Tag Archives: Heritage at Risk

Seventy Years Ago…


The charming cathedral dedicated to St Brendan in Clonfert, County Galway has featured here before (see The Traveller’s Rest « The Irish Aesthete). And because Clonfert was, until the 1833, a separate diocese in the Church of Ireland (it remains so in the Roman Catholic church), there was also an episcopal palace, now alas a sad ruin. Standing a short distance to the north of the cathedral, the oldest part of this building is thought to date back to the late 16th or early 17th century, possibly constructed during the episcopacy of Stephen Kirwan (bishop of Clonfert 1682-1701) who served as a justice and commissioner for the province of Connaught. There is no doubt that Clonfert, today a sleepy hamlet, was then judged a place of some importance since in 1579, Elizabeth I, in her Orders to be observed by Sir Nicholas Maltby for the better government of the province of Connaught’ declared ‘We are desirous that a college should be erected in the nature of an university in some convenient place in Ireland for instructing and education of youth in lerninge. And We conceive the Town of Clonfert within the province of Connaught to be aptlie seated both for helth and comodity of the ryver of Shenen running by it and because it is also neere to the midle of the realme, whereby all men may, with small travel send their children thither.’ The queen may have heard that during a much earlier period, Clonfert had been a great seat of learning, or perhaps it was just that the cathedral and its ancillary buildings were located in a central location and, as she observed, close to the river Shannon, then a major means of travel through Ireland. However, the idea of establishing a college here never happened, and it was only in 1592 that the country’s first university was founded in Dublin.





As mentioned, while parts of the former bishop’s palace in Clonfert may go back to the late 16th century, a more substantial portion of the building dates from c.1635, during the episcopacy of Robert Dawson, who had become Bishop of the newly-united dioceses of Clonfert and Kilmacduagh in 1627 and would hold that position until his death in 1643 (incidentally, he was also the forebear of a family that would go on to become great landowners and developers in Ireland, not least his great-grandson Joshua Dawson who was responsible for laying out Dawson Street in Dublin and building what is now the Mansion House). Oak beams and roof joists in the palace have been dated to around this period, although further changes and additions were made at some time in the 18th century, when a Venetian window was inserted.
In his memoirs, published in 1805, the playwright Richard Cumberland wrote about the palace in Clonfert, which he knew well since his father Denison Cumberland had lived there while bishop of the diocese (1763-1772). ‘This humble residence,’ he recalled, ‘was not devoid of comfort and convenience, for it contained some tolerable lodging rooms, and was capacious enough to receive me and mine without straitening the family. A garden of seven acres, well planted and disposed into pleasant walks, kept in the neatest order, was attached to the house, and at the extremity of a broad gravel walk in front stood the cathedral.’ Cumberland also remembered how, while staying with his father on one occasion, he used ‘a little closet at the back of the palace, as it was called, unfurnished and out of use, with no other prospect from my single window but that of a turf-stack’, as a room in which to begin writing what would prove to be his most successful stage work, the comedy The West-Indian (first performed at London’s Drury Lane Theatre in 1771). However, Clonfert was always one of the poorest episcopacies in the country and as a result successive bishops – many of whom managed to have themselves transferred to richer dioceses after only a short period of time – were disinclined to make improvements to their residence. For this reason, it retained much of its 17th century character, being long and low, of eight bays and two storeys with dormer windows. The surrounding demesne also underwent relatively few changes. There survives, for example, a yew walk running south-west of the palace, which may be even older, but certainly has the character of 17th century baroque garden design. Like the building to which it leads, the yew walk is now sadly neglected.




