Category Archives: Irish Castle

The Real Deel



The ruins of the late 18th century Deel Castle, otherwise known as Castle Gore, in County Mayo have featured here before (see Sent Up in Flames « The Irish Aesthete) but rather confusingly the remains of a second, older building with the same name stand close by. The original Deel Castle – which might be classified as the real Deel – is a tower house sitting above the river Deel, thought to date from the 16th century when constructed by the Bourke family, then dominant in this part of the country. Like so many other such buildings, it is rectangular but larger than usual, of four storeys and with a substantial bartizan on the south-west corner of the roofline, above which rise tall, narrow chimneystacks. As is also typical of tower houses, there is only one point of access, a modest arched doorcase on the west side. It remained in the possession of the Bourke family until the late 17th century when, after Colonel Thomas Bourke had fought on the side of King James in the Williamite Wars, the property was forfeited and granted to Sir Arthur Gore.




Born in London, Paul Gore (created a baronet in 1622) had come to Ireland in the late 16th century in the service of Elizabeth I as commander of a troop of horse and eventually settled in County Donegal, representing Ballyshannon for a number of years in the Irish House of Commons. Arthur Gore (created a baronet in 1662) was his second son, and likewise both a soldier and politician, becoming High Sheriff of both Mayo and County Galway, and later of Leitrim. Having settled in Mayo, he received the Bourkes‘ former property, Castle Deel and in due course, his son having predeceased him, passed this to his grandson, also called Arthur Gore. When Mrs Delany visited the place in 1732, she noted, ‘tis an old castle patched up and very irregular, but well fitted up and good handsome rooms within. The master of the house, Arthur Gore, a jolly red-faced widower, has one daughter, a quiet thing that lives in the house with him; his dogs and horses are as dear to him as his children, his laugh is hearty, though his jests are course.’ The second baronet’s son, yet another Arthur, was created Earl of Arran in 1762. It would appear that the family continued to live in Deel Castle but towards the end of the 18th century, the estate was leased to James Cuff, first (and last) Lord Tyrawley who built the now-ruined house within sight of the old castle. Cuff’s mother Elizabeth was a sister of Lord Arran, which helps to explain why he should have been granted a lease on the place. Lord Tyrawley had no legitimate heirs, although he had two illegitimate sons by an actress, one of whom, James Duff, lived in the new Deel Castle until his death in 1828, after which that building reverted back to the third Earl of Arran. As for the old castle, it was occupied by Colonel St George Cuff, thought to have been the illegitimate son of James Cuff; the colonel’s wife Louisa Maria Knox Gore, was descended in the maternal line from the second Earl of Arran, making the family connection clearer. It was only after the colonel’s death in 1883 that the old castle likewise returned to the Gores and remained with them until after 1921 when the new house was burnt by the IRA and left the ruin still seen today.




As already mentioned, the original Deel Castle was a substantial tower house. To the east of this, possibly as early as the 17th century, an extension was built which was probably further improved in the 18th century. A bartizan on the south-east corner of the extension certainly suggests an early date, since it would come from a time when the occupants of the building would consider themselves vulnerable to attack. In any case, this section is of three storeys and five bays, with a limestone Gibbsian doorcase on the groundfloor. The outline of a gable on the eastern side of the facade indicates that a further building once stood here, perhaps to match that which still extends forward immediately beyond the tower house to the west, thereby creating a courtyard in front of the building. Little remains inside either the original or the later structure, the roof long gone, along with the various floors, windows and chimneypieces: the external walls alone now survive. This decay has occurred only in the past 100 years since, unlike its neighbour, Deel Castle was not burnt during the early 1920s but still occupied. Only afterwards was it abandoned, and left to fall into the present state of ruin. 


Remembering a Valiant Woman


In 1598, at the age of 18 Lettice FitzGerald married Sir Robert Digby, a Warwickshire landowner. Born in 1580, Lettice was the only child of Gerald FitzGerald, eldest son of the 11th Earl of Kildare. However, her father died around the time of her birth, leaving her, she would claim, as heir general to the great FitzGerald estates. Her cousin, who had become 14th Earl of Kildare, begged to differ and so in 1602 Lettice and her husband embarked on a long and costly law suit – the Jacobean equivalent of Jarndyce v Jarndyce – in pursuit of her entitlements. During the course of a legal battle that lasted almost two decades, they were able to prove that the will of Lettice’s grandfather had been fraudulently altered after his death in order to disinherit her, but still the fight continued. Eventually, in 1619 King James I, while rejecting Lettice’s claim to be the 11th Earl’s heir general, granted her and her heirs the manor of Geashill, comprising some 30,000 acres in King’s County (now Offaly), thereby partitioning the FitzGerald patrimony. The following year, the king recognised Lettice as Baroness Offaly for life, on the understanding that after her death the title would revert to the Earls of Kildare.





