A Quiet Spot


‘A fifth tower stood at Aghaviller, (probably Agha-oillir, field of the pilgrim) the lower part only remains; above the foundation it measured fifty feet round; beneath this, it has a circular base, projecting six inches, and fourteen inches high, resting on a square foundation; that at Kilree is built in the same way, as the others probably are: this tower is peculiar by having a door-way even with the ground, and apparently co-eval with the building; this door way is five feet one inch high, two feet nine inches wide at top, and from two to three feet wide at bottom: internal diameter of the building, eight feet ten inches, wall four feet thick, two courses remain for floors, and part of a third story with a small window: on the first, an old floor is remembered to have stood about forty years ago. The first story within, is twelve feet high; without, it is thirteen feet to the old door way, which this had, like others, opening to the first floor, but which has been modernly walled up. The tower stands twenty feet to the S. of the foundation of the old church and at the S. W. angle; it is built of siliceous breccia.’
From A Statistical Survey of the County of Kilkenny by William Tighe (1802)




‘The pillar tower is fifty-one feet in circumference at the base; hence the diameter is sixteen feet two inches. There are two doorways; one at the ground level, of cut stone, rectangular, with places for hanging-irons; a small bolt hole and a rabate are on the inside; it is five feet two inches high by two feet ten and a half inches wide and looks N.E. The other doorway, and in all probability the original one is about 13 feet up from the ground to the door-still. The higher and narrow that on one below, and looks north. A rectangular open, of dressed stone, is situated at about twenty-seven feet up; it may be three feet high by two wide; its aspect is S.S.W. The tower terminates a few feet above this open, begin only a dilapidated stump.’
From Transactions of the Kilkenny Archaeological Society (1855)




Although a number of authors have written about the ruins found at Aghaviller, County Kilkenny, much of the site’s history remains obscure, and even the origins of its name open to question. For example, in his 1856 Introduction to the Annals of the Four Masters, John O’Donovan is scathing about Tighe’s earlier suggestion that the place’s name derived from the Irish meaning Field of the Pilgrim, declaring this to be ‘a mere silly guess by one who had no acquaintance with the Irish annals or Irish literature, and who indulged in those wild etymological conjectures which characterize the Irish antiquaries of the previous century.’ (O’Donovan instead insisted that the Irish name meant ‘Field of the Watercresses’). Even the origin of the religious foundation here continue to be uncertain. The church was dedicated to St Brénainn (that is, St Brendan of Birr, rather than the more famous St Brendan of Clonfert) and dates from the 12th century, although it underwent modifications in the 15th century when a substantial tower, serving as residence for the clerics, was built over the chancel: the latter survives but only the foundations of the nave can be seen. The round tower adjacent is notable both for being truncated and for being set on a square stone plinth. A quiet spot less well know or visited than many other such sites in the county.

Just a Skeleton



The skeleton of the former Roman Catholic chapel in Hugginstown, County Kilkenny. This building was constructed c.1800, in other words almost three decades before Catholic Emancipation, and had an interior that preserved its original decoration, a rare survivor from that period. However, as so often is the case, this was judged to be outdated and forty years ago the church was put out of service, with  a singularly unimpressive replacement erected elsewhere in the village. The interior was subsequently dismantled and the roof removed, so that today only the shell seen here remains. 


A Stout Burial Place



Inside a walled enclosure overlooking the plains of County Kildare, the church of Oughterard (from the Irish Uachtar Árd, meaning ‘a high place’) is thought to have been originally established in the sixth or seventh centuries, although the present buildings are of later date. What remains of what must once have been a substantial religious settlement are a truncated round tower and a barrel-vaulted chancel with a 14th century three-light window at the east end. Much of the nave has been lost, but on the south wall is the burial site of Arthur Guinness, founder of a certain well-known Irish business. The reason he was entombed here: his maternal grandfather William Read was a tenant farmer in this part of the country (and, it is sometimes said, Arthur Guinness was born in his mother’s family house when she returned there for the event).


Ireland’s Taj Mahal




Welcome to Ireland’s equivalent of the Taj Mahal, and the smallest chapel in Europe (also reputedly the second-smallest in the world), located in the centre of Carrick-on-Shannon, County Leitrim. Designed by architect William Hague and completed in 1879, the chapel was commissioned by local businessman Edward Costello to commemorate his wife Mary Josephine who had died two years earlier at the age of 47. Erected on the site of a former Methodist chapel and faced with ashlar limestone, the building measures 12 feet wide by 16 feet long. Crests on either side of the entrance contain the letters EMC and the Costello coat of arms with the motto ‘Ne te quaesiveris extra’ (Do not look outside for yourself). Lined in Bath stone, the interior has a carved marble altar behind which are stained glass windows by Mayer of Munich. Sunk into the floor and on either side of tiles bearing symbols of the Passion of Christ, are two large sheets of glass: through that on the left can be seen the coffin of Mrs Costello, while her husband’s remains lie to the right. 



