Further to a couple of recent features on finding fresh purpose for old barracks sites (see https://theirishaesthete.com/2020/02/17/mullingar-barracks and https://theirishaesthete.com/2020/03/02/clancy-barracks) this is Kickham Barracks in Clonmel, County Tipperary. Originally known as Clonmel Infantry Barracks (and later Victoria Barracks, the name Kickham being given to them following the establishment of the Irish Free State), they were built 1780-82 and remained in use until 2012. The greater part of the site has since sat empty, although a master plan for it was produced by Tipperary County Council five in 2015. This includes the creation of a new civic plaza and ‘the provision of new uses of the site to include education, cultural and civic uses together with commercial entities to include start-ups linked to the education providers and high value uses that would complement the principle uses and have the potential to extend activity on the site beyond traditional business hours.’ That’s a lot of ‘uses’ but five years on work has yet to begin. Last year announcements were made of funding to the tune of €2.89 million being awarded by central government, but still as almost a third of the present year has passed, the place remains as it has been since 2012: locked up and unused with inevitable consequences for the health of the historic buildings (and corresponding increased costs for their refurbishment). Official Ireland never shows itself to be in a hurry.
When the present owners bought Fruit Hill, County Wexford some 25 years ago, the house was a roofless shell, having been allowed to fall into dereliction for much of the last century. Long associated with the Glascott family and believed to date from the second quarter of the 18th century, the building is wonderfully idiosyncratic in appearance, from the façade’s pediment containing a Venetian window and flanked by dormer windows, to the ground floor where the fenestration was lowered on one side (the drawing room) but not the other (dining room). The gable-ended main block, its upper portion still carrying evidence of having been weather-slated, is only one room deep but extended at the rear by two wings to form a U-shaped house. The owners have not so much restored Fruit Hill as brought it back from near-death, a task few others would have been sufficiently brave to take on, since little more than the walls – and not even all of those – remained on the site. Their work here is an admirable labour of love and testimony to the fact that no building should be deemed beyond rescue.
Two weeks ago, this page showed the present pathetic state of Columb Barracks in Mullingar, County Westmeath (see https://theirishaesthete.com/2020/02/17/mullingar-barracks). Today another former barracks is featured here, this time showing what can be achieved when the task of finding a new purpose for old buildings is approached with sufficient flair and imagination. Dublin’s Clancy Barracks, formerly the Royal Artillery Barracks, was established in its present location on the south side of the river Liffey in 1798 after previous premises in nearby Chapelizod had become too small. Initially the barracks accommodated six officers, 87 non-commissioned officers and men, and eight gunners. In the early 1860s the complex was considerably enlarged so that it could house 18 officers, 589 other men and 435 horses. There was also a veterinary hospital (for the horses) until 1896 when the cavalry moved to another location in the city and this became a general barracks. Handed over to the Free State government in 1922, twenty years later it was renamed after Peadar Clancy, vice-commandant of the Dublin Brigade of the IRA, killed in Dublin Castle during the War of Independence.
When the state decided to dispose of a number of military sites in 1998, Clancy Barracks was on the list of assets to be sold. However, it was not until June 2001 that the barracks and surrounding 13.65 acres of land went out to tender. The property was not to everyone’s taste, as much of it was in a dilapidated condition and there were eight 19th century buildings listed for preservation. In July 2002 Clancy Barracks was sold to a private development company for £25.4 million. Nothing happened (allowing the condition of the buildings to deteriorate further) until three years later when a planning application sought to demolish demolish three-quarters of the existing listed buildings on the site, construct some 900 apartments in 45 blocks and erect a hotel of 15 storeys. Although the local authority gave permission, the scheme was appealed to the planning authority, An Bord Pleanála. It too found the plans acceptable, but then the recession hit and the project stalled, with the former barracks instead being used as a set for a couple of seasons of the BBC 19th century drama Ripper Street. In 2013 the site was bought by an American property investment group Kennedy Wilson for €82.5 million.