Clonfert Palace remained home to successive Church of Ireland bishops until 1834 when, following the creation of a new united diocese of Killaloe and Clonfert, it became surplus to requirements and was sold to John Eyre Trench. In 1947 his descendants sold the building to the Blake-Kelly family who, four years later, sold it to the next owners who would be the last people to live in the former palace. By then the place was in poor condition and required extensive renovation, along with the installation of electricity, new bathrooms and so forth before it could be occupied; the new chatelaine drove over from her temporary residence in Co Tipperary to oversee this work. Finally, once complete, in February 1952 she and her family arrived, along with a retinue that included housekeeper, cook, maid and chauffeur, as well as a gardener to maintain the grounds. A local newspaper, the Westmeath Independent, reported that ‘‘Sir Oswald and Lady Mosley, who have a large staff, are charmed with Ireland, its people, the tempo of its life and its scenery.’ The same publication also briefly noted that ‘Sir Oswald was the former leader of a political movement in England.’ The ‘political movement’ had, of course, been the British Union of Fascists (later the British Union) and both Sir Oswald and his wife, the former Diana Mitford, had been interned for a number of years during the second World War by the British government, and had found themselves shunned in the aftermath of their release. Ireland had several advantages, not least the fact that two of Diana Mosley’s sisters already owned properties in the country, Deborah, Duchess of Devonshire at Lismore Castle, County Waterford and Pamela Jackson at Tullamaine Castle, County Tipperary. Country houses here were going cheap, and there were still sufficient other landed families still about to make life agreeable to the newly-arrived. For the next two years, the Mosleys remained contentedly at Clonfert, attracting little attention although they were discreetly observed by both the Irish and British governments. Such might have remained the case, had not disaster struck exactly 70 years ago, in early December 1954. At the time, Diana Mosley was in London, but her husband and their two children were in County Galway when fire broke out, seemingly caused by an old beam inside the chimney of the maids’ sitting room. The blaze spread quickly, so fast indeed that according to a report in the following day’s Irish Times, a French maid, Mademoiselle Cerrecoundo, who had run upstairs to rescue some clothes, became trapped in the building. Sir Oswald, his son Alexander and the chauffeur, Monsieur Thevenon, held a blanket beneath one of the windows and the maid leapt to her safety, with only minor injuries to her back and hand. Alas, the old palace was not so lucky and while a handful of rooms and their contents were saved, most of the building was lost as it took an hour and a half for fire brigades to reach Clonfert. The following day, hurricane-force winds and torrential rain ripped across the entire country, compounding the damage done to the house and leaving it a sorry wreck. In 1955 the Mosleys moved to Ileclash, a Georgian overlooking the river Blackwater in County Cork where they lived intermittently until 1963 when the couple moved to France. As for Clonfert Palace, despite being described on www.buildingsofireland.com in 2009 as being of national significance, it was left to moulder into its present advanced state of decay. What could have been saved as a rare example of late 16th/early 17th century Irish domestic architecture has been lost.


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Inexplicable



Extraordinary to see that this gate lodge at Clonleigh, County Donegal has been left to fall into dereliction. Set at an oblique angle to the road, it formerly marked the entrance to an estate and since-demolished house owned by a branch of the Knox family. Single storey with an attic storey lit by shamrock motif windows, the building is faced in uncoursed rubble with dressed stone employed around the doors and windows. Thought to date from the mid-19th century, the lodge may have been designed by Welland and Gillespie, architects for the Ecclesiastical Commissioners, who in 1863 were carrying out extensive works at the Church of Ireland church and parish hall in nearby Lifford: this would explain its decidedly church-like appearance. Harder to explain is why such a fine little house should stand unoccupied and threatened with ruin.



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State-Sponsored Neglect


Above are the front and rear elevations of Towerhill, County Mayo, a house believed to date from the close of the 18th century when built for Isidore Blake, whose descendants continued to own the property until 1948 when the building’s contents were auctioned and the place itself subsequently stripped of everything that might be removed, slates from the roof, floorboards and doorcases, chimneypieces and so forth. Of six bays and two storeys over basement, Towerhill is unusual in that all four sides of the house are pedimented, and finished to the same high standard; the architect responsible for this work is unknown. The property is now owned by the state’s forestry body, Coillte, which accounts for its neglected condition.


