The sadly dilapidated farmyard at Garbally Court, County Galway. The main house and yards were built by Richard Le Poer Trench, second Earl of Clancarty around 1819: thanks to his diplomatic skills at the Congress of Vienna a few years earlier, he had also been created Marquess of Heusden in the peerage of The Netherlands. Lord Clancarty’s architect for Garbally was the London-based Thomas Cundy senior: this was his only significant Irish commission. The Le Poer Trenches remained here until 1922 when the estate was sold to the Roman Catholic diocese of Clonfert for £6,750. Ever since then it has served as a boy’s secondary school.
Author Archives: theirishaesthete
Tea and Team
Taking its name from the immediately adjacent rath (a circular fortification), Rathcastle House near Rathconrath, County Westmeath is a house likely dating from the late 18th century, although http://www.buildingsofireland.com proposes c.1815 for its construction. Originally built for the Banon family, its facade features an especially handsome limestone doorcase with fan and sidelights. On Sunday May 13th from 2-7 pm the gardens of Rathcastle House, together with those of neighbouring Balrath Lodge will be open to the public to raise funds for TEAM (Temporary Emergency Accommodation Midlands). Admission €5 per person includes tea.
Slightly Less Mysterious
Kilmanahan Castle, County Waterford was discussed here early last year (Shrouded in Mystery, January 9th 2017). Built on the banks of the river Suir almost directly across from Knocklofty, County Tipperary the house has at its core a mediaeval castle erected by the FitzGeralds. In the late 16th century the land on which it stood passed to Sir Edward Fitton, and then a few decades later to Sir James Gough, before changing hands again in 1678 when acquired by Godfrey Greene. His descendants remained there until the mid-19th century when the Kilmanahan estate was sold through the Encumbered Estates Court. By the start of the last century it had been bought by the Earls of Donoughmore whose main residence was the aforementioned Knocklofty. As their fortunes declined, so too it seems did those of Kilmanahan.
In June 1984 Suzy Roeder, an American visitor to this country, stayed in the area and went to look at Kilmanahan with her hosts. While there she took the photographs shown today, which give an idea of what the place looked like more than thirty years ago: at the time, it seems, the interior of the castle was being used to store cattle: they were in occupation of the courtyard at the centre of the building. This was by no means an unusual fate for such properties. Local farmers would buy the land without having an interest in any structures then standing and accordingly put them to practical use.
What makes these photographs especially interesting are the views they offer of the interior of Kilmanahan Castle. Those portions of the building that were accessible still retained at least some of their original decoration and show that the Tudor-Gothic style prevailed here as in so many other similar properties refurbished in the decades before the Great Famine. At the same time, there are elements of earlier classical plasterwork which also lingered (note the great arched window mid-way up the since-lost staircase), demonstrating that Kilmanahan’s rooms had been overhauled at some point in the 18th century. Impossible to say what, if anything, remains today. Although the castle still stands, one suspects that in the intervening thirty-four years the elements have taken further toll and the interiors are still-further stripped.
With thanks to Suzy Roeder for sharing these images.
The Loss of Local History
The former Roman Catholic church in Killyon, County Meath. The building is believed to have been built c.1820 by Fr Laurence Shaw, last of a long line of Dominican friars who had served the community for many centuries in this part of the country. In other words, it predates the Repeal of the final Penal Laws at the end of the decade, which helps to explain the building’s simple T-shape form. It was used for services until the late 1950s when a new church was constructed on the opposite side of the road to the design of architect James Fehily; ironically this church is now undergoing extensive restoration. Meanwhile the older building, which seems to have served other purposes in subsequent decades, is swiftly falling into ruin. With it crumbles part of the area’s history.
With One Stroke
Inside the remains of St Mullin’s monastery, County Carlow can be found this 18th century tombstone erected to the memory of Bryan Kavanagh. A member of the family that for so long was pre-eminent in this part of the country, his memorial in part reads ‘Here lies the body of Bryan Kavanagh of Drummin of the family of Ballyleaugh. A man remarkably known to the nobility and gentry of Ireland by the name Bryan Nestroake from his noble actions and valour in King James’s troops in the Battle of the Boyne and Aughrim.’ As it mentions, the name ‘Nestroake’ or ‘na stroake’ came about because during the Battle of the Boyne in July 1690 while engaged in combat against a Williamite soldier, Kavanagh received a slash or stroke to the face. He survived the occasion and only died aged 74, in February 1735. The monument was subsequently erected by his son James.
