of £49 3s 9d. Queen Elizabeth confirmed this grant and remitted the reserved rent.
Athassel is one of the most extensive ruins in the kingdom, and scarcely yielded to any in extent and splendor. The whole work was uniform, regular, and finished in a fine limestone.’





From The Official Illustrated Guide to the Great Southern and Western Railway by George S. Measom (1867):
‘The site was chosen with the usual taste and judgement of “monks of old”; although a few shriveled trees are now all that remains of the woods by which it was formerly encompassed, and of which there is abundant evidence. A gentle, fertilizing and productive river still rolls beside its shattered glories; and the ruins afford ample proof of the vast extent, as well as the singular beauty of the structure, when the “Holy Augustinians” kept state within its walls. To their order may be traced the most elaborate and highly wrought of all the ecclesiastical edifices in Ireland; their abbeys in that country “evincing a style of architectural elegance and grandeur but little inferior to their fabrics in England and on the Continent”.’





From The Parliamentary Gazetteer of Ireland (1846):
‘The ruins of the edifice are still extensive, and indicate its former magnitude and splendor. The choir measured 44 feet by 26; the nave, of the same breadth as the choir and supported by lateral aisles, was externally 117 feet in length; the tower was square and lofty; and the cloisters were extensive. A tolerable view of the ruins from the north-west, and exhibiting the dilapidated tower, the roofless nave, the cloisters and a roofless chapel in the south-west corner, is given by Dr. Ledwich in his Antiquaries of Ireland. “We cannot,” says that antiquary, “behold the numerous arches, walls, windows, and heaps of masonry promiscuously mixed in one common ruin, without saying with Ovid: Omnia sunt hominum tenui pendentia filo: Et subito casu, quæ valuere, ruunt.’ [All things human hang by a slender thread: that which seemed to stand strong, suddenly falls into ruin]