At the centre of the Geashill estate lay a castle, originally erected in the late 12th or early 13th century by Maurice FitzGerald, second Baron Offaly. For a considerable period during the Middle Ages, this property had been in the hands of the O’Dempsey clan, but was back under the control of the FitzGeralds by the time Lettice was born. It is here that she chose to live following the death of her husband, Sir Robert Digby, in 1618 and the confirmation by the crown of her right to the estate soon afterwards. By then in her early 60s, Lettice was in residence at Geashill Castle at the onset of the Confederate Wars in 1641 and that found herself besieged by the O’Dempseys, to whom she was related. They offered her and her family safe passage if the castle was surrendered, otherwise it would be burnt down. In the face of this threat, she replied ‘Being free from offending His Majesty, or doing wrong to any of you, I will live and die innocently, and will do my best to defend my own, leaving the issue to God.’ The siege was eventually lifted, but renewed the following spring when the attackers arrived with a make-shift cannon: it exploded at the first shot, as did a second attempt using the same device. Meanwhile, as Terry Clain notes in the Dictionary of Irish Biography, Lettice  ‘affected an aristocratic sang-froid in the face of imminent peril.’ Eventually, in October 1642 she was persuaded by allies to leave the property and subsequently retired to live on her late husband’s property in Warwickshire, where she died in 1658. Geashill Castle and the surrounding estate was inherited by her grandson, the second Baron Digby (her eldest son having predeceased her), whose heirs continued to own the property until the last century. 





At some date, perhaps as early as the 17th century, the Digbys built a new house to the immediate east of the old castle, part of which was most likely incorporated into the structure, where material from the abandoned building was probably also reused. The house appears to have been substantial but somewhat plain, of seven bays and two storeys, with a series of service extensions and yards further to the east. The south front had short projecting wings on either side of the central three bays creating a shallow forecourt. In 1860, Dublin architect James Rawson Carroll remodelled the house, adding a porch on the south side, a canted bay window on the ground floor of the north side and cambered arches over the windows on the west. The Digbys chose to live on their English estate, Sherborne Castle in Dorset, so the house at Geashill was occupied by a succession of agents who looked after the family’s Irish property; in the opening decades of the last century, the agent was Reginald Digby, a cousin of Lord Digby. In 1922, Mr Digby needed to go to London for an operation, but was unwilling to leave Geashill Castle unattended, aware that the place would be vulnerable to assault, this being at the height of the Civil War. However, eventually he was required to leave and on August 19th 1922, the building was attacked and burnt. Like other house owners whose property suffered in this way, the Digbys applied for compensation from the courts but because nobody was resident in Geashill Castle at the time, it was argued that the family was entitled to only minimal funding. In consequence, the house was not rebuilt but left as a ruin. Under the terms of the Wyndham Act of 1903, most of the ancient estate had already been sold to tenants and in 1926 the Land Commission took over the demesne, thereby ending a link with this part of the country that stretched back not just to plucky Lettice Digby in the 17th century but as far as the O’Dempseys in the 14th century. 

All that is Fantastically Eccentric in Architecture


‘It was in the hall of this Castle, then his principal residence, that James, first Duke and twelfth Earl of Ormond, received, as he sat at dinner, on 23d October 1641, intelligence of the great rebellion, in which he so eminently distinguished himself as Commander of the Royal Army. Since that period, none of the Ormond family have resided in Carrick-Castle, which is, however, maintained in good repair, and occupied by a private gentleman, who has evinced excellent taste in the alterations which he has made in the building without impairing the character of its architecture. It stands upon the banks of the river Suir, and near the town of Carrick-on-Suir. This castle was built in the year 1309, by Edmond le Boteler, or Butler, whose son was created Earl of Ormond in 1328. By him it was granted, in 1336, together with its demesnes, to the Franciscan monks of the Abbey of Carrick-on-Suir. But these venerable personages, who probably attached more value to the lands than to the fortress, appear to have permitted it to fall into decay, since we find that, in 1445, Sir Edmund Butler purchased the premises from the Monks, and rebuilt the Castle and Bridge.’
From Picturesque Views of the Antiquities of Ireland, 1830






