Rare Survivors



Carlingford, County Louth is one of the few towns in Ireland to retain evidence of its mediaeval origins, not least thanks to this entrance gate: originally there were four but this is the only survivor. From the 15th century, the Tholsel operated as a toll gate where taxes were levied on any goods entering Carlingford, but in the 18th century it also acted as a gaol for the town. Once three storeys high, it lost one of them during alterations in the 19th century.
Not far from the Tholsel stands another mediaeval building known as the Mint. Although Carlingford was granted the right to mint coinage in 1467 it is more likely this three-storey building was a residence for one of the town’s wealthy families: however, the absence of a fireplace in the building leaves this matter open to question. The most notable feature are its five ogee windows. All have hood mouldings and are elaborately carved with a variety of forms including that of a horse, a bust of a man, a bird, a snake, as well as a variety of abstract Celtic interlace patterns.


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The Subject of Dispute


In the early 1670s, an unseemly dispute broke out between members of the Franciscan and Dominican orders over which of them were entitled to occupy a priory in Carlingford, County Louth. Following appeals by both sides to Pope Clement X, Oliver Plunkett, then Roman Catholic Primate of Ireland, was required to settle the matter and in July 1671, following a visitation to the site, he wrote the the Papal Internuncio, ‘I find that the monastery formerly belonged to the Dominicans and that they had a convent there, the walls of which are still standing. But the Franciscans argue that for many years, and almost within the memory of man, the Dominicans were not permanently in these convents, that therefore they must be considered as abandoned, and that a prescription now exists in favour of the Franciscans. The Dominicans answer that during persecution prescription is of no avail.’ Following further consultations, Plunkett decreed in favour of the Dominicans, declaring that they had produced the authority of Ware [the historian Sir James Ware, ironically a Protestant], who says that the convent of Carlingford, under the patronage of the Earl of Ulster, belongs to the Dominicans. They, moreover, produced an instrument of the 10th year of Henry VIII, by which a citizen of Carlingford named Mariman made over a house and garden to the Dominicans of the convent of Carlingford. Again in the Dublin Register, called Defective Titles, mention is made of this convent, and they also adduced the evidence of old persons who had seen Dominicans residing near the convent before the reign of Cromwell.’ Nevertheless, the Franciscans refused to relinquish their claim, and it was not until 1678 that the matter was finally settled when Clement’s successor, Innocent XI, issued a Papal decree ordering that the Dominicans be left peacefully in the monastery.




Carlingford Priory is traditionally said to owe its origins to Richard Óg de Burgh, 2nd Earl of Ulster, who in 1305 invited the Dominican Order to settle in a site within the town. On the other hand, the Irish Historic Towns Atlas records, however, that the Dominican priory was endowed by the merchants of Carlingford in 1352. Whatever the truth, it certainly thrived although, having initially stood within the town walls, following a decline in population during the mid-14th century as a result of the Black Death, the buildings came to lie immediately outside Carlingford to the south. Dedicated to St Malachy, like so many other religious establishments in Ireland, the priory was fortified during the 15th century, as a result of almost constant warfare between different familial alliances. In 1540, when the priory was surveyed as part of the Dissolution of the Monasteries, it was described as a ‘strong mansion in need of no expenditure on repairs’ and being on ‘every side strongly fortified.’ In 1552, the property, along with others formerly held by religious orders in Newry, was granted by the English crown to Sir Nicholas Bagenal, Marshall of the Army in Ireland. How long he and his descendants held the former priory is open to question since by 1613 a number of Franciscan friars were in residence, hence their later altercation with the Dominicans over which order was entitled to be there. The latter may have won that fight but they do not appear to have lingered too long in the priory, described by a visitor in 1703 as being an old chapel and monastery in ruins and in 1726 the place was ‘defaced’ by William Stannus, then in the process of constructing Ghan House to the immediate north. In 1767 the Dominican friars moved to Dundalk, which remained their base thereafter. Meanwhile, over the next couple of centuries parts of the old friary came to serve various purposes: as a base for local herring fishermen, as a barracks and as a handball alley. 