A Norwegian Connection



The name of St Olav’s church in Waterford testifies to the city’s Viking origins: Olaf II was a Norweigan king killed at the Battle of Stiklestad in 1030, and canonised in 1164. The original church here, likely made of wood, is supposed to have been constructed around 1050, long before Olav became a saint, so it must have been named after him at a later date, perhaps when the stone structure was built. The latter had fallen into ruin by the early 17th century and only an arched doorcase survives at the west end of the present church, which occupies the same site but was erected in the 1730s on the instructions of the then-Bishop of Waterford, Thomas Milles: its design has been attributed to William Halfpenny who, during the same period, produced designs for the Bishop’s Palace and Christ Church Cathedral, neither of which were executed (see: The Finest 18th century Ecclesiastical Building in Ireland « The Irish Aesthete). St Olav’s remained a place of worship until 1970 and today serves as a community centre.


A Pocket Church



Visited on a particularly wet day during this particularly wet summer, here is what remains of the little church at Kilbunny, County Waterford, named after St Munna and originally founded in the 8th century. The present building, with its restored Romanesque arch entrance and chevron moulding, is from the 11th century. Seemingly at one time some 230 monks lived here, but it is difficult to imagine such numbers today: certainly, only a handful of them would fit into the church which only measures about 8.5 metres in length and 5 metres in width. Outside, a faint trace of what was possibly representing a human head, can be discerned at the base of the arch on the right-hand side, while inserted into the wall on the left-hand is an animal head, perhaps that of a ram. On the ground to either side are bullaun stones, it is thought originally used as baptismal or water fonts. 

A Wife’s Devoted Attention



The Wilson Lynch family of Belvoir, County Clare may have been descended from one Ralph Wilson, a Cromwellian soldier who settled in this part of the world in the mid-17th century and served as Mayor of Limerick city in 1657, 1663, 1664, 1667 and 1668. In any case, at the end of the same century, a Richard Wilson was acting as agent for Sir Donough O’Brien, first baronet of Lemeneagh and Dromoland. In 1712, his son, also called Richard, leased the lands of Ballycullen from Henry O’Brien, seventh Earl of Thomond: these lands would form a large portion of the eventual Belvoir estate. The Wilsons, who somewhat unusually were Roman Catholic, continued to reside here until the mid-19th century. Richard junior had been succeeded by his eldest son John, who married late in life and died in 1797, leaving a seven year-old son, David John Wilson. On reaching adulthood, he proved to be a landlord with serious concern for improving the condition of his tenantry, building a number of schools on his estate, and also developing one of the first model agricultural schools in the country at Belvoir. Following what became known as the Sixmilebridge Massacre in July 1852 (when soldiers opened fire on a group of protestors during an election, leading to the deaths of seven persons and leaving the same number injured), he published a pamphlet denouncing what had happened and then established a relief fund  for the families of the victims. David J Wilson died in April 1864 when the Belvoir estate passed to his nephew John Wilson Lynch. 





The Lynchs were one of the Tribes of Galway, the 14 powerful families who had effectively ruled the city during the Middle Ages and subsequently become landowners in the surrounding counties. Roman Catholic, like the Wilsons, at the start of the 19th century Mark Lynch of Renmore, County Galway, a successful banker and merchant, was able to buy the Durus (or Doorus) estate outside Kinvara, County Galway from its previous owner, Jacques, Comte de Basterot. In 1820, Mark Lynch’s son, Patrick Marcus Lynch, married Ellen, sister of David John Wilson. Some years later, when Wilson found himself in financial difficulties, his brother-in-law, Patrick M Lynch, lent him money secured by a mortgage on Belvoir and the prospect of a life interest in the Belvoir estate for Lynch’s son John. In due course, following Lynch’s death in 1864, John Wilson Lynch came to be responsible for Belvoir, although he does not seem ever to have lived there, instead leasing the house and surrounding land. By further agreement with David John Wilson’s widow, Mary, on John Wilson Lynch’s death, the estate was to be inherited by his second son, if he should have one. At this time, Wilson Lynch had a very substantial property: according to the 1876 Landowners of Ireland his Duras estate ran to almost 5,410 acres, while the Belvoir estate covered just over 3,100 acres. Within a couple of decades, however, circumstances began to change rapidly, due to the Land Wars and accompanying unrest among tenants. In December 1885, for example, the wife of John Murphy, Belvoir estate bailiff, was shot in the leg. Accordingly, John Wilson Lynch began to sell much of the land and by the time of his death in 1911 he had embarked on disposing of the greater part of the old Belvoir estate. Accordingly, by 1922 his successor there, a younger son William Wilson Lynch, retained just the house and part of the demesne. On his death, he left the property to a housekeeper.