What a Waste


The history of Knockanally, County Kildare is rather opaque, although it is known that the Coates family, the first of whom appears to have arrived in Ireland in the early 1700s, acquired the land on which it stands from the Aylmers who lived not far away at the now-derelict Donadea Castle (see Another Blot on the Landscape « The Irish Aesthete). Some kind of residence was built at Knockanally and in the mid-18th century this was occupied by one William Coates, known to have died in 1766 when the property was inherited by his eldest son, Matthew. When his grandson William Lancake Coates died in the following century, Knockanally was inherited by William Coristine Coates, the son of his cousin. His descendants appear to have continued living on the estate until it was taken over by the Irish Land Commission in 1942 and subsequently divided among various farmers. The immediate demesne and main house were then sold to a Captain Sheppard, who in turn sold it to the Maharani of Baroda. In 1959, ownership passed to the Rehabilitation Institute, which used the house as a convalescent home for the victims of polio.Further changes of ownership seem to have followed before Knockanally was bought in 1983 by Noel Lyons, who turned the land into an 18-hole golf course. 





As it appears today, Knockanally dates from c.1843 when commissioned by William Lancake Coates on a site east of the original house. The architect responsible was Dublin-born William Deane Butler, much of whose work involved designing institutional buildings such as court and market houses, although he did receive commissions for a number of country houses also. As noted by the late Jeremy Williams, Knockanally is almost a cube, ‘if its height is assessed on the three-storied central bay.’ Of two storeys over basement and faced with wonderfully crisp limestone ashlar, the building is entered via an Ionic portico flanked by Venetian windows with a third directly above it. On this level, windows within shallow recesses open onto balconies: these can also be found on each of the four-bay side elevations. Seemingly the interior featured a central, double-height and top-lit hall. Williams has noted that this is a reduced version of the hall in Dublin’s Broadstone station, designed by John Skipton Mulvany who, he suggests, may therefore have had a hand in Knockanally. As for the very substantial and elaborate gatelodge at the entrance to the former estate, J.A.K. Dean dates this to c.1870, too late to have been designed by either Butler (who died in 1857) but may have come from Mulvany as he lived until that date. 




In September 2010 it was reported that one of the country’s banks had appointed a receiver over Knockanally Golf Club, set in 125 acres; this move came a few days after creditors of Ferndale Leisure, the holding company behind the club, had met to appoint a liquidator; at the time, with an economic recession at this height, quite a number of Ireland’s golf clubs were going into receivership. Three years later, the club, the main house, gate lodge and a number of golf ‘lodges’ in the grounds, was sold to a Warwickshire-based company, St Francis Group for  €1.1 million: some years earlier, this portfolio had been valued at €3.5 to €4 million. Quite what has happened since then seems to be unclear. Refurbishment work was carried out on the house and other buildings on the site, but in September 2018 the local Leinster Leader reported that the golf club had again closed down and was to be offered for sale. Since then, both the house and gate lodge have remained closed and boarded up, with inevitable deterioration in the fabric of both buildings. A dreadful waste.

A Missed Opportunity




In her marvellous memoir Bricks and Flower, Katherine Everett described how, in August 1922 and at the age of 50, she had cycled from Limerick to Macroom, County Cork at the request of her distant cousin and godmother Olive, Lady Ardilaun to see what remained of the latter’s property, a castle in the centre of the town which had just been burned by anti-Treaty forces. Located above the river Sullane, the castle dates back to the 12th century and for several hundred years was occupied by the McCarthys before eventually passing into the ownership of the Hedges Eyre family before eventually being inherited by Lady Ardilaun. Two years after the fire, she sold the castle to a group of local businessmen; the main part of the building was demolished in the 1960s, with just the outer walls remaining, a series of mediocre school buildings erected within them. What survives suffers badly from neglect (as indeed does the river and the nine-arch bridge crossing which dates from c.1800) with the local county council failing to make the most of what has potential to be a popular visitor attraction. Instead, Macroom’s most significant piece of architectural heritage as been left to moulder: a missed opportunity.


