

Gortnaclea Castle, County Laois is a 16th century tower house originally built by the Mac Giolla Phádraig family on a site overlooking the Gully river. It is famous for having been the place where in April 1600 Thomas Butler, 10th Earl of Ormond, a long-time ally of the English crown but by then aged almost 70, was held hostage by Owny MacRory O’More. At the end of the month, O’More sent his demands to the government, which included the removal of all English garrisons from that part of the country. This stipulation – and sundry others – were not met but the earl, by then in poor health, was eventually released after the payment of £3,000 (and lived for another 16 years). Of five storeys, Gortnaclea is a typical tower house of the period but unfortunately its easterly entrance front has long since collapsed, bringing down the spiral staircase which would have been immediately inside the main door; the graceful curving wall of the staircase can be seen on the north-east corner.
Category Archives: Castle
Into the Woods

In the mid-17th century, one Peter Carey from Devon came to Ireland and settled in County Cork where he acquired Ballymacpatrick, lying a few miles east of Fermoy and formerly part of the Condon estate on the river Blackwater. Generations of his descendants remained living in this place, the name of which was duly changed to Careysville: an early 19th century house built by the Careys survives here, although it is now owned by the Cavendish family. In the second half of the 18th century, Richard Carey, a younger son, became a Church of Ireland clergyman, as so often was the case with offspring not expected to inherit property. Although a prebendary of Donoughmore and Kiltegan in the diocese of Lismore, the Rev Carey lived in Clonmel, County Tipperary where he was associated with the local Free School. Both he and his son, Langer Carey, also a clergyman, lived a short distance south of Clonmel, just across the border into County Waterford, in a spot called Glenabbey.




Located on a spot overlooking the Glenary river, Glenabbey is supposed to derive its name from a mediaeval religious settlement, a grange established here by the Cistercian abbey of Inishlounaght not far from Clonmel. Following the Dissolution of the Monasteries in the mid-16th century, the lands of Inishlounaght – presumably including those at Glenabbey – passed by sale to Sir Edward Gough, his ownership confirmed in 1591 by the English crown. However, his grandson Patrick forfeited the property in 1641 and thereafter ownership of Glenabbey seems unknown until it became home to the Careys at the start of the 19th century.




Although called Glenabbey House on the original 1840 Ordnance Survey Map, the remains here are now known as Carey’s Castle. Today surrounded by woodland owned by Coillte, Ireland’s forestry body, the property has a somewhat eccentric appearance, composed of a series of interlinking structures that incorporate a variety of architectural styles and themes. Evidently the intention was to suggest an ancient lineage, as indicated by the rather bizarre incorporation of a three-storey capped round tower into the largest part of the building. In fact, even this section is not especially substantial and contains no fireplaces (it may be that another part of the building immediately behind and now lost held some comfortable rooms). Carey’s Castle, while charming to look at, must have been rather unsatisfactory as a family residence, being more like a sequence of follies. To the immediate north of this main building, for example, is another that looks as though intended to serve as a chapel, except the arched windows are filled with rubble stones (and no evidence of openings ever existing on the other side of the same wall). In any case, it does not seem to have been used as a home for very long. The Rev Langer Carey died at the early age of 41 in 1830 and some years later his surviving family sold the property. The new owner is given as Lieutenant-Colonel Nuttall Greene, who already owned Kilmanahan Castle (see Shrouded in Mystery « The Irish Aesthete). Having greatly over-extended himself, in the aftermath of the Great Famine, Greene’s heir was forced to sell the family’s properties through the Encumbered Estates Court. After which Carey’s Castle was abandoned, and so fell into its present condition.
A Picturesque Feature in the Landscape

Seemingly there are some 100 places around the world called Newcastle, six of them located in Ireland (one of these, in County Meath, is a couple of miles away from the more substantial settlement of Oldcastle). Newcastle, County Tipperary is one of the smaller holders of the name, being a small village seemingly of little note. But it contains two substantial mediaeval ruins, one being a large 12th/13th century church and the other the castle from which Newcastle takes its name.



