Three in One



The name of Moone, County Kildare is said to derive from the Irish Maen Colmcille, meaning ‘Colmcille’s property’. This is because although the place was converted to Christianity in the fifth century by Palladius (who preceded St Patrick in Ireland), a monastery was founded here 100 years later by St Colmcille. No trace of that establishment remains, the ruins on site being those of a Franciscan friary of c.1300 (although parts of the structure may be earlier). A late 18th century image shows that considerably more then survived, including a Lady Chapel on the north side and a tall, square tower but these were then demolished. The remains of the church are remarkable for holding one of the finest High Crosses in Ireland, of local granite and rising some seven metres. It was only discovered in 1837, buried in ground near the south-east wall of the building; a further missing portion of the base was found in 1875 and restored in 1893. Dating from the ninth century, it is extremely well-preserved, all four sides carved with human and animal figures, many of them representing stories from both the Old and New Testament. The cross sits beneath what was apparently meant to be a temporary cover, but the plastic roof has been there for so long it has probably acquired protected structure status.




Not far away from the remains of the Franciscan friary rises another ancient structure: a 15th century tower house. The original owners are unknown, perhaps the Eustace family who came into possession of this part of the country through inheritance in 1447. They remained in occupation until at least the mid-17th century, but then lost the property during that era’s upheavals. As so often, there is only one point of access, a door on the east side to the south of which are stone steps leading all the way to the top. While the ground floor features the customary high, vaulted space, much of the interior was converted, probably in the 18th century, into a brick-lined dovecote. However the upper storey still holds an old stone chamber with a chimney and windows.




Between monastic ruins and tower house stands the third significant building on this site: a mid-18th century Palladian building known as Moone Abbey House. In the aftermath of the Williamite Wars, the land around here was bought by Thomas Ashe, a Dublin alderman. He died in 1741 and seven years later, Moone was acquired on a 999-year lease by Samuel Yates of Colganstown, County Dublin: he is believed to have commissioned the new house. Colganstown has been attributed to Nathaniel Clements, and his name has also been mentioned in association with Moone Abbey House along with that of Dublin-based architect John Ensor. The building was intended to make a good impression but is less substantial than initially appears to be the case, since the central block is only one-room deep. Among its quirkier features are the convex quadrant walls that in turn lead to rather unusual two-storey, two-bay wings with Dutch gables. An engraving of 1792 by Daniel Grose (see bottom of page) shows that originally the main house was of two storeys and with a Diocletian window at the top. The third storey – and porch – are 19th century additions. Like its immediate neighbours, Moone Abbey House has undergone various vicissitudes over the course of several centuries but thankfully survives. The course of Ireland’s history can be discovered in these three adjacent buildings, all still standing and, in the case of the house, still happily serving as a family home.




And finally, Daniel Grose’s view of the site in 1792.

 

 

The Only One of its Kind


‘In 1280, Richard de Burgh was virtually ruler of Connacht, and on June 28, 1283, there was a grant given him and his wife, Margaret, of the land which Emmelina, late Countess of Ulster, held in Ulster. It is therefore more than probable that Emmelina, Dowager Countess of Ulster, suggested to the Red Earl, to make a foundation for the Carthusian Order in Connacht. Anyhow, in or about the year 1280, Richard de Burgo established a monastery for the Chartreuse brethren at Kinalehin, doubtless, colonized from Hinton. King Edward I was favourably disposed towards the new foundation, and, on July 27, 1282, issued letters, dated from Rhuddlan, guaranteeing English protection “for the prior, monks, and lay brothers of the Carthusian Order, de Domo Dei, in Kinalehin”…John de Alatri, Bishop of Clonfert, Papal Nuncio and Collector, was a munificent patron of the Kinalehin house from 1281 to 1295, in which latter year he was translated by Pope Boniface VIII to the Archbishopric of Benevento. His successor, Robert, an English Benedictine monk of Canterbury, was consecrated at Rome by Gerard, Bishop of Sabina, in December, 1295 It is evident from the State Papers that these two bishops of Clonfert were in the favour of the Holy See and of Edward I, and both were on intimate terms with the Red Earl. The Carthusians had also a friend in Stephen de Fulburn, Archbishop of Tuam, who was Lord Justice of Ireland in 1286. William Bermingham, his successor, was also a generous patron, to the detriment, as it would seem, of the English Dominicans of Athenry.





