Castle Deel, County Mayo derives its name from the adjacent Deel river beside which a branch of the Bourke family built a great four-storey tower house, probably in the 16th century. This eventually passed to Colonel Thomas Bourke who, after he had supported James II during the Williamite Wars, saw his property forfeited by the English government and subsequently granted to the Gores, future Earls of Arran. They remained living there until the late 18th century when a new house – now also in ruins – was built close by, after which Deel Castle was occupied by the land agent. At some date, perhaps in the 17th century while still owned by the Bourkes, a residential wing was added to one side of the tower house, this section distinguished by a handsome rusticated doorway. Along another side runs a long service wing. In 1732 when Mary Delany (then still the widowed Mrs Pendarves) visited Mayo, she called on the place, afterwards writing to her sister that it was ‘an old castle patched up and very irregular, but well fitted up and good handsome rooms within. The master of the house, Arthur Gore, a jolly red-faced widower, has one daughter, a quiet thing that lives in the house with him; his dogs and horses are as dear to him as his children, his laugh is hearty, though his jests are coarse’. Deel Castle was still intact during the earlier part of the last century but has since been left to fall into its present sad condition.
‘The abbey is still almost perfect, except the roof and some buildings on the North side, which were taken down about 1750 by the then proprietor, Knox, to furnish materials for a dwelling house which was erected nearby…The church is 125’ long by 20’ broad towards the East; from the West door to the tower the breadth varies from 40’ to 50’; on the broadest space is a gable with a pointed window of stone and of fine workmanship. To the Eastern wall of this portion of the building were two altars, having a piscine to each; between the altars there is an arched recess, which would seem to have been a place of safety for the sacred utensils of the altars…On the right side of the aisle is a range of arches corresponding with the height of that tower, done in hewn stone; the arches, which are hexagonal and turned on consoles, support the tower, which is nearly in the centre of the church, and about 100’ in height. The ascent to the summit of the tower is by a helix of 101 steps.’
(From Ecclesiastical History of Ireland, Thomas Walsh, 1885)
‘The Abbey itself is almost perfect, except the roof and some buildings on the north side, which were taken down about forty or fifty years ago, by the proprietor, to furnish materials for a dwelling house which was erected nearly on the site of the old walls and joined the church…The sacrilegious had that had done this, I was told by the country people, never came to any good after, nor any of those who had been concerned with it. Certain it is the house was but a short time inhabited and is now completely in ruins. One might suppose that time, while, with an unrelenting hand, he committed so many ravages on the house that was thus so sacrilegiously reared, had in pity spared the remains of the adjoining edifice that had once, with its peaceful and inoffensive inhabitants, been devoted to the offices of religion and piety.’
(From Anthologia Hibernica: or Monthly Collections of Science, Belles Lettres and History, by ‘J.C.’, January 1794)
‘The Abbey of Moyne, situated on the estuary of the River Moy, is certainly one of the noblest of the Franciscan Abbeys in Ireland. It is two miles from Killala, six miles from Ballina on the old road by the river. It is barely one-eighth of a mile from the public road, yet on entering its precincts its loneliness, its solitary air and surrounding, is the first impression produced. The Still ‘Pool,’ as the arm of the Moy beneath is called, the solemn tower, casting its long shadow over the countless graves and tombs, the stillness of the luxurious fields around, where the silent cattle graze, but where man is not seen, the rising or ebbing flow of the Moy scarcely making a ripple on the sweet strand, all without a sound, give the first impression as utter loneliness. One is at once forced to feel that here was a fit place for a Community to live away from noise, from care, from the tramp and traffic of the world’s ways, to have thoughts fixed on the quiet and “rest that remaineth for the people of God”.’
(From The Windings of the Moy, Rev, James Greer, 1924)
Visited on a particularly soggy afternoon, this is the Knox-Gore Memorial, erected in 1872 in the grounds of Belleek Manor, County Mayo. Its architect was the ubiquitous James Franklin Fuller whose inspiration appears to have been the steeple of St Giles‘ Cathedral in Edinburgh but while the latter sits atop a very large structure, the memorial’s base is just an earthen mound, sometimes thought to be a prehistoric tumulus. In any case, the monument was commissioned by Sir Charles Knox-Gore to commemorate his father Francis, first baronet who is buried on the site, together with his wife Sarah and, seemingly, his favourite horse. Sir Charles, meanwhile, when his time came, was interred elsewhere on the estate, along with his favourite dog called Phizzie.
The remains of an RIC Barracks at Islandeady, County Mayo. The building dates from the first half of the 19th century when constructed on a plot provided for the purpose by local landlord Sir William Palmer who lived at Castle Lacken, today also a ruin. Of two storeys and three bays, the barracks is a handsome structure, with the focus on its cut-limestone doorcase. There is a small yard to the rear with holding cell. It remained in operation until early 1920 when, like many other remote buildings held by the force, it was abandoned owing to the War of Independence. In June of that year, the barracks was gutted by fire, again a common circumstance, and has remained a ruin ever since.
A pre-Christian monument, the Doonfeeny Standing Stone is, at 14 and a half feet, the second tallest of its kind in Ireland (the standing stone in Punchestown, County Kildare is some 22 feet tall). The precise purpose of this and similar structures is unclear but the belief is that they were associated with pagan rituals, perhaps marking places of death and burial. It is notable that a church was subsequently built close to the the example at Doonfeeny, and a graveyard developed around it, all suggesting a continuation of older practices into the Christian era: two crosses were carved into this particular stone, as though to claim it for the new faith. For rather obvious reasons, standing stones were also long associated with fertility, women who wished to become pregnant being encouraged to visit them.
