Without Any Debt


Like so many others, the Burges (originally Burches) family appear to have arrived in this country in the mid-17th century, having for several previous generations been clergymen in England. And again, as was frequently the case, judicious connections through marriage aided their rise to wealth. Two brothers, David and Joseph, the elder of which was Rector of St Mark’s church in Dublin, moved to Armagh and in 1716 the younger married Elizabeth Lloyd whose father Ynyr was Deputy Secretary of the East India Company and owned land in East Ham, now a suburb of London. One of their sons, another Ynyr, also held an important post in the East India Company as Secretary & Paymaster of Seamen’s Wages, further improving their fortune. The family history in the 18th and early 19th century is complex as various lines failed to produce a male heir and therefore property was inherited by nephews or cousins who sometimes had to change their surnames as a condition of succeeding to estates. However, by the mid-19th century John Ynyr Burges, married to Lady Caroline Clements, a daughter of the second Earl of Leitrim, is listed in gentry directories as being of East Ham and Thorpe Hall, both in Essex, and of Parkanaur, County Tyrone. The land on which the last of these stands was originally held by the O’Donnelly family until they were displaced in the early 1600s and the property granted by James I to Sir Toby Caulfeild. His family remained in possession, until the Parkanaur estate was sold in 1771 by James Caulfeild, first Earl of Charlemont by Ynyr Burges. He appears to have rarely visited the place but some time after his death in 1793 a two-storey gabled cottage called Edenfield was built on the land for use as an occasional residence for the family. 





The  architect Thomas Duff has been discussed here before with regard to Narrow Water Castle, County Down (Narrow Water Castle « The Irish Aesthete). Born in Newry in 1792, we know little of his background and education but 21 years later he is mentioned as executant architect of St Mary’s church in his hometown. In 1822 he advertised in the Belfast press to advise ‘such gentlemen as intend building, that he purposes to furnish plans of every description, in the Grecian, Roman and Gothic styles of architecture, with estimates and such written instructions as are requisite for the execution of each design.’ He also reassured readers that he would superintend the work. Soon enough commissions followed, beginning with Belfast’s Fisherwick Presbyterian church, a large classical building dominated by its Ionic portico. Duff was soon in demand among other denominations, and in 1825 he designed the Roman Catholic cathedral in Newry, described in 1841 by Thackeray (otherwise highly dismissive of the ‘Papist’ faith) as a fine building which did the architect credit: the cathedral, incidentally, is in the Perpendicular Gothic manner, reflecting Duff’s versatility and his ability to adapt to the wishes of clients. This was demonstrated in 1830 when, together with his then-partner Thomas Jackson, he designed the first museum built in Ireland by voluntary subscription for the Belfast Natural History and Philosophical Society in the Greek Revival style, with a portico exactly copied from the octagon tower of Adronicus in Athens. A few years later, he was responsible for designing the Tudoresque Narrow Water Castle. And so it went on with a huge amount of work for religious, domestic and commercial properties right up to the time of his death in 1848 at the relatively young age of 56. However, during the previous decade he had been employed by John Ynyr Burges to transform Edenfield, the cottage at Parkanaur, into a substantial mansion. 





Around 1820 Edenfield cottage was enlarged thanks to the addition of a new wing. However, it was only in the following decade that the house assumed its present appearance and proportions, following the employment of Thomas Duff: the original three-bay, two-storey building can still be detected behind the entrance porch. But the entire structure was refronted by Duff, also responsible for designing a very substantial west wing which holds many of the main reception rooms, as well as two neighbouring yards behind the main block. The architect was given a strict budget of £5,000 and a plaque located above the archway leading to the stableyard declared ‘This house and offices were built by John Ynyr and Lady Caroline Burges without placing any debt upon the property A.D. 1870.’ Renamed Parkanaur, the building’s make-over made it look to be an Elizabethan manor house, one that would not be out of place in the Cotswolds. There are further gabled bays, their corners delineated by slender polygonal towers, an abundance of stone finials, tall chimneys, hood mouldings over the windows, as well as the obligatory Oriel window. Inside the decorative flourishes continue, not least in the Great Hall which is lit by three large Perpendicular windows and has a minstrel’s gallery above an arched screen. Elsewhere, other than in the ceiling decoration, the Tudor borrowings are less explicit, and both the gallery and inner hall contain exceedingly fine Jacobean carved chimneypieces, presumably brought here from some house in England; that in the gallery is dated 1641. Parkanaur remained in the possession of the same family until 1955 when sold by Major Ynyr Alfred Burges, after which the house stood empty for three years until bought by Thomas Doran. Originally from this part of Ireland, as a young man he had emigrated to the United States and there worked as a truck driver until unable to do so owing to ill-health. He subsequently started a business, the Cheerful Greetings Card Company, which involved people throughout America selling its products door to door: this was so successful that it made Doran a multi-millionaire (he eventually sold the company in 1966 for in the region of UD$10 million). Doran was a friend of a Presbyterian minister, the Rev Gerry Eakins who wished to establish a residential centre for disabled young adults, and so he bought Parkanaur and presented it to be used for this purpose. Opened in 1960 as the Thomas Doran Training Centre and now called Parkanaur College, the buildings continue to be used for this purpose.  

5 comments on “Without Any Debt

  1. Simply stunning

  2. Deborah T. Sena says:

    Amazing that the college has respected all the interior details, no ‘institutionalization”. but reminds my of a Miss Marple mystery show I saw the other night where the mansion was called Chimneys!

    • Deborah T. Sena says:

      Just to add, since it is so unusual, the family must have had Welsh roots somewhere:
      As a boys’ name Ynyr is of Welsh origin. Possibly derived from Honorius (Latin) “honored”, or from a name of uncertain derivation adapted by the native Welsh during the Roman occupation of Britain.

    • Patrick Graham says:

      Deborah, I am impressed by the photography of the building I work in and was there on the day that the Irish Aesthete took these photos. It is a real privilige to work in such a lovely building which is mainly a residential care home for young people with learning disabilities, physical disabilities and autism. The college activities have been curtailed by Covid and we encourage use of all the rooms by our residents and families. The staff do a great job in keeping the building in the state it is in and we are seeking funding to bring a range of derelict outbuildings back into use, including a large stable block and coach houses. Having been on the roof a few days ago and counted approximately 40 chimney pots, your reference to Chimneys is very appropriate.

  3. Irene Wynne says:

    This was so interesting – thanks much for posting it.

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