Category Archives: Farm House

Intervention Minimal but Masterful


Everywhere one travels in Ireland, ranges of abandoned old farm buildings can be found in varying states of dereliction. It’s easy to understand why this should be the case; in many instances, the structures were poorly constructed and are unsuitable for adaptation to modern farming methods. The buildings may no longer be in the right location for whoever is working the land, and not have immediate access to electricity and mains water. None of these drawbacks is incapable of resolution, but frequently the simplest answer looks to be the construction of new facilities and abandonment of old. However, an alternative option does exist for those interested in the conservation of traditional buildings in the Irish countryside.






For the past decade, the Heritage Council has been administering distribution of GLAS (Green Low-Carbon Agri-Environmental Scheme) Traditional Farm Buildings Grants. As the relevant documentation states, ‘The principal objective of this scheme is to ensure that traditional farm buildings and other related structures that contribute to the character of the landscape, and are of significant heritage value, are conserved for active agricultural use.’ Only farmers approved in the GLAS scheme are eligible, and grants are never for more than 75% of the cost of work with a maximum of €25,000 available. There have been some constraints to the scheme – for example, this year grant offers were only made in April yet all work has to be completed by October – but overall it is hard to fault a programme designed to ensure that not all of Ireland’s traditional agricultural buildings, and the impression they make on our landscape, are lost forever.






Not all agricultural complexes are necessarily best-suited to continue performing their original function, thereby making them ineligible for a Traditional Farm Building Grant. Nevertheless, alternative uses have been found in a number of instances, some of which have featured here in the past, such as the complex at Ballilogue, County Kilkenny (see: https://theirishaesthete.com/2013/10/14/in-the-vernacular) and a not-dissimilar property in County Tipperary (see: https://theirishaesthete.com/2017/09/11/making-the-most-of-our-own) . Both cases make it clear that older farm buildings can have an afterlife, provided they are perceived with sufficient vision and imagination. This has also been true of another agricultural range at Dromore Yard, County Waterford. Dating back several centuries, the buildings were in a very poor state until taken in hand a few years ago and adapted as a site for performances and associated entertainment. The complex was used last year on a number of occasions during the annual Blackwater Valley Opera Festival, and will serve a similar purpose during the festival again this year (May 29th-June 3rd). Aside from stabilising the buildings and ensuring their future, intervention has been minimal but masterful: their original character and purpose remain apparent. No effort has been made to give them the architectural equivalent of a face-lift. Their age is apparent, their weather-beaten elevations and interiors left unaltered. Dromore Yard shows how easy it can be to give new life and purpose to an old structure: it offers an example that deserves to be more widely emulated.

For further information on this year’s Blackwater Valley Opera Festival, including events at Dromore Yard, see: https://blackwatervalleyoperafestival.com

For a Gentleman Farmer


A gentleman farmer’s residence in south County Tipperary. Once part of the Green estate, the house is believed to date from c.1830 and is of three bays and two storeys over basement. To the rear a series of outbuildings forms an attractive courtyard, although many of them have fallen into neglect. The house’s most significant feature is the limestone doorcase reached via a short flight of steps: note how the lintel is carved with a frieze of flowers.

Mixing Profit and Pleasure


Despite its French name, the concept of the ferme ornée is of English origin and is usually attributed to the garden designer and writer Stephen Switzer.* His 1715 book The Nobleman, Gentleman, and Gardener’s Recreation criticized the overly elaborate formal gardens derived from French and Dutch examples, and proposed laying out grounds that were attractive but also functional: ‘By mixing the useful and profitable parts of Gard’ning with the Pleasurable in the Interior Parts of my Designs and Paddocks, obscure enclosures, etc. in the outward, My Designs are thereby vastly enlarg’d and both Profit and Pleasure may be agreeably mix’d together.’ In other words, working farms could be transformed into visually delightful places. One of the earliest examples of the ferme ornée was laid out by Philip Southgate who owned the 150-acre Woburn Farm, Surrey on which work began in 1727. ‘All my design at first,’ wrote Southgate, ‘was to have a garden on the middle high ground and a walk all round my farm, for convenience as well as pleasure.’ The fashion for such designs gradually spread across Europe as part of the adoption of natural English gardens: perhaps the most famous example is the ferme ornée is the decorative model farmy called the Hameau de la Reine created for Marie Antoinette at Versailles in the mid-1780s. The most complete extant example of this garden type in Europe is believed to be at Larchill, County Kildare.
*Incidentally, Stephen Switzer was no relation to the Irish Switzers: whereas his family could long be traced to residency in Hampshire, the Switzers who settled in this country in the early 18th century had come from Germany to escape religious persecution.