Unsettled Defence
The history of the 17th century Ulster Plantations is as contested as the land onto which settlers from Scotland moved during the same period. Prior to 1600 the northern region of Ireland had been least subject to control by the English government and accordingly most liable to resist efforts by the latter to impose its authority. The Nine Years’ War (1594-1603) which had been largely driven by the Ulster chiefs Hugh O’Neill and Hugh O’Donnell would end with their defeat at the Battle of Kinsale in 1601 and a treaty agreed at Mellifont two years later. Then in 1607 came what is known as the Flight of the Earls when both the O’Neill and O’Donnell chiefs left Ireland for mainland Europe with some of their followers and never returned. A turning point had been reached.
Even before this date, groups of Scottish adventurers, most notably James Hamilton and Sir Hugh Montgomery, had begun arriving in Ulster and settling on lands in Counties Down and Antrim. From 1609 onwards a more formal, government-sponsored settlement of Ulster began. James Stuart, who had assumed the throne of England in 1603 as James I had already long been King of Scotland (as James VI) and needed to reward supporters in his native country now that he was no longer resident there. The simultaneous desire to ensure there would be little or no further trouble in Ulster led to the plantation of Ulster. Unlike the indigenous Irish who were Gaelic-speaking and Roman Catholic, the planters were obliged to speak English and be of the Protestant faith (a large number of the Scots were Presbyterian). It is estimated that over 500,000 acres were officially granted to settlers but the figure was likely much higher. Obviously they were not welcome and many decades of unrest followed as the new arrivals fought to hold onto the land they had either been granted or seized. For this reason, the residences they built were heavily fortified.
Occupying a raised site above the west banks of Lower Lough Erne, Monea Castle, County Fermanagh stands on land previously been owned by the Maguires and confiscated from them by the crown authorities. The castle was built for a Scottish-born cleric, Malcolm Hamilton who first served as Rector of Devenish before being appointed Chancellor of Down in 1612. Eleven years later he was consecrated Archbishop of Cashel where he died and was buried in 1629. Considered the finest surviving settler castle of the period, Monea was begun in 1616 and finished some two years later: a bawn wall was added in 1622. Although essentially a rectangular tower house, the building reflects the Scottish origins of its original owner, with crow-step gables and projecting turrets similar to those found in his country during the same period. As was typical at the time, the ground floor was used for storage and utilitarian purposes, with accommodation on the two upper levels, including a great hall on the first floor. The defensive character of Monea proved necessary because in 1641 during the Confederate Wars the castle was attacked by the Maguires who killed a number of its occupants. It was subsequently returned to the family and in the later 18th century owned by Malcolm Hamilton’s grandson, the Swedish-born soldier Gustav Hamilton who served as Governor of Enniskillen during the Williamite Wars. It was later sold by his heirs and fell victim to fire in the 18th century, remaining a ruin ever since.
Located on the north-west shores of Lower Lough Erne some seven miles from Monea, Tully Castle was built Scottish settler Sir John Hume between 1611 and 1613. According to the survey of Ulster counties conducted by Nicholas Pynnar in 1618/19, Tully was composed of ‘a bawn of lime and stone, 100 ft square, 14 ft high having four flankers for defence’ and inside ‘a fair strong castle, 50 ft long and 21 ft broad.’ As with Monea, the Scottish influence is apparent in Tully’s design, not least in the steep gable ends of the castle. And once more the upper floors were used for accommodation and entertaining, the ground floor for storage and defence. Unfortunately it proved of no avail in 1641 when, like Monea, this castle was attacked by the Maguires. At the time, Sir John’s son George was away so the latter’s wife Mary was left to guard Tully, into which the residents of an adjacent settler village had crowded. Greatly outnumbered, Lady Hume negotiated a surrender that was supposed to include the safe passage of all those inside the building once it, and all arms, had been handed over to the Maguires. In the event, while she and her family were permitted to leave, everyone else (said to have been 15 men, and sixty women and children) was kept inside and massacred, after which the castle was set on fire. Like Monea, it has been a ruin ever since.
