Category Archives: Westmeath

A Palimpsest of Irish Architectural History


Descended from the late 10th century High King of Ireland Máel Sechnaill mac Domnaill, for much of the period following the Norman invasion, the O’Melaghlins (later McLoughlin) were a dominant family in what is now Westmeath. As such, they built various fortified residences for themselves, including the core of what is today called Moate Castle: the town of Moate derives its name from the motte and bailey which was erected here by the Normans. The O’Melaghlin castle is thought to have been constructed around 1500 and remained in their hands for a century until sold by Feardorcha O’Melaghlin to Hubert Dillon, who lived a short distance north of Moate at Drumraney. However, in the upheavals of the mid-17th century, Dillon’s son lost the castle, which was granted to an English soldier called Humphreys. In 1655 he, in turn, sold the property to another soldier, Captain John Clibborn, whose forebears came from Yorkshire and whose descendants would live in the place for the next couple of centuries. 






As mentioned, the Clibborns continued to live in Moate Castle for some 200 years; in Samuel Lewis’s Topographical Dictionary of Ireland (1837), it was listed as the residence of Cuthbert John Clibborn. Following his death in 1847, he was succeeded by his eldest son Thomas Strettel Clibborn, then aged just ten. Having graduated as an engineer from Trinity College Dublin, in 1859 Thomas Strettel Clibborn emigrated to Australia where he spent the rest of his life, where thanks to his keen interest in racing, he became secretary of the Australian Jockey Club, where he proved to be an outstandingly effective administrator, remaining in the position until shortly before his death in 1910. In Burke’s Genealogical and Heraldic History of the Landed Gentry of Ireland (published 1912), Clibborn’s eldest son George Holmes Clibborn’s elder son is listed as being ‘of the Castle, Moate, County Westmeath’ but he likely never lived there as even during his father’s lifetime it seems to have been rented to a succession of tenants, including Gilbert Nugent (later of Jamestown Court), a Quaker businessman called William Wooley and Edward Fetherstonhaugh. At the beginning of the last century, the local postmaster, a Mr Moore occupied the building, followed by Mr Gardiner, who taught at the local Church of Ireland school. For just over half a century, the property has been owned by the Mitchell Family who recently placed it on the market.






Moate Castle sits high above the town’s main street but what can be seen from here is actually the back of the building: the main entrance is on the other, north-facing side and looks out over several acres of enclosed land, presumably once laid out as gardens. The original castle is in the eastern section of the main house and is of two bays and three storeys. Various additions were made to this from the late 17th to the end of the 18th centuries, beginning with an extension to the immediate west which is likewise three storeys high and of three bays. At the western extremity and on the rear, a two-storey bow-fronted extension was also added at some unknown date. Returning to the facade, this shows a four-bay house of three storeys, the interior accessed via a relatively modest Gibbsian limestone doorcase. The building on this side is flanked by two-storey, gable-ended pavilions that createa a shallow forecourt; both of these are now in poor condition but must once have been fine structures. Beyond the eastern pavilion is the yard with stables and coach house: here a Sheela na gig has been inserted into the wall immediately above a Gothic arched. Stepping inside, the castle proves to be less substantial, and much more manageable as a home, than its external appearance might suggest. The entrance hall contains a  fine mid-18th century staircase giving access to the upper floors, with a drawing room to the immediate right and a passage leading to what might have been the original dining room and thence the kitchen in the old castle. Upstairs, a similar passageway leads to a number of bedrooms. Throughout the building, decoration is spare, reflecting the fact that the Clibborns were Quakers. Moate Castle deserves a thorough examination than it has been given hitherto as the house can be seen as a palimpsest of Irish architectural history across more than 500 years, reflecting changes in taste and material circumstances during that long period. The hope must be that a sympathetic new owner can be found for the property, sensitive to its significance and prepared to ensure that Moate Castle can continue to bear witness to the country’s past. 

