Buried in woodland managed by Coillte, the national forestry commission, this gazebo was once part of the parkland of Emo Court, County Laois. As James Howley noted in his book on The Follies and Garden Buildings of Ireland (1993), the structure bears similarities to the William Kent-designed Worcester Lodge on the Badminton estate in England. It dates from 1746, whereas the Emo Court gazebo is slightly later, believed to be c.1760. The rusticated base takes the form of a triumphal arch, with extensions on either side, one of which would have held a service room and the other a staircase. The latter provided access to the octagonal first floor, its cut-limestone exterior featuring alternating windows and arched niches with oculi above them all. Here presumably meals were taken on occasion and views across the demesne appreciated. The dome crowning the building has long since been lost, and some of the stonework looks in perilous condition.
The roofless remains of Woods Mill, County Offaly, so named because when described in the 1840s it was operated by one Thomas Woods. Dating from the late 18th/early 19th century, a time when increasing numbers of these commercial complexes were being constructed throughout the country, the building is of five storeys and six storeys. It operated as both a flour mill (water-powered thanks to the adjacent Little Brosna river) and a kiln. Converted to a saw mill at the end of the 19th century, it now stands empty, another mute witness to our increasingly lost industrial heritage.
Opened in 1902, Fortview National School in Clones, County Monaghan was designed by Thomas Elliott from adjacent County Fermanagh. By now almost seventy, Elliott had a long career behind him during which he was responsible for many Orange Halls and Presbyterian churches in West Ulster. The severity of these buildings is reflected in the Clones school, which looks more like a place of worship than a place of education, and can scarcely have inspired the minds of young children arriving for classes.
Constructed of craggy limestone Fortview National School’s austere façade is only slightly relieved by a tower on one side and a gabled porch on the other. A testimony to its solid construction is the fact that the building ceased to be in use ten years ago, but still stands strong. Nevertheless, a shame that it now serves no purpose since water ingress is beginning to be evident, and if left untreated this will lead to long-term damage.
The history of Coolrain, County Laois is something of a mystery. The main block looks to be early-to-mid 18th century, of two storeys over raised basement and five bays with a central breakfront. The latter features a fine cut-limestone Gibbsian doorcase approached by a short flight of steps and flanked by sidelights, with a Venetian window directly above on the first floor. On either side of the main block, and seeming to be slightly later in date, are fine carriage arches, that to the right (south-east) further extending to a small stable yard. But the carriage arches are just that and no more: there is nothing behind them and the entrances are blocked up (if indeed they were ever open). It would appear their main, perhaps only, function was to extend the house façade and thereby give an impression of greater grandeur to anyone arriving there. Who designed and/or built Coolrain (and when) is unknown, but all indications are that the original owner was a member of the landed gentry with aspirations to climb the social ladder.
At some date after its construction, Coolrain was enlarged by an extension to the rear but only on the left (north-west) side. The gable ends of the older section of the building indicate it was originally just one room deep, with the central portion extended back to accommodate a staircase hall lit by another Venetian window on the return. This window was subsequently blocked up, although one wonders why this was necessary since the extension does not intrude on its space. Aforementioned extension had a kitchen in the basement and a dining room immediately above, and looks to have been added towards the end of the 18th century. The gardens behind presumably ran down to the river Tonet not far away, but to the west of the house and yard are the remains of a little rectangular folly, presumably a tea room (since it has a small basement where the servants could prepare refreshments) from which there would have been a charming view of Coolrain.
In his 1837 Topographical Dictionary of Ireland, Samuel Lewis lists Coolrain (then spelt ‘Cooleraine’) as being occupied by one T. Palmer. There were a number of Palmers living in Laois at the time, not least at Cuffsborough some eight miles to the south where the house has a similar doorcase (albeit set into a grander façade). Lewis notes that there were extensive flour and oatmeal mills in the adjacent village of Coolrain, so it may be that the occupants of the big house were involved in such a commercial enterprise. Later it was the residence of the Campion family who farmed the surrounding land until the death in 1921 of the last member to live there. Coolrain seems to have fallen into ruin subsequently, being too big and too hard to maintain for the average farmer. More recently some work was initiated on the outbuildings, but this appears to have been abandoned, and the house now stands in the middle of a field, the mystery of its origins and early history becoming ever-harder to discern.
Like many Irish houses, Castle Bernard, County Cork has a long and complex architectural history, some aspects of which are still not clear. The place takes its name from the Bernard family, the first of whom – christened Francis like many of his successors – came here during the Plantation of Munster in the late 16th century. He acquired lands which had formerly been owned by the O’Mahonys and was centred around a great square tower house called Castle Mahon to the immediate south of the river Bandon. This became the Bernards’ residence, its name at some date changed to Castler Bernard, until c.1715, Francis Bernard, great-grandson of the original settler, and Solicitor-General of Ireland, Prime Serjeant and Judge of the Court of Common Pleas initiated work on a new building, seemingly to the designs of John Coltsman of Cork. This involved adding wings to the old tower house, the whole encased in brick with Corinthian pilasters and other ornamentations in Portland stone. A decade later the surrounding demesne was transformed into a formal garden with terraces, cascades, jets d’eau and statuary. This arrangement lasted until the end of the 18th century when Castle Bernard underwent a further transformation.
