Tag Archives: Georgian Architecture

A Sad Reminder


This week it was announced an application had been submitted by a company called Reliance Investments Ltd for the refurbishment of Aldborough House, Dublin. The plans propose the building, which has lain empty and neglected for the best part of two decades, be converted to use as offices, with the addition of two substantial glazed wings and an underground car park. The unhappy condition of Aldborough House has been discussed here more than once (see A Thundering Disgrace, January 13th 2014 and A Thundering Disgrace No More, February 27th 2017), as well as the very real threats to its survival. Vernon Mount, Our Lady’s Hospital, Belcamp House: the recent decimation of Ireland’s architectural heritage is a dispiriting roll-call. So far Aldborough House has not gone the same way, but it remains at risk.



No doubt Reliance Investments’ scheme will generate opposition since it affects the character of the building and its site. However, both of these have already been so severely compromised that no one can claim the original integrity of Aldborough House is recoverable. Furthermore, the history of the property over recent years indicates options for a viable future are few: hitherto nobody has come up with a feasible strategy. Much as it might be wished that either state or local government would wake up to their responsibilities and intervene, the likelihood of this seems remote. Wishful thinking is not going to yield results, nor is hostility to a commercial development. Accordingly what is proposed by Reliance Investments may be far from ideal, but unless someone comes up with a realistic alternative it could prove the best – if not the only – chance around to ensure Aldborough House remains standing. Meanwhile, today’s pictures are a reminder of the building’s present condition.

Close to Death


Immediately above the village of Ballyvourney, County Cork is a shrine to St Gobnait: a shrine and well here still attract many visitors. On a site immediately below the old church and graveyard – and adjacent to a holy well – stand the remains of a once-fine residence, its buttressed south-facing entrance porch incorporating a substantial gothic window. Samuel Lewis’s 1837 Topographical Dictionary of Ireland mentions that the Church of Ireland church above ‘is a very neat edifice, in the early English style, erected in 1824 by aid of a gift of £600 from the late Board of First Fruits. The glebe-house was built at the same time, partly by gift and partly by a loan from the same Board.’ This house was the latter building but sadly the roof has now collapsed and, their immediate surroundings currently occupied by a herd of calves, the walls look set to follow before too long. 

A Hive of Industry


It is often forgotten that the Penal Laws affected not just Roman Catholics but non-conformist sects such as Presbyterians and Quakers. Members of the Society of Friends (to give the latter their correct name) were unable to attend university, refused to join either the army or the Established Church, were excluded from any active role in politics and barred from many other areas of public life. As a result of these exclusions, many Quakers went into business, where they became known and respected for their probity. Certain industries attracted them, among these brewing, cotton manufacture and, in particular, milling. Driving across Ireland, one often sights large, now-abandoned mill buildings, many of which were developed by Quakers. Today’s pictures illustrate the interior of one such complex outside Clogheen, County Tipperary.




In his still-invaluable Topographical Dictionary of Ireland published in 1837, Samuel Lewis notes ‘An extensive flour-mill, employing from 30 to 40 persons, the erection of which is supposed to have cost £6000, has lately been built at Castle-Grace by Sam. Grubb, Esq., of Clogheen.’ There were already a number of similar ventures in the vicinity, one of which Samuel Grubb had acquired in 1798. The family, like many others, arrived in this country in the middle of the 17th century and settled in the south-east region. Samuel Grubb was originally a merchant in Clonmel before he started to buy and develop mills around Clogheen some fifteen miles away. The late 18th/early 19th century was an especially prosperous time for Ireland, especially prior to the conclusion of the Napoleonic Wars in 1815. Grain was in great demand throughout these islands and in consequence a large number of grain mills were constructed. That erected by Samuel Grubb on this site is no less than five storeys tall and runs to twenty bays.




The Parliamentary Gazeteer of Ireland published in 1846 reports that in Clogheen ‘a large trade in agricultural produce is carried on, chiefly for exportation, and more than 80,000 barrels of wheat are annually purchased in its market and in the neighbourhood. which is made into flour of very superior quality and sent by land to Clonmel, whence it is conveyed down the [river] Suir: For this purpose there are seven flour mills in the town and neighbourhood, which are worked by fourteen water-wheels. There is also an extensive brewery.’ Slater’s Commercial Directory of Ireland, which appeared in the same year, also observes, ‘The corn-mills of Messrs. Grubb are very extensive, employing great power and a considerable number of hands.’ Nevertheless circumstances were about to change: the Corn Laws first introduced in 1815 to stimulate domestic production by imposing tariffs on grain imported into the United Kingdom were repealed in 1846, in large part due to famine in Ireland and the urgent need for more and cheaper foodstuffs. With the abolition of tariffs, the way was open for cheaper grain from the central plains of the United States to enter the market, with inevitable consequences. By 1880 all but one of the seven mills seen by Samuel Lewis less than half a century earlier had closed down and before the 19th century closed grain milling had ceased altogether in the Clogheen area.