When Kennedy Wilson bought what is now called Clancy Quay in 2013, only the first phase of the scheme to redevelop the former barracks had been completed; this comprised some residential 423 units and 36,000 square feet of commercial space. Since then the company has worked to complete the second and third phases with the same mix of residential and commercial use. Phases 2 and 3 includes an 8.5 acre site with planning permission for a mix of residential and commercial use. Although the southern section of the site is still a work in progress, what has been achieved to-date is refreshingly imaginative and attractive; in 2018 architects O’Mahony Pike deservedly won an RIAI Architecture Award for Housing thanks to its work on this project. While sections of the property are given over to blocks of apartments, a large number of the older buildings have been imaginatively reinvented as accommodation, such as three long two-storey ranges in rubble, brick and granite, built in 1862 as workshops, or the fine pedimented former barrack block which had stables on the ground floor and sleeping quarters above. Elsewhere on the development there are a handsome pair of semi-detached early 19th century houses, the former officers’ mess and a range of red-brick blocks that date from the 1940s. The materials used for all these buildings was diverse, and more have been introduced for newer elements on Clancy Quay, but there is a confident coherence to the scheme, helped by generosity of space; the parties behind the development have not greedily tried to cram too much onto the site but instead left ample room between the different blocks, all linked by smart landscaping. There are few such large-scale developments in Dublin, indeed in Ireland, undertaken with this degree of assurance and panache. If and when Mullingar’s Columb Barracks are given new purpose, let’s hope the same high standards are employed there.
The ceiling of a first-floor reception room in a house on the north side of Fitzwilliam Square, Dublin. Many of these properties were among the first to be developed on the site and the building appears to date from the second decade of the 19th century. The plasterwork on the ceiling is free-hand and not taken from moulds, which soon after became the norm. At the moment, it is covered in layers of paint but a ceiling in the adjacent room has recently been cleaned and restored, revealing just how fine is the workmanship here.
The stable block on the former estate of Doory Hall, County Longford. The lands here were granted by Charles II to the Jessop family, said to have moved to this country from Derbyshire. The long-forgotten 19th century writer and novelist George H Jessop (who wrote the libretto for Charles Villiers Stanford’s 1896 comic opera Shamus O’Brien) was born here, together with his sister, poet and story writer Mary Kathleen Jessop Another branch of the same family owned an estate in the same county, Mount Jessop but like Doory Hall this long ago went to ruin.
The main house at Doory Hall, now just a shell, is thought to have been designed in the 1820s by John Hargrave, a son of the successful Cork architect Abraham Hargrave; the younger man was responsible for designing a number of buildings, including churches and glebe houses, in County Longford. The stable block is also attributed to him, but could be earlier; the 1820s house replaced an earlier one on the site, so perhaps this is a residue of the previous development? Whatever the past history, at the moment its future does not look promising.
Beginning in the early 1970s, every summer social geographer Kevin Corrigan Kearns visited Ireland for research purposes, spending considerable amounts of time in Dublin. In 1983 he published a book Georgian Dublin: Ireland’s Imperilled Architectural Heritage in which he wrote that with each trip to the city, ‘I could not help but witness the insidious forces which seemed to conspire against the vulnerable Georgian streetscapes. Every year there was grim new testimony to neglect, decay and destruction. Once-intact Georgian vistas of unsurpassed beauty were savaged by demolition and unsympathetic architectural infill. Inexplicably, there existed no effective opposition to this wilful and wanton assault on Dublin’s unique urban core. Indeed, I sensed that Dubliners somehow accepting this alarming degenerative process as a sort of natural occurrence – ostensibly, all in the name of progress and prosperity. Were Dubliners insensitive to this loss or merely impotent to exert any control over the destiny of their elegant city? Was there no philosophy of stewardship on the part of officialdom and citizenry to preserve this imperilled treasure for future generations?… While much destruction has incontestably resulted from deliberate unabashed rape of the cityscape, a wealth of Georgiana has conspicuously been despoiled and lost from simple benign neglect on the part of owners and occupiers, both public and private. The fragile state of Georgian Dublin today cannot be attributed to the actions of any single group. A myriad of forces has for generations militated against the welfare and survival of the Georgian city.’