‘Prior to starting to Waterford, let us not fail to view the fine old castle of the Ormonds, built in 1309, and still remaining in the family. The antique bridge, from the right bank of the river, just above the weir, presents all that is fantastically eccentric in architecture, the ivied house in the centre imparting to it an air of pleasing novelty. The parish chapel is said to have been built by the Ormonds, and the tower attached to the modern building bears proof of high antiquity. We hope tradition speaks “no scandal against Queen Elizabeth,” as the guide points out the grave of Thomas Butler, the putative natural son of her maiden Majesty.’
From The Tourist’s Illustrated Hand-Book for Ireland, 1859






‘I chanced that day to be at Carrick, and I walked to see the old castle. It is beautifully situated in a secluded lawn overhanging the Suir, at a distance of a few hundred yards from the eastern end of the town. I could not ascertain the date of the older, or castellated part of the edifice: the more modern part was erected by Thomas Butler, Earl of Ormond, in 1565, which date is displayed on the wall of the hall; on which, likewise, there is a rude fresco representing Queen Elizabeth, with the initials E.R. On the opposite wall there is another fresco of the founder, who is said by the tradition of the castle to have found favour as a lover of that princess. The tradition found its way into France, and the family of Lord Galmoye is stated, in a French genealogical work, to descend from her Majesty and her Irish admirer…The curious old mansion founded by “Black Tom Butler” is still habitable. Its front presents a long row of gables in the fashion of Elizabethan manor-houses, with a large Oriel window over the porch. Its large deserted chambers are just as spectral personages might regularly honour with their visits. I accordingly asked if the house was haunted, and was told by the person who showed it, that in the days of the Ormonds, a ghost had been constantly there – a utilitarian ghost, apparently; for he used to officiate as volunteer shoeblack, and to discharge other duties of domestic labour.
The largest apartments are in the upper storey. There is a noble drawing room about sixty feet long, which contains two decorated chimneys. Whatever be the worth of the Galmoye tradition, old “Tom Butler” as the guide familiarly called him, was anxious to record his devotion to Elizabeth; and this he has done by the frequent repetition of her Majesty’s initials and arms in the quaint stucco ornaments of the ceiling.’
From Ireland and her Agitators by W.J. O’Neill, 1867. 

Replete with Memories


Lisronagh, County Tipperary is today not so much a village as a hamlet, but this was not always the case. According to Samuel Lewis, in 1837 it had a population of 981, whereas in the census of 2016, the number of inhabitants had fallen to 184. The latter figure is even a fraction of what it had been in the Middle Ages: surviving documentation from 1333 show Lisronagh’s population likely exceeded 400. At that time, the land here was held by Lady Elizabeth de Burgh, daughter of a descendant of William de Burgh, the Anglo-Norman knight who in the late 12th century had acquired vast estates in this part of the country. William de Burgh is thought to have built some kind of fortified structure at Lisronagh, probably of wood, but this was probably later replaced by a stone castle. That building is not what is seen on the site today, since the earlier structure appears to have been destroyed in the 15th century by Edmond Butler, eighth Baron Dunboyne and Seneschal of Tipperary. 





Lisronagh Castle, or what remains of it, is a 16th century tower house. A document dated 1530 in the collection of the National Library of Ireland shows the grant by one Richard Howet to Piers Butler, Earl of Ossory (later eighth Earl of Ormond) ‘of the tenement of the castle of Lisronagh.’ The present building may have been built thereafter, and remained the property of the Butler family at least into the latter part of the 17th century. When and how it fell into disrepair does not appear known. A large opening close to the base of the east wall (which faces the adjacent road) suggests this was the original entrance, although that is around the corner on the north side. High above the arched doorcase are corbels that would once have supported the now-lost machiolation; also largely gone are the window stones, presumably removed at some date. Internally, the tower house follows the usual pattern with a large, vaulted chamber of the ground floor. A flight of stairs to the immediate right of the entrance leads to the floors above, one of which retains a fireplace but otherwise little of the interior decoration survives. 





Immediately north of Lisronagh Castle is an abandoned church. Dedicated to St John the Baptist, it dates from 1831 when constructed with the aid of funds from the Board of First Fruits, and on the site of a Medieval building (presumably serving the 400-plus populace recorded as having been here in the 1330s). The church very much conforms to the Board of First Fruits typology, having a three-bay nave with access at the west end beneath a two-stage bell tower. The entrance features a handsome stone carved Tudor arch but otherwise there is little decoration and certainly nothing inside, which has been given over to vegetation (as has the eastern end of the church). Services ceased here a century ago, in 1923, and the building subsequently became roofless and open to the elements. So there they now stand, side by side, two historic properties, both abandoned, both replete with memories of the past.