Belvoir would appear to be an 18th century house built by one of the Wilson family, perhaps John who lived here until his death in 1797. A month later, the place was advertised to let, since his heir David John Wilson was, as mentioned, then only a minor of seven. In 1814 it was recorded as being unoccupied in 1814, but presumably some time after that date David John Wilson decided to restore the building and gave its regular two-storey over basement, five bay facade a superficial Gothic makeover. With Tudoresque hooded mouldings over the windows and an ogee doorcase inside an arched porch featuring the family coat of arms. As for the interior, it would seem to have followed the usual layout of two smaller reception rooms to the front and two larger to the rear, with entrance and staircase halls occupying the central portion of the building.  Given that he had other residences elsewhere in Counties Clare and Galway, John Wilson Lynch does not seem to have lived in Belvoir and in 1872, presumably following the death of Mary Wilson,  the house’s furniture was sent to his properties at Duras and Kilcornan. Belvoir was then let to a Lady Loftus, and during the following decade was burnt down; despite an insurance claim, it was never rebuilt. Instead, when William Wilson Lynch came to this there with his wife in the second decade of the last century, they occupied the old service courtyard, which lies to the north-west of the main building; this remained in use until relatively recently but has now begun to fall into ruin. The other notable feature of the property is a chapel to the north of the house and linked to it by a Gothic screen wall. An arch above the doorcase proclaims, ‘The Ladye Chapel, Erected in return for a Wife’s Devoted Attention during a Severe Illness in 1862 & 1863.’ This indicates the little three-bay, single storey building was constructed towards the end of John Wilson Wright’s life in gratitude for his wife Mary’s care. The chapel was maintained and seemingly still in use until a few years ago, but alas has since been vandalised and some of its stained glass windows broken. It seems only a matter of time before it falls into the same condition as the rest of the site. 


A Neighbourhood Replete with History



A modest village in County Laois, Aghaboe (from the Irish Achadh Bhó, meaning ‘field of cows’), has been briefly mentioned here before (see Happily Disposed in the Most Elegant Taste « The Irish Aesthete) in relation to Heywood, some 12 miles away, where a pair of mediaeval windows have been incorporated into an 18th century folly. But Aghaboe itself deserves attention, since it was once the site of an important early Christian monastery, adjacent to which is now a restored early 18th century house along with other buildings of interest. 





The original abbey at Aghaboe was established in the 6th century by St Canice, who was interred here and around whose tomb would grow a substantial monastic settlement. In the 8th century, one of the abbots was St Fergal (otherwise Virgilius), mathematician and astronomer who would later move first to France and then to Austria where he became Abbot of St Peter’s Abbey in Salzburg. Nothing from this period in the monastery’s history survives due to repeated assaults on the place. The abbey was attacked and plundered by the Vikings in 913 before being rebuilt in 1052 with the relics of St Canice enshrined here. It was burned again in 1116 and rebuilt in 1189. In 1234 an Augustinian priory was established on the site (a Norman motte and bailey had already been constructed nearby). However, both the priory and a town which had grown up around it were burnt in 1346 by Diarmaid Mac Giollaphádraig, St Canice’s shrine being destroyed in the process.  In 1382 Finghan MacGillapatrick, Lord of Upper Ossory established a Dominican friary here and this survived until its suppression in 1540. What remains at Aghaboe are traces of the Dominican church, a long, barn-like building without aisles typical of the mendicant preaching orders, with one transept at the south-west end. There is a fine window at the east end of the nave and an ogee-headed piscina nearby on the south wall. In the transept, the east wall features a tall arched niche and there are also a couple of smaller aumbries. A watercolour by Daniel Grose dated 1792 depicts an elaborately carved doorcase on the south side but this has since disappeared. A few other traces of the church’s former decoration survive on the exterior of the Church of Ireland church lying behind the ruin: this dates from 1818 although the curious tower here – the lower portion square-shaped, the upper an awkwardly-placed octagon – may be a survivor from the Middle Ages, along with the three much-weathered heads over the west door. 





