Dirty Money


In the 1830s, William Drummond Delap of Monasterboice House, County Louth was paid £1,933 by the British government. The reason: he was being compensated for the abolition of slavery in the Caribbean colonies. Mr Delap, it transpires, had owned 96 slaves on two plantations in Jamaica. Slavery there, and on the other islands in the area, had been abolished in 1833, but such was the level of complaint about loss of revenue from former owners, not least those like Mr Delap who lived on the opposite side of the Atlantic, that four years later parliament passed the Slave Compensation Act, resulting in some £20 million being paid out.
Little work has been done in Ireland on the benefits enjoyed during the 17th and 18th centuries by some country house estate owners who were involved in plantations, although twelve years ago History Ireland published a highly informative article by Nini Rodgers on the subject of Irish links to the slave trade (see: https://www.historyireland.com/18th-19th-century-history/the-irish-and-the-atlantic-slave-trade). In England, and indeed in France too, much more research has been undertaken on the matter, not least at University College London’s Centre for the Study of the Legacies of British Slave-ownership, where archival examination has discovered who were the beneficiaries: it has, for example, documented which country houses owe their existence, in part or whole, to money that came through slavery in the Caribbean. In 2013, the centre created a database of the individuals who were paid compensation when slavery was finally abolished, and it includes some 170 names of people in Ireland, not least William Dunlop Delap. His brother Colonel James Bogle Delap, a friend of George IV, received £4,960. Among the others, some are well-known, such as two members of the banking La Touche family (£6,865 between them) and Howe Peter Browne, second Marquess of Sligo (£5,425). However, by far the largest beneficiary was one Charles McGarel of Larne, County Antrim whose claim for 2,777 slaves on twelve different plantations led to his receiving no less than £135,076. (To explore the documentation relating to Ireland, see: https://www.ucl.ac.uk/lbs/search).





William Drummond Delap was a descendant of Hugh Dunlop who around 1600 moved from Ayrshire in Scotland to Sligo where he was involved in the wine trade. His son Robert moved to County Donegal, which is where successive generations of the family lived, their surname becoming corrupted to Delap. Robert Delap, born in 1754, graduated from Trinity College Dublin and was admitted to the Middle Temple before being called to the Irish bar in 1778. Two years before he had married Mary Ann Bogle, daughter of James Bogle of Castlefin, County Donegal. It was Mary Ann’s family, likewise of Scottish origin, which had plantation interests in Jamaica: the UCL Legacies of British Slave-ownership site lists 21 persons of that name. Evidently she acquired a substantial stake in these properties following her marriage: Robert Delap died at sea while returning from the Caribbean in 1782, leaving a widow with several young children including William Drummond who was then barely two years old. In 1805 he married Catherine, eldest daughter of William Foster, Bishop of Clogher and brother of John Foster, last Speaker of the Irish House of Commons. In 1811 John Foster described his niece’s husband as ‘a good man of business resident in London where he acted as a merchant and has a West India property of his own to look after.’ Around 1830 he decided to move to Co Louth, where many of his wife’s family owned land, and there he bought various parcels to create an estate of more than 1,200 acres on which he either built, or more likely enlarged, Monasterboice House. He also laid out elaborate terraced gardens and planted many specimen trees. On a rise south-west of the house he erected a folly, called Drummond Tower after his maternal grandmother who had helped to raise him after his father’s early death. In 1861 he resumed by licence the family’s original surname of Dunlop.





Not much appears to be known about the history of Monasterboice House, now a ruinous building. At its core looks to be a typical late-mediaeval tower house, which as was so often the case has been subject to various structural alterations but is still clearly distinct rising on the northern section of the site. To the south is what appears to be a late 18th/early 19th century residence, of two storeys over basement, three bays with the centre one in the form of a substantial bow. The ground floor of this has glazed doors that once opened onto the terraced gardens and is flanked by Wyatt windows typical of the period. The house’s principal entrance lies on the west side, and was formerly approached by a long avenue. Perhaps to harmonise with the old tower house, this section was gothicised in the Tudoresque manner with arched windows and a large porte-cochere in front of a castellated porch. The back of the house opens to two large yards beyond which was the walled garden. It looks as though the building was developed in three sections, first the tower house, then the villa and finally a Tudor-Gothic expansion. In Samuel Lewis’s Topographical Dictionary of Ireland, he writes of Monasterboice House that ‘a spacious mansion is now being erected by the proprietor.’ Lewis’ work came out in 1837, just as compensation was being paid to former plantation owners, such as William Drummond Delap/Dunlop. A suspicion forms that the money he then received was used to improve his country residence. Future generations did not enjoy it for long: his son and heir Robert Foster Dunlop married a cousin, the Hon Anna Skeffington but the couple had no son and their daughters do not seem to have occupied the place. At the start of the last century, the estate built up by William Drummond Delap was divided up and while the Louth Archaeological and History Society Journal reported in 1945 that the house was ‘in a fair state of preservation’ that is certainly no longer the case.

