Commissioned by Arthur and Sarah Cooper, this is Coopershill, County Sligo. Its design traditionally attributed to amateur architect Francis Bindon, the house is a square block of cut limestone, three storeys over basement and with a particularly handsome Gibbsian doorcase with Venetian window above. Replacing an older property on lower ground and closer to the river Unshin, work on Coopershill began in 1755 and continued for almost 20 years, since it was not completed until 1774. Reputedly Arthur Cooper placed two buckets filled with gold sovereigns on the ground, and this was to be the cost of the property; in the event, more money had to be raised before the work was concluded (Irish landowners of the period almost invariably underestimated the expenditure on a new house).
The interiors of Coopershill indicate rooms were decorated at different periods, probably as further funds became available. There is little plasterwork anywhere, except for a fine frieze in the entrance hall and on the ceiling of the staircase hall to the rear of the building. The latter has delicate Adamesque tendrils scrolling between slim urns, which are also a feature of the deep frieze running below the cornice. As so often in Irish country houses, the first floor bedroom passage is generously wide: it has been proposed that this was to allow women somewhere to walk up and down on the (frequent) days when it was too wet to take exercise outdoors. Whether this is true or not, the wide bedroom landing is a frequent feature of 18th century houses in Ireland.
Coopershill, County Sligo has remained in the ownership of the same family since first being built in the third quarter of the 18th century; it is now occupied by members of the seventh generation. However, in 1860 Charles William Cooper changed his surname to O’Hara in order to inherit Annaghmore, another estate elsewhere in the same county (see High Victoriana « The Irish Aesthete). For the past half century or so, the O’Haras have been offering accommodation at Coopershill to paying guests.
Impressive doorframes internally.
Lovely piece as ever, Robert. Seeing your first photo reminded me of my only reservation when a very happy paying guest at Coopershill some years ago: the trees. I wanted to clear a few trees on both sides of the house to open up views of the fine facades.
What a lovely house !