Acts of Folly


Follies of all varieties have featured here in the past, but one genre is especially interesting: the building designed to look older than was actually the case. In Ireland, some of the earliest examples of this style, in the form of faux-antique rusticated buildings, can be found at Tollymore Park, County Down (see Do the Wright Thing « The Irish Aesthete), the design of, or at least inspiration for, which came from Thomas Wright who visited the estate in September 1746. Wright is also credited with being responsible for the Rustic Arch at Belvedere, County Westmeath (see Very Mannered « The Irish Aesthete) which dates from around the same period as he was in this country. But the fashion for such structures lingered long after his departure, as is demonstrated by the gatelodge at Bracklyn, County Westmeath (see Refined Rusticity « The Irish Aesthete) where a shield above the bellcote arch bears the date 1821, although the building may have been constructed earlier. Nevertheless, it provides evidence that rusticity achieved nationwide popularity, with one fine example being found in County Laois.





The grotto at Ballyfin, County Laois probably dates from the third quarter of the 18th century, when the estate belonged to William Pole who lived there with his wife, Lady Sarah Moore. The couple were responsible for laying out the demesne in the newly-fashionable arcadian manner, not least by the addition of a large, man-made lake, close to which the grotto can be found. And like the lake, this structure was intended to look as though designed by nature, rather than a clever piece of artifice. The grotto lies below a mound on top of which once stood a long-since lost summer house, a suitable destination for a stroll from the main house. And while the latter would have demonstrated the civilised character of its owners, the grotto was, in parallel, intended to display their romantic sensibilities, influenced by Rousseau-esque notions of the noble savage. A roughly circular space in front of the little building is centred on a small pond, fed by a stream that trickles over stones down one side of the mound. The grotto occupies a generous portion of the circle, and takes the form of a primitive temple, with the substantial portico supported by large vertical boulders imitating columns, complete with uncut capitals. Beyond the portico are three openings, the middle one providing an entrance to the interior, one large room, the floor inlaid with pebbles around another circular pool. Above this rises the vaulted ceiling, a rustic version of that found in the Pantheon in Rome complete with central opening. In this instance, however, the view is not of open sky but of another giant stone seemingly hovering in space (although in fact it is supported by a number of other boulders not visible while inside the chamber). As already noted, the grotto at Ballyfin was envisaged to look as though nobody had been involved in its construction but instead had just happened, like a cave. But also highly popular during the same period were another kind of artificial building: the sham ruin.





The same romantic sensibility that led to the construction of Ballyfin’s grotto was also responsible for inspiring the ‘ruin’ seen at Killua Castle, County Westmeath. The castle is itself a sham, since when originally constructed by Sir Benjamin Chapman around 1784 this was a strictly classical house. It was Sir Benjamin’s brother and heir, Sir Thomas Chapman, who , after inheriting the estate in 1810 set about transforming the building into the castle seen today. However, perhaps he was inspired by work already undertaken within the demesne by his sibling. In 1800 Sir Benjamin had acquired some of the stonework from the medieval Franciscan friary at Multyfarnham, elsewhere in the same county, and used this to create a charming ‘ruin’ visible from the garden front of the house and occupying a mound overlooking the lake he had created some years earlier. He was by no means the only, or even the first, estate owner to recycle materials from another, older site. In the demesne at Heywood, County Laois Michael Frederick Trench had built an artificial ruined abbey, incorporating fine traceried windows said to be 15th century and to have been brought from the former Dominican friary at Aghaboe, some twelve miles away. The sham ruin at Killua is not intended to look like the remains of an old religious establishment (Sir Benjamin simultaneously employed other stonework to ‘embellish’ the old St. Lua’s Church, lying to the south-east of the demesne), but instead to suggest these were the surviving sections of an old castle or fortified residence. It comprises a two-storey, octagonal tower on octagonal plan with an adjacent wall constructed to look like the remains of a gable end of a building. Like the grotto at Ballyfin, it served no practical purpose other than to delight the eye and to provide a destination when residents of the main house and their guests undertook a walk. Thankfully in recent years both these follies have been restored by their respective owners so that they can continue to do the same today. 

