A portable harp produced by Dublin craftsman John Egan around 1820. Responding to a wave of interest in ancient Irish tradition encouraged by authors such as Sydney Owenson, Lady Morgan (whose 1806 novel The Wild Irish Girl is essential reading) and musicologist Edward Bunting, Egan created these light gut-strung instruments with rounded sound boxes that could be easily carried and played by ladies in their drawing rooms. Often, as in this instance, they were painted green and decorated with appropriate motifs like gold shamrocks. In the Chicago exhibition, the harp rests on top of a mahogany Pembroke table made in Ireland c.1740-60.
The Irish Aesthete wishes a Happy St Patrick’s Day to all readers.