Six years ago on September 24th 2012, the Irish Aesthete made its debut. What was the intent behind this initiative? Impossible to recall, although then as now a primary motivation was encouraging greater and more widespread engagement with Ireland’s architectural heritage, much of which remains at risk from either neglect or misuse. Over the past six years, some aspects of the site have changed, others remained the same. Very soon, the format of a thrice-weekly posting was established, with longer features each Monday and shorter ones every Wednesday and Saturday. The quality of photographs has certainly improved and, one hopes, will continue to do so (not least thanks to improvements in the calibre of mobile phone cameras). There has been a consistent effort to represent the entire island of Ireland, and to show the good, the bad and – with regrettable frequency – the ugly. What hasn’t altered throughout this period has been the attention of friends and followers, which is enormously appreciated: without regular support and feedback, it is unlikely the Irish Aesthete would have continued for so long. Therefore thank you to everyone who has shown interest in this site: you make it worthwhile. Happily today the Irish Aesthete is read across the world and has led to other opportunities for writing and speaking engagements, thereby helping to spread the gospel of our architectural history. A further outcome is that early next year the first book of Irish Aesthete photographs will be published, about which more in due course. Meanwhile, to mark today’s anniversary, here are six personal favourites taken over the years. You may have made other choices from the site: please feel free to share your own suggestions. Of the six shown above, two are properties in private hands, two are in public ownership, and two are ruins. All however are important elements in our common cultural heritage.
The shell of Summerhill, County Mayo, a house that retained its roof within living memory. Summerhill is believed to have been built in the 1770s for the Palmer family its five-bay façade centred on a pedimented breakfront with first-floor Venetian window. The site on raised ground was chosen to provide a view down towards the Palmerstown river beside which stand the ruins of the Dominican Rathfran Friary. Today the two complexes rival each other in decay.
On February 1st next it will be 95 years since Moore Hall, County Mayo was needlessly burnt by a group of anti-treaty forces during the Civil War. Since then the building has stood empty and falling ever further into ruin. Moore Hall’s history was discussed here some time ago, (see When Moore is Less, June 30th 2014), and at the time it looked as though the house, dating from the 1790s, had little viable future. For many years the surrounding land has been under the control of Coillte, the state-sponsored forestry company, which displayed no interest in the historic property for which it was responsible. However, yesterday Mayo County Council announced it had purchased Moore Hall and 80 acres. The council proposes ‘to develop the estate as a nationally important nature reserve and tourism attraction’, its chief executive declaring this will ‘ensure that the natural, built and cultural heritage of Moorehall is protected yet developed and managed in a sustainable manner for current and future generations.’ Further details have yet to be provided, but one initiative Moore Hall’s new owners could immediately undertake is to clear away the trees that now grow almost up to the front door, thereby reopening the view to Lough Carra and explaining why the house was built on this site.
‘Two miles from Killala, a Joice built this friary for the Franciscans of the third order. The family of Joices was very considerable in England and Ireland in the 14th century. The church is built of a bluish stone and not remarkable except that the tower is built on the middle of the gable end, and that in it is a confession box of hewn stone, in which the penitentiary sat and heard confessions on each side without being seen.’
From The Antiquities of Ireland, Francis Grose & Edward Ledwich, 1791.
‘Rosserick, in the Barony of Tirawley, Co. of Mayo, and Province of Connaught. It is situate on the river Moy, two miles South East from Killala. A Friary for the Third Order of Franciscans was founded here by — Joice; and a lease of the said Friary was afterwards granted to James Garvey. Here also is a tower built on the same plan as that of Moyne, but exactly on the middle of the gable end. It is remarkable that in each of these Monasteries there is a closet of hewn-stone, for two Confessors to sit in, with a hole on each side for the persons who confess to speak through.’
From A Topographical Dictionary of Ireland by Nicholas Carlisle, 1810.
‘A few miles south-east of Killala, Rosserick, another of our monasteries, sees itself reflected in the waters of the Moy. It was founded early in the fifteenth century by the Joyces, a potent family, of Welsh extraction, singularly remarkable for their gigantic stature, who settled in West Connaught, in the thirteenth century, under the protection of the O’Flaherties. Rosserick occupies the site of a primitive Irish oratory, and the place derives its name from Searka, a holy woman, who is said to have blessed the Ross, or promontory, that runs out into the river. The site, indeed, was happily chosen, and the entire edifice is an exquisite specimen of the architect’s skill. The church and monastery are built of a compact bluish stone, and the former is surmounted by the graceful square bell-tower so peculiar to our Irish Franciscan houses. The view from the summit of that campanile is truly enchanting and as for the internal requirements of such an establishment – its cloisters, library, dormitory, refectory and schools – the munificence of the Joyces left nothing to be desired.’