The Bishop’s Legacy



After Monday’s tale of Riverstown, County Cork, here are the scant remains of another, slightly earlier property built by another member of the same family. In 1710 Dr Peter Browne, former Provost of Trinity College Dublin, was appointed Church of Ireland Bishop of the United Dioceses of Cork and Ross. Ten years later, he acquired some 118 acres of land to the immediate south-east of the city, with the intention of constructing there ‘a good, substantial and convenient dwelling house and a chapel thereunto adjoining together with suitable offices.’ Named Bishopstown and finished in 1726 at a cost of more than £2,000, he created this property and surrounding demesne to serve as “a fit and convenient residence for himself and his successors, the bishops of Cork and Ross”.  The adjacent chapel was consecrated in 1730. Alas, his successors failed to appreciate this legacy and already by 1792 the house at Bishopstown was described as being ‘in a state of decay and totally unfit for the residence of the bishop.’ In the early 1830s the place was leased to a farmer and then in 1878 the Ecclesiastical Commissioners sold the land and buildings. It passed through various hands before being bought by Cork Corporation about half a century ago. Many of the buildings were then in a better condition than is now the case (and some of them have been demolished over the intervening years). What remains is a former farmhouse incorporating an early 18th century limestone doorcase retrieved from the since-lost mansion, and the skeletal remains of the chapel (see below). In the immediate vicinity, jostling for attention with a children’s playground, are a pair of small, three-arched bridges and fragments of a circular battlemented shell house, thought perhaps to have been built during the episcopacy of Robert Clayton, the bishop here 1735-45. Bishopstown today is a heavily-developed suburb of Cork city.


Recalling Lost Houses


In his Topographical Dictionary of Ireland published in 1837, Samuel Lewis wrote of Kilcommon, County Mayo that the old church here, ‘was a chapel of ease, built in 1688 by Archbishop Vesey, who was buried in it, and was made the parish church on the church of Kilcommon becoming ruinous. The present church, which is also in Hollymount, was built in 1816, the late Board of First Fruits having granted a loan of £1000 ; it is a handsome building, with a cast iron spire, and is fitted up with English oak.’ The church, dedicated to King Charles the Martyr, is of cruciform shape and constructed of limestone ashlar; as Lewis noted, rather unusually, the spire is made of cast-iron. Services continued to be held here until November 1959 and the roof removed four years later. Seemingly the doorcase went to Ballintober Abbey and a wall monument remounted in St Mary’s Church, Ballinrobe, both in County Mayo, while the English oak mentioned by Lewis was repurposed in St Paul’s Church, Glenageary, County Dublin and the east window moved to St John’s Church, Lurgan, County Armagh.





In the same entry, Lewis notes that the family vaults of the Binghams, Lords Clanmorris, along with monuments of the Lindsey and Ruttledge families are to be found in the graveyard of King Charles the Martyr. The Binghams had settled in this part of the county in the mid-17th century and there built a house called Newbrook; it was accidentally destroyed in a fire in 1837 and not rebuilt. The monument, to the immediate east of the church, commemorates John Bingham who in 1800 agreed to surrender to the government the two parliamentary seats he controlled in the local borough in exchange for £8,000 and a peerage (for more on this, see Where Turkeys Voted for Christmas « The Irish Aesthete). Visitors to the graveyard note that the tomb is ‘Sacred to the memory of The Right Honorable John Charles Smith de Burgh Bingham, Lord Baron Clanmorris of Newbrook in the County of Mayo, A NOBLEMAN distinguished for the possession of those many eminent virtues which adorn life whether we consider him in the Character of a HUSBAND, FATHER, LANDLORD or FRIEND.’ Another side of the same monument observes that also interred here is Lord Clanmorris’s daughter Caroline Bingham, who died at the age of 15 in April 1821, a month before her father. The Lindsey family settled in the area in 1757 when Thomas Lindsey married Frances Vesey, a granddaughter of John Vesey who had built a house at Hollymount which she duly inherited; the family remained on the estate there until the start of the last century when it was sold to the Congested Districts’ Board. As for the Ruttledges, they lived at Bloomfield, a large house built c.1776. The tomb here commemorates Elizabeth, wife of Robert Ruttledge and daughter of Francis Knox of Rappa Castle, elsewhere in the county. According to the inscription, ‘Her engaging mildness unceasing humanity and warm affection endeared her to all her acquaintance and her uniform and unobtrusive piety together with the unremitting firmness with which she performed all her duties during a life of 56 years afforded them the consoling and confident hope that her soul fled to that place where the spirits of the just are made perfect.’





