A County Wexford property formerly known as Grange, but now called Bannow House is thought to date from the mid-1830s when built for Thomas Boyce, although it work may have been initiated a couple of decades earlier by his father Samuel: the Boyce family had settled in the area in the 17th century. Of two storeys, the south-facing facade is of eight bays, the two centre ones breaking forward, with the entrance marked by a fine portico approached by four granite steps and featuring four Ionic columns. Curiously, the rear of the house is lopsided: while the west side runs back six bays, that to the east is more shallow, and partially hidden behind a high screen wall, suggesting a section of the building here was at some date demolished. In any case, an opening in that wall leads to a large and handsome yard constructed, like so many buildings in this part of the country, of local granite.
Even before the year draws to a welcome close, all language used to describe 2020 has become hopelessly cliched, so let us merely say that its passing will not be much mourned. A lot of what has appeared on this site over the past twelve months has also not been especially cheering, since so much of Ireland’s architectural heritage remains imperilled, vulnerable to the twin risks of neglect and abuse. However, there have been a few happy stories to tell, so today here are some of them again, as a reminder that the past year has not been entirely a period of darkness and gloom: occasional shafts of sunlight were to be seen. Fingers crossed, and glasses raised later this week, that there will be many more such shafts during 2021.
The Irish Aesthete will be taking a break for the rest of the week, returning here refreshed and ready for 2021 next Monday, January 4th. In the meantime, Happy New Year to all friends and followers. Stay safe, stay well.
The mausoleum of the Leigh family near Wellingtonbridge, County Wexford. This was erected in 1824 by Francis Leigh who lived not far away in a house called Rosegarland (and who was clearly planning ahead, since he lived for another 15 years although his son died in 1827; Rosegarland was eventually inherited by a grandson).
It is set into the south wall of an old church on the site and built with views looking across an estuary towards the medieval borough of Clonmines. A date plaque on this side carries the inscription Deus Nobis Haec Otia Fecit (God has given us this tranquility). Derived from Virgil’s Eclogues, it is also the motto of Liverpool city.
The idiosyncratic façade of Dunmain, County Wexford. The house can be dated to the 1690s when the land on which it stands were bought by Arron Lambert. It subsequently passed through a number of different owners including the owners but has been occupied by the present family since being bought at auction in February 1917. At either end of the five-bay, two-storey over basement building rise conical roofed octagonal towers, weather-slated like the rest of the building; that on the right houses a tiny 19th century chapel on the ground floor. It is unclear whether they are original to the building, or a later insertion. The granite pillared portico approached by a flight of steps looks to have been added in the 19th century.
The Etchingham family can be traced back at least as far as the mid-12th century when Simon de Etchingham was recorded as living in Etchingham, Sussex. Some two hundred years later, a descendant inherited Barsham Hall in Suffolk and from this branch would come Osborne Etchingham who served as Marshal of Ireland in the 1540s. He was the son of Sir Edward Etchingham, an English naval commander who 20 years before had been appointed by Henry VIII as Constable of Limerick Cathedral. A tradition of service to the crown ran in the family, which helps to explain Osborne Etchingham’s presence in Ireland in the aftermath of the Dissolution of the Monasteries. As a reward for his efforts, and in return for exchange with property he held in England, in 1545 he requested and received the lands of Dunbrody Abbey, County Wexford which had been suppressed nine years before. Dunbrody, of which considerable ruins remain, was a Cistercian foundation dating from the 1180s.
Osborne Etchingham died a year after receiving Dunbrody Abbey, so it is unlikely he ever spent much time there. He was succeeded by his son Edward, reported to be ‘of dissolute character’. He may have been responsible for converting Dunbrody Abbey into a residence, but it is unclear how much time he spent there since he was arrested by government forces for being involved with pirates, and is said to have died in the Tower of London in 1582. Dunbrody passed to his brother John, and then in turn to the latter’s son and grandson, both also called John. When the last of these died in 1650 leaving no sons but a daughter Jane, to whom the Dunbrody estate was specifically left by the terms of his will, thereby overriding an earlier entail. Her uncle Arthur Etchingham disputed the will’s terms, and even at one stage forcibly seized Dunbrody. However, in 1660 Jane Etchingham married Sir Arthur Chichester, future second Earl of Donegall and together the couple succeeded in securing their ownership of the property. The Chichester family, now Marquesses of Donegall, remain living in the area to the present time.
The remains of Dunbrody Castle lie some short distance from the old abbey. The building’s origins remain unclear, as it has been suggested that at least in part it is a medieval castle. However, more likely it dates from the first half of the 17th century and was constructed as a modern alternative to the converted abbey buildings. This suggests that either the penultimate or last John Etchingham commissioned the work, but that it was left uncompleted following the outbreak of widespread civil unrest from 1641 onwards. The castle consists of a rectangular bawn, with a substantial cylindrical tower on the east side and three similar but smaller towers on the west. Linking them are the bare bones of a long, two-storey house that appears to date from the 18th century, the frontage bearing the remains of weather slating while its roofline is castellated in brick (which may be a still later addition). Occupied at one point by the Chichesters’ land agent, the building was never a permanent home, which accounts for its odd appearance. Today the ruins provide the backdrop for a craftshop and yew maze.