This particular mill had a second life when in 1939 a later generation of the Grubb family used it as operation centre for the newly-established Tipperary Products Ltd. A huge variety of foodstuffs were processed and prepared in the old mill, not just diverse sorts of fowl but also rabbits (formerly widespread in the Irish countryside and much in demand especially during the years of the Second World War). A similarly wide range of fruit passed through the building, both wild (blackberries, sloes and so forth) and orchard grown, all to be used in the manufacture of jams and juices. This operation continued until only a few decades ago but eventually it too ceased and since then the building has sat empty. Today its interior contains ample evidence of former activity, successive floors heaped with bottles and jars, wooden boxes and woven baskets. Currently only occupied by pigeons, even after almost two hundred years the premises remains remarkably well-preserved and serves as testament both to Ireland’s manufacturing history and to the industry of the Quakers. Given that the mill has already enjoyed one resurrection, perhaps another could yet lie ahead?

To the Muses


Whether on Ida’s shady brow
Or in the chambers of the East,
The chambers of the Sun, that now
From ancient melody have ceased



 

Whether in heaven ye wander fair,
Or the green corners of the earth,
Or the blue regions of the air
Where the melodious winds have birth



Whether on crystal rocks ye rove,
Beneath the bosom of the sea,
Wandering in many a coral grove;
Fair Nine, forsaking Poetry



How have you left the ancient love
That bards of old enjoy’d in you!
The languid strings do scarcely move,
The sound is forced, the notes are few.

To the Muses by William Blake 
Photographs show the Apollo Room at 85 St Stephen’s Green, Dublin decorated c.1740 by stuccodores Paolo and Filippo Lafranchini. 

Et in Arcadia…


Closing the fifteenth annual Historic Houses Conference at Dublin Castle last week, Professor Christopher Ridgway urged the importance of ‘moving the narrative beyond the litany of loss and destruction.’ This site might sometimes seem to deal only in the latter currency, to offer a ceaseless round of bad news, of historic properties fallen into disrepair, of estates permitted to slide into ruin. On occasion however, a more cheerful story can be told, one that has nothing to do with loss and destruction. Such is the case this week at Oakfield, County Donegal.




Oakfield is of interest for many reasons, not least its links to one of the loveliest estates in England: Rousham, Oxfordshire. The main house at Oakfield, built in 1739 at a cost of £1,680, was commissioned by William Cotterell, then-Dean of Raphoe. Cotterell was a younger son of Sir Charles Lodowick Cotterell who, like his father before him (and several generations of the same family thereafter) held the court position of Master of Ceremonies. In 1741 Dean Cotterell’s brother, Sir Clement Cotterell who performed the same role in the royal household, inherited the Rousham estate from a cousin. William Kent had already been working on the gardens at Rousham but now also undertook improvements to the house. Clearly the Cotterell brothers were men of taste and this can also be seen at Oakfield even if Kent did not work there. In fact the house’s elevations are stylistically somewhat anachronistic and seem to harp back to the late 17th century. Nevertheless, tit is a handsome building in an admirably chosen setting: on a bluff offering views across to Croaghan Hill some five miles away. 




Oakfield remained in use as a deanery until the disestablishment of the Church of Ireland in 1869 when it was sold to Thomas Butler Stoney, another younger son (this time of James Stoney of Rossyvera, County Mayo). A Captain in the Donegal Artillery Militia, Stoney also occupied all the other positions expected of someone in his position: County High Sheriff, Deputy Lieutenant of the county, Justice of the Peace. Following his death in 1912 Oakfield was inherited by his only son, Cecil Robert Vesey Stoney, a keen ornithologist who eventually moved to England in the early 1930s. The house and surrounding lands thereafter passed through several hands before being bought twenty-one years ago by businessman Gerry Robinson who together with his wife Heather has since undertaken an extensive restoration of the property. 




Over the past two decades, not only have the Robinsons restored the residence at the centre of Oakfield, but they have created a 100-acre parkland around it. Some of this is based in the old walled gardens immediately adjacent to the house but the rest is spread over two areas bisected by a road. This division applies also to the spirit of the two sections, the upper garden having a more classical aspect thanks to elements such as a Nymphaeum on one side of the lake. The lower garden’s principal architectural feature is a newly-created castellated tower house overlooking another stretch of water. Between this pair of substantial structures are other, smaller buildings to engage a visitor’s interest. Oakfield is an admirable demonstration of what imaginative vision allied with sound taste can achieve. Walking around the grounds, it is hard to believe this is County Donegal. But that is what sets Oakfield apart: like Rousham on the other side of the Irish Sea, once inside the gates one is temporarily transported to Arcadia.