Although he had suggested a ‘myriad of forces’ was responsible for the havoc wreaked on Ireland’s historic capital during the 1870s and ‘80s, Kevin Corrigan Kearns had no doubt who were the principal villains: ‘It would not be an exaggeration to state that the redevelopment of Dublin has essentially been left to the whims and dictates of private developers and speculators. For the past twenty years, amid an unconstrained environment for development, they have been allowed to use the inner city, in the words of one irate writer to the Irish Times, as a “gambling ground for their own ambitions of wealth and power”. During this free-wheeling period of urban growth, the government assumed a modest role in redevelopment. Indeed, while the Civil Service and other public bodies taken up almost three-quarters of Dublin’s total office space, the vast bulk of this accommodation is rented from private development companies.
By the late ‘sixties, the appellation “developer” had become synonymous with “despoiler” in the public psyche. The tide of destruction that scarred the central city evoked accusations of “rape”, “pillage” and “prostitution” of the urban environment. The developers’ appetite for reconstruction and profit seemed rapacious as they increasingly cast hungry eyes towards the Georgian terraces. Motivated by hard economics which demanded maximum floor space for minimal investment, no Georgian house, regardless of its historic or artistic merit, was sacrosanct.’
Kevin Corrigan Kearns was by no means the only person watching the destruction of Dublin’s historic core with dismay; artist and author Peter Pearson was likewise appalled by what was taking place in his native city. Rather than observe, he began to intervene by rescuing items from buildings that were being demo
lished or cleared out, and gradually built up a huge collection of architectural salvage. Today that collection acts as a record of decades’ long barbarianism. Pearson’s accumulated items include everything from fragments of 18th century plasterwork to 19th century decorative iron railings, from carved Portland stone capitals to ornamental door knockers. Among the features they share is that all came from properties in the capital, and all were deemed expendable and of no value: nobody operating in an official capacity thought it worthwhile to preserve a record of what was being torn down. Instead, this work was left to a passionate individual who recognised what neither the state nor Dublin County Council did: that the rampant and ill-conceived razing of the city centre would lead to a collective loss of memory unless something was saved. Without Pearson’s diligent enterprise, it would all have disappeared, a handful of old black and white photographs being the only souvenir.
Today it is less likely that buildings constructed in earlier centuries will be knocked down – although this can still occur, not least because of an inadequate listing of properties that merit protection (such as those which are currently at risk on the corner of Nassau and Kildare Streets. Dating from c.1820, astonishingly they are unlisted by Dublin City Council, thereby allowing the owner to apply for their demolition and replacement with an office development). And even buildings which are listed for preservation frequently suffer from unauthorised work on the site, as anyone who has ventured onto Capel Street and its neighbours in recent years can testify: large skips are heaped with the remains of gutted interiors. Across the capital, developers continue to be permitted set the pace for what is and isn’t built or preserved. Both central and local authorities continue to adopt a largely laissez-faire, hands-off approach to what is kept within the historic core. There is no national collection of the kind created over several decades by Peter Pearson. To see what he saved is both wonderful and tragic. Anyone involved in planning and urban development should be under an obligation to spend ample time looking through what was rescued in order that the same mistakes are not repeated. Otherwise the record of losses will continue to grow.
Dublin Fragments: The Pearson Collection is on show in the Irish Georgian Society, City Assembly House, 58 South William Street, Dublin 2 until March 22nd, and includes a selling exhibition of paintings and collages of the city by Peter Pearson.
In November 2011, former Labour TD Willie Penrose announced his intention to resign as a Minister of State as a result of the then-government’s decision to close Columb Barracks in Mullingar, County Westmeath the following year. At the time, the buildings were occupied by some 170 troops who were subsequently moved to the barracks in Athlone. Eight years have since passed without proper use being found for the premises.
