Described by Maria Edgeworth as ‘An excellent clergyman, of a liberal spirit and conciliating manners, a man of taste and literature,’ the Rev. Daniel Beaufort was also a talented amateur architect. Here is his design for a new church at Ardbraccan, County Meath dating from the 1770s. At the west end it was proposed the building incorporate a still-extant 15th century tower which rises 100 feet: accordingly Beaufort proposed the church run to the same length. The tower was also to be given single-storey gothick wings on either side. In the event, a simpler version of Beaufort’s drawing was constructed, of four bays rather than six (thereby making the nave shorter) and leaving the tower unattached. This can be seen below, in a photograph taken inside Ardbraccan’s demesne wall. I shall be giving a talk on the life and work of Daniel Beaufort next Thursday, November 17th at 7.30pm in St Mary’s Church of Ireland, Church Hill, Navan (a building for which he was also responsible). For further information, see: http://mahs.freesite.host/index.php/2016-programme
Writing to his daughter Alicia in May 1747, Edward Synge, Bishop of Elphin, County Roscommon described the new residence he was then building: ‘The Scaffolding is all down, and the House almost pointed, and It’s figure is vastly more beautifull than I expected it would be. Conceited people may censure its plainess. But I don’t wish it any further ornament than it has. As far as I can yet judge, the inside will be very commodious and comfortable.’ He had to wait a further two years to find out whether or not this was the case, but finally in early June 1749 was finally able to advise Alicia, ‘The House is as dry as you could wish. I lay last night as well and as Warm as ever I did in my life, and quite free from the only nuisance I fear’d, the smell of paint and am, I bless God, as well to day, as I was, when I wrote from Palmer’s…’ The design of the Bishop’s Palace at Elphin is attributed to Dublin architect Michael Wills, not least because a ‘Mr Wills’ is frequently mentioned in Synge’s correspondence in relation to the house’s construction. Very much in the Irish Palladian mode, it consisted of a three-storey, east-facing central block, its first-floor Venetian window of the same style and proportions as the main entrance below: quadrants linked this building to wings on either side. Unfortunately the main block was destroyed by an accidental fire in 1911 and subsequently demolished, leaving the quadrants and wings on either side looking rather lost. In recent years, the south wing as been restored as a family residence. However, its match to the north is a ruin with a bungalow built immediately in front, making the site look even more lop-sided.
On two adjacent hills in the north-west corner of County Meath can be found the remains of what was seemingly once a prominent settlement for both clerics and laity. This is Moylagh, its fragmentary ruins testifying to the harsh passage of time, and the inevitability of change and decay. Consensus holds that the nature of the site, with its undulating mounds and deep ditches, indicates early human habitation: the prehistoric passage tombs of Loughcrew are not far away. And there is said to have been a monastic house established here not long after Christianity arrived in Ireland. However, the modern history of Moylagh really begins with the appearance of the Normans in the 12th century. Around that time a motte and bailey was constructed, together with a wooden fort, on the highest point of the taller mound which offers superlative views across many miles of surrounding land.
At some date in the 15th century the wooden fort was replaced with one of stone: in 1470 Roger Rockford was granted assistance to build a tower ‘near Moylagh Castle’ (perhaps a continuation of the statute issued by the Henry VI in 1429 which offered landowners a grant of £10 towards the construction of such defensive residences). This castle is associated with the Barnwells (often spelled Barnewell), an Anglo-Norman family originally settled in County Dublin, members of which arrived in Meath in the mid-14th century and gradually built up a considerable land holding. One branch became Barons Trimlestown, a title still extant after more than 550 years, while another based elsewhere in the county at Crickstown were created baronets in the 17th century. It was this line which owned Moylagh: according to the Down Survey of 1654-56, Sir Richard Barnwall of Crickstown had held 182 acres at Moylagh in 1640, including ‘a ruinous castle with a bawn, a church with a steeple (tower) and 20 cabins.’ From which one deduces that the castle fell into ruin, or was destroyed, relatively early. Today only the buttressed stump of an east gable survives.
On the neighbouring mound can be found the more substantial portions of another fortified tower, this one originally attached to a church built around 1470 and supposedly once linked to the nearby Benedictine abbey at Fore (see Fore and After, January 5th 2015). The construction of a fortified tower is explained by the general lawlessness of the period in which religious establishments were often attacked and ransacked by rival, warring families. In any case, the church at Moylagh did not last much longer than the castle and little survives to indicate its presence. The tower, on the other hand, remains in reasonable condition, its religious connections still indicated by a graveyard which was heavily used for the burial of occupants of Oldcastle Workhouse during the years of the Great Famine. Little evidence of that turbulent period, or other earlier ones, can be seen today in what is now a little-visited spot tucked down a remote country road.
Once the tallest building in Wexford town, here is the tower that stands at the centre of the collegiate range of St Peter’s, former seminary for the diocese of Ferns. With corner turrests and mullioned windows, the five-storey block was designed c.1832 by a local architect, Richard Pierce, today better remembered for the town’s ‘twin churches’ of the Assumption and the Immaculate Conception which have identical spires. Pierce was clerk of works in Ireland for Augustus Welby Pugin (responsible for the chapel built immediately adjacent to the range) and his own work shows the influence of the latter. The tower of St Peter’s is particularly notable for its splendid Perpendicular tracery window which lights the internal staircase.
The remains of Cullahill Castle, County Laois as seen through the east window of its adjacent former chapel. The castle, really an exceptionally large tower house within its own bawn wall, was constructed on an outcrop of rock around 1425 and served as a stronghold for the MacGillapatricks of Upper Ossory. Rising five storeys and ninety feet, its impressive scale made the castle a target for attack from rivals even in the years after construction but it was eventually destroyed after being bombarded by cannon during the Cromwellian Wars. Recorded in the Down Survey in 1657 as being ‘out of repaire’ it has remained in this condition ever since. There is a Sheela na Gig high on the east wall of the building but sadly this proved impossible to photograph.
In anticipation of next Monday, here is a particularly striking tombstone in the old graveyard at Dromiskin, County Louth. The limestone monument was erected by local man James Duffy (here spelled Duffey) in memory of his father Michael who died in February 1797 at the considerable age of 89. On the front of the stone are carved the Crucified Christ (with God the Father and Holy Spirit immediately above) and angels proffering directions to heaven on the left and hell on the right. The rear of the tomb carries the now-weather beaten Duffy coat of arms topped by a memento mori-serving skull. Happy All Hallows’ Eve…
The stone doorcases of Tullamore, County Offaly, an evocation of the prosperity once enjoyed by this Midlands town. The first belongs to a house dating from c.1730 and is the centrepiece of a full-height bow with conical roof on the projecting bow. The second can be seen on a very substantial property, of five bays and three storeys over basement built in 1789. Like the door, the window surrounds are of tooled stone but these features would look still handsomer were the facade’s render to be restored.