Fascination Frantic in a Ruin that’s Romantic


Shane’s Castle, County Antrim is located at the north-east corner of Lough Neagh, the largest freshwater lake in Britain and Ireland. The building was originally known as Edenduffcarrick (from the Irish meaning ‘The Brow of the Dark Rock’) and first appears in the late 15th century Annals of Ulster as the town of Conn O’Neill; a settlement of houses remained around the lakeshore until swept away towards the end of the 18th century to create an open parkland, much of which still happily remains as designed at the time. In 1490 there are references to a castle on the site which was attacked and demolished, but another such structure is mentioned in 1535 as being under assault and in 1596 it was reported that ‘on the edge of Lough Neagh standeth a runiated pile called Edendow Carreck, which, being made wardable, could be converted into a store for provisioning Blackwater and Coleraine in case of sea storms.’ Having suffered repeated attacks and changes of ownership, in 1607 the Castle and surrounding lands were settled by James I on Shane McBrian O’Neill. The name Shane’s Castle probably derives from this man whose descendants have lived on the estate ever since.

another view


The oldest part of Shane’s Castle probably dates from the late 15th or early 16th century but the building was subject to so many assaults and reconstructions during this period, and such radical alteration later that it is now difficult to discern what might be original. Looking at the remains today, with their confusion of stone and brick, and comparing this with surviving paintings it becomes clear the structure was considerably extended and aggrandised in the 17th and more especially the 18th century. The eventual Shane’s Castle, which sat at right angles to the shores of Lough Neagh with the main symmetrical entrance facing east, was of three storeys over basement. It’s rendered exterior had a battlemented parapet and hipped roofs, the west front featuring projecting circular end bays while that to the east was centred on a large curved bay and closed with projecting rectangular bays. In the 1793 engraving after William Ashford immediately above it can be seen these east bays are pedimented but other images from previous decades show differently, an indication of how the building was subjected to repeated revisions reflecting changes in architectural taste during the course of the 18th century. The Ordnance Survey Memoirs of the 1830s make reference to some features of the structure which no longer exist, mentioning a sculptured coat of arms ‘said to have been erected over one of the principal entrances of the castle’ and also noting ‘none of the floors and only a small portion of a beautiful spiral stair of cut stone now remain.’



We are fortunate to possess a number of descriptions of Shane’s Castle in full opulence. As a young woman, the 18th century’s most celebrated actress Sarah Siddons had met and been befriended by Henrietta Boyle, judged one of the loveliest women of her generation, who subsequently married John, first Viscount O’Neill. Hence in 1783 when Mrs Siddons was performing at Dublin’s Smock Alley Theatre she travelled to County Antrim to spend time with her friends at Shane’s Castle. In her memoirs she recalled the visit: ‘I have not words to describe the beauty and splendour of this enchanting place; which, I am sorry to say, has since been levelled to the earth by a tremendous fire. Here were often assembled all the talent, and rank, and beauty of Ireland. Amongst the persons of the Leinster family whom I met here was poor Lord Edward Fitzgerald, the most amiable, honourable, though misguided youth, I ever knew. The luxury of this establishment almost inspired the recollections of an Arabian Night’s entertainment. Six or eight carriages, with a numerous throng of lords and ladies on horseback, began the day by making excursions around this terrestrial paradise, returning home just in time to dress for dinner. The table was served with a profusion and elegance to which I have never seen anything comparable. The sideboards were decorated with adequate magnificence, on which appeared several immense silver flagons, containing claret. A fine band of musicians played during the whole of the repast. They were stationed in the corridors which led to a a fine conservatory, where we plucked our dessert from numerous trees of the most exquisite fruits. The foot of the conservatory was washed by the waves of a superb lake, from which the cool and pleasant wind came, to murmur in concert with the harmony from the corridor.’