‘The next entry we meet with concerning Kinalehin is in the ecclesiastical taxation made by order of Pope Boniface VIII, in 1302, which, however, was not completed till the year 1307, under Pope Clement V. In this taxation, the Carthusian Priory of Kinalehin, written “Kenaloyn,” is valued at £6 13s. 4d., the tenth being given as 13s. 4d. It is stated to be in the deanery of “Dondery” – now Duniry – in which there were then five rectories, namely, those of Duniry, Lickmolassy, Kinalehin, Lickerrig, and Kilconickny – and six vicarages, viz., Duniry, Lickmolassy, Kinalehin, Kilcorban, Kilmalinoge and Drummackee. The vicarage of Kinalehin is valued at £1 7s. 4d. yearly, and the tenth at 2s. 83/4d.- the sum total of the deanery of Duniry being given as £22 2s. 8d.
Richard de Burgo, Earl of Ulster, was almost at the pinacle of his power in 1307, and on June 15, 1308, he was appointed for a time as Lord Lieutenant of Ireland. In November, 1307, Robert, Bishop of Clonfert, died, and a licence to elect was issued by Edward II on December, 7 of the same year. The chapter elected Gregory O’Brogan Dean of Clonfert, to the vacant see, who received restitution of temporalities on March 22, 1308. A few months later, Edward de Burgo was provided by Pope Clement V as Provost of Tuam.’





‘The Bruce invasion occasioned considerable unrest in the years 1315-1318, and though the fortunes of war seemed to favour Edward Bruce (who was joined by his brother Robert, in 1317), the victory of Faughart, near Dundalk, on October 14, 1318, established the English power more securely than before.
In Connacht, the death of Felim O’Connor at the battle of Athenry, led to a civil war, and in 1318, Turlough O’Connor had a rival in Cathal O’Connor. The Red Earl, weary of war alarms, retired to the Abbey of Athassel, Co. Tipperary, leaving his vast estates to his grandson William. The English in Thomond got a crushing defeat at Dysert O’Dea, on May 10, 1318. No wonder that the Carthusian monks of Kinalehin felt insecure. What with the retirement of the Red Earl, the constant attacks on Sir William de Burgo, and the internecine feuds of the Irish, the year 1320 found the brethren of the Domus Dei on the slope of Sliabh Echtge, in a pitiable plight. The worthy Bishop of Clonfert died in 1319, and no election of a successor could be made for two years, “owing to the fighting in these parts,” as stated in the brief appointing his successor, John (Archdeacon of Kilmacduagh), in 1322. Accordingly, in 1321, the priory was suppressed by order of the General Chapter of the Grande Chartreuse, and in the same year the Carthusians left Kinalehin for ever. Sir William de Burgo died in 1324, and the Red Earl died penitently with the Augustinian monks of Athassal, on July 29, 1326, being succeeded in his title and possessions by his grandson William, murdered in 1333.
It only remains to add that in 1371 the Franciscans were given the ruinous priory of Kinalehin by Pope Gregory XI, and the friary was built in 1372. It flourished till 1740.’