Still in Use



The first St Johns to come to Ireland were of Anglo-Norman origin and settled here in the 13th century, many of them in what is now County Tipperary. It is, therefore, not surprising to find one of the places in which they established themselves came to be called St Johnstown, or that this now contains the remains of what was once a substantial tower house: St Johnstown Castle. 





St Johnstown Castle dates from some time in the later 15th/early 16th century when many such edifices were being constructed. While the precise year remains unknown, the man responsible for commissioning the building does not, since inserted above the main entrance on the east side of the building is a large carved panel, the centre of which is occupied by a shield divided into quarters: two sets of six scallop shells diagonally face two sets of three fishes. Around the shield, and onto the surrounding wall, raised lettering carries the following inscription ‘Robert De Sero Johe Ons De Cualeagh, Lismoynan, Scadanstown Et  socius Illuis Plebis Fecit.’ (Robert St John, Lord of Cooleagh, Lismoynan, Scadanstown, and a friend of his people had me built). Of rough-hewn limestone from a local quarry, the now-roofless, five-storey tower house is some 60 feet high and measures 35 feet from east to west, and a little over 29 feet from north to south. There are chimney stacks on the north and south sides, and substantial bartizans wrapping around the north-east and south-west corners. While the lower floors have only narrow slits to let in light, more substantial window openings exist on the upper levels





It would appear that at some date during the upheavals of the 17th century the St Johns were displaced from this property, which then passed into other hands; by the second half of the 18th century, it was owned by one Matthew Jacob, whose only daughter and heiress, Anne, in 1782 married the M.P. Richard Pennefather of New Park. St Johnstown Castle was subsequently inherited by one of the couple’s sons, Matthew Pennefather but by 1837 Samuel Lewis could refer to it as being ‘the property of James Millet Esq who has a modern house in its immediate vicinity.’ Millet died in 1850, after which there does not seem to be much information about what happened to the place. But the ‘modern house’ mentioned by Lewis is of interest, since it looks to be a late 18th/early 19th century building with pretensions towards grandeur: lying to the immediate north of the tower house, it is of seven bays and two storeys with one bay, single-storey wings to either side.  Although the site is now accessed via the yard behind the house, originally there was a drive that swept through the parkland to the south and then arrived at the main, east-facing main entrance, with a fine carriage arch leading to the aforementioned yard on one side. While the tower house has long since been abandoned, the same is not the case for the later building, albeit this now rather dilapidated. A fascinating example of a site that, while undergoing alterations, has remained in use since the Middle Ages. 


En Garde



The facade of Castlegarde, County Limerick, the core of which is a five-storey tower house said to have been in continuous occupation since first constructed by the O’Brien family. After being confiscated by the crown and granted to Sir George Bourchier at the end of the 16th century, the building passed through various hands until 1820 when acquired by Waller O’Grady, a son of Standish O’Grady, future first Viscount Guillamore. Waller O’Grady commissioned the architect siblings James and George Pain to restore and enlarge the building, to which they added a castellated wing as well as restoring the bawn wall and adding a new gatehouse entrance to the site. The last of these has a most curious feature: inside and above the entrance on plinths are  three stone figures, much worn but said to represent Bacchus, Pallas Athene and Aphrodite.  Clearly these sculptures are of an earlier period, but what might have been their origin or how they came to be here looks to be unknown.


Shades of Gray


Few old ruins in Ireland are as dramatically situated as Graystown Castle, County Tipperary. Perched on an outcrop of limestone rock, to its immediate west the land drops steeply towards the Clashawley river, the castle offering views of the surrounding countryside for several miles. There appears to be some dispute about how it came to be called Graystown, one suggestion being that this is a corruption of the name of Raymond le Gros, one of the first Norman knights to arrive in Ireland; he would come to own large swathes of land in the south-east of the country and is said to have been buried at Molana Abbey, County Waterford (see A Diligent Divine « The Irish Aesthete). On the other hand, it seems more likely that a Norman family called de Grey gave their name to the place. The history of Graystown becomes clearer after 1305 when 120 acres of land here was acquired by Henry Laffan, a clerk closely associated with the powerful Butler family. Despite various disturbances and upheavals, he and his descendants would continue to occupy the site for more than 300 years. 