Today, what remains of the Dominican Priory of St Malachy is the church, a tall and narrow shell being 125 feet long and 22 feet wide. Like so many others, the roofless building is divided into two sections of nave and chancel, the transition from one to another marked by a bell tower which was added in the 15th century. This was likely when the west wall of the building was crenellated, with a square turret at each corner and between them a machicolation resting on corbels. Between this and the small door is evidence of a blocked-up round arched window. The same is true for many of the openings on the north and south sides of the building. Where windows remain, they have lost everything but their outline; this is especially evident at the east end, which was once almost filled by a great arched window some 15 feet wide. Nothing of great consequence survives of the conventual buildings which would have stood to the immediate south of the church, with a cloister off which would have opened a number of spaces including refectory, kitchen and dormitories. All now gone, with just the gable end of a now-lost building, perhaps added during the Bagenal period of occupation and attached to what looks like the lower part of a tower house.. A short distance to the east are scant remains of a water-mill, and what may have been a fish-pond. Hard to believe that this spot was once the subject of fierce dispute between two religious orders.

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Tucked Away



Tucked down a minor road north of Drogheda, this is St Nicholas’s church, Ballymakenny, County Louth. It was designed by Thomas Cooley for his patron, Richard Robinson, Archbishop of Armagh, whose country residence, Rokeby Hall, stands a few miles further still further north. Cooley died in 1784 before the work was executed and therefore the job passed to the young architect Francis Johnston, then just on the onset of his career. This charming little rural church is 18th century Irish Gothic at its best, a simple design with the tower at the west end flanked by modest vestries and then the main body of the building being a long, plain hall. The most notable feature of the exterior is above the entrance, the archiepiscopal insignia and Robinson’s arms in beautifully crisp limestone (just look at those ribbons ending in tassels). In recent years, the church has been used by a local Baptist group, although it is a pity that much of the glass on the north side (where the latticed windows are actually blind) has been broken and not repaired.


Cross Again




Not too far from Termonfeckin Castle, seen here earlier in the week, stands St Fechin’s church, alas now standing forlorn and neglected in the midst of a graveyard. Here can be found a sandstone High Cross, some nine feet tall and somewhat weathered but with an unbroken nimbus ring. Above a tapered shaft decorated on all four sides with abstract, interwoven patterns, the centre of the east face shows the Crucifixion, while the west face depicts Christ in glory.



A Towering Presence



Today it’s difficult to believe that the little County Louth village of Termonfeckin was once the palatial seat of successive Archbishops of Armagh, who in the later Middle Ages preferred to live here rather than in the primatial city further north (think of this as being the Irish equivalent of the Papacy taking up residence in Avignon during the same period). Nothing now survives of that building – what remained was demolished in 1830 – but a second late-medieval castle still stands, a tower house probably built in the 15th century and then repaired in 1641 by the Brabazon family who were then a dominant presence in this part of the country. The castle is three storeys tall and has a projecting tower; a second one has long since gone. The interior boasts a vaulted ceiling on the first floor but alas, on the occasion of a recent visit, the building’s key holder could not be located. Perhaps another time…


Cornered



Located beside an early 19th century church, this is Haynestown Castle, County Louth. Believed to date from the 16th century, it is a square, three-storey tower house made distinctive by having a massive turret at each corner. These have slit windows on the two upper floors but otherwise the building has few openings, its entrance on the west front long since blocked up. The central sections of this and the east side are notable for being finished with large arches.


What Survives



What survives of Ballug Castle, on the Cooley Peninsula, County Louth. This is thought to be a 15th or early 16th century tower house to which a gable-ended dwelling was added, probably in the late 17th century. Originally the tower would have had a barrel-vaulted ceiling but this has since collapsed, along with a spiral staircase occupying a turret in the south-east corner.


Where The Streets Have No Shame


Last January Drogheda, County Louth was named one of the dirtiest towns in Ireland in the annual Irish Business Against Litter report – placed 39 out of 40 locations surveyed, only Dublin’s north inner city was judged to be even filthier. Although obviously not an achievement worth celebrating, this information will come as no surprise to anyone who has been visiting Drogheda over recent years and watched the place sink further and further into degradation. In 1993, the Pevsner Guide to this part of the country, written by Alistair Rowan and Christine Casey, observed that ‘As is too often the case, the 20th century has not been kind to Drogheda. However, the problems of the town lie not so much in the lack of quality in its new architecture as in the neglect and lack of concern for its historic buildings.’ That was almost 30 years ago: the situation has only grown worse over the intervening decades. 






