

Today being Hallow’een, here are some rather dejected looking family mausolea in the graveyard of St Mary’s, Croom, County Limerick. One or two of them can be identified, an example being that carrying the notification, ‘This Vault was erected by Denis Lyons Esqr in Memory of his Eldest Son, and as a Burial Place of the Family, AD 1802.’ Another carries the motto ‘Fortes fortuna juvat’ (Fortune favours the Brave), along with the name of Dickson and the date 1806. The families whose remains were interred in several others, however, are no longer known and they are gradually sliding into ruin.
Tag Archives: Graveyard
The Pale Moon was Rising

For the week that’s in it: on the side of a road to the immediate north-west of Tralee, County Kerry can be found the graveyard of Clogherbrien. Seemingly, this site is where Mary O’Connor, the original Rose of Tralee, was buried. According to popular legend, she was a poor but beautiful servant girl with whom William Mulchinock, member of a wealthy merchant family fell in love and about whom he later wrote the following sentimental lines:
‘The pale moon was rising above the green mountains,
The sun was declining beneath the blue sea,
When I strayed with my love by the pure crystal fountain,
That stands in the beautiful Vale of Tralee.
She was lovely and fair as the rose of the summer,
Yet ‘twas not her beauty alone that won me.
Oh no, ‘twas the truth in her eyes ever dawning
That made me love Mary, the Rose of Tralee.’




The same popular tale proposes that in 1843, having been falsely accused of the murder of another local man, William Mulchinock was forced to abandon the lovely Mary O’Connor and flee Ireland, moving to India where he became a war correspondent on the Northwest frontier during the Afghanistan War. Supposedly, following the intervention of fellow Irishman and Commander-in-Chief of the British army in India, Field-Marshall Hugh Gough, after six years Mulchinock was able to return home. However, the day he arrived back in Tralee happened to coincide with Mary O’Connor’s funeral. Seemingly Mulchinock was heartbroken, although he recovered sufficiently to marry later that year and move to the United States where he and his wife Alice had a number of children, Mulchinock, legend would have it, then abandoned this family, preferring to return once more to Tralee where he pined for Mary O’Connor before dying of fever in 1864.




For all its whimsical charm, the above story bears little semblance to the truth. William Pembroke Mulchinock (1820-64) was indeed the member of a well-to-do merchant family in Tralee, and indeed a supporter of the Young Ireland movement in the 1840s. On the other hand, the date of his marriage to Alice Keogh of Ballinasloe was 1847 (when he was supposed still to be in India) and, accompanied by his wife and a young daughter, he emigrated to the United States in 1848: the couple would later have a son. In New York, Mulchinock worked for various newspapers and wrote verses, publishing a collection in 1851: tellingly, this volume (dedicated to Henry Longfellow) did not include ‘The Rose of Tralee.’ That poem had already appeared in print in 1846, when included in a volume called The heir of Abbotsville by English author, Edward Mordaunt Spencer, published the verses in his 1846 volume, The heir of Abbotsville, with an annotation stating ‘Set to music by Stephen Glover, and published by C. Jeffreys, Soho-square.’ As for Mulchinock, it is true that his marriage failed and that he returned to Tralee where in 1861 he was one of the founders of the Kerry Star, the first Roman Catholic-run newspaper in Kerry, dying of fever in October 1864. Returning to Mary O’Connor, her own supposed burial place is marked not by one of the handsome table tombs which proliferate in Clogherbrien graveyard, but by a singularly ugly modern monument.
Blessed are the Dead


Following last Monday’s entry about Glenville, County Limerick, here in a nearby graveyard is the Massy Mausoleum, dating from 1864 although Eyre Massy, whose remains it holds, only died five years later. The limestone mausoleum also contains the remains of Charles Massy, who had emigrated to Australia (where his descendants still live). On the south side, below the Massy coat of arms, is a sarcophagus in raised relief on which is inscribed a quotation from the Book of Revelation, ‘Blessed are the dead which die in Christ/from henceforth yea saith the Spirit/That they may rest from their labours/and their works do follow them.’
For the Day (and Night) That’s In It
A Swifte Burial