Standing in the centre of Mullingar town and occupying some 26 acres of land, the main complex in Columb Barracks are over 200 years old, having been constructed in 1814, and first occupied in 1819, when it was called Wellington Barracks (the name was changed in 1922 in memory of Patrick Columb, a member of the National Army who had been killed in the town not long before). Designed to accommodate 1,000 soldiers, the barracks is U-shaped with a large parade ground at its centre. The three-storey blocks with roughcast rendered walls and cut limestone door- and window cases in each section of the building. The ranges are largely unaltered other than the unfortunate and universal insertion of uPVC windows at some relatively recent date and, on the southern range, openings being widened, apparently in 1980 when someone in authority decided to give them the all the flair of a provincial hotel, complete with porticos supported by spindly Corinthian columns. Even more unfortunate is a serious loss on the west side of the complex. Old photographs show that the centre of this featured a three-bay breakfront, its rusticated ground floor incorporating an arch above which was a tripartite window and, on the top level, a Diocletian window below a pediment. The entire section was swept away in 1966 to create a miserable-looking, single-storey concrete brick gateway marking the fiftieth anniversary of the Easter 1916 Rising. Incidentally, the early photographs (from the French collection in the National Library of Ireland) also show how much better maintained the entire site used to be. Outside the main complex lie a range of other buildings, some in stone (including a chapel dating from 1855), others in brick, constructed over the course of the 19th century to provide facilities for the troops then in residence.
A year ago, thejournal.ie reported that during the previous three years the state had spent over €113,000 paying a private security firm responsible for looking after Columb Barracks in Mullingar. As today’s photographs show, there has been considerable damage to the site, some of the buildings have been badly vandalised while others are suffering from neglect, ultimately adding to the cost of their refurbishment. Almost 20 voluntary organisations – the likes of the local boxing and cycling clubs, a youth café, a men’s shed group and so forth – occupy portions of various premises, presumably on short-term leases and, it would seem, with little security of tenure. But even with their presence, the greater part of the barracks has been allowed to remain in limbo for the past eight years. When the state first embarked on closing down military bases around the country more than two decades ago, it sold a number of them to developers and private organisations. Indeed, some years ago Columb Barracks was placed on the market for sale, but then withdrawn following the establishment by government in September 2018 of a new organization called the Land Development Agency (LDA), the purpose of which is supposed to be the provision of affordable housing. Responsibility for the barracks lay with the Department of Defence, but this now appears to have been transferred to the LDA. A year ago the Department of Housing advised (in finest bureaucratic language) that the LDA was ‘carrying out a technical due diligence process on the Columb Barracks site to determine the development constraints and opportunities, which will take a number of months. Once this process is complete the LDA will determine a delivery strategy for the site.’ The following May then-Housing Minister Eoghan Murphy wrote in response to an enquiry from another TD that the LDA was in the process of advancing agreements with various state bodies in relation to a number of sites including Columb Barracks and furthermore ‘it should be noted that the LDA has commenced preparatory Professional work on each of the eight sites listed above and that the transfer process will not impact the ultimate delivery on those lands. The LDA performs a due diligence process on all sites, which includes an assessment of alternative use potential and development capacity and constraints.’ At the moment on its website (https://lda.ie) the LDA lists the current status of Columb Barracks as ‘Development feasibility study underway.’
Understandably, given its size and location, there has been considerable disquiet in Mullingar about the continuing neglect of Columb Barracks. A local body has been set up, Columb Barracks Restoration & Regeneration Committee (https://columbbarracks.ie) to champion the restoration and refurbishment of the site. It proposes that the former barracks could be transformed into a ‘vibrant community-owned and operated centre, providing education and other community services, based on renewable energy, zero waste and other environmentally sustainable and economically viable activities and practices; and capable of being an agent for the spreading of these practices and ideas, and for the transformation of Mullingar into a twenty-first century transition town.’ As well as the existing voluntary bodies using parts of the place, the committee suggests there could also be both short- and long-term accommodation, a museum, more sports facilities, a concert/theatre space, artists’ workshops, food markets and so forth. Not all of these ideas will necessarily come to fruition, but there are enough of them to give the barracks a real and viable future. Eventually something will be made of the site, but in the meantime eight years have passed during which these buildings, part of the country’s architectural heritage, have been allowed to deteriorate, with the inevitable result that whatever decisions are eventually made about intended purpose, these will cost more to implement because the site will require greater work. In Ireland the wheels of officialdom in Ireland can turn so slowly that they appear not to be moving at all. But surely, before the buildings here fall into further disrepair and suffer further vandalism, the time has come for the relevant state authorities to call a halt to ‘due diligence process’ and ‘assessment of alternative use potential and development capacity and constraints’. After eight years, there can be little left to discuss and analyse and consider and assess. Surely now is the moment instead to initiate action and bring Columb Barracks back into purposeful use?
