Seen from the bridge across Upper Lough Erne to Inisherk Island, this is the hexagonal summer house at Crom Castle, County Fermanagh. According to an 1830s Ordnance Survey map, it stands on the site of an older schoolhouse, but that in turn may have been adapted from an 18th century building, the two-storey hexagonal building designed by Sir Edward Lovett Pearce ‘For Mr Creighton to be built on a Sunk Island in Lough Hern’, of which an undated drawing survives. In its present incarnation, the summer house dates from the second half of the 19th century.
The ruins of old Crom Castle, County Fermanagh. Located on the shore of Upper Lough Erne, this was built in 1610 by Scottish settler Michael Balfour: nine years later it was described by Nicholas Pynnar as ‘a house set of lime and stone’ situated inside ‘a bawn of lime and stone being 60 feet square, 12 feet high with two flankers.’ In 1655 Crom was acquired by the Crichton family who lived here until 1764 when the building was gutted by fire. Following the construction of the present Crom Castle elsewhere on the estate in the 1830s, this ruin was embellished by the addition of long walls concluding in circular flankers on either side of the main block. During the following decade the Crichton Tower, a folly on little Gad Island (seen below) was likewise built as a romantic eye-catcher.
The extraordinary first-floor gallery at Crom Castle, County Fermanagh. Designed by Edward Blore, the present house dates from the mid-1830s to replace an earlier castle destroyed by fire: ironically sections of this one suffered the same fate soon after completion and had to be reconstructed. The core of the castle is given over to an inner hall that features a bifurcating staircase composed of wood and plaster and in late-Perpendicular style. It rises to the generous gallery screened by a run of arches at either end, the whole lit by an immense octagonal roof lantern.
The double return Imperial staircase in Crom Castle, County Fermanagh. The house was designed in the mid-1830s by Edward Blore, a protégé of Sir Walter Scott who specialised in Gothic Revival architecture. Here a mixture of timber and plaster was employed to create a feather-light sequence of soaring arcades in the late Perpendicular style leading up to an octagonal lantern.