As mentioned, the Laffans were based at Graystown for several centuries, although their relationship with the Butlers appears to have deteriorated: : in 1524, James Laffan of Graystown was among the freeholders of Tipperary, who complained to Henry VIII of the ‘extortions, coyne and livery’ levied on them by Sir James Butler of Kiltinan and Sir Edmond Butler of Cahir as deputies of the Earl of Ormonde. Still, they managed to stay in place. In 1613, Thomas Laffan of Graystown was a member of the Irish Parliament for Tipperary and in 1640 Henry Laffan held some 3,200 acres of land in the area.  In the Civil Survey of 1654, Graystown is described as follows: ‘Upon this land standeth a good castle, a slate house wantinge repaire with a large bawne & severall cabbins.’ Henry Laffan’s son Marcus served as Commissioner of troops and taxes in the barony of Slieveardagh. However, in the following decade, the Laffans’ land was seized from them by the Commonwealth government and the family was transplanted to East Galway, being settled near Ballinasloe. Graystown was granted to one Gyles Cooke who is listed as proprietor of the place in the 1659 Census of Ireland. And thereafter there is little information about the castle: in Lewis’s Topographical Dictionary of Ireland (1837) he mentions its ‘remains’, indicating that the building had become ruinous by that date, as it remains to the present. 




Text here. As mentioned, Graystown Castle is wonderfully sited on the edge of a limestone escarpment, the north-west of the building – where an arched entrance is located – seeming to teeter right on the edge of the outcrop. Some sections of a bawn wall survive but much has been lost, as with the castle itself. This looks to have been a typical tower house from the late 16th/16th centuries, rectangular in form, of four storeys and rising some 60 feet high. A large portion of the south wall has gone, leaving the interior exposed and showing the layout of the different floors and the form of the vaulted chambers on various levels. To the immediate north of the castle is a three-storey gable wall, the only section of what was presumably a later mansion, perhaps constructed by the Laffans in the first half of the 17th century before the country was overwhelmed with warfare and destruction. This must be what survives of the ‘slate house wantinge repaire’ mentioned in the 1654 Civil Survey. The same document also refers to a number of cabins, indicating there was once some kind of village in the immediate vicinity, but of this there is no trace.

Abandoned


In August 1189 William Marshall married Isabel de Clare, heiress of Richard de Clare, otherwise known as Strongbow, and through his wife came to be one of the greatest Anglo-Norman landowners in Ireland. The couple would have ten children, five of them sons, which would seem to have secured the family’s future, except for a bishop’s curse. At some date between 1207 and 1213, Marshall, by then Earl of Pembroke, seized two manors belonging to Albin O’Molloy (Ailbe Ua Maíl Mhuaidh) and refused to return them. For this slight, O’Molloy excommunicated him and, in the aftermath of Marshall’s death, when his children still held onto the manors, the bishop is supposed to have laid a curse on them, declaring that none of the sons would have heirs and that the great Marshall estates would be scattered. And so it came to pass: although each of the five brothers became Earl of Pembroke, they all died without legitimate children and eventually their father’s property was divided between their sisters and the latters’ children, leading to the break-up of the great Marshall estate, just as the Bishop of Ferns had declared. 






Around 1207 Maud, eldest daughter of William Marshall and Isabel de Clare, married Hugh Bigod, third Earl of Norfolk: incidentally, it was through this marriage that the position of Earl Marshall of England would come to be held by the Dukes of Norfolk. Furthermore, as a result of the marriage, the Bigods came to own large areas of land in what is now County Carlow and when Roger, fifth Earl of Norfolk visited Ireland in 1279, it is thought that he embarked on constructing a large stronghold for himself, now known as Ballymoon Castle, the remains of which can be seen here. In his book on the Bigods during the 13th century, Marc Morris proposes that the building’s purpose was not intended to be defensive. ‘Built on a scale which presupposes a patron in need of extensive accommodation and with considerable resources at his disposal,’ Ballymoon was ‘intended to function as a residence more than a fortress.’ Morris points out that there is no ditch around the site and no projecting towers; the only breakfronts on the walls contained latrines. A cousin of the MacMurroughs, with whom he seems to have been on good terms, Roger Bigod did not face militant opposition on Carlow, hence there was no need for a protective citadel. 