Extracts from The Carthusians in Ireland by W. H. Grattan Flood, The Irish Ecclesiastical Record, 4th Series, Vol. XXII, No. 477, September 1907

A Venerable Monastic Edifice


‘The village of Timoleague [County Cork] is situated on an arm of the ocean, which flows in between the hills, whose feet it washes. It is in the barony of Ibawn and Ballyroe, and eight miles S. W. of Kinsale. It was anciently a place of note, being much frequented by the Spaniards, who imported thither large quantities of wine, and tradition reports that it had fourteen taverns that sold Sack. But the harbour is now quite choked up with sand. A small river discharges itself here, called the Arigideen, or the Little silver Stream; it runs at the foot of an hill, formerly clothed with an oak grove for about a mile, in a picturesque serpentine manner. It passes by O’Shagnessey’s castle, the church-yard, and the walls of the Franciscan abbey. This venerable monastic edifice, whose ruins we have exhibited, was founded by William Barry, Lord of Ibawn ; the 17th December 1373 he died, and was interred in it. In 1400, it was given to Franciscans of the strict observance. John de Courcy, a Monk of this house, and afterwards Bishop of Clogher, with the assistance of James Lord Kinsale, his nephew, built the library, belfry, dormitory, and infirmary, and bequeathed liberally to it. He died in 15 18, and was buried in the church…’




‘Provincial chapters were held in this abbey in 1552 and 1563. Here are several tombs of ancient Irish families j as M’Carthy-righ’s, in the middle of the choir. West of it is an old broken Monument of the O’Cullanes, and on the right hand, that of the Lords de Courcy. The O’Donovans, O’Heas, and others, were interred here. By an inquisition taken, four acres and an half of land were found to belong to the abbey, which were then possessed by Lord Inchiquin, but now by Lord Barrymore. A considerable part of the tithes were granted to the college of Dublin. Near the church is a well, dedicated to the Virgin Mary, celebrated for miraculous cures. St. Molaga is patron of the parish, and it receives its name from an old monastic Cell dedicated to him, called Tea Molaga, or St. Molaga’s house…’




‘The building, though unroofed, is intire, for it was thoroughly repaired in 1604, It consists of a large choir with an aisle : one side of the said aisle is a square cloister arcaded, with a platform in the middle; this leads to several large rooms, one of which is said to have been a chapel, another a chapter-house, the third the refectory, besides a spacious apartment for the Guardian of the house, with kitchen, cellars, &c. the whole forming a large pile of building. There is an handsome Gothic tower, seventy feet high, between the choir and the aisle.’


From Francis Grose’s The Antiquities of Ireland, vol.II, published 1791.

The Consequences of a Carriage Accident


Seen in the grounds of St Mary’s, Killarney, County Kerry: the tombstone of William Wadd who, as the carving explains, acted as Surgeon Extraordinary to George IV. Wadd is remembered for being one of the first doctors to advocate a sensible approach to diet, in 1810 publishing his Cursory Remarks on Corpulence which explored the history and causes of obesity, concluding that it was due to ‘an over-indulgence at the table’ (such as that practiced by his royal patient). The work went through four editions, the last appearing in 1829, the year of its author’s death: Wadd had come to Ireland on holiday and was killed instantaneously outside Killarney after leaping from a runaway carriage. Hence his interment at St Mary’s.

Buried in Tombs


Movilla, County Down takes its name from the Irish magh bile, which means ‘plain of the ancient tree’ because in pre-Christian times a sacred tree had stood here. A monastery was founded here in 540 by St Finian and grew to be one of the most important in the country. However, after being sacked by Vikings in the ninth century, it went into decline and was eventually re-established as an Augustinian priory. This was closed down during the Dissolution of the Monasteries and today all that remains are the gable ends of a 15th century church, the space between them filled with tombstones.

An Act of Desecration


St Mary’s Cathedral in Killarney, County Kerry was originally designed by Augustus Welby Pugin in 1840, its form a homage both to Ardfert Cathedral, elsewhere in the same county and Salisbury Cathedral. Work paused during the years of the Great Famine, but the building was finished in 1855 under the supervision of James Joseph McCarthy. The cathedral’s superlative mid-19th century Gothic interior survived intact until 1973, when then-Bishop Eamonn Casey commissioned what was called a ‘re-ordering.’ This involved throwing out almost all the decorative features and gutting the space back to bare stone walls. Such an act of desecration, which occurred in other Roman Catholic churches throughout Ireland, was supposedly undertaken in order to comply with new liturgical procedure, but oddly enough the same brutal approach was not undertaken in other countries, where churches were allowed to retain their historical interiors. It deserves to be exposed for what it was: the philistinism of a vainglorious prelate.