Castle Farm, County Longford, a handsome early 19th century residence that is believed to have been built on the site of, and may incorporate elements of, a late-medieval tower house originally belonging to the O’Farrell family. The Journal of the Royal Geological Society of Ireland 1862-64 noted that ‘the old castle of Ardanragh has been partially converted into a house, and is tenanted by Mr. Shaw, an educated and intelligent man, who farms the adjacent ground.’ A fine building in need of some attention.
A reminder of a family that once had a powerful presence in County Laois: the early 19th century, five-arched stone bridge across the river Nore at Watercastle. As the inscription advises, it was built (or more correctly rebuilt) in 1808 by Sir Robert Staples who lived not far away in a house called Dunmore. Sir Robert married three times, his third wife being the Hon Jane Vesey, sister of the first Viscount de Vesci who lived not far away at Abbey Leix: the Staples’ and de Vescis are regularly mentioned in the correspondence of Caroline, Countess of Portarlington. Both her former home, Emo Court and that of the de Vescis still stand, but Dunmore is gone. Built in the early 18th century and of three storeys with projecting two storey wings, it was unroofed in the last century and allowed to fall into ruin before being eventually demolished.
The complex history of Montalto, County Down was discussed here two months ago (see https://theirishaesthete.com/2019/11/25/montalto). The building’s various alterations, additions and eliminations are reflected in its interior, although in recent years this has enjoyed comprehensive refurbishment. It will be remembered that in the late 1830s M0ntalto’s then-owner, David Stewart Ker decided to enlarge his house not by building up but down, excavating what may already have been a somewhat raised basement to create a new ground floor. The entrance hall, with its screen of Doric columns providing access to the Imperial staircase, dates from this period.
As an ambitious politician and major landowner in this part of the country, David Stewart Ker felt driven further to increase the size of his residence and in the 1850s he added a two-storey ballroom wing to the west of the existing house, together with a new service area to the north. These, together with a number of other portions of Montalto, were demolished in the 1950s, thereby almost halving the size of the place. Further parts to the rear were also taken down following a serious fire in 1985. As a result, Montalto was now a more compact and manageable building, but lacked any really substantial reception rooms on the ground floor. The most important space is upstairs, directly over the entrance and known as the Lady’s Sitting Room; dating from the 1760s, the plasterwork on the walls and ceiling here has been attributed to Dublin stuccodore Robert West. It might be thought that because of the room’s location, it originally served as the entrance hall. However, an account of Montalto 1802 refers to a ‘parlour’ the ceiling of which was ‘ornamented with various figures &c. in stucco’ which sounds like the Lady’s Sitting Room. Research in recent years suggests that the house was reoriented in the early decades of the 19th century and that the original front was to the south west. If this were the case, it explains why there is a long gallery-like passage on this side of the house, once the entrance hall.
Montalto’s present owners bought the property in 1994 and for some years they lived in it with their family. However, over a decade ago they moved out of the building and began to consider what alternative uses it might serve. Working with conservation architect John O’Connell they have gradually restored not just the main house but many other parts of the estate, which is now open to the public. Now used for weddings and other functions, Montalto has been very thoroughly refurbished in a more considered and sensitive fashion than is often the case with such properties. The gallery-like passage on the first-floor, for example, has been re-made into an attractive sitting room, as has its equivalent directly below where the walls are decorated with Chinese papers from de Gournay. Montalto today works hard for its upkeep but still retains much of the character and atmosphere of an Irish country house.