Plain and Simple
The former St Matthew’s church in Kilcar, County Donegal. Dating from the second half of the 1820s (it was consecrated by William Knox, Bishop of Derry in Sepember 1828) the present building replaced an earlier one erected in the 17th century. As so often, funding was provided by the Board of First Fruits, resulting in what Samuel Lewis in his Topographical Dictionary of Ireland described as ‘a small handsome building.’ The architect is unknown but the church conforms to type, composed of a two-bay hall with a tower at the west end. Closed for services in the 1960s, the building subsequently lost its roof but what remains has recently been cleared of encroaching vegetation.
Natural Artifice
The rustic grotto in the grounds of Tullynally, County Westmeath. This little pavilion was one of the additions made to the castle’s gardens in the 1780s by Edward Pakenham, second Baron Longford: at that time the estate’s formally designed grounds were swept away in favour of something more ‘natural’ and romantic. Situated on a high site the grotto looks south-west towards Lough Derravaragh whence came the limestone from which its facade is constructed. The octagonal interior has a brick-lined roof which, like the walls beneath would originally have been rendered: the gothic seating is a recent addition.
In Limbo
The house at Durrow Abbey, County Offaly has a long and frequently unhappy history. As its name implies, this was originally a religious settlement (for more on which, see On the Plain of Oaks, February 2nd 2015). However in the 16th century and following the dissolution of the monasteries, the lands on which it stood were leased to Nicholas Herbert at a rent of £10 per annum payable to the Crown and military service when required. Herbert was granted a second lease in 1574 on condition that he built two stone fortresses on the site within four years. The Herberts remained in residence here until the death without male heirs of Sir George Herbert, third baronet, in 1712. The estate was then inherited by Sir George’s sister Frances, married to a Major Patrick Fox: it was Mrs Fox who rebuilt the old adjacent church that remains today. The Foxes having no direct heirs, Durrow was then inherited by Philip Rawson Stepney and eventually by Herbert Rawson Stepney who, three years before his death in 1818 sold the estate to John Toler, first Lord Norbury. It would appear that during the time of the Stepneys that a new residence was built at Durrow: a surviving drawing made by architect William Murray in September 1829 shows the building – then called Durrow Park – to have been a plain classical structure of three storeys and seven bays, centred on a groundfloor doorcase with portico. Already at that date plans were being made for something more distinctive to be constructed on the site, but ultimately it was Norbury’s son who embarked on this enterprise.
Politician and lawyer, John Toler enjoyed a highly successful career at the bar despite being almost universally reviled for his ability to combine corruption with incompetence. He served as Chief Justice of the Irish Common Pleas for twenty-seven years (1800-1827) during which time he became known as the ‘Hanging Judge’ such was his propensity to prescribe the death sentence and only resigned at the age of 82 when offered an earldom and an annual pension of more than £3,000. Dying in 1831 he was succeeded by his son Hector John Graham-Toler, second Earl of Norbury who some years later decided to embark of a comprehensive redevelopment of the house: Samuel Lewis’ Topographical Dictionary of Ireland (1837) mentions that ‘his lordship is erecting a spacious mansion in the ancient style.’ Two years later, in January 1839, Lord Norbury was shot dead by an unknown assailant while out riding: no one was ever brought to court (despite a reward being offered of £5,000 and 100 acres) but it seems likely the person responsible was a tenant recently evicted from a holding on the estate.
The widowed Lady Norbury pressed on with her late husband’s plans to rebuild Durrow and work continued there until 1843 when a fire broke out. A contemporary account in The Nation recorded that ‘The new building which was not completed, joined the old one, which it was intended to adopt as a wing by facing it with stone; in this portion all the valuable furniture was stored and this part of the extensive building is totally destroyed.’ At some later date the new building was completed, and thereafter owned by successive generations of the Graham-Toler family until the 1940s.