Located beside a now-disused church and within an old graveyard at Castlerickard, County Meath is this curious limestone pyramid, each of its steeply pitched sides carrying a raised diamond. One of them carries the name Swifte, indicating that the monument commemorates a member of the family of that name, possibly Godwin Swifte who died in 1815 and owned a property in this part of the country, the picturesquely named Lionsden, which still stands. Godwin Swifte belonged to a branch of the same family as Jonathan Swift, the famous Dean of St Patrick’s Cathedral, Dublin.


The Irish Aesthete is generously supported by

Recalling Lost Houses

In his Topographical Dictionary of Ireland published in 1837, Samuel Lewis wrote of Kilcommon, County Mayo that the old church here, ‘was a chapel of ease, built in 1688 by Archbishop Vesey, who was buried in it, and was made the parish church on the church of Kilcommon becoming ruinous. The present church, which is also in Hollymount, was built in 1816, the late Board of First Fruits having granted a loan of £1000 ; it is a handsome building, with a cast iron spire, and is fitted up with English oak.’ The church, dedicated to King Charles the Martyr, is of cruciform shape and constructed of limestone ashlar; as Lewis noted, rather unusually, the spire is made of cast-iron. Services continued to be held here until November 1959 and the roof removed four years later. Seemingly the doorcase went to Ballintober Abbey and a wall monument remounted in St Mary’s Church, Ballinrobe, both in County Mayo, while the English oak mentioned by Lewis was repurposed in St Paul’s Church, Glenageary, County Dublin and the east window moved to St John’s Church, Lurgan, County Armagh.




In the same entry, Lewis notes that the family vaults of the Binghams, Lords Clanmorris, along with monuments of the Lindsey and Ruttledge families are to be found in the graveyard of King Charles the Martyr. The Binghams had settled in this part of the county in the mid-17th century and there built a house called Newbrook; it was accidentally destroyed in a fire in 1837 and not rebuilt. The monument, to the immediate east of the church, commemorates John Bingham who in 1800 agreed to surrender to the government the two parliamentary seats he controlled in the local borough in exchange for £8,000 and a peerage (for more on this, see Where Turkeys Voted for Christmas « The Irish Aesthete). Visitors to the graveyard note that the tomb is ‘Sacred to the memory of The Right Honorable John Charles Smith de Burgh Bingham, Lord Baron Clanmorris of Newbrook in the County of Mayo, A NOBLEMAN distinguished for the possession of those many eminent virtues which adorn life whether we consider him in the Character of a HUSBAND, FATHER, LANDLORD or FRIEND.’ Another side of the same monument observes that also interred here is Lord Clanmorris’s daughter Caroline Bingham, who died at the age of 15 in April 1821, a month before her father. The Lindsey family settled in the area in 1757 when Thomas Lindsey married Frances Vesey, a granddaughter of John Vesey who had built a house at Hollymount which she duly inherited; the family remained on the estate there until the start of the last century when it was sold to the Congested Districts’ Board. As for the Ruttledges, they lived at Bloomfield, a large house built c.1776. The tomb here commemorates Elizabeth, wife of Robert Ruttledge and daughter of Francis Knox of Rappa Castle, elsewhere in the county. According to the inscription, ‘Her engaging mildness unceasing humanity and warm affection endeared her to all her acquaintance and her uniform and unobtrusive piety together with the unremitting firmness with which she performed all her duties during a life of 56 years afforded them the consoling and confident hope that her soul fled to that place where the spirits of the just are made perfect.’