Four years after Mrs Siddons, the Rev. Daniel Beaufort, a sociable Anglican clergyman and amateur architect who succeeded his father as rector of Navan, County Meath, likewise paid a visit to Shane’s Castle and again was deeply impressed by what he saw there. In his journal he wrote: ‘Drawing room adorned with magnificent mirrors, off breakfast room is rotunda coffee room, where in recesses are great quantities of china, a cistern with a cock and water, a boiler with another, all apparently for making breakfast; a letter box and round table with four sets of pen and ink let in for everybody to write. Conservatory joins house, fine apartment along lough, at end alcove for meals, from it a way to h & c bathing apartments with painted windows. On other side of house, pretty and large theatre and magnificent ballroom 60 X 30, all of wood and canvas painted, and so sent ready made from London.’ The theatre Beaufort mentions reflected Lady O’Neill’s interest in the performing arts and it is believed that Mrs Siddons acted there during her stay.



It must be recorded that other visitors to Shane’s Castle were less impressed by what they found there. In 1806 the English antiquarian Sir Richard Colt Hoare (who more than twenty years before had inherited Stourhead from his grandfather) made a tour of Ireland, publishing an account of his trip the following year. In this he observed that Shane’s Castle was ‘placed immediately on the shores of the lake, whose waves beat against its wall; it is an old castle modernised, or rather a modern mansion attached to an old fort; its situation is bold; but its architectural design far from picturesque or appropriate. Improvements, both in gardening and farming, are advancing here most rapidly; a fine kitchen garden, with all its luxurious and glassy appendages, and very extensive and commodious offices have lately been erected.’ Perhaps Charles O’Neill, the second viscount (who had become first and last Earl O’Neill in 1800) took Hoare’s criticisms of his house to heart, since soon after he engaged the services of architect John Nash to make improvements to Shane’s Castle and render it more gothic in character.



Had circumstances been otherwise, Shane’s Castle would feature prominently in any consideration of Nash’s oeuvre. It appears that the architect was consulted on alterations to the building in the early 1800s although work only began in the second decade of the century. Accounts of visitors like those mentioned above all indicate a terrace to the south already existed along with a conservatory linked by a passage to the main building. The terrace was now extended further out into the lough, the conservatory replaced with one to Nash’s design and from this, a suite of reception rooms planned eastwards with views directly across the water. All the foundations had been put in place, and the new conservatory erected, when in 1816 fire broke out in the old house, seemingly originating in a dressing or bedroom chimney where rooks had built a nest (although local legend preferred to believe that a banshee, for whom accommodation was always left vacant, took umbrage when a full house party meant her traditional quarters were occupied and so she started the conflagration).
The result was devastation and cessation of the proposed Nash adjunct. In fact Lord O’Neill abandoned the site occupied by his forbears and moved into part of the estate’s offices and outbuildings some distance to the west. Here in the 1860s a new house was built by the Belfast firm of Lanyon, Lynn and Lanyon: in turn it was burnt by the IRA in May 1922.
Today Shane’s Castle forms a striking sequence of ruins, with the outer walls of diverse sections of the old house surviving largely unconnected to each other. Then in the midst of these hollow shells one comes across Nash’s conservatory which has long served as a camellia house and was meticulously restored by the present Lord O’Neill and his son a few years ago after suffering damage in a storm. Sitting on top of an extensive vaulted undercroft, the building has thirteen arched openings filled with panes of scalloped glass, each of these windows opening on a central pivot in order to allow circulation of air on warm days.
It is a poignant survivor of the otherwise lost ‘Arabian Night’s entertainment’ so keenly remembered by Mrs Siddons. To give a sense of what has gone, below is an imagined view of what the completed Nash design might have looked like, as painted for Lord O’Neill in 1988 by Felix Kelly.


19 comments on “Fascination Frantic in a Ruin that’s Romantic

  1. lawrieweed says:

    What and where is the Shane’s Castle that we stayed several years ago and is home to Rock Concerts. It is neat Dublin also had a fire and is a hotel now with a pretty Gothic dining room.

