The Holy Well


Hooded moulding above the west gable doorway giving access to what remains of a late mediaeval chapel adjacent to St Patrick’s Well a few miles outside Clonmel, County Tipperary. The building and well were once part of the estates attached to the nearby Cistercian abbey of  Inishlounaght founded in the 12th century. A notable feature of the building’s interior is the altar tomb of Nicholas White who died in 1622. Originally this was erected in a chantry chapel attached to St Mary’s, Clonmel. However when the latter was demolished in 1805 the tomb was moved to its present location.



Close to the chapel is a small pool fed by an underground spring. The abundant water this produces in turn fills a substantial nearby basin at the centre of which rises a small stone cross, much weathered and said to date from the early Christian period. The site assumed much of its present appearance in the mid-1960s when a group of American supporters restored the chapel and landscaped the surrounding grounds.

Jacobean Sophistication



The façade of Portumna Castle, County Galway seen from the outer court. The house dates from 1618 when it was commissioned by Richard Burke, fourth Earl of Clanricarde and his wife Frances Walsingham, who had previously been married to both Sir Philip Sidney and the second Earl of Essex. The building’s design bears similarities to the Clanricardes’ mansion at Somerhill, Kent completed just a few years earlier. At the time it was probably the most sophisticated semi-fortified house in Ireland, with Italianate influences apparent throughout beginning with the Tuscan gateway providing access to the inner court. Few changes were made thereafter to the property, other than the addition of a bow at the centre of the rear elevation. However Portumna Castle was accidentally gutted by fire in 1826 and the family later built a new residence on an adjacent site. The latter was destroyed in 1922 and its stones used to build a Roman Catholic church in the nearby town. The old castle was subsequently acquired by the state and re-roofed although, having stood exposed to the elements for over 150 years, its interior retains few original features.


One of the Finest and Most Entire Monasteries


From Richard Pococke’s Tour in Ireland in 1752:
‘At Quin is one of the finest and most entire Monasteries I have seen in Ireland, it belonged to Franciscan Minorites, and is called in Ware Quinchy; it is situated on a fine stream, there is an ascent of several steps to the church, and at the entrance one is surprised with the view of the high altar entire, and of an altar on each side of the arch to the Chancel ; To the south is a chapel with three or four altars in it, and a very Gothick figure in relief of some Saint probably of St. Patrick on the north side of the Chancel is a fine monument of the Macnamarahs’ of Eanace. On a stone by the high altar I saw the name of Kennedye in large letters ; In the middle between the body and the chancel, is a fine tower built on two Gable ends. The Cloyster is in the usual form with Couplets of pillars, but particularly in that it has buttresses round by way of ornament; there are apartments on three sides of it ; what I supposed to be the Refectory, the Dormitory and another grand room to the north of the Chancel ; with vaulted rooms under them all ; to the north of this large room is a closet over an arch, which leads to an opening, that seemed to be anciently a private way to go down in time of danger, in order to retire to a very strong round tower, the walls of which are near ten feet thick, tho’ not above seven or eight feet from the ground ; it has been made use of without doubt since the dissolution, as a pidgeon house, and the holes remain in it : In the front of the Convent is a building which seems to have been a Forastieria or apartments for strangers, and to the south west are two other buildings.’






From The Irish Journals of Robert Graham of Redgorton, 1835-1838:
‘Quin Abbey is of very early history and the first building was consumed by fire in 1278. A monastery for Franciscan friars was founded here in 1402 (or earlier according to the opinion of some) by the Macnamaras. The tomb of the founder is still remaining. No part of the roofs remain of these buildings, but in other respects they are the most entire remains in Ireland. The cloisters are very handsome – much in the style of Muckrus, but more uniform as they are all sharp gothic arches, instead of being partly saxon as at Muckrus. The particularity of buttresses to the cloisters mentionec by Dutton is common with Muckrus but here they are longer and taller and of rather inferior masonry and show some symptoms of being an afterthought to strengthen or support the wall. Except in one stone connected with the capitals of the couplets of pillars (and which projects beyond the face of the cloister wall and is let into the buttress) I did not observe any of the other stones which was connected with the cloister wall, but only built on against it.’






