Ballinderry Park, County Galway has featured here in the past (see Sturdy as an Oak « The Irish Aesthete) and indeed features in the recently published The Irish Country House: A New Vision (see A New Vision « The Irish Aesthete), a photograph of its dining room appears on the cover. Very sadly, Ballinderry Park’s owner, George Gossip, died recently, a great loss to anyone who was interested or engaged in the preservation of Ireland’s architectural heritage. 




Castlecarra, County Mayo

George and his late wife Susan (who died in 2015) were responsible for rescuing and restoring Ballinderry Park from what would otherwise have almost certainly have been dereliction and loss. Assisted by the late conservation architect Jeremy Williams, they transformed the house from almost ruin into a supremely comfortable home, amusingly described by one visitor as ‘more George than Georgian.’ Prior to moving there and undertaking this very substantial project, they had lived at Tullanisk, County Offaly where they offered accommodation to paying guests: among George’s many talents, he was an outstanding cook, as anyone who enjoyed his hospitality can testify. But his great passion was for the country’s historic houses, the people responsible for their creation and the fates that have befallen so many of them. Rather like Mariga Guinness before him, he loved setting out on expeditions to clamber around sites and see what might be found. The Irish Aesthete has experience of many such outings, often begun in the morning with the preparation of a picnic – usually eaten on the remaining stones of a long-fallen building – before the route was planned and the journey began. Our last such excursion was in July when the two of us left Ballinderry to drive through East Galway and then up to County Mayo where he wanted me to see the location of a once-great but now lost property at Castlecarra which had belonged to the Lynch family and which George believed had been built in the last quarter of the 17th century. As the pictures above indicate, little now remains here (as early as 1844 the house and offices were described by Samuel Nicholson as ‘now almost ruins’), except two vast gateposts signalling the entrance to the place, beyond which are various tumbling walls and – a short distance away – what was likely once a series of stable yards. This was one of only six – possibly more – stops made in the course of a day, despite George already being in poor health, evidence of his indefatigable curiosity and enthusiasm. And over the next week, he sent a stream of emails with further information and possible leads to find out more about Castlecarra and its history. For decades, he had been taking photographs of historic buildings, in a variety of structural conditions, and had thus built up a substantial collection: recently, these were place in the care of the Irish Architectural Archive, although unfortunately his intention to catalogue them did not come to pass. Another incomplete project on which he had been working for some time was a book chronicling Ireland’s sporting lodges, about which the two of us had many conversations. Sooner or later, one hopes, the book will be published.

Ballinderry Park, County Galway

George’s other important role was acting as a key figure, along with Susan Kellett of Enniscoe House, County Mayo (see Comfortable in its Own Skin « The Irish Aesthete) in the establishment in 2008 of Historic Houses of Ireland (originally Irish Historic Houses Association), as a registered Irish Charity. Founded with the active encouragement of the Government at the time, the HHI represents private owners of Irish country houses and supports them with the ongoing responsibilities and challenges that come with ownership of such properties. In doing so, the organisation effectively represents the interests of all such owners and houses, whether or not they are members, in a manner that previously did not exist. The Irish Aesthete has always been a keen supporter of the HHI, and indeed in 2020 established an annual prize to be given to a member in recognition of work undertaken to preserve this important part of our national heritage (see A Worthy Recipient « The Irish Aesthete for last year’s recipient). George had a clear vision of what the HHI could be and do, and was determined that it become a significant presence in Ireland and thereby better ensure the survival of our country houses. For this and so much else, we are all much indebted to him. He was, indeed, a very good Gossip.

The Irish Aesthete is generously supported by