The south lodge at Berkeley Forest, County Wexford. Dating from c.1800 it is in Georgian Gothic form and once featured a doorcase (now blocked up) between the two lancet windows with granite surrounds. The other side of the house, which just has two windows, gives an idea of this building’s diminutive proportions.
When the present owners bought Fruit Hill, County Wexford some 25 years ago, the house was a roofless shell, having been allowed to fall into dereliction for much of the last century. Long associated with the Glascott family and believed to date from the second quarter of the 18th century, the building is wonderfully idiosyncratic in appearance, from the façade’s pediment containing a Venetian window and flanked by dormer windows, to the ground floor where the fenestration was lowered on one side (the drawing room) but not the other (dining room). The gable-ended main block, its upper portion still carrying evidence of having been weather-slated, is only one room deep but extended at the rear by two wings to form a U-shaped house. The owners have not so much restored Fruit Hill as brought it back from near-death, a task few others would have been sufficiently brave to take on, since little more than the walls – and not even all of those – remained on the site. Their work here is an admirable labour of love and testimony to the fact that no building should be deemed beyond rescue.
Last weekend saw festivities marking the 250th anniversary of Monksgrange, County Wexford. Completed in 1769, the house has remained in the ownership of the original builder’s descendants, something of a rarity in Ireland as is also the property’s extensive archive of documents, thoroughly mined over many years by Philip Bull for his recently-published book, Monksgrange: Portrait of an Irish house and family, 1769–1969 (Four Courts Press). In its simplified Palladian design, the building is representative of the aspirations of the country’s landed gentry in the mid-18th century, adopting and adapting aristocratic taste better to secure its own place in the then-social hierarchy. While Monksgrange has undergone some alterations and modifications over the past two and a half centuries, it retains an important place in the history of our architectural evolution.
‘Ferns. A small town in the county of Wexford, Ireland. The history of this town commences with that of its religious establishments. It is said that in the year 598, an Irish king, named Brandubh, gave to St Maodhog, or as he is sometimes called St. Aedan, the lands of Ferns, where he founded an abbey and was consecrated bishop.’
‘The rising consequence of Ferns was interrupted early in the ninth century, by the incursions of the Danes who plundered and burned the abbey in the years 834, 836, 838, 917 and 928. By the same marauders it was, for the sixth time, consumed by fire A.D. 930; and the town was accidentally destroyed by conflagration in 1165. In the following year the town and abbey were reduced to ashes by the celebrated Dermod Macmurrough, king of Leinster. As some atonement for the crime of burning the ancient monastery of Ferns, he afterwards founded at this place a new abbey for canons regular of the order of St. Augustin, under the invocation of the Virgin Mary, which he richly endowed with lands.’
‘The remains of the abbey still excite great interest by their historical recollections. It was here that king Dermod was secreted and entertained, whilst waiting in the early part of 1169 for the arrival of his British allies; – a period pregnant with the future fortunes of Ireland! The remains of the fabric consist chiefly of two sides of a cloister, or of a narrow chapel, having two rows of tall windows, of the lancet form. The windows and the piers are uniformly of an equal breadth. Adjoining this architectural fragment is a church, the steeple of which is on a very unusual plan. The lower part represents an oblong square of confined proportions, the dimensions being about eleven feet by eight. At the height of twelve or thirteen feet from the ground, the steeple assumes a round form, seven feet in diameter and twenty in height. The whole is constructed of a reddish stone and, withinside, a flight of steps leads to the summit whence is obtained a delightful prospect over an immense extent of landscape.’
From The British cyclopaedia of the arts, sciences, history, geography, literature, natural history, and biography, London, 1838.
The Browne-Clayton Column stands on a rise in the middle of the Wexford countryside. Modelled on Pompey’s Pillar, erected by the Emperor Diocletian in Alexandria, Egypt in 297, the column climbs 94 feet to a fine Corinthian capital, the whole constructed of Mount Leinster granite. It was built on the instructions of General Robert Browne-Clayton in memory of Sir Ralph Abercrombie, his commanding officer in Egypt during the Napoleonic Wars: Sir Ralph was killed at Alexandria in 1801. The folly is notable for being the only such column with an internal spiral staircase allowing remarkable views of the surrounding countryside from the top. In 1994 it was struck by lightning and the top section so badly damaged that collapse seemed inevitable. Ten years later, following the establishment of a charitable trust devoted to its restoration and financial aid from a number of sources, work ensuring the column’s future was complete and it remains solid to the present day.