In 1794 the Cork architect Michael Shanahan, best-known work commissioned in Ulster by his patron Frederick Hervey, Earl-Bishop of Derry, prepared designs for a new house at Castle Bernard. (For more on Shanahan and the Earl-Bishop, see It’s Downhill All the Way, October 28th 2013 and Let the Door be Instantly Open, For There is Much Wealth Within, March 31st 2014). This involved pulling down the additions to the original tower house, and instead erecting a structure to its immediate east, a linking corridor running between the two. In 1800 another Corkman, William Deane, prepared estimates of £522.4s.4d. for work in finishing the house. In both instances, the client was Francis Bernard who from 1793 gradually scaled the hierarchy of the peerage until 1800 when created first Earl of Bandon. The house he commissioned was classical in style, of two storeys over basement and with a nine-bay entrance front. The garden front was similar but broken by a substantial full-height bow occupying the three centre bays. Just fifteen years later, Lord Bandon undertook further work, this time by an unknown architect, in order to give it the – largely superficial – appearance of a gothic castle, and thereby provide better links both to the old tower house and to the Bernard family’s ancient pedigree. While the garden front experienced little other than the insertion of gothic tracery in its windows, battlements and turrets were added to the façade, and the Bernard coat of arms carved in stone above the main entrance. No great changes were made to the interior, which despite the gothic fenestration otherwise retained its classical decoration. On the ground floor, an entrance hall with Ionic pilasters and columns gave access to a wide corridor which ran like a spine down the centre of the house. Among the reception rooms, the most notable was an oval drawing room overlooking the garden: one sees in its design the abiding influence of the Earl-Bishop on Shanahan.
The Bernard family remained in residence at Castle Bernard until June 1921 when the 70-year old fourth earl and his wife were woken in the early hours of the morning by a group of IRA members and ordered out of the house, which was then set on fire. Lord Bandon was then taken into captivity by the men and held for the next three weeks, constantly moved from house to house before being released at the gates of the now-ruined Castle Bernard after three weeks: during this time he had lost a stone in weight and never recovered from the experience, dying less than three years later. He and his wife had no children, so the title passed to a first cousin twice-removed, Air Chief Marshal Percy Bernard, widely known as ‘Paddy’ Bandon. But he inherited not a lot else and so, although some compensation was received by the family, Castle Bernard was not rebuilt (the fifth earl constructed a modest bungalow behind the ruin). Since he in turn had no son, the earldom became extinct. Although his descendants still live on the estate, the land in front of Castle Bernard is now a golf course.
The railway station at Woodlawn, County Galway. TheTudor-esque buildings here are believed to date from 1851, their design is attributed to George Willoughby Hemans, not an architect but a Welsh-born engineer employed by the Midland Great Western Railway. The station stood on land provided by the second Lord Ashtown, through whose Woodlawn estate it passed. This likely explains why there is a stop in what has always been a relatively underpopulated part of the country. Trains still halt here on occasion and a small waiting room is in use but most of these handsome, sturdy limestone buildings are unused and have sadly fallen into disrepair.
The former National School at Sopwell, County Tipperary. Primary education was officially introduced to Ireland in 1831, with schools run by the National Board of Education. This building apparently dates from six years earlier, but stylistically follows the form of such establishments throughout the country, with two large rooms on either side of the entrance, one for boys and the other for girls: children were segregated by gender rather than by age. According to Samuel Lewis, in 1837 the school had no less than 150 pupils. Seemingly it closed in 1925 and looks to have been converted at some later date into a domestic residence but now stands empty and rather forlorn. Nevertheless, while the timber bargeboards are deteriorating, much of the rest of the structure is still in good condition and it could easily be restored: all the pretty mullioned windows are still intact for example. Note how metal flags flying above the façade gables are punched with the letter ‘T’. This refers to the local landed family, the Trenches who lived close by in Sopwell Hall; presumably it was then resident of the house Francis Trench who was responsible for the building’s original construction.
Despite the best efforts of the city’s planners and developers to turn Dublin’s Upper Abbey Street into a representative example of late 20th century mediocrity, a couple of buildings survive to show what a splendid thoroughfare this once was. In particular, Nos. 124 and 125, originally domestic residences dating from c.1750 merit more than the passing glance they now typically receive from passers-by. At least the latter is being used, but No.124, at one time being used as a radio studio, has now been standing empty for some time, and is beginning to show inevitable evidence of neglect. At the time these properties were built, this area of Dublin was the most prestigious in the capital, yet all parties who might help to revive its fortunes appear determined not to do so.