 

Not Very Gay




In the mid-1780s, Ralph Smyth purchased the Gaybrook estate in County Westmeath from one John Gay (reputedly related to the earlier John Gay, whose 1728 ballad drama The Beggar’s Opera, produced by John Rich, was famously said to have made ‘Rich gay and Gay rich’). Advised by amateur architect, the Rev Daniel Beaufort, Smyth embarked on building a new residence for himself on the property, but the gates and lodges are of a later date, constructed by his younger son Robert who inherited the place in 1827. At the eastern end of the estate, the front elevation of this one, with a canted central bay, suggests the house was only on one level. However, examination of the rear indicates it was actually two storeys high. Dean, in his gazeteer of Leinster lodges, speaks of the octagonal entrance hall having ‘a delicately vaulted plaster ceiling’ but alas, no evidence of this now survives, in consequence of the lodge being long neglected. The house itself, having survived until the early 1970s, was subsequently demolished.



A Chequered History



Few country houses in Ireland have had such a chequered history in recent decades – and yet somehow survived – as Middleton Park, County Westmeath. The present building dates from the mid-19th century, replacing an earlier residence which had previously belonged to the Berry family. When in 1846 James Middleton Berry inherited from his uncle James Gibbons another estate in the same county, Ballynegall (see Ballynegall « The Irish Aesthete) he sold his original property to George Augustus Boyd. Born in 1817, he was the only son of Abraham Boyd and Jane Mackay, both of whom been married before, she to George Rochfort, second Earl of Belvedere. Since he inherited a considerable portion of the former Belvedere estates through his mother,  in 1867 George Augustus Boyd legally changed his surname to Rochfort-Boyd. With his wife Sarah Jane Woods, he had at least seven children, their eldest daughter Edith in due course marrying Sir Thomas Chapman, who lived at South Hill, County Westmeath (see What Might Have Been « The Irish Aesthete). In due course, that marriage ended badly owing to Sir Thomas embarking on an affair with his own children’s governess: he and she went on to have a family of their own, one of whom was T.E. Lawrence, otherwise known as Lawrence of Arabia.
To go back to George Augustus Rochfort-Boyd, just to complicate matters further, a year after he died in 1877, his heir legally reversed the two surname order, being called Rochfort Hamilton Boyd-Rochfort. All three of his sons had distinguished careers in the British army, the eldest Captain George Boyd-Rochfort being awarded the Victoria Cross in 1915 and the youngest, Captain Sir Cecil Charles Boyd-Rochfort being one of the most successful horse trainers of the mid-20th century. Following the death of the eldest brother in 1940 Middleton Park had been inherited by the middle sibling, Lieutenant-Colonel Harold Boyd-Rochfort, who in 1957 decided to sell the property – and so began its decades-long woes.





In 1957 Middleton Park was bought by a German family who, a few years later, in turn sold the place on. In the mid-1970s the house and some 380 acres were acquired by the Fermanagh-born trainer and gambler Barney Curley who, in 1984 decided to dispose of Middleton Park not by the usual means of either auction or private sale, but instead through running a lottery: at the time, Ireland’s property market was extremely depressed and it seemed unlikely Curley would realise much for the place. Tickets were offered at £200 each and, according to a television report of the time, almost 9,000 of these were sold, meaning the vendor would have made around £1.8 million since his expenses were minimal, especially as the event garnered international attention. However, in the aftermath, Curley was prosecuted for promoting an illegal lottery, and sentenced to three months in prison: on appeal, he was given the benefit of the Probation Act, with no conviction recorded provided he contributed £5,000 to a local charity. In July 1992 Middleton Park was on the market once more, this time realising just £300,000 at auction, although at least in part that price was due to the fact that the amount of land around the building was now much less than had previously been the case. In 1999 it was sold to a couple for something less than £500,000 but less than two years later was once more available to purchase, along with just 12 acres, this time for £1.7 million. After a period of neglect, restoration work was undertaken on the building which opened as an hotel, specialising in weddings, in 2007; seven years later, this was sold as a going concern to a UK based private equity firm for around €1m. In 2016, that business closed and soon enough Middleton Park was being offered for sale – yet again. It then sat empty for three years before being bought by the most recent owners who once again had to embark on substantial renovations due to the building’s neglect. 