Completed around 1860, Durrow Abbey House’s architect is unknown. Designed in the popular Jacobean Revival style, the building was originally of three storeys over a sunken basement with high gable-end windows, raised chimney stacks and corner turrets, the whole in cut limestone. Behind the main block runs a long service wing opening onto a sunken courtyard. At one stage, a large porte-cochere stood in front of the main entrance. This survived until April 1923 when the house was burnt during the Civil War. It was subsequently rebuilt three years later with the top storey and porte-cochere removed, and with simplified Arts and Crafts interiors designed by Dublin architect Ralph Henry Byrne. Following the sale of the property by the Graham-Tolers, Durrow was owned first by the Slazenger family (who later became owners of Powerscourt, County Wicklow) and then the Williams family (who owned the local whiskey distillery). Subsequent owners proposed to change use of the property from private residence to hotel and golf resort as part of a €170 million scheme that would also have included several hundred houses and apartments. This plan was comprehensively rejected by the planning authorities, not least because of the importance of the immediately adjacent medieval site. Durrow languished in uncertainty until 2003 when the Irish State paid in the region of €3.5 million to acquire the place and surrounding 80-odd acres.
In May 2007 a 99-year lease on the main house was agreed by Dick Roche, then-Minister for the Environment, Heritage and Local Government and a charitable organisation called Arts for Peace Foundation. Incorporated in August 2004, Arts for Peace ‘provides therapeutic peace education programmes for children affected by conflict.’ Paying an annual peppercorn rent of €10, the organisation used the house as a respite centre for groups of young people from diverse places around the world. Meanwhile the Office of Public Works carried out necessary work on the old church and moved a mid-ninth century High Cross moved indoors. All seemed well for the future of the entire site until five years ago when Arts for Peace stopped using the main house for its projects. In December 2016 The Times reported that a month before the charity and its founder Elizabeth Garrahy had filed a High Court action against the Office of Public Works and the Irish State seeking damages for alleged breach of contract. The charity alleged the OPW had committed to providing €500,000 and then €250,000 for repair work, but then failed to provide the funding. The OPW in turn accused the charity of failing to carry out necessary repairs and maintenance of the property according to the terms of its lease. It transpires this is why the building has not been occupied or used since 2013: for the past five years the OPQ and Arts for Peace have been at war. Although this matter ought to be of widespread interest (not least because of the potential financial implications for the Irish taxpayer), it seems the only public representative to express concern has been Carlow-Kilkenny TD John McGuinness. He has regularly raised the question of Durrow Abbey in Dáil Éireann, and elsewhere. The last time Deputy McGuinness did so was two months ago on February 15th at a meeting of the Select Committee on Finance, Public Expenditure and Reform (of which Mr McGuinness is chair) attended by Kevin Moran, current Minister of State for the Office of Public Works and Flood Relief. In the course of a discussion on the unresolved problems at Durrow Abbey, Mr McGuinness stated, ‘I firmly believe that with an effort, with both sides sitting down without being tied by legal process and without prejudice, they could reach a resolution, rather than spend unnecessary funds and scarce resources on a case when in my opinion the Arts for Peace Foundation has a good case. Going to court is a step beyond common sense in my opinion in this instance.’
The state, which is to say the Irish citizenry, has spent a considerable amount of money acquiring and restoring portions of the historic Durrow Abbey site and, as was announced at the end of last year, the state intends to spend more in the near future making the property more accessible to visitors. However at the same time a substantial group of buildings sits empty and neglected: tellingly, in May/June 2016, despite the ongoing dispute, the OPW undertook emergency remedial works to prevent water ingress to the house). This argument is surely capable of resolution, but the longer it takes to find agreement, the greater the cost. A speedy settlement is obviously advantageous. Until this happens the house at the centre of the estate and of the legal wrangle remains in a state of limbo. This is a situation that benefits no one.
Outstanding in its Field
The tower house at Donore, County Meath. This is believed to date from the early 15th century after Henry VI had offered to grant £10 to anyone prepared to build a defensive tower to protect the Pale. Donore conforms to type, measuring 24 by 20 and a half feet at its base and rising some 39 feet over three storeys. An interesting feature is that the corners are all rounded and one has a small projecting round tower. An illustration from 1785 shows the building with a pitched thatched roof but over a century earlier, in 1650, it had been the scene of a bloody denouement after the English commander Sir John Reynolds captured Donore and killed over forty members of the McGeoghegan family.