The ‘new’ castle in County Tipperary presumably replaced an older one, but there does not appear to be any information about the latter. What remains can be seen close to the banks of the river Suir, the navigable possibilities of which was one reason for the choice of this site. The castle is believed to have been built for the Prendergast family, the first of whom Maurice de Prendergast, was among the Cambro-Norman knights who accompanied Richard de Clare (otherwise known as Strongbow) to Ireland and then settled here. Around 1230 his grandson, William de Prendergast exchanged lands he had inherited in what is now County Limerick with Jeffrey de Marisco for those in this part of Tipperary. There may already have been some kind of castle already erected but the ruins seen today were certainly enhanced and enlarged by the Prendergasts who remained in occupation until the mid-17th century. In the aftermath of the Confederate Wars, Edmond Prendergast’s estates were taken from him by the Cromwellian government and the link with Newcastle broken. Edmond Prendergast’s grandson, Sir Thomas Prendergast, who grew up in poverty, led an extraordinarily adventurous life. Having fought in the service of James II, he allied himself to William III after the Treaty of Limerick. A Roman Catholic, he was involved in a Jacobite plot to kill the king, but then switched sides and provided evidence that helped to convict many of his former fellow-plotters. He then seems to have conformed to the Established Church and was rewarded with lands around Gort, County Galway that provided an annual income of £500. Created a baronet in 1699, he acted as MP for Monaghan borough, 1703-09 while also serving in the army, rising to the rank of brigadier-general in February 1709. However, the following September he was killed at the Battle of Malplaquet.



The castle at Newcastle consists of a number of buildings enclosed within what remains of a bawn wall; among the more notable extant structures is a large vaulted hall and a circular tower, both relatively intact although much of the rest of the property is in poor condition. Quite when the castle was abandoned is unclear. One suggestion is that it was badly damaged in the late 1640s/early 1650s at a time when the Prendergasts were displaced. But the ruin of so many buildings in Ireland is attributed to Cromwellian forces that it is hard to know whether or not such was the case in this instance. Whatever the truth, the lands on which it stands were eventually granted to the Perry family, whose main residence from the early 18th century onwards was some ten miles north at Woodrooff, County Tipperary. In 1837 Samuel Lewis wrote that the old castle ‘forms a very picturesque feature in the landscape.’ Such remains the case today.
Prominently Located



After Monday’s post about Tikincor Castle, County Waterford (see The House at the Head of the Weir « The Irish Aesthete), here are the remains of another early fortified house: Ballycowan Castle, County Offaly. Prominently sited on a rock outcrop immediately north of the Grand Canal, the building seemingly occupies the site of an earlier castle belonging to the O’Molloys but much of the present structure was erected here by Thomas Morres in 1589. Climbing four storeys to a string course above which soar a series of tall, slender chimneys, the castle displays more visible evidence of its fortified character than does Tikincor, having no windows on the lowest level and a number of bartizans along the roofline. Ballycowan changed hands c.1625 when it came into the possession of Sir Jasper Herbert and his wife Mary Finglas, who extended the building to the east and placed a plaque carrying their arms above a new doorway here. Seemingly the castle suffered damage during the Confederate Wars and their aftermath, which is when the south-west side of the building collapsed. Not least thanks to its location, Ballycowan remains one of the most familiar ruins in this part of the country.
The House at the Head of the Weir

Tikincor (from the Irish Tigh Cinn Chora, meaning The House at the Head of the Weir) is a townland adjacent to both the river Suir and County Tipperary: it lies just inside County Waterford. The house in question dates from the early 17th century and is one of the fortified residences then coming into fashion. It is believed to have been built for Alexander Power, a member of the de la Poer family which owned extensive lands in this part of the country. However, during the upheavals of the Confederate Wars of the 1640s and their aftermath, the Powers lost possession of Tikincor which passed into the hands of the Cromwellian supporter Sir Thomas Stanley whose son, John, future Chief Secretary for Ireland, was born in Tikincor in 1663. However, not long after that date it appears that Sir Thomas disposed of the property, since it then came into the hands of an elderly lawyer and politician, Sir Richard Osborne, whose descendants continued to own Tikincor for the next couple of centuries.




Burke’s Landed Gentry of 1871 proposes that the Osbornes first settled in Ireland in 1558 but from whence they came does not appear to be known. Sir Richard, who sat as Clerk of the King’s Court in Ireland for 13 years from 1616, was created a baronet in 1629 and thereafter sat as MP for County Waterford on a number of occasions until his death in 1667. In 1690 his grandson, Sir Thomas Osborne was responsible for building the narrow five-arched bridge over the Suir which is still known by his name and which provided convenient access to the family’s lands on either side of the river. The Osbornes continued to live at Tikincor until the late 18th century when they moved to Newtown Anner, on their County Tipperary property. Incidentally, the current heir to the baronetcy is Britain’s former Chancellor of the Exchequer, George Osborne.




