Behind the Scenes


One of the best-known views of Curraghmore, County Waterford is the façade of the house, the top of which is adorned with the stag of St Hubert, a crucifix between its antlers. This figure is taken from the family crest of the de la Poers who are believed to have first come to Ireland along with other Norman settlers in the 12th century. Here is a photograph taken on the roof of the building and showing the other side of the stag. At some date a metal bar was inserted into the animals’s neck to prevent the head falling off. Meanwhile, Curraghmore’s garden front is likewise topped by a beast, in this instance a dragon with a broken spear through its neck. This comes from the Beresford crest: in 1717 Sir Marcus Beresford married Lady Catherine de la Poer, only child of James, third Earl of Tyrone. Again, repairs have been carried out to the work. Both the stag and dragon were made by Viennese-born sculptor Joseph Edgar Boehm, a favourite of the British royal family: he carved several statues of Queen Victoria and her daughter Princess Louise was one of his pupils (indeed he died in her house in London in 1890). Conveniently the back of the dragon carries the date 1st November 1872, presumably referring to when it was made rather than installed on Curraghmore’s roofline.

Finding a Niche

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One of the architectural wonders of Ireland is also one of its greatest mysteries: the forecourt of Curraghmore, County Waterford. This stupendous space, in which matching blocks of stables and offices face each other across an arena, leads up to the main house which has its own, more modestly proportioned wings. Linking the two sections are quadrants accommodating pedimented niches and entablatured doorcases, all executed in crisp limestone. Who was the architect responsible for the mise-en-scène? Both Francis Bindon and John Roberts have been proposed, but to date no one has been able to say for certain: it remains a mystery.

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