  2. Gavin says:

    Excellent article! Antrim has arrived at last.

  3. The ‘beautiful spiral staircase of cut stone’ which was mostly destroyed by fire in 1816 came from the Earl Bishop of Derry’s palace at Ballyscullion.

  4. Such a beautiful blog entry! Its like a quick trip back in time; the contrast is so striking against the backdrop of this modern, mild Friday night in northern California. Yours is a magnificent story of a place of exotic grandeur which had a posh, transitory existence beside a cold, tempestuous lake … before fading back to plain & skeletal block, brick, mortar and stone. Mrs. Siddon’s memories are shiny, generous and grand in detail such that the place and its hosts seem themselves like a fleeting mirage on the horizon of a parched land far removed from the damp & chilly green of Ireland. Still, it is touching to see these handsome ruins in its stead – such a powerful & solid presence even in old bones of the castle. That the castle’s conservatory has survived the fires and storms of generations long gone is somehow a poignant, touching credit to Lord O’Neil in honoring both the place, its history and his family; and among them, the original visionaries of Shane’s Castle. The elegant, long light-giving window panes of the conservatory nowadays allow the necessary manna for the rows and rows of opulent plant life; exotic fruit trees hailing, perhaps, from Arabia itself! It is a living testimony to a family dedicated to its lineage and devoted to the original, bold & beautiful vision of their ancestors. It is very touching that the one area of the estate Lord O’Neil has been able to restore is the grand conservatory which bears both great light and great life from the lavish, luscious & healthy plants. Bravo, Lord O’Neil! And thank you, ‘The Irish Aesthete,’ for bringing another unknown & amazing piece of Irish history & countryside to my home and hearth in California on this warm, Mediterranean night. The contrast is superb and so refreshing! Ta!

    • Thank you for making contact and for your enthusiastic response to the story of Shane’s Castle: if you read through some of the other pieces on this site, as I hope you will, there are many other houses across Ireland to be discovered…

  5. Clare McGill says:

    My grandfather was a gardener there during the 1940’s and possibly the 1950’s. His name was William McGill.

  6. Brenda-Lee Mitchell says:

    How do i find out the connection between this and my Mom’s family. When they came to Canada they changed the spelling to Sheane. My Grandfather was John Sheane married to Janet Lewis.

  7. Nancy Kjeldsen says:

    I believe that my 4great-grandfather, one James Neal was born in Shane’s Castle in 1738 and emigrated to America in the 1740’s with his father and siblings. We will be in/near Randalstown in May 2017 and would like to contact those who might be able to give us more information. Can you suggest how we might go about doing that? Thank you very much. n

    • Thank you for getting in touch. Usually the local library is your best place to begin such a search: it will either have relevant records or know where these might be. I hope this is of assistance and that you can find the information you want.

  8. Nancy Kjeldsen says:

    Thank you very much. We would really like to make contact with any remaining members of the O’Neill/Neil/Neal family. I am hoping that that will happen.

  9. Diane Purches says:

    With appreciation for the written material and beautiful photos of Shanes Castle. My great grandfather FELIX O’NEILL(b. circa 1840) is son of CHARLES farmer, BRECART. Felix married to Annie Bryson HENDERSON. Trying to trace any connection to the castle or other? Were there tenant farmers on the estate?

  10. john o'neal says:

    Now I see my posts as awaiting moderation yet. Perhaps the truth is allowed here. I hope so, it is an elegant site and I do appreciate that very much.

    • Thank you for getting in touch. This site is concerned with Ireland’s architectural heritage and not with questions of land ownership past or present. Perhaps there might be other sites better able to explore the subject with you, but this is not the place for such a discussion.

  11. CB Davis says:

    I have a reverse painting of Shane’s Castle, Lough Neach. It is very old and in excellent condition. Anyone who is interested in this gem please contact me. faithful728@gmail.com

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