Tikincor Castle, as the building is usually known, is an excellent example of the fortified houses constructed throughout Ireland in the first decades of the 17th century when the country was at peace. Few of them survived the Confederate Wars and many can now be found in a ruinous condition, such as Burncourt, County Tipperary (see Burntcourt « The Irish Aesthete) and Ichtermurragh Castle, County Cork (see Whom Love Binds as One « The Irish Aesthete). Tikincor shares many characteristics with both of these, T-shaped and built of rubble, it climbs three storeys to a many-gabled attic floor marked by a string course, above which soar tall slender chimneys indicating a greater number of hearths than would have been the case in earlier tower houses. A staircase was likely accommodated in the wing that projects on the east side, while the west front now has a wide arched opening on the ground floor, probably a later alteration. Tikincor does not appear to have been occupied after having been abandoned by the Osbornes; it was described as being ‘in ruins’ on the first edition Ordnance Survey map in 1840. Such remains its condition today.

Inside the Pale

The Order of Knights of the Hospital of Saint John of Jerusalem, otherwise known as the Knights Hospitaller, was a Mediaeval military order founded in the 12th century. The order came to have a number of bases, called preceptories, in Ireland, one of which was located at Kilteel, County Kildare. There seems to be some confusion about when this was established, and by whom: it may have been Gerald FitzMaurice, first Lord of Offaly, who died in 1204, or his son Maurice FitzGerald, the second lord who died in 1257. It must have been an important centre for the order, since three general chapters were held there during the 14th century. However, with the onset of the suppression of religious orders in the 16th century, Kilteel Preceptory was surrendered to the English authorities in 1540 and two years later granted to Thomas Alen, brother of Sir John Alen, Lord Chancellor of Ireland. Thereafter it fell into decay and little now remains of the buildings other than a few truncated stone columns, parts of a former gatehouse and the outline of a substantial enclosure. More impressive are the adjacent ruins of Kilteel Castle.




Kilteel stands on the boundary of the Pale, that area around Dublin which in the later Middle Ages remained under the control of the English government. Famously, in order to provide protection for its inhabitants, in 1429 King Henry VI offered a grant of £10 to every man within the Pale who built a castle over the next ten years. These castles, usually square or rectangular and several storeys high, are commonly known in Ireland as tower houses, and while they were being constructed prior to the king’s grant – and are similar to the Peel Houses found on the border separating England and Scotland – many of them date from the 15th century onwards. Such would appear to be the case with Kilteel Castle, which measures around 26 by 20 feet and rises five storeys to a height of 46 feet. The building is distinguished from many other examples by a curved projecting staircase in one corner and beside this a two-storey gate house with arched entrance. Immediately behind the tower houses is a large rectangular space, now used as a farmyard but perhaps demarcating the former bawn enclosure. An image published in the Dublin Penny Journal in October 1833 shows a two-storied gabled house, perhaps dating from the 17th century, on the other side of the gatehouse. Some of the outer walls of this building survive, sections of which are fronted with slates.




Like the Knights Hospitallers preceptory, Kilteel Castle passed into the hands of Thomas Alen in the 1540s and his family appear to have remained owners of the property until the second half of the 17th century (although, according to Samuel Lewis’s Topographical Dictionary of Ireland, they were still claiming tithes there in 1837). However, repeated attacks on the building took their toll on its condition. It was raided and burnt by Rory O’More in both 1573 and 1574 but presumably remained in sufficiently good condition for the 11th Earl of Kildare to station 50 horsemen and 100 foot soldiers there in 1580 during the Second Desmond Rebellion. But in the aftermath of the following century’s Confederate Wars, the Civil Survey of 1654-56 could report that the parish of Kilteel contained ‘One Castle…wch in the year 1640 was valued to be worth sixty pounds butt being since ruined is now valued at ffourty pounds.’ In the second half of the 17th century, Kilteel Castle came into the possession of the Earl of Tyrconnell but following his support of James II the property was taken from him and acquired by the Hollow Sword Blade Company before being sold on in turn to Sir William Fownes. His descendants in turn disposed of Kilteel in 1838, by which time the old castle had long since ceased to be used as any kind of residence.
A Repetitive Story