Middleton Park was designed by the London-born architect George Papworth who had moved to Ireland in 1806 when aged 25. His talent soon attracted aristocratic clients such as Jenico Preston, 12th Viscount Gormanston, for whom he supervised the renovations of Gormanston Castle, County Meath, and Ulick de Burgh, 14th Earl (and future first Marquis) of Clanricarde for whom he undertook similar work at Portumna Castle, County Galway. But he also designed a number of Roman Catholic churches, such as that for the Carmelite order on Whitefriars Street, Dublin, as well as being involved in work on the city’s Pro-Cathedral; another one of his projects was King’s, not Heuston, Bridge over the river Liffey. Middleton Park, dating from c.1850, was a relatively late work, since he died in 1855, and – at least on the exterior – a somewhat anachronistic one, since the design clearly owes much to Francis Johnston’s Ballynegall, which dates from 1808 and to which the Middleton Park estate’s previous owner had moved. In both cases, the building is of six bays and two storeys over basement, the two centre bays delineated by a single-storey Greek Ionic portico. And, as also once at Ballynegall, one side of the block concludes in a substantial conservatory designed by Richard Turner; at Middleton Park, the other side continues in a long, single-storey office range. However, the interiors of the two houses are quite different, not least because the entire centre portion of Middleton Park is given over to a vast, full-height staircase hall, the double-return stairs with scrolling cast-iron balustrade leading up to an impressive first-floor gallery, the whole lit by a vast lantern. Nothing else in the building could hope to match this tour-de-force, and the main reception rooms accordingly are of more modest – and comfortable – proportions, although during its various times as an hotel, a number of substantial function spaces were added to the office range side of the building. That Middleton Park has survived, given such a chequered history, is very fortunate and one must hope that the house’s future is more stable than has been its past. 


Making a Comeback



Sometimes confused with Coolamber Manor in adjacent County Longford, this is Coolamber House, County Westmeath, a building which has undergone various additions and subtractions over the centuries. There may have been an old castle on the site originally, incorporated into the present late-Georgian house constructed in the early 19th century for Robert Blackall, a major in the East India Company. It may have been his son, Samuel Blackall, who carried out alterations to the interior, installing the staircase seen here. He died without heirs and Coolamber subsequently became owned by a branch of the O’Reilly family, one of whom Captain Percy O’Reilly, was member of the Irish polo team that won a silver medal at the 1908 Summer Olympics. In 1947 Prince Ernst Heinrich of Saxony (a son of the last King of Saxony) and his second wife, former actress Virginia Dulon, bought the house and surrounding land and lived there until their respective deaths in 1971 and 2002. The present owners bought the place eight years ago and have gradually been restoring Coolamber as a family home, a wonderful but too-rare instance of such a property making a comeback to its original use.


The Cause of Jealousy



As mentioned a few days ago, in the mid-18th century the first Earl of Belvedere quarreled with his brother George Rochfort and so built the ‘Jealous Wall’, a sham folly that obscured the view of the younger man’s house further south on Lough Ennell. Here is the property in question, Tudenham Park, which, like Belvedere itself, is believed to have been designed by Richard Castle. However, whereas Belvedere is really a villa, this is a proper country house, of three storeys over basement with bowed projections on either side and a seven-bay entrance front, its plainness relieved by the pedimented tripartite Doric doorcase with round-headed niche above and then a circular bracketed niched below the parapet. Occupied by successive families until the early 20th century, Tudenham Park then became a hospital and was in military ownership until the 1950s when unroofed and left a shell. Some 15 or so years ago, plans were hatched to rescue the building and restore it to use but these came to nothing, so it remains the ruin seen in these pictures.