Awaiting the Day of Judgement



The little church at Clonagam, County Waterford sits on high ground almost directly north of Curraghmore, with superlative views from the graveyard down to the house and gardens. The present building dates from 1741 when on the instructions of Marcus Beresford, Earl of Tyrone and his heiress wife Catherine de la Poer it replaced an older building on the site. Although there were subsequent alterations, essentially this is still the same structure, taking the form of a simple Roman barn, the rendered entrance front relieved only by a cut-stone Gibbsian doorcase and diagonal stepped buttresses on either corner topped with crocketed pinnacles. Round-headed windows on either side and on the east front were probably of clear glass originally but now contain some stained glass panels. Otherwise there is nothing to distinguish the church from many others throughout the country. The real interest lies inside, where generations of the de la Poer Beresford family are remembered.





Two of Clonagam church’s most prominent monuments are located at the east end of the building, that on the north wall carrying the following inscription: To the Memory of Marcus Beresford, Earl, and Viscount of Tyrone, Baron Beresford, and Baronet who departed this life on the 4th of April 1763 in the 69th year of his Age, and of Catherine, Baroness Le Poer in Fee, his Countess, Daughter and Heiress to James Power, Earl of Tyrone, Viscount Decies, and Baron Le Poer, who dyed in the 68th year of her Age on the 16th of July 1769 this Monument is Erected by their Son, George de la Poer Beresford, Marquis of Waterford, in Testimony of his Duty, Gratitude and Affection. In front of a polished limestone pyramid, the white marble monument features portrait busts of the couple, similar to those seen in Imperial Roman tombs, their deaths mourned by a pair of disconsolate putti. Unfortunately the sculptor responsible for the work is not known, unlike the monument on the opposite wall which recalls Florence Grosvenor Rowley, who in August 1872 married John Henry de la Poer Beresford, fifth Marquess of Waterford: the following April she died in childbirth. Set into the wall of the church and dramatically lit by a concealed window, the sculpture shows both the deceased marchioness as though asleep and cradling her baby, who also did not survive. This work was created by the Viennese-born Vienna-born Joseph Edgar Boehm, who had settled in London in the early 1860s, exhibiting at the Royal Academy (where he was elected a member in 1782) and becoming the favourite sculptor of Queen Victoria who awarded him a knighthood. Boehm was also responsible for the St Hubert stag that sits atop the façade of the main house at Curraghmore.





The body of the church at Clonagam is dominated by two lifesize recumbent figures, that on the north side representing Henry de la Poer Beresford, third Marquess of Waterford who was killed in a hunting accident in March 1859. In polished granite, it shows the deceased clad in his robes as a Knight of the Order of St Patrick. Since the third marquess and his wife Louisa had no children, the title and Curraghmore estate were inherited by his brother, John de la Poer Beresford. Before becoming the fourth Marquess, he had served as a Church of Ireland clergyman and so the white marble monument shows him in clerical robes; he died just six years after his elder brother. Several other members of the family also became clergymen, and one of them is similarly commemorated in the church: the Most Rev. John George de la Poer Beresford, a younger son of the first marquess. He briefly served as Archbishop of Dublin before becoming Archbishop of Armagh in 1822, holding the position for the next forty years. In Armagh, he was responsible for undertaking the restoration of the ancient cathedral of St Patrick, then in a perilous state of disrepair. There he was buried, but the monument on the south wall of Clonagam church was erected in his memory by the wives of the third and fourth marquesses. Incidentally, he was succeeded as Archbishop of Armagh by a cousin, Marcus Gervais Beresford. Finally, one other curious sculpture deserves attention. This is a semi-recumbent male figure looking to date from the late 17th century, his right hand resting on a knee (from which a stocking has untidily slipped) his left supporting his head as he leans backwards. His present position is on a shelf inside the church’s marble baroque chimney piece, but this appears not to be the original setting. Elsewhere in the building a number of wall plaques were repositioned after the Church of Ireland church in Carrick-on-Suir, their original home, closed its doors in the early 1980s. Presumably this figure was moved here at the same time and tucked inside the chimney piece. Who he represents is unclear but one of the plaques commemorates John Power, second Earl of Tyrone who died in 1693 at the age of 29: might he be the reclining figure? Whatever the answer, like the others inside the church – and indeed in the graveyard outside – he awaits the Day of Judgement.