From The Rise and Fall of the Irish Franciscan Monasteries, and Memoirs of the Irish Hierarchy in the Seventeenth Century by the Rev. C.P. Meehan, 1870.
In January 1854 Zachary Mudge paid the Encumbered Estates Commission £2,490 for an estate of 3, 635 acres in County Mayo. Mudge, whose father had been an admiral in the British navy, subsequently built a lodge at Glenlossera using local sandstone with yellow brick for the door- and windowcases. Gradually the estate was sold, much of it to the Land Commission, and finally the house itself passed into other hands in the late 1920s. In recent years Glenlossera Lodge was offered for sale but without a new owner the place has been allowed to fall into serious disrepair.
The remains of the Augustinian Priory in Ballinrobe, County Mayo. This was the first religious house established by the order in Connaught but there remains some uncertainty over who was responsible for its foundation: it has been suggested that the priory owed its origins to Elizabeth de Clare (a granddaughter of Edward I) who in 1308 married John de Burgh and four years later had a son William, in celebration of which Ballinrobe Priory was established. On the other hand, another proposal is that the priory was set up in 1337 by Roger Taaffe, perhaps on behalf of the de Burghs. Whatever the facts, the house thrived, despite a bad fire early in the 15th century and even survived suppression in the 1540s, with members of the order still in residence 100 years later. Thereafter it fell into ruin. Restoration work was carried out on the site some twenty-five years ago but, despite being surrounded by a graveyard (and by an increasing number of new houses) the priory looks to be falling into serious neglect again: a future as unclear as its past?
‘…No more thy glassy brook reflects the day,
But, choaked with sedges, works its weedy way;
Along thy glades, a solitary guest,
The hollow-sounding bittern guards its nest;
Amidst thy desert walks the lapwing flies,
And tires their echoes with unvaried cries.
Sunk are thy bowers, in shapeless ruin all,
And the long grass o’ertops the mouldering wall…’
Close to the shores of Lough Conn and from there looking not unlike a ‘cottage’ constructed for the Vanderbilts in Newport, Long Island, this is Errew Grange, County Mayo designed in the early 1870s by James Franklin Fuller for Granville Knox following the latter’s marriage to heiress Ellen Farrer. Unfortunately Mrs Knox’s resources proved not to be limitless and by the mid-1880s her husband was declared bankrupt: he and his family are believed to have emigrated to Nova Scotia and the newly-completed Errew Grange – otherwise known as ‘Knox’s Folly’ – was seized by bailiffs. After which the building had a somewhat chequered career, serving on several occasions as an hotel (in which capacity it might almost have been the model for the fictional Majestic in J.G. Farrell’s 1970 novel Troubles) and for a short period as a convent school. In 1949 Errew Grange was gutted by fire and the shell thereafter stood empty until some years ago the property was converted into what were intended to be luxury apartments: this scheme appears to have failed since it now stands empty and rather desolate.
On the road leading from Castlebar into Ballinrobe, County Mayo can be seen the ruins of the old Roman Catholic chapel. With financial support from the local landlord James Cuffe, first (and last) Lord Tyrawley work began on the cruciform building in 1815, in other words some years before the Emancipation Act of 1829. It is notable for being more ample than were many such Catholic churches of the period, for having a splendid four-storey bell tower at the east end, and for fine limestone wall monuments to its earliest parish priests on either side of the crossing. However within decades the building appears to have been deemed insufficient to local needs since a successor was begun closer to the centre of the town in 1849. Before the end of the 19th century the old chapel was unroofed and today its shell languishes on a patch of ground surrounded by housing estates.
On the gates of Cranmore House in Ballinrobe, County Mayo hangs a planning application notice which proposes the construction here of a three-storey retail and residential block, a second three-storey block to be used as an old persons’ home, seven houses, a terrace featuring that strange new form of accommodation, the ‘townhouse’ and, adjacent to the existing structure, a new 46-bedroom hotel with the inevitable function rooms, bars, gym and swimming pool. Cranmore House was built in 1838 by Alexander Clendenning Lambert, agent for the Knox family to whom the property subsequently reverted. They remained in occupation until the 1920s after which the house passed through a couple of hands before being unroofed in the 1950s, in which condition it remains to the present. The predominantly greenfield nature of site makes it attractive to developers, although the proposal seems both unfortunate and unnecessary when so much of Ballinrobe immediately outside the gates could do with refurbishment, including many existing ‘townhouses.’