Just a few hundred yards south-east of the ruined and present churches, and overlooking both, stands Aghaboe House, a curiously double-fronted residence. The south facade, thought to date from c.1730, is of seven bays and two storeys, with a fine limestone pedimented doorcase. The north side is some 40 years later and is of five bays, centred on fan-lit doorway below a Venetian window above which a pediment breaks the shallow roofline. Internally, the house – which may incorporate elements of an older residence – is similarly divided into two parts, suggesting it was originally one room deep, with the larger rooms to the north, not least the double-height staircase hall with benefits from the Venetian window on the upper floor. Recently offered for sale, Aghaboe House was in a semi-ruinous condition when bought almost 40 years ago in 1984 by its present owner who has since gradually restored the building, along with others on the site, including another two-storey block diagonally to the immediate east. This might once have had a match on the western side; if so, it has long since disappeared. For much of the last quarter of the 18th century, Aghaboe House was home to the historian and Church of Ireland clergyman Rev Edward Ledwich (author of the text accompanying Francis Grose’s Antiquities of Ireland, published 1791-95) which suggests it could have served as a glebe house until a new one was built in 1820. The enlargement of the main house might even have been undertaken by Ledwich while he was in residence, since he and his wife had at least four daughters and four sons. Along with its neighbours, Aghaboe House contributes to an assemblage of buildings covering some 1,500 years of Irish history.



For more information about Aghaboe House and its sale, see: Aghaboe House, Aghaboe, Ballacolla, Co. Laois – Property.ie

A Monument to the Past



Few people today will be familiar with the name of William Delany, Jesuit priest and one of the great educationalists of the late 19th century. Born the son of a baker in County Carlow, in 1860 at the age of 25 he was sent to teach at St Stanislaus’s College, then a Jesuit secondary school in County Offaly. Ten years later, Delany became the college’s Rector and embarked on an expansionist policy which led to rebukes from his superiors (the school ran up substantial debts due to his building programme). What they, and everyone else, could not deny, was the quality of education received by students at St Stanislaus’s College, which led them to seek further academic qualifications. At the time, the Catholic University of Ireland, founded in 1851, could not legally confer degrees, and Cardinal Cullen had forbidden Roman Catholics from attending other third-level institutions because they were non-denominational, denouncing them as ‘godless colleges.’ From 1876 Delany overcame this problem by entering his students for the London University examinations, where they achieved one hundred percent success: in 1881 a First Place and First Exhibition were secured by boys at St Stanislaus’s College, competing against thousands of English entrants. Delany would soon leave the school, and was instead appointed the first president of the new University College Dublin (the successor to the Catholic University) where he achieved equal success. However, despite its academic achievements, in 1886 St Stanislaus’s College closed as a boys’ school. The debts caused by Delany’s building programmes, along with the shortage of Jesuit priests in Ireland, forced the order to make certain decisions, one of which was to focus attention Clongowes Wood College, County Kildare, despite the fact that the latter’s record was not as good as that of the County Offaly school.  






St Stanislaus’s College, popularly known as Tullabeg, dates back to 1818. The land on which it stands had been provided a few years earlier by a local woman, Maria O’Brien, whose father, a wealthy Roman Catholic merchant from Dublin, had bought an estate in the area: Rahan Lodge, originally built c.1740 as a hunting lodge. Initially it was intended that the new college would act as a novitiate for training Jesuit priests. However, before long it began to serve as a preparatory school for boys who would then go on to Clongowes Wood College. After several decades the school began to offer second level education to students and, as already mentioned, continued to do so until 1886. Two years later, a new purpose was found for the property, when it became the novitiate for the Irish province of the Jesuits; every young man who entered the order thereafter would spend a period of time at Tullabeg. This continued to be the case until 1930 when the novitiate was transferred to Emo Court, County Laois. Next the place became a faculty of philosophy for Jesuits who had already finished their studies at university. A further change of direction occurred in 1962 when the order decided to make Tullabeg a retreat centre; this finally closed in 1991. Thereafter the property seems to have had a chequered history, at one stage being used as a nursing home while a nine-hole golf course was installed in the grounds. 