Twenty years ago this week, the contents of Lissadell, County Sligo were offered for sale at auction. The importance of accumulated house contents is insufficiently appreciated in this country. Often spanning hundreds of years of occupation by the same family, they represent changes in taste, and in affluence, not just of a particular property’s owners, but of the entire country. They inform our knowledge of Ireland’s history through both good times and bad, and provide enlightenment about how our forebears, of whatever status, lived. Accordingly, their dispersal represents the dissipation of knowledge, leaving us all less well-informed and thereby poorer. In the case of Lissadell, the house, and its predecessor, had been home to generations of the same family, among whom was the revolutionary politician Constance Markievicz. Her association with the building, along with that of many other distinguished figures in Irish history, led to a widespread public campaign for the property and surrounding estate to be bought by the state. As has been so often the case, before and since, this did not happen, and accordingly Lissadell’s contents were auctioned. One of the key losses from this event was a collection of furniture specifically commissioned by an earlier owner, Sir Robert Gore-Booth, for the house. Dating from the 1830s, these pieces were representative of taste in Ireland at the time and were believed to have been made by the Dublin firm of Williams & Gibton. Until the auction, Lissadell was the only house in Ireland to retain its original furniture by this company, so the dispersal was much to be regretted. The items’ importance can be gauged by the fact that most of the lots exceeded their estimates: a rosewood writing table, for example, which was expected to make €8,000-€10,000, fetched €19,000. In the dining room, a set of 17 mahogany chairs (€12,000-€18,000) fetched €22,000 and the dining table itself (€30,000-€50,000) went for €65,000. Forced to bid against other potential purchasers, Lissadell’s new private owners managed to acquire some pieces, such as a pair of handsome mahogany Grecian-style bookcases clearly inspired by the work of Thomas Hope and, again in the dining room, a sturdy mahogany sideboard. But many of the contents, first installed some 170 years earlier, now left for good and not just the Williams & Gibton furniture. There were, for example, a number of fine 17th century Italian baroque paintings, many in spectacular gilt frames, which had been acquired for the rooms by Sir Robert Gore-Booth. And then there were all the miscellaneous objects that build up in any house over generations, from sets of copper jelly moulds to discarded furnishings such as old curtains. These, as much as the more valuable pieces, are what inform the history of a building, and when they are gone, part of that history disappears forever.




In Ireland, it has long been apparent that if the remaining number of historic houses and contents are to survive, then a coherent strategy to secure their future needs to be considered. The first attempt to devise such a strategy occurred back in 1985 when a body called the Irish Historic Properties Commission, established three years earlier, produced a report written by the late Kevin B Nolan and Lewis Clohessy and called Safeguarding Historic Houses. This clearly stated that ‘our heritage historic properties cannot be preserved without the active and consistent support of the Irish Government.’ Eight years later, in 1993 the Irish Georgian Society and another body since gone, Irish Heritage Properties, held a conference on the future of the Irish country house, subsequently publishing a report on its proceedings. This makes for melancholy reading, since so many of the problems then highlighted remain to the present day, not least the want of sufficient support from central and local government. Ten years later again, Professor Terence Dooley of Maynooth University, at the request of the Irish Georgian Society and the Dept of Environment, Heritage and Local Government, produced a report, A Future for Irish Historic Houses? A Study of Fifty Houses. A year later, the same government department invited Indecon International Consultants to produce an Examination of the Issue of Trust-type Organisations to Manage Heritage Properties in Ireland. Most recently, in 2015 the Department of Arts, Heritage and the Gaeltacht in collaboration with Irish Historic Houses Association after extensive consultation with a wide variety of interested parties and stakeholders, issued an Action Plan for the Sustainable Future of the Irish Historic House in Private Ownership, a document which was duly approved by the Irish cabinet and appeared in 2016. In other words, no one can complain that the challenges facing the Irish country house and the retention of its contents have been insufficiently examined and analysed. Produced over a period of almost 40 years, these and other documents have constantly made the same point: that houses in private ownership, if they are to have a viable future and hold onto their original furnishings, need assistance from central and local government, the kind of assistance that is available in other European countries but has consistently failed to materialise to any adequate extent in Ireland.