As already mentioned, the Bingham’s home, Newbrook, was destroyed by fire in 1837 and never rebuilt. Hollymount, originally built by Archbishop Vesey at the start of the 18th century but substantially altered in the 19th, was eventually inherited by Mary Lindsey who in 1885 at the age of 19 married Heremon FitzPatrick; his sister Mary FitzPatrick, better known as Patsy, was one of the great beauties of the late 19th century who at the age of 16 had an affair with the Prince of Wales (later Edward VII) before being hastily married to William Cornwallis-West, with whom she had three children. Her brother Heremon, who had assumed the surname Lindsey, remained in possession of Hollymount until 1922 when it was sold; the house is now a ruin. Bloomfield, home of the Ruttledges, was similarly sold in the early 1920s, acquired by the Land Commision and subsequently damaged by fire, it is now a ruin. As for Rappa Castle, childhood home of Elizabeth Ruttledge, it too has become a roofless shell (see Crumbling is not an Instant’s Act « The Irish Aesthete). So this collection of tombs in the graveyard of a derelict church is all that remains to recall a series of once powerful families in County Mayo.

Awaiting Attention



Lucan House, County Dublin was discussed here a few weeks ago (see Addio del Passato « The Irish Aesthete). As noted then, the property, having been under the care of the Italian government for almost 80 years, has now been taken over by the local council. Included in the demesne is not only the house but a number of other significant buildings, including the remains of a mediaeval church. This is located to the immediate east and within sight of the former Italian ambassador’s residence. The church is recorded as being in existence since 1219, some 15 years after the manor of Lucan had been granted to the Norman Waris de Peche. He was probably also responsible for developing the original castle, thought to have stood in the vicinity of the present house, and close to the banks of the river Liffey.






The church of St Mary in Lucan was granted by Waris de Peche to the Augustinian Priory of St Catherine, located on the other side of the Liffey. By 1332, St. Catherine’s had passed to St Thomas’s Abbey on the outskirts of Dublin and remained under its control until the suppression of religious houses in the second quarter of the 16th century. St Mary’s church was then acquired, along with the castle, by William Sarsfield and appears to have remained in a good state of repair until at least the late 1500s. However, in 1630 the chancel was described as ruinous and has remained so ever since. Constructed of rubble limestone, the building consists of a nave and chancel, the former having lost its north wall. Inside the chancel are a number of tombs erected by later occupants of Lucan House, a particularly poignant one commemorating Nicholas Peter Conway Colthurst who died in November 1820 aged six weeks, the tomb noting ‘It pleased Almighty God to take him from his afflicted parents after four days illness.’ On the north-east corner of the building is a three-storey tower, sometimes mistakenly called Lucan Castle. Most likely this was erected in the 15th century as a residence for the clergy serving St Mary’s, during a period when civil disturbances meant some protection from attack – even for priests – was considered necessary. 






On the opposite side of the parkland around Lucan House and quite different in character can be found another building in need of attention: an eighteenth century Gothick bathhouse. Thought to date from the mid-1780s, and therefore perhaps constructed while Agmondisham Vesey was still alive, it was constructed during the period in which the local sulphurous waters made Lucan popular as a spa. However, the limestone rubble bathhouse, complete with whimsically irregular form and bellcote, was for private rather than public use. It sits at the end of a long tree-lined avenue on a site above the river, views of which were offered by a tall arched opening on the north side. This opening gives access to a vaulted antechamber, warmed by a central fireplace on the south wall, the pointed arch stone surround looking as though it may have been taken from an older building, perhaps St Mary’s church? There are arched openings on both the western (external) and eastern (internal) walls of the chamber, the latter leading to the bathhouse itself, a sunken pool with a series of shallow steps. Like other buildings in the grounds of the property, the bathhouse is now in need of restoration, along with the stableyard and a pair of charming Gothick lodges which lie immediately inside the gates. All of this now awaits the local council. One must hope that the authority appreciates the importance of the site’s architectural legacy, and affords it due respect. 