St Stanislaus’s College is a building of diverse parts and periods, the whole adding up to a very substantial complex. The earliest part dates back to the second decade of the 19th century, when a south-facing block of three storeys over basement was constructed, its architectural style very much aping that of country houses of the period, with a flight of stone steps leading up to the main entrance, the door flanked by Ionic columns and topped by a generous fanlight. Over the following years, projecting wings were added on either side of this block, and then a church built to the immediate west. Once St Stanislaus’s College began to take in secondary school students, additional space was required, so in the early 1860s a large block to the east was added. Known as the Seaver Wing (after the rector of the period), the building, which is centred on a large three-bay breakfront featuring substantial tripartite fenestration, incorporated classrooms, dormitories and a refectory. Later in the same decade, a further wing was added parallel to and north of the original house; this held a college chapel and study hall, along with further accommodation. The work of this period was designed by successful Dublin architect Charles Geoghegan. During his time as rector, William Delany commissioned further work on the premises, rebuilding the students’ chapel, converting another chapel into a study hall and remodelling the east wing; he also had part of the local river deepened and enclosed to provide decent swimming facilities. Little of substance appears to have changed thereafter until the mid-1940s when Fr Donal O’Sullivan, then rector of St Stanislaus’s, commissioned the modernist architect Michael Scott to design a new chapel in the building; this had stained glass windows by Evie Hone, a timber altar and statues by sculptor Laurence Campbell and terracotta Stations of the Cross by French sculptor Robert Villiers. When the Jesuits left Tullabeg in 1991, they removed all these fittings and installed them in some of the order’s other properties. So those items were at least saved from the vandalism and decay that awaited the rest of the place and has led to its present decay. What can be done with such a vast range of buildings? Tullabeg is in a relatively remote part of the Irish midlands, in a rural area with few facilities. No doubt this isolation was beneficial when St Stanislaus’s operated as a religious house, but is now a distinct drawback. It would appear a few commercial ventures were attempted or considered here, but not found viable. So it sits, neglected and falling into further dereliction, a monument to another, now passed, era in the country’s history. 


Replete with Memories


Lisronagh, County Tipperary is today not so much a village as a hamlet, but this was not always the case. According to Samuel Lewis, in 1837 it had a population of 981, whereas in the census of 2016, the number of inhabitants had fallen to 184. The latter figure is even a fraction of what it had been in the Middle Ages: surviving documentation from 1333 show Lisronagh’s population likely exceeded 400. At that time, the land here was held by Lady Elizabeth de Burgh, daughter of a descendant of William de Burgh, the Anglo-Norman knight who in the late 12th century had acquired vast estates in this part of the country. William de Burgh is thought to have built some kind of fortified structure at Lisronagh, probably of wood, but this was probably later replaced by a stone castle. That building is not what is seen on the site today, since the earlier structure appears to have been destroyed in the 15th century by Edmond Butler, eighth Baron Dunboyne and Seneschal of Tipperary. 





Lisronagh Castle, or what remains of it, is a 16th century tower house. A document dated 1530 in the collection of the National Library of Ireland shows the grant by one Richard Howet to Piers Butler, Earl of Ossory (later eighth Earl of Ormond) ‘of the tenement of the castle of Lisronagh.’ The present building may have been built thereafter, and remained the property of the Butler family at least into the latter part of the 17th century. When and how it fell into disrepair does not appear known. A large opening close to the base of the east wall (which faces the adjacent road) suggests this was the original entrance, although that is around the corner on the north side. High above the arched doorcase are corbels that would once have supported the now-lost machiolation; also largely gone are the window stones, presumably removed at some date. Internally, the tower house follows the usual pattern with a large, vaulted chamber of the ground floor. A flight of stairs to the immediate right of the entrance leads to the floors above, one of which retains a fireplace but otherwise little of the interior decoration survives. 





Immediately north of Lisronagh Castle is an abandoned church. Dedicated to St John the Baptist, it dates from 1831 when constructed with the aid of funds from the Board of First Fruits, and on the site of a Medieval building (presumably serving the 400-plus populace recorded as having been here in the 1330s). The church very much conforms to the Board of First Fruits typology, having a three-bay nave with access at the west end beneath a two-stage bell tower. The entrance features a handsome stone carved Tudor arch but otherwise there is little decoration and certainly nothing inside, which has been given over to vegetation (as has the eastern end of the church). Services ceased here a century ago, in 1923, and the building subsequently became roofless and open to the elements. So there they now stand, side by side, two historic properties, both abandoned, both replete with memories of the past.