In contrast to its shameful present, Drogheda has a proud past: at the end of the 17th century, one visitor thought it a handsome, clean town ‘and the best I have seen in Ireland.’ Its location at the final bridging point on the river Boyne three miles before it joins the Irish Sea (the name Drogheda derives from Droichead Átha, meaning Bridge of the Ford) indicates strategic importance and from the Viking period onwards there was an important settlement here. In the Middle Ages, the Archbishop of Armagh, primate of all Ireland, lived here rather than in his titular seat, and six national parliaments were convened in the town between 1441 and 1494. A terrible disaster befell Drogheda in 1649 when it was captured and ransacked by members of Oliver Cromwell’s New Model Army, but by the beginning of the following century it was once again booming and many of the town’s finest buildings were erected over the next 100 years. Commercial decline had already begun by the middle of the 19th century. When Thackeray visited in 1842, he wrote of buildings on the main street being ‘in a half state of ruin and battered shutters closed many of the windows where formerly had been “emporiums”, “repositories” and other grandly-titled abodes of small commerce.’ He also described the town as dirty, a term still appropriate 180 years later. Over the past century, with improved transport links, not just the railway but even more the car, Drogheda’s relative proximity to Dublin, which is less than 35 miles away, has only added to its problems. 






There are many reasons why Drogheda should no longer enjoy the same prosperity as was once the case, but no reason whatsoever why the town should have been allowed to become such a sad, neglected, shabby mess. Everywhere one turns, there are empty buildings falling into ruin, historic properties which, in other countries, would be repaired and put back into use. Instead, no apparent effort has been made to preserve Drogheda’s outstanding architectural heritage. What could, for example, be a significant tourist destination – and therefore a source of revenue for the local community – is being wilfully ignored. At the moment, no visitor coming to Ireland could be directed to Drogheda, except to see how not to care for the urban environment. The local authority, Louth County Council, seems supremely indifferent to the condition of the town, showing absolutely no sense of pride in what should be one of the region’s finest assets. If there’s no sense of pride, there’s clearly no sense of shame either. Otherwise this situation would not be allowed to continue. Further words are redundant: the pictures shown today are sufficiently eloquent. Welcome to Drogheda, where the streets have no shame. 

A Grand Gateway


One of a number of gateways providing access to the four-acre walled garden at Barmeath Castle, County Louth. A map dating from the mid-1770s and drawn up by the surveyor Charles Frizell shows this area of the demesne to be a shrubbery with no evidence of enclosure, indicating the walled garden, like so many others, was only created in the late 18th or early 19th centuries. Unusually, all the walls are lined in brick, whereas, as a rule, it was only the south-facing wall that received this treatment since brick retains the heat longer than does stone. The entrances are also distinguished by being given rather grand, pedimented, breakfront gateways. The walled garden here has been restored in recent years and is now open to the public. Readers with no interest in matters horticultural should be warned that the Irish Aesthete is at present curating an exhibition devoted to the history of the Irish country house garden (opening at the Irish Georgian Society’s headquarters, the City Assembly House in Dublin on May 19th) and therefore this subject is likely to feature heavily in the coming weeks.

A Shoddy Welcome




As many readers will be aware, a splendid book was recently published on one of Ireland’s finest country houses, Townley Hall, County Louth (see Of the Highest Standard « The Irish Aesthete). The building and immediate surroundings have been meticulously maintained by its current custodians but the same cannot be said for the organisation responsible for the wider grounds, including the entrance. Both the gates and the lodge here were, like the house itself, designed by Francis Johnston and ought therefore to be kept in good condition. The photographs above show their state in January, and those below in April: already in poor shape, over those intervening months the gate posts have become even more dilapidated and unless there is due intervention, their future has to be in doubt. The owner in this instance is a state body, Coillte which has an almost unrivalled reputation for neglecting historic buildings supposed to be in its care – cf. Donadea Castle, County Kildare (Another Blot on the Landscape « The Irish Aesthete), Rockingham, County Roscommon (Differing Fates I « The Irish Aesthete) and many other sites. If Coillte cannot look after such properties – and clearly it can’t – then the organisation should hand over responsibility for their maintenance to another body which will show more concern for the protection of our national heritage. It’s worth pointing out that the relevant local authority, Louth County Council, ought by now to have intervened and instructed Coillte to restore these gateposts: in their present state, they provide a very shoddy welcome to Townley Hall and its woodlands.