Larchill was created in the mid-18th century on part of an estate then owned by the Prentices, a Quaker merchant family whose adjacent country retreat, Phepotstown, still stands. As was typical with members of this sect, the house is very plain (the Quakers disapproving of unnecessary ornament) in striking contrast with the buildings on their farm. Here they followed the principles espoused by Switzer, Southgate and others, erecting structures both utilitarian and attractive around a gothick-style yard. However, it is across the surrounding farmland that the greatest, and most conspicuous, effort was expended. The focus of this enterprise is an eight-acre lake to the south of the farmyard. Several buildings are located around this stretch of water, while two others stand on small islands. That to the east is a small temple-like structure, its outer wall marked with decorative recesses, while inside a circle of columns surrounds an open space which may have been a well (the columns supporting a roof that directed rainwater into the centre of the site). A bridge, perhaps composed of pontoons, linked this island to the mainland. Meanwhile to the west, a larger island holds a miniature fort known as Gibraltar, the name deriving from an unsuccessful siege of the peninsula that ran for more than three and a half years from 1779-1783. The fort may have been erected to commemorate the fact that Gibraltar withstood this assault by Spanish and French forces. Between the two islands used to stand a statue of the ancient Greek hunter Meleager: more recently it has been replaced by a similarly-proportioned figure of Bacchus. here…





The statue of Meleager once found in the middle of the lake now has pride of place in the Larchill’s restored walled garden. The south-west corner of this space is occupied by a three-storey battlemented tower, the interior spaces of which – lit by arched gothic windows – have walls covered in shells, reflecting a fashionable pastime of the period such as can be seen inside the cottage decorated in a similar fashion during the same period by Emily, Duchess of Leinster at Carton, County Kildare which stands not far away. Further to the east of this wall is a three-arched loggia which once served as an ornamental dairy, the interior once lined with 18th century Dutch blue-and-white tiles. Like the rest of Larchill, the walled garden has been restored over the past twenty-years by its present owners. The Prentices, who had created the core of the ferme ornée were forced to sell the place, which was then bought by another family the Watsons who maintained and even added other features to the grounds such as the Fox’s Earth, a folly apparently built by Robert Watson, a well-known Master of Hounds who feared reincarnation as a fox (having been responsible for killing too many of them). However, during the 19th century it would seem the ornamental aspects of the parkland were neglected so that it returned to customary agricultural usage. The buildings fell into dereliction, the lake dried out, or was drained, and the special character of Larchill lost. Only after being purchased by the de las Casas family in 1994 did work begin to restore the site. Many of the buildings were carefully cleared of undergrowth and trees, the lake re-established and the distinctive character of this ferme ornée recovered. Thanks to their labours, today it is once more possible to emulate the precedent of Philip Southgate and to walk around Larchill ‘for convenience as well as pleasure.’here…

Larchill, County Kildare is open to the public. For further information, see: https://larchill.ie/

At a Crossroads



On the cusp of dereliction: a two-storey, three bay house of coursed rubble limestone at Glencara Crossroads, County Westmeath. Likely dating from the early to mid-19th century, the building is close to Glencara House and may have been associated with that estate, perhaps built for an agent or worker there. Glencara House was constructed c.1824 for the Kelly family to the designs of an unknown architect but alterations were made around 1840 (attributed to J.B. Keane). These included the addition of canted bays, not unlike the clearly added to this little two-storey property, although this is somewhat less sophisticated: note how the entrance and window above are slightly off-centre. Unfortunately the househas stood empty and neglected for a number of years and, like the location, its future is now at a crossroads.


Tall and Broad


Creacon, County Wexford, an exceptionally tall and broad strong farmer’s house dating from the mid-18th century. Of three storeys over raised basement, Creacon has five bays with the rendered facade centred on a simple Gibbsian limestone door approached by a flight of steps. A pleasure to find a house of this calibre still in use and well-maintained.