From Lady Chatterton’s Rambles in the south of Ireland during the year 1838:
‘On Monday we came here, making a detour to visit the ruins of Quin Abbey. It stands in a green plain near the clear river. The cloisters resemble those of Askeaton, and are in as good preservation; indeed the whole building, except the roof, is entire. Most of the chimney-pieces remain; and a peasant woman, who came up to speak to me as I was examining an old monument, said that her grandmother remembered when it was all perfect. I looked on these cloisters with great interest, as the place where the monk who composed those beautiful lines to Lady O’Brien, was wont to meditate and pray.
While we were in the abbey, the funeral procession of a young girl entered the ruined building, and, as is always the case in Ireland, several groups dispersed themselves in various directions, each to weep over the grave of their own friends. I remarked one girl particularly, who knelt at a tomb which, from its grass-grown appearance, seemed to have been there a long time; she must have been quite young when she lost the friend or relative who reposed in it; but the expression of solemn concern on her countenance showed how deeply she still revered the memory of that departed one.
I was struck by the extreme civility and kindly feeling towards us strangers, of the people who attended this funeral. They seemed highly flattered at our appearing to admire the ruins; and one woman regretted, with tears in her eyes, that the pavement of the cloisters was so rugged for my “little feet;” she looked as if she longed to carry me over the rough places and looked with the greatest anxiety to see that I did not step on loose stones.’

A Sad Reminder


This week it was announced an application had been submitted by a company called Reliance Investments Ltd for the refurbishment of Aldborough House, Dublin. The plans propose the building, which has lain empty and neglected for the best part of two decades, be converted to use as offices, with the addition of two substantial glazed wings and an underground car park. The unhappy condition of Aldborough House has been discussed here more than once (see A Thundering Disgrace, January 13th 2014 and A Thundering Disgrace No More, February 27th 2017), as well as the very real threats to its survival. Vernon Mount, Our Lady’s Hospital, Belcamp House: the recent decimation of Ireland’s architectural heritage is a dispiriting roll-call. So far Aldborough House has not gone the same way, but it remains at risk.



No doubt Reliance Investments’ scheme will generate opposition since it affects the character of the building and its site. However, both of these have already been so severely compromised that no one can claim the original integrity of Aldborough House is recoverable. Furthermore, the history of the property over recent years indicates options for a viable future are few: hitherto nobody has come up with a feasible strategy. Much as it might be wished that either state or local government would wake up to their responsibilities and intervene, the likelihood of this seems remote. Wishful thinking is not going to yield results, nor is hostility to a commercial development. Accordingly what is proposed by Reliance Investments may be far from ideal, but unless someone comes up with a realistic alternative it could prove the best – if not the only – chance around to ensure Aldborough House remains standing. Meanwhile, today’s pictures are a reminder of the building’s present condition.

Close to Death


Immediately above the village of Ballyvourney, County Cork is a shrine to St Gobnait: a shrine and well here still attract many visitors. On a site immediately below the old church and graveyard – and adjacent to a holy well – stand the remains of a once-fine residence, its buttressed south-facing entrance porch incorporating a substantial gothic window. Samuel Lewis’s 1837 Topographical Dictionary of Ireland mentions that the Church of Ireland church above ‘is a very neat edifice, in the early English style, erected in 1824 by aid of a gift of £600 from the late Board of First Fruits. The glebe-house was built at the same time, partly by gift and partly by a loan from the same Board.’ This house was the latter building but sadly the roof has now collapsed and, their immediate surroundings currently occupied by a herd of calves, the walls look set to follow before too long. 

State of Grace


The Grace Mausoleum erected by O.D.J. Grace in 1868 within the grounds of the former Dominican priory at Tulsk, County Roscommon. According to a family memoir published in 1823 the Graces could trace their ancestry back to the Anglo-Norman knight Raymond FitzGerald ‘le Gros’, brother-in-law of Strongbow. Whether true or not, by the start of the 16th century the Graces were settled in County Kilkenny. Another branch later moved to County Laois where they had constructed a not-dissimilar mausoleum at Arles (see In Good Grace, February 1st 2017) and owned a property named Gracefield. Meanwhile in the 1740s one Oliver Grace married the Roscommon heiress Mary Dowell and accordingly moved to this part of the country where he built a large Palladian house called Mantua, its design attributed to Richard Castle. Mantua is no more and nor are the Graces any longer living in Roscommon, so this somewhat neglected structure serves as a record of the family’s presence in the area.