Relics of Auld Decency



The remains of Tober House, County Wicklow. The building is believed to date from c.1720 when constructed for a branch of the Powell family (not Power, as is often stated) It appears the house originally rose two storeys over basement but an additional floor was later added above the moulded string course. It’s curious to note that the windows on the ground floor are not symmetrically spaced: one of them on the ground floor being much closer to the entrance than the other. Parts of the slate cladding on the south wall survive, as does the handsome limestone lugged doorcase. Tober is said to have been gutted by fire at the end of the 18th century, perhaps during the time of the 1798 Rebellion when this part of the country was engulfed by violence. It has stood a ruin ever since.



The House by the Churchyard

In 1863 Joseph Sheridan Le Fanu published one of his most successful works The House by the Churchyard. The book, which like many 19th century novels was initially serialized and accordingly has a convoluted plot, is set in the village of Chapelizod to the immediate west of central Dublin. Sheridan Le Fanu knew the area well: not long after he was born in 1814 his father, an Anglican clergyman, was appointed chaplain of the Royal Hibernian Military School (now St Mary’s Hospital) in the Phoenix Park which lies directly north of Chapelizod. This is the eponymous House by the Churchyard, standing – just about – outside the gates of the adjacent St Laurence’s Church. The building is believed to date from c.1740, just a few decades before the period in which Sheridan Le Fanu’s novel is set. It has been standing empty and neglected for some years and now looks to be in a seriously dilapidated condition. Unless there is an intervention soon, it will be necessary to write another book, this one called The Lost House by the Churchyard.


Incidentally, this is not the only historic property in Chapelizod in perilous condition: a little to the east, the last surviving house from a terrace built around 1700 is boarded up and on the verge of disintegration. 

Stalled?


The Catholic Committee (sometimes called the Catholic Convention) was a body set up in 1757 to campaign for the repeal of the Penal Laws, and greater religious and political freedom for members of the Roman Catholic church. One of its founders was the antiquarian Charles O’Conor who lived in County Roscommon, and it is likely that as a result of his involvement other men in the same part of the country became involved with the committee. Hugh O’Beirne was among this number, a merchant based in Carrick-on-Shannon, County Leitrim who eventually became sufficiently affluent that he was able to acquire several thousand acres of land and build himself a residence at Jamestown, County Leitrim. In late 1792 Theobald Wolfe Tone, then Assistant Secretary of the Catholic Committee, encountered Hugh O’Beirne at a gathering in Dublin and wrote, ‘Met “Met Mr. O’Beirne of Co Leitrim, a sensible man. . . says the common people are up in high spirits and anxious for the event. Bravo! Better to have the peasantry of one county than twenty members of Parliament.’





Hugh O’Beirne took the Oath of Allegiance to the United Irishmen but does not seem to have been penalized for his association with the society in the aftermath of 1798: in the years before his death in 1813, he was a Justice of the Peace for Roscommon. He was succeeded by his son Francis, likewise a J.P. and also Deputy Lieutenant for County Leitrim. In 1843 he enlarged the small Catholic chapel built by his father for the people of Jamestown; behind this Francis also erected a school and schoolmaster’s house. On his death in 1854, the estate – which at its height ran to over 7,500 acres in County Leitrim (and almost another 250 in neighbouring Roscommon) – passed to his son Hugh. His children seem to have been the last of the O’Beirnes to have lived in Jamestown, one son, likewise called Hugh, entered the British Diplomatic Service and along with Lord Kitchener drowned when the vessel they were on, HMS Hampshire, was sunk by a German U-boat off the Orkney coast in June 1916.