Jealous Minds



The most famous folly in Ireland, this is the Jealous Wall at Belvedere, County Westmeath. Some 180 feet long, this theatrical sham ruin was constructed around 1760 by Robert Rochfort, first Earl of Belvedere. Intended to look like the remains of an ancient castle, the three-storey wall incorporates a series of stepped towers, some of which have arched Gothic windows and, at the centre of the ground floor, a three-bay loggia. Seemingly it was built in order to block the view from Belvedere south towards Tudenham Park, a house further along Lough Ennell which had been erected some years before by the earl’s younger brother, George Rochfort. The siblings subsequently quarreled, hence the wall was put up here.


An Underutilised Resource


Designed by Richard Castle c.1740, Belvedere, County Westmeath is an exquisite villa overlooking Lough Ennell built for Robert Rochfort, later created first Earl of Belvedere. The Rochfort family had lived in Ireland since the 13th century, their primary residence being Gaulston, some five miles south-east of Belvedere. The house there, also designed by Richard Castle, was badly damaged after being burnt in 1920 during the War of Independence and later demolished. However, from around 1743 Robert Rochfort made Belvedere his main home after he had become estranged from his second wife, the Hon Mary Molesworth, who he accused of having an affair with one of his younger brothers, Arthur Rochfort. Famously, Mary Molesworth was thereafter kept a prisoner at Gaulston, never permitted to leave or to see anyone for thirty years until after her husband’s death in 1774; only once did the couple encounter each other again, by accident, and after that occasion a servant was required to walk in front of Mary Molesworth ringing a bell in order to warn Rochfort that she might be in the vicinity. Meanwhile, he pursued his younger brother for financial recompense under the legislation covering Criminal Conversation (as adultery was then known). Unable to pay, Arthur Rochfort fled the country but on his return was incarcerated in Dublin’s debtors’ prison where he died. 





Floating serene above the lake, Belvedere seems a world away from this unhappy tale. A two-storey block with semi-circular bow ends with a five-bay front, the centre three bays slightly recessed and those on either side having a Venetian window on the ground floor and a Diocletian window above. Initially the building was just one room deep but at the end of the 18th century a wing was added to the rear. The two most important reception spaces, drawing room and dining room, are at either end, with smaller rooms next to the entrance hall, behind which runs a corridor incorporating a narrow staircase leading up to four bedrooms, the service quarters being in a sunken basement. The great joy of the interior is the delicate rococo plasterwork in which putti and classical figures, surrounded by trailing garlands, shells and volutes, seem to be in the process of emerging from the ceilings. The stuccodore responsible is unknown, but the work, dating from around 1760, has been attributed to Barthelemij Cramillion. 





Following the first earl’s death in 1774, Belvedere – and indeed Gaulston – was inherited by his son George Augustus Rochfort, second Earl of Belvedere. However, when he died in 1714, he had no direct heir and so the titles became extinct and the settled estate was inherited by his sister Jane and then, after her death, by her grandson Brinsley Butler, fourth Earl of Lanesborough. He rarely visited Belvedere and on his death in 1847 it passed to a cousin, Charles Brinsley Marlay, a wealthy bachelor who invited Ninian Niven to devise plans for the walled garden and who was also responsible for laying out a series of terraces between the house and lake. On his death in 1912, the estate was inherited by Charles Howard-Bury, a noted mountaineer, explorer and botanist. Howard-Bury had been born and raised in Charleville Castle, County Offaly but seemingly had such an unhappy childhood there that he preferred to live in Belvedere and when he died in 1963, he left the place to his long-time companion, a former actor called Rex Beaumont, who would be the last private owner of the estate. In 1980, Beaumont announced his plans to leave the place and held a sale of the contents, jointly organised by Hamilton & Hamilton and Christie’s; quite a few of the lots had originally come from Charleville Castle, meaning collections from two different houses were thereby dispersed. In 1982 Beaumont sold the house and surrounding parkland to the local authority, which has managed the place ever since. While much money was spent on restoring Belvedere at the time, 40 years have now passed and the house is looking tired and in need of attention, little having changed there since its acquisition by the county council. The surrounding demesne is extremely popular with local families and much frequented, but Belvedere itself appears an under-utilised resource; at the moment, only a handful of the rooms are even open to the public, with much of it closed up. It’s time fresh consideration, and attention, was given to one of Ireland’s most charming 18th century villas. 

