A Gateway to the Past



Following Monday’s text about souvenirs of Dromoland Castle’s earlier history, it is worth looking at another feature on the estate. A previous residence of the O’Brien family, Leamaneh Castle, County Clare has featured here before (see The Legacy of Máire Rúa « The Irish Aesthete). That building was constructed around 1480 by Turlogh O’Brien, King of Thomond, and is said to derive its name from the Irish ‘Leim an eich’ (The horse’s Leap). In 1543, Turlogh’s son, Murrough O’Brien, surrendered the castle and pledged loyalty to the English crown; subsequently, he was created first Earl of Thomond and Baron Inchiquin. In 1648, his descendant Conor O’Brien extended the tower with the addition of a four-storey manor house following his marriage to Máire ní Mahon who on account of her flaming red hair, was commonly known as Máire Rúa (Red Mary).  The couple’s son, Sir Donough O’Brien later abandoned Leamaneh, moving to Dromoland. In 1902, Lucius William O’Brien, 15th Baron Inchiquin, organised for the castle’s 17th century stone gatehouse to be removed and re-erected at the entrance of Dromoland’s walled gardens, where it can still be seen. 



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Souvenirs of a Lost Demesne


Dromoland Castle is now such a familiar part of the County Clare landscape that it is easy to overlook the fact that this was by no means the only residence ever built on the same site, being instead merely the latest of them. It appears likely that a 16th century tower house stood here before being swept away by, or incorporated into, an early 18th century house. A water colour of the latter building, painted shortly before it was swept away, shows this to have been of classical design, and of ten bays and two storeys over raised basement with a four-bay pedimented breakfront. It only stood for some 100 years because in 1813, the estate’s owner Sir Edward O’Brien, fourth baronet, decided that he needed a new house, and invited the young architect James Pain, then working at Lough Cutra, County Galway (see Domat Omnia Virtus* « The Irish Aesthete) to come up with designs. Pain’s initial proposal was for another classical residence and nothing came of the project, but then Sir Edward also looked at schemes from Richard and William Vitruvius Morrison, and from Thomas Hopper  and did not used these either (although Hopper’s Doric Temple gatelodge still greets visitors to the estate, as can be seen below). Six years later Pain, together with his brother George, came up with another scheme, this time for a large Gothic castle. The design proved acceptable and was slowly constructed over the next two decades at a cost of some £50,000. Writing in 1837, as building work concluded, Samuel Lewis described the new residence as ‘a superb edifice in the castellated style, lately erected on the site of the ancient mansion, and surrounded by an extensive and richly wooded demesne…’ 





While the Pain brothers’ castle now dominates the Dromoland estate, traces remain of its 18th century predecessor. Set atop an artificial mound to the west of the house – and now regrettably wedged between a road and a motorway – is an elegant octagonal Belvedere. The building dates from the early 1740s and is believed to have been designed by self-trained architectural draughtsman John Aheron, a protégé of Dromoland’s then-owner Sir Edward O’Brien. Passionately interested in horses – and gambling – Sir Edward apparently commissioned the Belvedere so that he could watch racing across his land, and have views as far as Ennis, the county town some seven miles away. The building is of rubble stone with brick dressings, which may have once been rendered, and cut stone used for the cornice, string course and arches over the door and windows, three of which are glazed, the others blind. Entrance to the building is gained via a flight of stone steps on the eastern front while on the opposite side a cutting in the ground provides access to a semi-basement, presumably where servants would have prepared food and drink. The single room main floor has a vaulted ceiling and was heated by a fireplace set in the north-west wall. Having fallen into disrepair, the Belvedere was repaired some years ago.  





An estate map of c.1740 shows the gardens at Dromoland to have had an elaborate formal layout featuring a series of avenues and terraces, as well as vistas of which a Temple of Mercury formed part: located to the north-east of the house, it stands at the crossing point of two straight paths. Encircled by yew trees, the temple is composed of eight Doric columns supporting a timber dome covered in lead on which perches a bronze statue of Mercury, derived from Giambologna’s original of 1580. Seemingly, Sir Edward O’Brien had gambled the entire Dromoland estate on one of his stable, a horse called Sean Buí, winning a race at Newmarket. Fortunately the horse came in first and following the animal’s death, he was buried beneath the temple. Sir Edward’s passion for equestrian sport can be found in another souvenir of the 18th estate: an archway into the former stableyard. Now rather lost at the rear of a bedroom extension, the archway is of crisp limestone ashlar and bears a tablet set into the pediment. Dated 1736, it is inscribed with a motto derived from one of Horace’s Odes and reads ‘In Equis Patrum Virtus’ (In horses lie the father’s power). As is well known, Dromoland Castle and surrounding 330 acres were sold by the O’Brien family in 1962 and then became an hotel, as continues to be the case.


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At a Crossroads


Encircled by yew trees, here is the Temple of Mercury in the grounds of Dromoland Castle, County Clare. The building dates from the early 18th century, and appears on an estate map of c.1740 which shows it to have been of a elaborate formal layout that included avenues and terraces, as well as vistas of which this would have formed part, since it stands at the crossing of two straight paths. The temple features eight Doric columns supporting a timber dome covered in lead atop which perches a bronze statue of Mercury.