Living Very Handsomely


‘1699. My father when he maryed (sic) my mother set up house-keeping at Stradbally and the year after he marryed he built the Big house that is the Hall, Big Staircase, and Big Parlour. My G-Fr. Pole gave him all the timber and 500 deal Boards to build it. He then planted a good many ditches and trees, made the south hedge of ye avenue, enclosed ye kitchen garden and the new orchard, and set the hedges round ‘em. He kept race horses which my G-Fr. Pole did not like and he gave him £100 on condition he wo’d never keep any more which he never strictly observed.
My eldest sister was born at Ballyfin, my sister Betty and I at Stradbally.
1703. My father’s circumstances were so bad that it was thought best he sho’d go into the Army and he therefore borrowed £300 from William Doxy of Rahinahole with which he purchased a Capts Commission in … Regiment. In 1704 he brook up the house and let Stradbally to Major Lyons and he was sent out of peque by the Late Duke of Ormond (now James Butler) (because he wo’d not vote for him in Parlmt) to Spain with recruits, and thereby also got one vote out of the way…’




1714. ‘[My father] left London and came over to Ireland to his new post and now by his long absence from his own home, and liveing in a manner as an exile in a parsimonious way, and by lands encreasing in value and leases falling and thereby his estate riteing, he was left in considerable circumstances, and so resolved to repair and refit his mansion House of Stradbally, in order to bring home his familly and spend his days at home, and so the latter end of 1714, he began to improve Stradbally, he made ye avenue that is, planted the trees, he built the Bridges going to it, added the Drawing-room to the big house next to the Big parlour, he winscoted the second floor entirely, floored the garret, built the Back stairs to the big house, built and finished the road to the Big house, made the big stairs, winscoted and floored the little Parlour and finished in a plain way the second floor of the little house, built a Brew house, walled the garden at the N:E: end of the house, also the Partarre, he laid out the new kitchen garden and planted it all with the choicest fruits, and planted the orchard at the N:W: side of the garden, he did all this and a good dail more in about 18 months time, and in April 1716 he came over to York to bring us over…’





From the time my Father came from England he lived very handsomely, more so than anyone in this county except my Uncle Pole, he kept his coach and chariot and six mares and four servants in Livery besides his Butler, and other outservants, as steward, gardner, etc., he kept a very plentifull house and table, his allowance was, 12 beefs a year, 40 muttons, 26 barrels of wheat for bread, 60 barrels of Mault, 2 hogsheads of wine, pork, veal, lambs, Wilde and tame fouls, and all other things in proportion. He continued in this method, and never encreased or decreased, when there was the least company, his table was never covered with less than 5 & 6 but very often with more, he used to have variety of white wines, the Poor never went away empty from his door, for both F: and M: were exceedingly charitable.
My father was ever doing some improvement or other, for Stradbally, when he came to it in 1716 was but a rough uncouth place.’

Extracts from the Autobiography of Pole Cosby (1703-1766) originally published in the Journal of the Co Kildare Archæological Society and Surrounding Districts, Vol V, 1906-1908.
Photographs show the stableyard at Stradbally, County Laois as designed for Robert Cosby by Lanyon, Lynn & Lanyon in 1866-67.

A Premonition


A fortnight ago the Roman Catholic Bishop of Kerry was widely reported as warning that a decline in numbers of clergy meant it would soon no longer be possible to provide services in all parishes. Here, as elsewhere in the country, there are now more churches than priests, with the consequence that many of the former will begin closing their doors. Some have long since done so, such as this building in Cahersiveen, County Kerry. Dating from the mid-18th century, it is a rare survival of a penal chapel, one of the backstreet centres of worship permitted to exist before legislation against Catholics was gradually abolished. When the naval surgeon Thomas Reid visited Cahersiveen in 1822 he reported that such was the throng attending mass here only about a third of the congregation could be accommodated inside the walls.
Much of the credit for the abolition of the old Penal Laws belongs to Daniel O’Connell, who was baptised in this building in 1775 (his parents are buried in a graveyard immediately opposite). One might therefore imagine that given that pedigree the chapel would be cherished and well-maintained. Such is not the case: it appears that only thanks to the strenuous efforts of a local man, chemist Geoffrey O’Connor who died three years ago does the chapel still stand at all. Its present condition is a premonition of what could yet become of many Catholic churches both in Kerry and elsewhere across Ireland. 

For Fine Dining



One of Ireland’s lesser known mediaeval monuments: the 15th century Desmond Banqueting Hall in Newcastle West, County Limerick. Built on the remains of an earlier structure (the remains of lancet windows on the south wall suggest it may once have served as a chapel), the hall sits above a vaulted lower chamber. The building was part of a castle complex developed here by the FitzGerald family, Earls of Desmond who remained in occupation until the end of the 16th century. The castle then passed into the possession of the Courtenays, later Earls of Devon, but was badly damaged during the Confederate Wars of the 1640s and likely not occupied thereafter (an adjacent house, occupied by the Courtenays’ agent, was burnt in 1922 during the Civil War). The Banqueting Hall was restored some years ago when an oak screen and musicians’ gallery were installed, along with a hooded limestone chimneypiece.