A recent video about obelisks on the Irish Aesthete YouTube channel (see (2) Follies Pt 1 – YouTube) served as a reminder of a cenotaph visited last year and located in County Mayo. This commemorates Maria Browne, née O’Donel, whose father Sir Neal O’Donel lived at Newport House elsewhere in the county. In 1797 she had married as his second wife Dodwell Browne, his unusual name being the surname of his paternal grandmother, who lived at Raheens. Maria Browne only lived until 1809, dying soon after arriving in Dublin whence she had gone for treatment of her illness. Her husband duly erected this monument to her memory, a tapering column that rises some 80 feet from a base to an ornamental urn. While rubble is used for the body of the monument, all four sides have quoins of cut limestone. A large plaque on the base written in old Irish may be translated as follows: ‘This is to your memory my friend. Oh my loyal beloved, gone forever, your presence forever lost to me’. Beneath, in English are the words ‘This cenotaph was built in memory of Maria O’Donel Browne, second daughter of Sir Neal O Donel.’ Above it a second plaque is inscribed ‘À Marie Et À L’Amour Par Son Cher Époux Dodwell, 1809”. Further up again is an oval disc containing the deceased’s profile and her name. The opposite side features another plaque, this one proclaiming ‘To Gaiety and Innocence’. A blank space above it suggests that a further tribute inserted here has since been removed. Once part of the Raheen estate demesne, today the monument stands in the middle of a field. As for the house, the supposedly-moated Elizabethan property where Dodwell and Maria Browne lived was pulled down by their son and replaced with a classical building; it has been a ruin since at least the middle of the last century.
Last week, fire gutted the former Convent of Mercy in Skibbereen, County Cork. Its original occupants had long since vacated the building, left to stand empty and falling into dereliction for the past 15 years: the police have since requested forensic experts to investigate the cause of the blaze. All across Ireland there are similar sites, substantial complexes built in the 19th century for religious orders which, with the decline in vocations and the need for better facilities, have become redundant and too often allowed to become ruinous. A similar series of buildings can be found in Westport, County Mayo, again a former convent formerly belonging to the Sisters of Mercy. Dating from the early 1840s and built on a site provided by the then-Marquess of Sligo, the place was vacated in 2008 after which it was bought by the local authority for €4 million, with assurances that the buildings would find new purpose by 2011 as the town’s civic centre. Twelve years later, although still owned by Mayo County Council nothing has been done and the old place is now a blight on the town. Westport rightly enjoys a reputation for its fine architectural heritage: the present state of the old Convent of Mercy does nothing to help that reputation. In 2017 local newspaper The Mayo News wrote about the condition of the property and quoted a council official’s assurances that there was ‘a masterplan for the whole site and the council will be putting parts of the project to tender in the next couple of weeks’. That was three years ago; those tenders seem to be awfully slow in arrival. Twelve months ago, the council posted a planning notice for work to be carried out on the site, including the construction of two new blocks, one to house a civic office, the other a library. Again, nothing has yet happened. Meanwhile the condition of the buildings grows steadily worse. Two points need to be made here. The first is that Mayo County Council was itself responsible for listing the buildings in question as protected structures. What kind of example does it give to anyone else when the authority so signally fails to protect property in its own possession? Secondly, €4 million of public money has already been spent on the purchase of the former convent: the longer it is left neglected, the more eventual restoration will cost. Everyone – especially members of the council – should remember this will be public money, provided by the Irish tax payer.
Last week, the Irish Aesthete featured the former Convent of Mercy in Ardee, County Louth, which is now for sale. Today, here are some pictures of the former St Joseph’s School which was run by the same order in Ballyhaunis, County Mayo; the main block may have been designed by busy Dublin architect William Henry Byrne who was certainly responsible for the adjacent convent. St Joseph’s School opened in October 1901, and closed in July 2012. Since then the property appears to have stood empty on a large site in the centre of the town and left to fall into its present decay. Not only does this make the centre of the town look unsightly, it is also gratuitous waste of sound building stock.
With shells and sea-weed mingled, on the shore,
Lo! their bones whiten in the frequent wave;
But vain to them the winds and waters rave;
They hear the warring elements no more:
While I am doomed, by life’s long storm oppressed,
To gaze with envy on their gloomy rest.
On a peninsula that extends like a finger dipping into the waters of Lough Conn, County Mayo stand the remains of Errew Priory. Like so many other Irish religious houses, this one is believed to have been founded by an early Christian saint. Tigernan, otherwise known as Tiernan was said to have been born in this part of the country but otherwise little appears to be known about him. He is the patron saint of nearby Crossmolina where the Roman Catholic church and secondary school are named after him.
Errew Priory was re-founded in the 12th century by the Anglo-Norman Barrett family which had settled in the area; a number of them became Bishops of Elphin (a local diocese) and one, Thomas Barrett, was buried at Errew in 1404. Ten years later, the establishment was given by the Barretts into the care of the Augustinian Canons Regular who already had a house in Crossmolina. Dedicated to the Virgin, Errew Priory was dissolved in 1585 on the orders of Elizabeth I.
Although the eastern side of the cloister at Errew Priory is reasonably well-preserved, not a lot of the priory buildings otherwise survive, since most of them have lost all trace of roofs. The surviving cloister walk is darker than customarily the case, since light only enters through narrow ogee windows. The other principal structure is the main body of the church, with simple windows at eastern and western end. The outer walls have few openings, suggesting that like many other such establishments, this one was subject to assault during the inter-familial wars that were such a feature of life in 14th and 15th century Ireland. Discovered at the end of a track through fields, Errew Priory’s appears singularly austere, but the setting on the edge of the lough is marvelous, making it easy to appreciate why a religious order would have wanted to established a presence here.