Ballymoon Castle consists of a single square courtyard about 80 feet long on each side, the rough-hewn granite outer walls being some eight feet thick at the base and climbing 20 feet, although their uneven appearance indicates they were once higher and perhaps finished with crenellations and walks. The big, empty courtyard has the remains of buildings on each of its four sides, some of which indicate where doors or chimneypieces were once placed. The western wall has an arched gateway with portcullis grooves visible, and there are quite a few cross-shaped openings around the other walls. It may be that work here was never finished: by the autumn of 1280 Roger Bigod was back in England. And two years later, his cousins, Art and Muchertach MacMurrough, were murdered in Arklow on the instructions of the Justiciar of Ireland, Stephen de Fulbourn. When Roger Bigod died in 1306, despite two marriages, like his Marshall forebears he had no heirs, so the direct line ended, his lands were escheated to the crown and eventually bestowed on Thomas of Brotherton, Earl of Norfolk, a younger son of Edward I. Little is known thereafter of Ballymoon Castle’s history, but, having little defensive potential, it would appear to have been abandoned and left to fall into its present condition.

The Real Thing



After last Monday’s fake castle, here is the real thing. Now situated on the north bank of the Grand Canal (which would not have existed at the time of its construction), this is the four-storey Srah Castle, County Offaly which dates from 1588 when built by Andrew Briscoe and his wife Eleanor Kearney. As was typical of tower houses of the period, it has a battered base, machiolation directly above the single, round-headed entrance, a series of gun-loops and a bartizan on the south-west corner (its match on the north-east has since collapsed, leaving a large hole in the structure). To the immediate west are the remains of a large hall, of which little other than one gable end survives. Seemingly the castle was badly damaged during the Confederate Wars and never recovered, the Briscoes moving elsewhere in the county.


Wrapped in Mystery


Despite Ireland being a relatively small country, it can often be difficult to discover information about many of our historic buildings, the precise details of their origin and development lost to local fable. Such is the case with Gortkelly Castle, County Tipperary, about which surprisingly little is known. Samuel Lewis, for example, did not include the place in his Topographical Dictionary of Ireland (1837) nor, more than a century later, does it appear in Mark Bence-Jones’s Guide to Irish country houses (1978), or indeed in any other relevant publication. Yet this is hardly a modest cottage, so the absence of documentation is strange, although by no means unusual. 





It appears that for at least two centuries, Gortkelly was home to a branch of the Ryan family. In 1746 John Ryan received a lease for 31 years of the land on which the house stands. The lease was given by one Daniel Ryan: despite the same surname, the two men are not thought to have been related. Based at Inch, a few miles to the east of Gortkelly, Daniel Ryan was that relatively rare individual in the mid-18th century: a Roman Catholic who had held onto a large estate. Six years before granting the lease, he had employed John Ryan as an agent, to oversee the management of his property, collect rent from other tenants and so forth. Presumably John Ryan had proven competent in the position, and this explains why he was leased several hundred acres at Gortkelly. The lease was renewed in 1781 to Andrew Ryan and then in 1814 to John Ryan. In the 1870s, another Andrew Ryan of Gortkelly Castle, Borrisoleigh, owned 906 acres in County Tipperary. This estate was advertised for sale in December 1877 but the family seems to have remained in residence, since one Patrick Ryan is listed as dying there in 1937. 





As already mentioned, almost no information exists about the building now known as Gortkelly Castle. www.buildingsofireland.ie proposes that the core of the house dates from c.1800 with alterations made to its external appearance some 30 years later. However, given that John Ryan received his lease on the land here in 1746, the original construction date could be earlier. On high ground facing almost due east, the building clearly began as a classical house of five bays and three storeys; an extensive range of outbuildings, presumably from the same period, still stand to the immediate south. From what remains of the interior, it appears there were four reception rooms on the ground floor, with the central space to the rear occupied by a staircase hall lit by a tall arched window on the return. At some subsequent period, the decision was taken to modify the exterior – of rubble limestone – so as to give the house the appearance, if only superficially, of a castle. Accordingly, a crenellated parapet was added to the front and side elevations, slender octagonal towers placed on corners of the facade, and the entrance dressed up with a projecting polygonal tower climbing above the roofline to a belvedere which must have offered wonderful views across the surrounding countryside. These elements are of brick, the whole building then rendered and scored to look as though of dressed stone. These decorative flourishes are so shallow that they must be early 19th century, certainly before the Gothic Revival movement demanded a more authentic historical approach. Whoever was responsible for this work is now unknown. Seemingly Gortkelly Castle was unroofed around 1940 (in other words, a few years after the death of Patrick Ryan) and then left to fall into the striking ruin that can be seen today, another part of Ireland’s architectural history wrapped in mystery.