A Reminder




On Monday, the Irish Times carried a report noting that Ireland’s Health Service Executive owns hundreds of unused buildings across the state, some of which have been left vacant for decades (see: HSE owns hundreds of unused buildings, figures show (irishtimes.com)). This will not come as news to anyone who is concerned for the welfare of the country’s architectural heritage: the HSE is responsible for many historic sites, and a large number of them have been left not just vacant, but badly neglected, such as the former St Brigid’s Hospital in Ballinasloe, County Galway (above). A vast range of buildings designed by William Murray and opened in 1833, it closed 180 years later and has stood abandoned ever since. The HSE is by no means the only offender in this respect. Columb (originally Wellington) Barracks in Mullingar, County Westmeath provided accommodation for troops from 1819 until 2011, when it closed down: owned by the Department of Defence, the site has since been left largely empty, a prey to vandalism and creeping decay. Last winter – a full decade after the last troops left – the Land Development Agency produced a report on the site, with the promise that further information would follow in due course. No doubt something will eventually happen here, but after 11 years nobody can be accused of rushing into hasty decision-making.
A few points need to be made about both these and many other such premises, the first of which is that they are owned by the people of Ireland: the relevant state bodies in whose care they remain, are supposed to be their custodians. These are national assets, and the abysmal failure to take due care of them is at a cost to everyone else: the more they fall into decay, the less they are worth, to the detriment of all of us. In addition, the two examples shown here, and many more besides, are often close to urban centres and therefore ideally suited to provide ample accommodation for those who unfortunately don’t have it at present. In recent days, for example, it has been reported that a tent village is being prepared for Romanian refugees in Gormanstown, County Meath. This is an extraordinary state of affairs: why should anyone have to sleep in a tent when the HSE, and other agencies, own so many vacant buildings. Furthermore, if the state is supposed to lead by example, what sort of example is set by the likes of the HSE and the Department of Defence? Why should private owners worry about neglecting their property, when state authorities do so on a much larger scale? A reminder: this is a shameful – and shameless – squandering of our assets, and we are the losers as a result.



Very Mannered



The 18th century English polymath Thomas Wright has featured here before because of his rightly-renowned work at Tollymore, County Down (Do the Wright Thing « The Irish Aesthete ), but it is apparent that while in Ireland during the year 1746-47, he also designed a number of other garden buildings elsewhere in the country. One of these is a rustic archway at Belvedere, County Westmeath, which would have been constructed around the same time as the villa here and so commissioned by Robert Rochfort, then Baron Belfield and future first Earl of Belvedere. This extraordinary structure is almost Mannerist in style and, as has been pointed out, would not look out of place in the 16th century Sacro Bosco of Bomarzo: the openings on the facade suggest a giant’s startled face. The arch stands at the end of a long drive from the house and although sometimes thought to have been an entrance lodge, this seems unlikely since its rear – which visitors would have encountered first had it served as a point of arrival to the estate – is unornamented. Clearly therefore the building was meant to close a vista and, since it once held several floors, to offer views back to the main residence and across Lough Ennell: note the wonderful rusticated oriel window on an upper level.