A portrait of Oonagh Guinness commissioned in 1931 from the fashionable artist Philip de László by the sitter’s then-husband Philip Kindersley, who paid £1,575 for the work. Much admired, the picture was exhibited in Paris the following year in a retrospective of de László’s career. Thereafter it hung in the drawing room at Luggala, County Wicklow until Oonagh Guinness’ death in August 1995 when bequeathed to Gay Kindersley, the son of her first marriage: he sold the picture and its whereabouts ever since remain a mystery. On Saturday afternoon (June 16th) at Farmleigh, Dublin I shall be speaking about Oonagh and her son, the recently deceased Garech Browne, and how they made Luggala a magnet for artists. This is part of a series of events to coincide with an exhibition of Irish portraits by Garech’s close friend Anthony Palliser currently being held in the same venue.
For more information on this talk and others in the same series, please see: http://farmleigh.ie/calendar-of-events
Mention was made here last week to Edward Synge, one-time Bishop of Elphin. His immediate predecessor in that diocese was Robert Howard whose eldest son Ralph in the early 1750s made the customary Grand Tour to Italy. While wintering in Rome in 1750-51 the younger Howard (who in due course became Baron Clonmore and then Viscount Wicklow) had his portrait painted by the city’s most fashionable artist Pompeo Batoni. The picture was brought back to Ireland and hung in the Howard’s seat, Shelton Abbey where its presence is recorded in an inventory of the house’s contents conducted by Bennett’s in July 1914: at that date the work was valued at £210.
Sadly Ralph Howard’s descendant, the eighth Earl of Wicklow was unable to maintain Shelton Abbey and accordingly in October 1950 a great sale of the house’s contents was held, an event so substantial that it lasted almost a fortnight. Among the lots was number 1740, the Batoni portrait, although by then its sitter seems to have been forgotten, since he is simply listed as a ‘gentleman in crimson with fur-edged coat.’ In addition, the work’s value had significantly decreased since 1914, as it only fetched £90. Today it hangs in the J.B. Speed Museum in Louisville, Kentucky.
I shall be discussing the Shelton Abbey sale, and several others, next Thursday at 7pm in Lismore Castle, County Waterford during the course of a talk called ‘Art in Historic Irish Houses: Its Collection and Dispersal.’ For further information, see: http://www.lismorecastlearts.ie/events
Described by Maria Edgeworth as ‘An excellent clergyman, of a liberal spirit and conciliating manners, a man of taste and literature,’ the Rev. Daniel Beaufort was also a talented amateur architect. Here is his design for a new church at Ardbraccan, County Meath dating from the 1770s. At the west end it was proposed the building incorporate a still-extant 15th century tower which rises 100 feet: accordingly Beaufort proposed the church run to the same length. The tower was also to be given single-storey gothick wings on either side. In the event, a simpler version of Beaufort’s drawing was constructed, of four bays rather than six (thereby making the nave shorter) and leaving the tower unattached. This can be seen below, in a photograph taken inside Ardbraccan’s demesne wall. I shall be giving a talk on the life and work of Daniel Beaufort next Thursday, November 17th at 7.30pm in St Mary’s Church of Ireland, Church Hill, Navan (a building for which he was also responsible). For further information, see: http://mahs.freesite.host/index.php/2016-programme
The entrance hall of Moyglare, County Kildare. The estate of which it was originally part was bought in 1737 by John Arabin, a Huguenot from Dublin City: he paid £10,729 8s 8d for the property. It is believed that his son Henry Arabin built the core of the present house around 1764 but some changes were made in the early 1820s. In more recent times Moyglare underwent further modifications when it served as an hotel but a few years ago the house passed into new ownership and has since undergone a programme of sensitive restoration, returning it to use as a family home. I shall be speaking of this building, along with a number of others, next Friday, September 23rd at 1pm in a free talk called ‘Restoration Drama: Bringing Irish Houses Back to Life’ at the Royal Dublin Society, Dublin as part of this year’s Irish Antique Dealers’ Fair. For more information, see http://www.iada.ie/antique-fairs.
Just over sixty years ago in late January 1956, the occupants of Luggala, County Wicklow woke to find the building on fire, apparently started by faulty electrical wiring. Although three local fire brigades were summoned, deep snow hindered the arrival of their engines which in the course of a descent to the house slithered into a ditch and had to be dug out with shovels. Branches were then laid down to form a carpet over which the wheels could travel but once finally at the house, the firemen discovered no water coming from their hoses: they had forgotten to attach the nozzle to the engine. Even once they got underway, the intense cold hampered proceedings, with ladders becoming treacherous to use as ice formed on the steps. By the time the flames were doused at 10am, the greater part of the building had been gutted. Fortunately Luggala’s then owner, Oonagh, Lady Oranmore and Browne immediately embarked on a restoration programme and by March of the following year she was back in the house which today remains in the care of her son, the Hon Garech Browne.
I shall be discussing this and other incidents in the wonderful history of Luggala next Wednesday, March 9th during a talk hosted by the Irish Georgian Society at the Somerset Club, 42 Beacon Street, Boston, Massachusetts. For more information, please see: https://www.igs.ie/events/detail/us-event-the-magical-world-of-luggala-the-story-of-a-guinness-house
Wonderfully sited above the Blackwater river, Salterbridge, County Waterford has a complex building history. The core of the house, the three bays articulated by the giant limestone Tuscan pilasters and heavy parapet entablature, likely date from c.1751 when a residence was constructed here by Richard Musgrave who had acquired this portion of lands previously owned by the Earls of Cork. In the early 19th century his grandson Anthony Chearnley, who had married an heiress, embarked on a programme of enlargement and embellishment, extending the house’s by a further bay on either side and giving it the Wyatt windows seen on the first floor. Further work took place in the 1840s when the ground floor canted bays were added and the glazing here altered.
Salterbridge is among the houses lining the Blackwater that I shall be discussing in a talk hosted by the Irish Georgian Society at the Chesterfield Hotel, Palm Beach, Florida on Monday, March 7th. For further information, please see: https://www.igs.ie/events/detail/us-event-the-beauties-of-the-blackwater
A portrait of art dealer and philanthropist Sir Hugh Lane. The picture was painted in September 1904 by Roman-born Antonio Mancini when Lane was visiting the artist’s native city. Tomorrow marks the centenary of the sinking of the RMS Lusitania off the coast of Cork, and Lane was among the 1,198 persons who died on that occasion.
I shall be giving two talks in the coming weeks on Sir Hugh Lane. On Thursday 14th May, I will be speaking at the Library in Douglas, Cork at 7pm (for more information, see http://www.vernonmountpark.ie/latest-news) and on Thursday 21st May I will be speaking at Dublin City Gallery The Hugh Lane at 6.45 (for more information, see http://www.hughlane.ie/lectures/lectures-past/1320-evening-lecture-the-commercial-world-of-sir-hugh-lane-art-dealer-with-robert-obyrne). The Mancini portrait continues to hang in the gallery founded by Sir Hugh Lane and can be seen there in an exhibition marking the centenary of his death.