As already mentioned, the Bingham’s home, Newbrook, was destroyed by fire in 1837 and never rebuilt. Hollymount, originally built by Archbishop Vesey at the start of the 18th century but substantially altered in the 19th, was eventually inherited by Mary Lindsey who in 1885 at the age of 19 married Heremon FitzPatrick; his sister Mary FitzPatrick, better known as Patsy, was one of the great beauties of the late 19th century who at the age of 16 had an affair with the Prince of Wales (later Edward VII) before being hastily married to William Cornwallis-West, with whom she had three children. Her brother Heremon, who had assumed the surname Lindsey, remained in possession of Hollymount until 1922 when it was sold; the house is now a ruin. Bloomfield, home of the Ruttledges, was similarly sold in the early 1920s, acquired by the Land Commision and subsequently damaged by fire, it is now a ruin. As for Rappa Castle, childhood home of Elizabeth Ruttledge, it too has become a roofless shell (see Crumbling is not an Instant’s Act « The Irish Aesthete). So this collection of tombs in the graveyard of a derelict church is all that remains to recall a series of once powerful families in County Mayo.
Down Memory Lane


On the east side of the Shannon in Athlone, County Westmeath can be found the remains of a church begun by Franciscan friars in the 1680s. This was intended to replace an earlier lost building erected by members of the order in the 13th century but some 300 years later. However, the upheavals of the Williamite Wars and subsequent legislation against Roman Catholic religious bodies meant the work here was left unfinished, although an existing graveyard continued to be used for burial. Today the walls on either side of a winding pathway leading to what remains of the church are lined with memorial slabs from the site, the majority dating from the 18th and 19th centuries and offering examples of Irish stonemasons’ craftsmanship during this period.
A Stout Burial Place


Inside a walled enclosure overlooking the plains of County Kildare, the church of Oughterard (from the Irish Uachtar Árd, meaning ‘a high place’) is thought to have been originally established in the sixth or seventh centuries, although the present buildings are of later date. What remains of what must once have been a substantial religious settlement are a truncated round tower and a barrel-vaulted chancel with a 14th century three-light window at the east end. Much of the nave has been lost, but on the south wall is the burial site of Arthur Guinness, founder of a certain well-known Irish business. The reason he was entombed here: his maternal grandfather William Read was a tenant farmer in this part of the country (and, it is sometimes said, Arthur Guinness was born in his mother’s family house when she returned there for the event).
Sharing the Site


In a graveyard high above Swinford, County Mayo is this mausoleum where members of the Brabazon family were formerly interred. The Brabazons had come to the area in the first half of the 17th century and were later responsible for developing the town, close to which they built a fine house, Brabazon House, which survived until 1980 when pulled down by the local Health Board. Also gone is St Mary’s, the Church of Ireland where they once worshipped, so this mausoleum, seemingly ‘repaired’ in 1828 by Sir William Brabazon, who was then MP for the area (and who died 12 years later after choking on a chicken bone), is the last remaining evidence of the family’s presence in the area. However, the Brabazons do not have the place to themselves: on top of the mausoleum is a large marble column topped with a cross, which commemorates one Patrick Corley who died in 1875 at the age of 60, while on another side of the mausoleum is a plaque dedicated to successive generations of the O’Donnel family who lived some five miles south at Fahyness (now Faheens).
Ill-Remembered

In the grounds of St Paul’s church, Newtownforbes, County Longford, this is believed to be the grave of Charlotte Brooke, a woman today too-little remembered or celebrated. Born around 1740, she was one of 22 children (only two of whom survived to adulthood) of Irish novelist and dramatist Henry Brooke whose Gustavus Vasa was famously the first play banned under the 1737 Licensing Act: it appears the Prime Minister Robert Walpole the villain of the piece resembled him. From an early age, Charlotte Brooke enjoyed a passionate interest in the Irish language and literature, translating many ancient texts into English so that they could reach an audience beyond these shores: her most celebrated work, Reliques of Irish Poetry, was published in 1788. By that date, she had become impoverished, her own money having been invested in a failed industrial scheme run by a cousin. As a result, she ended her days dependent on friends, dying in County Longford in 1793. Her body is thought to have been buried here, although her name is not on the stone, which instead carried the names of other members of the Brooke family.




