It’s Not Unusual



A not-unusual sight in Ireland: the former hotel on Main Street, Milford, County Donegal. Also not unusual: the fact that it has been left closed and falling into decay for many years. The property was put on the market some ten years ago but failed to find a buyer. Then in 2019 the owners applied to redevelop the site into a mixture of townhouses and apartments, with the front section renovated and the rear replaced. That didn’t come to pass, and in 2020 a local elected representative proposed Donegal County Council buy the place. This didn’t happen either, and last year a similar proposal was made, the response being that the authority was working on the (inevitable) draft plan for the town centre’s regeneration and that this document would be subject to further consultation. Some months ago, Milford was listed as one of 26 beneficiaries of a new national Town Centre First initiative. Meanwhile, the old hotel continues to deteriorate.


Don’t Hold Your Breath


Irish Times, December 7th 2000: Fresh Look for Fruit and Vegetable Market
‘Occupying a large site of some 6,000 sq m and with its principal facades on Mary’s Lane and St Michan’s Street, the market is one of the city’s least-known or appreciated architectural delights. This situation should now improve, however, because Dublin Corporation has just finished a £1 million-plus restoration of the building’s exterior, for which the funds came from the local authority, the Department of the Environment and the EU. The Fruit and Vegetable Market was intended to replace a jumble of unhygienic and dilapidated structures serving that purpose on Dublin’s northside and first opened for business in December 1892. It was designed by the city engineer Spencer Harty and, when new, was described in the Irish Builder as being likely to “rank foremost with many of our modern buildings”.’
Irish Times, December 11th 2004: Fish Market to close after 100 Years,
‘Dublin City Council is to close the 100-year-old fish market in the north inner-city as part of a €70 million rejuvenation of the markets area. The closure will also see the adjacent fruit and vegetable market move to a site near the M50, at a location yet to be finalised, as the council plans to refurbish its Victorian building for use as a retail “table-top market” modelled on the English market in Cork.It is hoped the table-top market will ultimately see high quality fresh vegetables, fruit and home produce – including organic foods, cheeses and pastas – attract new visitors and shoppers to the area.
The city council envisages the current fruit and vegetable market building becoming “the Victorian set-piece” for the rejuvenation of a large surrounding area which currently includes much warehousing.’





Irish Times, January 3rd 2008,: The Markets: Bidder Identified
‘In July 2005 the council announced a framework plan to redevelop the area surrounding the old fruit and vegetable markets and the fish market southeast of the Four Courts.
The project was to involve private investment of more than €400 million to build a new food market, restaurant and general retail market within the retained Victorian fruit and vegetable market building and the site of the fish market.
Some 600 homes and 60,000sq metres of office/retail units were also to be built in the area. The market square and surrounding infrastructure was also expected to be granted up to €25 million in exchequer funding.
Demolition of the fish market did begin in November 2005, but subsequent development stalled, largely, it is understood, due to difficulties in negotiations with the existing stall-holders in the market.’
Irish Times, August 2nd 2011: Capital’s Fruit and Vegetable Market to get artisan food makeover
‘Dublin’s Victorian fruit and vegetable market, which was the centrepiece of a €425 million regeneration scheme that collapsed three years ago, is to be redeveloped as an artisan food market by Dublin City Council.
The council plans to refurbish the market, which is occupied by a small number of wholesale fruit, vegetable and flower sellers, and provide some 40,000sq ft for food retailers.
The market would be modelled along the lines of European food markets and the highly successful English Market in Cork city, assistant city manager Michael Stubbs said.’
Irish Times, August 19th 2013: Dublin’s Victorian Fruit Market to be Redeveloped
‘The Victorian fruit and vegetable market in Dublin’s north inner city is to be redeveloped as a continental-style food market more than a decade since its regeneration was first proposed.
Dublin City Council has drafted plans for the refurbishment of the market hall between Capel Street and the Four Courts. It intends to go to tender for contractors by the end of this year, with work due to start by autumn 2014. The council hopes to have retailers on site in the newly restored hall by summer 2015.
The building, which was built in 1892 and is on the Record of Protected Structures, has 6,000sq m of internal space, currently devoted to wholesale. Under the new plan, the wholesalers, who serve surrounding restaurants and shops with fruit and vegetables, will move to the western half of the building.
The remaining half of the market will be devoted to a retail food market that includes butchers, bakers, cheesemongers, fishmongers, and a range of other food producers, as well as greengrocers. There will also be space for cafes at the edges of the market and in buildings bordering the market.’