For more on Oakfield, see: http://www.oakfieldpark.com

At the End of the Day


Evening Light at Drummin, County Kildare. The core of the house dates from the mid-18th century when it was built by the Rev. William Grattan. At that time the west facade, seen here, was the entrance front, the door being located where the arched window is now in the middle of the breakfront. At some point in the 19th century, lower wings were added on either side that to the left (north) side becoming the new entrance.

A Work in Progress


Hillsborough Castle, County Down has long been misnamed since there is nothing castle-like about its appearance. The core of the house dates from the 18th century when it was built for the Hill family who were created Marquesses of Downshire. Owners of some 1115,000 acres in Ireland, it was said the Hills could travel from Larne in County Antrim to Blessington, County Wicklow without ever losing sight of their land. At Hillsborough, it appears there was a house on the site by c.1760 but this was enlarged in the mid-1790s for the second marquess to designs of Robert Brettingham. Further additions were made in the late 1820s for the third marquess who employed a local architect, Thomas Duff of Newry. It was at this time that the pedimented portico with four giant Ionic columns was added on the garden facade. This had hitherto been the entrance front, but that was now moved to face the main square of Hillsborough town. Hillsborough Castle remained in the ownership of the Hills until 1922 when sold by the sixth marquess to the British government. The house then served as a residence first for successive governors of Northern Ireland and then for Secretaries of State for Northern Ireland. Since 2014 Hillsborough Castle has been managed by Historic Royal Palaces.





Over the past three years, both the house and grounds at Hillsborough have benefitted from considerable, and ongoing, attention. The gardens run to almost 100 acres and originally incorporated the main road to nearby Moira which ran in front of the Ionic portico and followed the line of the Yew Walk. However here as elsewhere the desire for privacy led the family to enclose this part of their land and lay it out for their own pleasure with the development of water features, ornamental bridges, the Doric Lady Alice’s Temple and a rusticated ice house.





When the scheme of improvements was initiated at Hillsborough in 2014, landscape designer Catherine FitzGerald, eldest daughter of the late Knight of Glin, was appointed to oversee a revitalisation of the gardens. Collaborating with her regular business partner, landscape architect Mark Lutyens, she drew up a master-plan which is being gradually implemented. So far the most notable feature introduced has been the re-working of the terrace outside the drawing room: here a harsh gravel surface has been replaced with reclaimed stone intermingled with diverse planting. Immediately beyond, the Jubilee Parterre has similarly been softened, while thousands of bulbs were planted on either side of the Yew Walk. This is very much a project in progress with much more yet to be done, as is also the case inside the house where extensive refurbishment is likewise underway. The intention is that in the years ahead, Hillsborough will receive in the region of 200,000 visitors, thereby generating revenue that can in turn be used for further developments: an excellent enterprise that merits being emulated elsewhere in Ireland.

Heavy Industry


The former Wallace’s Mills at Kilcran, County Monaghan. Dating from c.1790 this substantial range of stone buildings offers evidence of the country’s industrial past. The long range to the left operated as a corn mill while that to the right was a scutch mill, driven by water and used in the manufacture of linen to remove impurities from flax fibre through by means of rotating wooden blades. Seemingly it was customary to have the two manufacturing processes – for food and fabric – operating from adjacent premises. Located down a quiet side road, what use now for these substantial properties?

Hardly At All Altered



Galtrim, County Meath was described by Samuel Lewis in 1837 as being ‘a handsome residence in a well-planted demesne.’ By this date the building was some 35 years in existence, having been constructed c.1802 for the Rev. Thomas Vesey Dawson who was then the local rector.  He was a member of the Dawson family, later Earls of Dartrey, who were responsible for developing the Dawson’s Grove estate in County Monaghan (for more on the Dawsons, see A Shining Distinction on Earth, 15th September 2014). Clearly the Rev. Vesey Dawson inherited an interest in architecture, since he invited Francis Johnston to design Gatrim. But there was an additional reason for the commission: during the previous decade Johnston had been employed by Blayney Townley Balfour on the design of Townley Hall, County Louth. The Rev Vesey Dawson’s wife Anne Maria was Townley Balfour’s sister (not his daughter, as is often stated) and was in her own right a talented architectural amateur who is believed to have had an input into Townley Hall (see Là, tout n’est qu’ordre et beauté, 10th June 2013) . And in 1806 Johnston would be hired by the Vesey Dawson’s to make alterations and additions to another of their properties, Loughgilly House (now derelict). Thus Galtrim is likely as much to reflect the taste of Mrs Vesey Dawson as her husband.




