A stained glass window in the chancel of St John the Baptist, Duhill, County Tipperary. It is one of two designed and made by Harry Clarke for this little parish church. That to the left of the altar depicts a rather insipid Bernadette receiving a vision of the Virgin at Lourdes. In contrast that on the right-hand side is altogether more earthy (and more gorgeously coloured) and, inspired by the saint to whom the building is dedicated, shows the moment after his death when Salome beholds the newly-executed John’s head on a salver, observed by Herod and Herodias. Dating from 1925, the window commemorates local woman Margaret Byrne and her two brothers, both of whom had been priests..
A detail of Harry Clarke’s Eve of St Agnes window, now in the Hugh Lane Gallery, Dublin. Inspired by Keats’ poem of the same name, the window was commissioned in 1923 by Harold Jacob (of the Jacob’s Biscuit family) for his father’s home on Ailesbury Road. Completed within a year, the window was duly installed and then moved to a couple of other properties before being acquired by the gallery forty years ago in 1978. The history of the window and the inspiration for its design (not least the influence of the Ballets Russes, and its sumptuous sets and costumes by the likes of Léon Bakst) in an essay by Jessica O’Donnell included in the just-published Harry Clarke and Artistic Visions of the New Irish State. The book seeks to contextualize the artist not just within Ireland but also the broader modernist movement by examining different aspects of his output: Angela Griffith, for example, writes on the two promotional booklets published by Jameson whiskey in the mid-1920s, for which Clarke provided illustrations, while Fiona Bateman looks at windows produced by the Clarke studios for Irish Catholic Missionaries in Africa (apparently many of these remain in churches in Kenya, Nigeria and other countries). Rightly dedicated to the memory of the late Dr Nicola Gordon Bowe (the first anniversary of whose death falls in a couple of weeks), the book further illuminates our knowledge of cultural life in Ireland during the first years of the independent state.