Tucked behind trees and shrubs in the Phoenix Park, and therefore often overlooked, this is Rose Cottage. Traditionally occupied by the Head Deer Keeper, the picturesque, octagonal building dates from c.1800 before being remodelled around 1830 when presumably the veranda was added. It was during the latter period that Decimus Burton was responsible for carrying out various improvements in the park and designing many of the lodges at its gates, so most likely he was responsible for the work here too. The cottage was occupied up to a few years ago, but now appears empty and in need of some attention (those gutters won’t clear themselves…)
The involvement of Irish families in the Caribbean slave trade was discussed here some weeks ago when considering Monasterboice House, County Louth (see Dirty Money, March 11th 2019). The same source of revenue appears to have played a part in funding extensive work in the early 19th century at Kilwaughter Castle, County Antrim. The original house here is believed to date from 1622, a fortified dwelling built by Sir Patrick Agnew who around that time had purchased the land on which it stands from Sir Randall MacDonnell, first Earl of Antrim. Successive generations lived here until William Agnew died in 1776, leaving the property to his grandson Edward Jones, then still a boy, with the proviso that the latter take the surname Agnew. He was a younger son of Valentine Jones, who was extensively involved in slave trading in the West Indies, as was his eldest son (another Valentine) who lived in the Caribbean for some 33 years and, two years before Edward inherited Kilwaughter, was elected a member of the House of Assembly in Barbados. Unfortunately the next generation of Valentine Jones disgraced the family by misappropriating funds and colouring rum to give it the appearance of age: in 1809 he was found guilty of fraud and peculation, and sentenced to three years in Newgate Prison.
Edward Jones Agnew was only a child when he inherited Kilwaughter, and for the next 12 years the estate was administered by agents while he attended Harrow and then Trinity College Dublin. It was only in the late 1780s that he came to County Antrim and took responsibility for Kilwaughter, accompanied by his younger sister Margaret. Seemingly they arrived to find the house almost entirely stripped of its contents: ‘there was not so much as a tablecloth, or a spoon or a knife or fork for them to take their dinner with.’ By this date the old building was neglected, and out-of-date, so its young proprietor decided to embark on a an extensive programme of refurbishment and enlargement. The architect chosen for this task was John Nash, who from 1801 onwards was engaged in designing Killymoon Castle, County Antrim for the Stewart family, cousins of the Agnews. Beginning in 1806, Nash transformed Kilwaugher into an elaborate castle, adding a vast wing to the immediate east of the original fortified house. The focal point of his design is a castellated tower in the south-east corner, its sandstone window sills carved with elaborate abstract decorations. From here, a range of reception rooms ran northwards to a narrower but taller polygonal tower, with views over the parkland towards a newly created lake covering more than five acres. While his land holdings were substantial and could have borne much of the expense involved (Killymoon Castle is supposed to have cost £80,000), might Edward Jones Agnew have benefitted from the estate of his slave-trading father Valentine Jones who died in 1805, just a year before work began at Kilwaughter? The enquiry seems not unreasonable to make.
The later history of Kilwaughter is not especially happy. Edward Jones Agnew never married (nor did his sister Margaret with whom he lived) but had several children with the daughter of a tenant farmer: she and other members of her family were later sent to Baltimore, Maryland with the promise of an annual stipend. When Agnew died in 1834, the estate was inherited by his illegitimate son William who, together with his sister, were then cared for by their aunt Margaret. However, following her death and William Agnew becoming an adult, he moved to Paris and spent most of the next 40 years there, dying unmarried in 1891 and, it seems, leaving sundry debts for the payment of which a mortgage of £30,000 had to be raised. A niece, Mary Maria Augusta Simon (daughter of his sister) next inherited the estate but by this time she was married to an Italian count Ugo Balzani, and living between his family home near Bologna and Oxford. For some thirty years Kilwaughter was rented to John Galt Smith, an Irish linen exporter and distant relative of the Agnews, and his socially ambitious American wife Bessie who modernised the building and entertained extensively; he died in 1899 but she remained there until 1922 before returning to her native country. By now, the castle was surrounded by very little land and when the Second World War broke out it was seized by the government as ‘alien’ property (the Balzani family being Italian and therefore deemed to be enemies of the state). For a period it was occupied by American troops but then stood empty before being sold by the Northern Irish government to a Belfast scrap metal company which stripped off the lead, thereby leading to the roof giving way. What remained was handed back to the Balzani family, and understandably they decided to sell the property: this finally occurred in 1982. Since then efforts have been made to ensure the security of the building, and ideally its restoration: some of the walls are literally in need of support. The present owners, and a number of local people are valiantly battling to save Kilwaughter from total ruin (a task not helped by the presence of lime quarries in the immediate vicinity). As these photographs make plain, those involved in the project face a substantial challenge and deserve all possible assistance.
Much of the information here came from a most interesting article, The Agnews of Kilwaughter by Jacqueline Haugseng-Agnew in Familia: Ulster Genealogical Review, No.32, 2016.
For more on Kilwaughter Castle and work being undertaken to secure its future, please see https://www.kilwaughtercastle.com