In Classic Irish Houses of the Middle Size, Maurice Craig described Galtrim as ‘probably the best of Francis Johnston’s smaller houses’ and drew attention to features of its design shared with a couple of other properties, Kilcarty close by in County Meath (by Thomas Ivory and from the 1770s) and Emsworth, County Dublin (by James Gandon, in the mid-1790s). Galtrim is a late-Palladian villa, with a central block of two storeys over basement and single storey wings. The four-bay entrance front is focussed on the tripartite Doric frame that incorporates both door and hall windows. The outer windows of the main block and those in the wings are set within shallow relieving arches. Meanwhile the dominant feature of the garden front is the generous central bow of the drawing room: Casey and Rowan suggest this was originally intended to be thatched ‘to give the house the picturesque cottage orne effect then in vogue during the Regency period. It is flanked by substantial tripartite windows lighting the dining room and morning room respectively. The bow theme is echoed by various features internally, in both the aforementioned morning room and in the staircase hall, and at the east side of the entrance hall. Rightly Casey and Rowan call the result both simple and sophisticated: ‘a meeting of vernacular farmhouse classicism with the suave neo-classicism associated with James Gandon. When Craig wrote of Galtrim in 1976 he noted that the house had been ‘hardly at all altered.’ By then it was occupied by the late Eileen, Countess of Mount Charles who lived there until shortly before her death last November and throughout this period took exemplary care of the place. Now the house is on the market. Time to pray that whoever buys it will respect the building’s distinguished architectural pedigree and ensure that Galtrim continues to be hardly at all altered.’


On the Defensive


All conquering powers need to guard against not only internal rebellion but also attack from an external force. So it was that over several centuries the British authorities remained on the alert for the possibility of Ireland being invaded by a rival power.  This being an island, the invaders would initially be seaborne but their means of assault changed as methods of warfare became more sophisticated and potentially more lethal. Once ocean-going ships capable of carrying cannon were developed, coastal defences had to adapt as earlier methods of resistance threatened to be ineffective. Hence the construction of Charles Fort outside Kinsale, County Cork.





Located at the mouth of the river Bandon, Kinsale harbour is virtually landlocked, providing good shelter and anchorage to sea vessels. When Philip III of Spain sent an expeditionary force here in 1601 to support the indigenous army then fighting the English crown, it disembarked at Kinsale. So too did James II, accompanied by a contingent of French troops, in 1689. Understandably Kinsale was seen by the governing authorities as a vulnerable point of entry, and therefore in need of defence. Already in the immediate aftermath of the Battle of Kinsale, the pentagonal James Fort had been erected to the south of the port, but well before the end of the century this was judged insufficient. The development of another and bigger fortification began on the opposite side of the harbour. This is Charles Fort, named after Charles II.





There seems to be a degree of uncertainty over who was responsible for the design of Charles Fort. Stylistically it derives from the system of fortifications developed by the Marquis de Vauban (1633-1707), a French soldier and military engineer who among much other work in the course of a busy life oversaw the building of some thirty-seven new fortresses and fortified harbours in his native country. Vauban’s star-shaped fortifications featuring a sequence of acute angles allowed defendants of a building better to see and repulse any assault, as well as to withstand cannon fire. This design was much emulated from the second half of the 17th century onward and accordingly served as inspiration for Charles Fort. Built between 1678 and 1683, the fort was planned as a pentagonal star but the completed structure is simpler and lacks adequate landward bastions (it can also be overlooked from higher ground, which proved a serious drawback during the Williamite Wars). Nevertheless it is one of the largest and most impressive fortifications ever erected here, with massive seaward bastions and ramparts featuring gun platforms and embrasures, glacis (a bank sloping down from the building which leaves potential attackers exposed) and a citadel. The interior of the fort runs to some twenty acres, much of which is filled with the remains of military accommodation.





Sir William Robinson, then Surveyor-General in Ireland, is said to have played a role in the development of Charles Fort, but so too it seems did Roger Boyle, Earl of Orrery – a polymath who was both soldier and playwright, gentleman-architect and engineer – and James Archer, a Roman Catholic architect and engineer who managed to survive several changes of regime. Internally, the majority of the buildings are later than the fortifications. The limestone pedimented gateway, for example, was put in place in 1759 (incorporating older fabric) and may have been designed by Thomas Roberts who was then employed in erecting new buildings inside the fort. One of the houses on site, first occupied by Governor Walander, dates from 1710 and also features a neo-classical pedimented doorcase. Other blocks are from different periods in the 18th century. The passage of time and a long period of neglect in the last century mean that today it is difficult to tell what dates from when. Charles Fort remained in use by the British armed forces until their departure in the aftermath of the Anglo-Irish Treaty in December 1921. The following year the site was set alight by anti-treaty forces and badly damaged. Charles Fort thereafter fell into ruin until the early 1970s when it was declared a national monument and partially restored: in this condition it has been open to the public ever since.…