Outside observers often note with surprise that in Ireland there is no equivalent of the National Trust which operates on the other side of the Irish Sea and in Northern Ireland. An attempt was made to create such an equivalent with the establishment of the Irish Heritage Trust in 2006. The IHT was largely the brainchild of the Irish Georgian Society’s current president Sir David Davies. The original purpose of this organisation was that it would, like the National Trust, acquire for public access significant heritage properties deemed to be at risk and for which the State did not want to assume direct responsibility. This would ensure that the houses and their contents would remain intact and preserved for future generations. At the time of its establishment and in recognition of the potential significance of IHT’s work, the government of the time earmarked €35 million for the organisation over the duration of the National Development Plan 2007-2013. Accordingly the IHT entered into discussions with the owners of a number of properties judged to be most suitable for such an arrangement. At all times the relevant government department – for Environment, Heritage and Local Government as well as the Department of Finance – was briefed on developments at Anne’s Grove and in 2008 all relevant parties agreed the IHT would assume responsibility for its first estate thanks to an endowment fund of €5 million (drawn from its National Development Plan funding) and associated tax credits. Then in December 2008, the department’s minister wrote to the IHT advising that due to changing circumstances it would not be possible to provide the necessary support. The IHT has since successfully reinvented itself, but the fact remains that there is still no equivalent of the National Trust in Ireland, and historic properties, along with their contents, continue to be lost because of want of state support for their survival. Today’s photographs show the empty interiors of Howth Castle, sold in 2019 after being occupied for more than 800 years by the same family. The house’s remaining contents were dispersed at public auction two years ago in September 2021. Unless there is a change in state policy towards these properties, and towards the histories they contain, more such sales will occur in the years ahead. And we will continue to be the poorer.
The Real Deel


The ruins of the late 18th century Deel Castle, otherwise known as Castle Gore, in County Mayo have featured here before (see Sent Up in Flames « The Irish Aesthete) but rather confusingly the remains of a second, older building with the same name stand close by. The original Deel Castle – which might be classified as the real Deel – is a tower house sitting above the river Deel, thought to date from the 16th century when constructed by the Bourke family, then dominant in this part of the country. Like so many other such buildings, it is rectangular but larger than usual, of four storeys and with a substantial bartizan on the south-west corner of the roofline, above which rise tall, narrow chimneystacks. As is also typical of tower houses, there is only one point of access, a modest arched doorcase on the west side. It remained in the possession of the Bourke family until the late 17th century when, after Colonel Thomas Bourke had fought on the side of King James in the Williamite Wars, the property was forfeited and granted to Sir Arthur Gore.



Born in London, Paul Gore (created a baronet in 1622) had come to Ireland in the late 16th century in the service of Elizabeth I as commander of a troop of horse and eventually settled in County Donegal, representing Ballyshannon for a number of years in the Irish House of Commons. Arthur Gore (created a baronet in 1662) was his second son, and likewise both a soldier and politician, becoming High Sheriff of both Mayo and County Galway, and later of Leitrim. Having settled in Mayo, he received the Bourkes‘ former property, Castle Deel and in due course, his son having predeceased him, passed this to his grandson, also called Arthur Gore. When Mrs Delany visited the place in 1732, she noted, ‘tis an old castle patched up and very irregular, but well fitted up and good handsome rooms within. The master of the house, Arthur Gore, a jolly red-faced widower, has one daughter, a quiet thing that lives in the house with him; his dogs and horses are as dear to him as his children, his laugh is hearty, though his jests are course.’ The second baronet’s son, yet another Arthur, was created Earl of Arran in 1762. It would appear that the family continued to live in Deel Castle but towards the end of the 18th century, the estate was leased to James Cuff, first (and last) Lord Tyrawley who built the now-ruined house within sight of the old castle. Cuff’s mother Elizabeth was a sister of Lord Arran, which helps to explain why he should have been granted a lease on the place. Lord Tyrawley had no legitimate heirs, although he had two illegitimate sons by an actress, one of whom, James Duff, lived in the new Deel Castle until his death in 1828, after which that building reverted back to the third Earl of Arran. As for the old castle, it was occupied by Colonel St George Cuff, thought to have been the illegitimate son of James Cuff; the colonel’s wife Louisa Maria Knox Gore, was descended in the maternal line from the second Earl of Arran, making the family connection clearer. It was only after the colonel’s death in 1883 that the old castle likewise returned to the Gores and remained with them until after 1921 when the new house was burnt by the IRA and left the ruin still seen today.