Irish Times, March 3rd 2015: Plans for Historic Dublin Market Approved by City Councillors.
‘The €3 million redevelopment of Dublin’s Victorian fruit and vegetable market as a continental-style food market has been approved by Dublin city councillors.
The 1892 wholesale market building between Capel Street and the Four Courts in the north inner city will be refurbished and converted into a retail and wholesale market.
The council aims to attract a range of food producers including butchers, bakers, cheesemongers, fishmongers and greengrocers, serving goods to take home as well as to eat at the market, while retaining the wholesale businesses in the western half of the market hall.’
Irish Times, May 21st 2018: Victorian Dublin Market Regeneration to Go Ahead
‘A €3 million redevelopment of Dublin’s Victorian fruit and vegetable market as a continental-style food market is finally to go ahead more than 16 years after it was first planned.
Dublin City Council assistant chief executive Richard Shakespeare said he expects to have vacant possession of the 126-year-old market hall by the end of the summer and will then seek tenders for its refurbishment and conversion into a retail and wholesale market.
He said he hoped the revamp of the market, located between Capel Street and the Four Courts in the north inner city, would get under way early next year with work expected to take in the region of 18 months.’
Irish Times, August 15th 2019: Dublin’s Victorian Fruit Market to Close for Two Years for Revamp
‘Dublin’s Victorian fruit and vegetable market on Mary’s Lane will close next week for a major redevelopment project expected to take at least two years.
Dublin City Council has had permission for the past four years to convert the 127-year-old wholesale market between Capel Street and Smithfield into a 50-50 retail and wholesale market.
However, the market may now be changed to a retail-only facility, depending on the outcome of a tender process for the redevelopment, which will get under way in the coming months.’
Irish Times, October 31st 2023: Reopening of Dublin Victorian Market sees Dramatic Plan for Surrounding Area
‘The revitalisation of the area around Dublin’s Victorian fruit and vegetable market, with the extension of pedestrianisation from Capel Street, and the upgrade of parks and roads, is planned in advance of the reopening of the market.
The draft Markets Area Public Realm Plan aims to dramatically improve the environment of the north inner city area between Capel Street, Church Street, North King Street and the quays…
…The area was once a thriving market district, serving the city’s restaurants and grocers. While many wholesale traders still operate in there, the closure of the council’s fruit and vegetable market on Mary’s Lane in 2019 substantially reduced activity in the locality.’
Irish Times, April 6th 2024: Dublin’s Victorian Fruit and Vegetable Market Finally to Reopen
‘Redevelopment of Dublin’s Victorian fruit and vegetable market is finally to go ahead at a cost of €25 million, five years after its closure, city council chief executive Richard Shakespeare has confirmed.
The revamped retail food market and restaurant complex will reopen in just over two years’ time, following an extensive refurbishment and fit-out programme, Mr Shakespeare said.’

Don’t hold your breath…


P.S. While we wait for more time to pass, perhaps someone could take the relevant persons in Dublin City Council to one side and advise them that even basic maintenance of a building will help to reduce the costs of its eventual restoration.