The house shown in today’s photographs, Tinny Park, County Roscommon, was until recently owned by a branch of the same family. It is believed to date from around the mid-19th century and is a typical gentleman farmer’s residence, complete with handsome yard to the rear. Of two storeys over basement with a central door approached via a short flight of stone steps, the interior conforms to the usual country house plan, albeit on a small scale: double doors to the rear of the two main reception rooms lead to smaller spaces, and the entrance hall is largely taken up by a staircase. Unoccupied for the previous ten years, Tinny Park was offered for sale for the first time in the summer of 2016, the price on just over six acres was a modest €250,000. It duly sold and, evidently, refurbishment work began, not all of it advantageous: old photographs show the exterior covered in render, all of which has been stripped away. This work now looks to have stalled and when visited last winter the house wore a forsaken appearance. One can only hope that restoration has since resumed (and that in due course the exterior will be correctly re-rendered).


In a Sorry (es)State


According to an entry in buildingsofireland.ie, this building ‘gives strong architectural definition to its context, and forms a landmark at a crossroads on the main Virginia-Cavan Road.’ Dating from c.1870, the house was probably built for estate workers employed by the Marquess of Headfort whose former lodge lies not far away.




The building is particularly interesting because although looking like a single house from the front, it actually contained four residences, each with its own entrance. Given such a prominent position on the main road from the north into Virginia, County Cavan and the property’s historic associations its ongoing neglect is regrettable.

First Impressions


The first building seen by visitors to Carton, County Kildare is a boathouse on the north side of the Rye Water. Said to have been constructed in expectation of a visit by Queen Victoria in the mid-19th century, the boathouse makes an excellent first impression, provided not inspected too closely. Look at the other side of the building: here are slates already fallen off the roof, and others on the verge of doing so, allowing rainwater to damage the fabric. Unless necessary repairs are carried out by the hotel owners, the first building seen by visitors to Carton could yet be a ruin.

Ghost House


I dwell in a lonely house I know
That vanished many a summer ago,
And left no trace but the cellar walls,
And a cellar in which the daylight falls
And the purple-stemmed wild raspberries grow.

O’er ruined fences the grape-vines shield
The woods come back to the mowing field;
The orchard tree has grown one copse
Of new wood and old where the woodpecker chops;
The footpath down to the well is healed.




I dwell with a strangely aching heart
In that vanished abode there far apart
On that disused and forgotten road
That has no dust-bath now for the toad.
Night comes; the black bats tumble and dart;

The whippoorwill is coming to shout
And hush and cluck and flutter about:
I hear him begin far enough away
Full many a time to say his say
Before he arrives to say it out.




It is under the small, dim, summer star.
I know not who these mute folk are
Who share the unlit place with me—
Those stones out under the low-limbed tree
Doubtless bear names that the mosses mar.

They are tireless folk, but slow and sad—
Though two, close-keeping, are lass and lad,—
With none among them that ever sings,
And yet, in view of how many things,
As sweet companions as might be had.


Ghost House by Robert Frost. 
Crossdrum Lower, County Meath – one of the houses featured in The Irish Aesthete: Ruins of Ireland (Cico Books), now available to order from your favourite local bookshop or online from Amazon…

June 1921 II




As already mentioned, June 1921 was a particularly bad month for country house burnings in north-west County Cork. One of those then lost was Rye Court, seat of the Tonson Rye family: the Ryes were originally living in Cork city (where one of their number was mayor in 1667 and 1668) but had moved to Ryecourt before the end of the 17th century. There they built a fine house and, at some date in the second half of the 18th century changed their name to Tonson Rye as a result of marriage into another family. Ryecourt looked south over a fine parkland, many trees of which still survive but the building was gutted by fire in 1921 and subsequently demolished (a small house was built inside the adjacent walled garden). Immediately behind the old house stood a courtyard with offices to east and west, and with gates and railings closing its north side: all these survive, albeit in poor condition, as can be seen here.


Reconciled to Ruin


Inside the rear section of the former army barracks at Glencree, County Wicklow. In the aftermath of the 1798 Rebellion when this part of the country proved difficult for the authorities to control, a route still called the Military Road was constructed through the Wicklow Mountains, and these buildings erected in 1806 to house 100 troops. In the aftermath of the Napoleonic Wars they vacated the barracks which during the second half of the 19th century was converted into a boy’s reformatory, being used for this purpose until 1940. The site then served as a prison for captured German military personnel (a small cemetery holding the remains of those who died during that period remains close by) and since the mid-1970s one block has been the Glencree Centre for Reconciliation. However, as can be seen, the buildings immediately behind have been left to fall into their present state of disrepair.