As already mentioned, the original Deel Castle was a substantial tower house. To the east of this, possibly as early as the 17th century, an extension was built which was probably further improved in the 18th century. A bartizan on the south-east corner of the extension certainly suggests an early date, since it would come from a time when the occupants of the building would consider themselves vulnerable to attack. In any case, this section is of three storeys and five bays, with a limestone Gibbsian doorcase on the groundfloor. The outline of a gable on the eastern side of the facade indicates that a further building once stood here, perhaps to match that which still extends forward immediately beyond the tower house to the west, thereby creating a courtyard in front of the building. Little remains inside either the original or the later structure, the roof long gone, along with the various floors, windows and chimneypieces: the external walls alone now survive. This decay has occurred only in the past 100 years since, unlike its neighbour, Deel Castle was not burnt during the early 1920s but still occupied. Only afterwards was it abandoned, and left to fall into the present state of ruin.
A Palimpsest of Irish Architectural History

Descended from the late 10th century High King of Ireland Máel Sechnaill mac Domnaill, for much of the period following the Norman invasion, the O’Melaghlins (later McLoughlin) were a dominant family in what is now Westmeath. As such, they built various fortified residences for themselves, including the core of what is today called Moate Castle: the town of Moate derives its name from the motte and bailey which was erected here by the Normans. The O’Melaghlin castle is thought to have been constructed around 1500 and remained in their hands for a century until sold by Feardorcha O’Melaghlin to Hubert Dillon, who lived a short distance north of Moate at Drumraney. However, in the upheavals of the mid-17th century, Dillon’s son lost the castle, which was granted to an English soldier called Humphreys. In 1655 he, in turn, sold the property to another soldier, Captain John Clibborn, whose forebears came from Yorkshire and whose descendants would live in the place for the next couple of centuries.





As mentioned, the Clibborns continued to live in Moate Castle for some 200 years; in Samuel Lewis’s Topographical Dictionary of Ireland (1837), it was listed as the residence of Cuthbert John Clibborn. Following his death in 1847, he was succeeded by his eldest son Thomas Strettel Clibborn, then aged just ten. Having graduated as an engineer from Trinity College Dublin, in 1859 Thomas Strettel Clibborn emigrated to Australia where he spent the rest of his life, where thanks to his keen interest in racing, he became secretary of the Australian Jockey Club, where he proved to be an outstandingly effective administrator, remaining in the position until shortly before his death in 1910. In Burke’s Genealogical and Heraldic History of the Landed Gentry of Ireland (published 1912), Clibborn’s eldest son George Holmes Clibborn’s elder son is listed as being ‘of the Castle, Moate, County Westmeath’ but he likely never lived there as even during his father’s lifetime it seems to have been rented to a succession of tenants, including Gilbert Nugent (later of Jamestown Court), a Quaker businessman called William Wooley and Edward Fetherstonhaugh. At the beginning of the last century, the local postmaster, a Mr Moore occupied the building, followed by Mr Gardiner, who taught at the local Church of Ireland school. For just over half a century, the property has been owned by the Mitchell Family who recently placed it on the market.





Moate Castle sits high above the town’s main street but what can be seen from here is actually the back of the building: the main entrance is on the other, north-facing side and looks out over several acres of enclosed land, presumably once laid out as gardens. The original castle is in the eastern section of the main house and is of two bays and three storeys. Various additions were made to this from the late 17th to the end of the 18th centuries, beginning with an extension to the immediate west which is likewise three storeys high and of three bays. At the western extremity and on the rear, a two-storey bow-fronted extension was also added at some unknown date. Returning to the facade, this shows a four-bay house of three storeys, the interior accessed via a relatively modest Gibbsian limestone doorcase. The building on this side is flanked by two-storey, gable-ended pavilions that createa a shallow forecourt; both of these are now in poor condition but must once have been fine structures. Beyond the eastern pavilion is the yard with stables and coach house: here a Sheela na gig has been inserted into the wall immediately above a Gothic arched. Stepping inside, the castle proves to be less substantial, and much more manageable as a home, than its external appearance might suggest. The entrance hall contains a fine mid-18th century staircase giving access to the upper floors, with a drawing room to the immediate right and a passage leading to what might have been the original dining room and thence the kitchen in the old castle. Upstairs, a similar passageway leads to a number of bedrooms. Throughout the building, decoration is spare, reflecting the fact that the Clibborns were Quakers. Moate Castle deserves a thorough examination than it has been given hitherto as the house can be seen as a palimpsest of Irish architectural history across more than 500 years, reflecting changes in taste and material circumstances during that long period. The hope must be that a sympathetic new owner can be found for the property, sensitive to its significance and prepared to ensure that Moate Castle can continue to bear witness to the country’s past.
A Spacious Piece of Antiquity