A Surprise



Yet another of Ireland’s pocket cathedrals can be found at Ardmore, County Waterford. A religious settlement is said to have been established here by local saint Declan, one of a small number of missionaries who are supposed to have preached the Christian message before the arrival of Saint Patrick. An 8th century oratory is supposed to be Declan’s burial place. The cathedral stands immediately adjacent to it, and dates from the 12th century.


The remains of Ardmore Cathedral look much like those of other Irish Romanesque churches, but the surprise lies on the west gable. A long blind arcade here features various Biblical scenes, and although some of these are well-worn, or now blank, it is still possible to work out certain images, such as those showing Adam and Eve on either side of the Tree of Knowledge, and the Judgement of Solomon. The same site also contains one of the country’s tallest Round Towers, of the same date as the cathedral.


Hard Going on a Soft Day


A midsummer visit to the cathedral in Ardfert, County Kerry took place on what in Ireland is known as a ‘soft day.’; In other words, it was teeming with rain, which made the experience hard going. A village of some 750 persons, there is some discussion about what are the origins of the name Ardfert. It could mean a place on an eminence, or perhaps Ardfert derives from ‘Ard Ert’, meaning the high place of Ert or Erc, since a 5th century saint called Erc supposedly made this the seat of a bishopric, hard to imagine today in such a small spot. But the size of the cathedral remains testify to Ardfert’s former importance, as do the nearby substantial ruins of the former Franciscan friary (see An Incomplete Story, https://theirishaesthete.com/2017/11/13/ardfert).






One of Ireland’s most famous saints, Brendan is said to have founded a monastery in Ardfert in the 6th century. Believed to have been born about six miles south of here, at the age of 26 Brendan was ordained a priest by the aforementioned Saint Erc. As well as Ardfert, he established monasteries in a number of other locations but most famously his restless spirit is said to have led him, accompanied by 16 followers, across the Atlantic Ocean to the ‘Isle of the Blessed’ (what is today North America): the earliest known account of this epic journey was written around the year 900. Hence the saint is known as Brendan the Voyager. More information on his life and travels can be found in a piece written here four years ago (see The Traveller’s Rest, https://theirishaesthete.com/2015/12/14/clonfert).






Although the present cathedral at Ardfert was begun in the 11th century, the greater part of it dates from the 13th century, with battlements added to the exterior walls two centuries later again. An important surviving feature is the doorway at the west end of the building: it is a fine example of Hiberno-Romanesque decoration, with outward pointing chevrons around the doorcase flanked on either side by paired blind arches in the same style. Similar features can be found in what remains of Temple-na-hoe, a small church to the immediate north-west of the cathedral. Those battlements added in the 15th century indicate how turbulent were the times, and so it remained for almost 200 years. During the Desmond Rebellions of the 1570s and ‘80s, the building was attacked and severely damaged, but appears still to have been used for services. However, in 1641 during the Confederate Wars, the cathedral was gutted by fire and temporarily abandoned. Some thirty years later, the south transept was restored and used by the Church of Ireland congregation for services until 1871 when a new church was built in the village. Ardfert cathedral is now under the care of the Office of Public Works, with the south transept used as a visitor centre and display area for some items found on the site. It also provides welcome shelter on a soft day…