Eaten Bread is Soon Forgotten


Portlaw, County Waterford and its association with the Malcolmson family have been mentioned here before (see: A Shell, June 28th 2017). The Malcolmsons were of Scottish Presbyterian origin but in the mid-18th century one branch became members of the Quaker community. A son of this line, David Malcolmson, settled in Clonmel, County Tipperary where from 1793 onwards he became involved in the corn milling industry and enjoyed such success that when Richard Lalor Shiel visited the town in 1828 he could write ‘Malcolmson’s Mill is I believe the finest in Ireland. Here half the harvest of the adjoining counties as well as Tipperary is powdered.’ By that date the family, fearful that the Corn Laws (restrictions on the import of grain which favoured domestic production) were to be revoked by parliament, had moved into another business in another part of the country. In 1825 Malcolmson took a 999-year lease on a house called Mayfield and the adjacent 16 acres from a local landlord, John Medlycott. A small corn mill, damaged by fire, stood on the site and this was redeveloped as a vast, six-storey cotton mill, building a canal to utilize the power of the adjacent river Clodiagh. The enterprise required large numbers of employees and as a result the little village of Portlaw expanded rapidly. Around the time the Malcolmsons began work on the mill, it comprised less than 400 residents living in 71 houses: by 1841 the population of Portlaw had grown to 3,647 souls occupying 458 houses, most of the latter built by the Malcolmsons as part of a planned urban settlement. The family lived on the edge of the town and directly above the mill in Mayfield.






The core of Mayfield was a classical house dating from c.1740 and it was here the Malcolmsons initially lived. However, in 1849 Joseph Malcolmson, who had assumed responsibility for the business, employed architect William Tinsley to enlarge the building. Like his client, Tinsley originally came from Clonmel and had built up a substantial practice in the area, so he was an obvious choice. However, by the time Joseph Malcolmson decided on a further expansion of Mayfield, Tinsley was no longer available: in 1851 he had emigrated with his family to the United States where he enjoyed an equally successful career before dying in Cincinnati in 1885. So in 1857 Malcolmson instead employed John Skipton Mulvany who specialized in a loosely-Italianate style architecture and who was responsible for giving the house its present appearance. Mulvany added many of Mayfield’s most striking features, not least a three-storey tower that served as an entrance on the house’s eastern front. This rises considerably higher than the rest of the three-storey over basement building which is of seven bays: the tower accordingly provided views both down to the factory and over to the village, allowing the Malcolmsons a paternalistic prospect of their workers. Mulvany was also responsible for the single-storey over basement wings on either side of the main block: that to the south served as a conservatory, that to the north held a pair of reception rooms. However the family were not to enjoy this splendor for long, the cotton factory which generated their wealth being ruined in the aftermath of the American Civil War (the Malcolmsons had extended credit to the losing side).






In the last quarter of the 19th century the Portlaw factory was adapted for spinning but this enterprise didn’t last long and it was only in the early 1930s that a new purpose was found for the complex when it was acquired to act as a tannery by the Irish Leathers Group. Mayfield, which had for a period been occupied by members of the de la Poer Beresford family of nearby Curraghmore, now became an office premises for the new enterprise, and remained as such for the next half century. The tannery closed in the 1980s, and as a result Mayfield no longer had any purpose, although to the end of that decade a proposal was put forward to convert both factory and house into a retirement home. The scheme never took off and for the past thirty-odd years Mayfield has stood empty, falling into its present state of dereliction. As can be seen, little of the original mid-Victorian interiors remains other than fragments of plasterwork and rotting timbers. The exterior of the building has proven more sturdy, and retains the same appearance found in old photographs. But it is difficult to know what sort of future, if any, Mayfield might have. There is an old Irish expression Ní bhíonn cuimhne ar an arán a hitear, commonly translated as ‘Eaten bread is soon forgotten.’ Portlaw as seen today owes its existence to the enterprise and initiative of the Malcolmsons: what a shame that so little has been done to acknowledge their contribution to the area.