‘Whilst there is scarcely an old castle, abbey or ruin of any pretensions throughout the length and breadth of Green Erin, since the introduction of cheap literature, that has not been over and over described till we have naturally began to tire of their repetition, is it not strange that none of these popular writers have as yet attempted a description of the many remnants of antiquity abounding in Clonmore in the County of Carlow, particularly its venerable castle? From Ben-Hadir to Ben-Urris, from Donaghadee to Dingle, there is scarcely a place whose particular beauties have not at some time been duly chronicled; guide books in variety too, have been given to the public of Antrim and Cork, of Wicklow and Kerry, and every picturesque locality round our island; yet amongst them all, poor Clonmore – but a few hours drive (only thirty-five Irish miles) from the metropolis – has been completely unheeded and neglected. None of the Penny Journals published by Folds or Coldwell, Hardy, or Gunn and Cameron have even mentioned its name! Grose, in his Antiquities of Ireland, published in 1791-3, has given two neat views of the castle, which the Author of these pages is happy to say he has a few copies of; but then Dr. Ledwich, who furnished the descriptive portion of that work, on account of Grose’s premature death, has dismissed the subject in a few lines. Lewis’ Topographical Dictionary and Ryan’s History of the County Carlow, both of their accounts of the castle and its antiquities are meagre enough, and incorrect in some particulars, which I intend to point out as I proceed; and, with the exception of these three publications, no recent writer that I could come at has ever favoured us with even a single line on the subject.’
From The Antiquities and History of Cluain-Mor-Maedhoc, Now Clonmore by John MacCall (1862)




Clonmore Castle: The spacious piece of antiquity of this place is situate near Hacketstown, and in the barony of Rathvilly. In shape it is square; one hundred and seventy feet by the same. The castle has towers at each angle, and is surrounded by a fosse, of about twenty feet in depth. The walls are five feet thick; and the narrow, stone-cased windows were obviously furnished with iron bars. One of the side walls has disappeared, but the other three are in good preservation and, if unassailed by the Gothic hands of man, will probably resist the tooth of Time for ages to come. The demolished wall, was no doubt removed in order to procure ingress to two or three cabins and their appurtenances, which classically ornament the interior. Indeed, I have been credibly informed, that part of the window-cases now serve the very ignoble purpose of forming part of the materials of some pig-sties! But such desecration of ancient works of art, by the unthinking and ignorant, is not at all an uncommon circumstance in this country.’
From The History And Antiquities Of The County Of Carlow by John Ryan (1833)




‘Cromwell’s army landed in Dublin in August 1649 and in 1650 the Cromwellian colonels, Hewson and Reynolds, captured the castle and ordered it to be slighted so as to make it indefensible, reducing the castle to the ruins that may be seen today. The fortress was both strong and large, square in plan, with high curtain walls defended with a tower at each corner. Although the Parliamentarians destroyed the gatehouse, extensive ruins indicating various halls and chambers remain. The northeast tower, known as the Six Windows, is still well preserved complete with a gargoyle known as “the pooka’s head.” Patrick Wall was granted the castle of Ballynekill (Clonmore) following the restoration of Charles II, together with 69 acres and 1 rood. In 1697, following the Williamite Settlement, what remained of the castle passed into the hands of Ralph Howard of Dublin. He was created Baron Clonmore in 1776, elevated to Viscount Wicklow in 1785, and his son Robert was made Earl of Wicklow in 1793. Clonmore was still in the hands of the Howard family in 1823, but then, around 1900, it passed to the Stopford family, Earls of Courtown.’
From The Byrnes and the O’Byrnes, Vol. II by Daniel Byrne-Rothwell (2010)












