Left Unfinished


The Etchingham family can be traced back at least as far as the mid-12th century when Simon de Etchingham was recorded as living in Etchingham, Sussex. Some two hundred years later, a descendant inherited Barsham Hall in Suffolk and from this branch would come Osborne Etchingham who served as Marshal of Ireland in the 1540s. He was the son of Sir Edward Etchingham, an English naval commander who 20 years before had been appointed by Henry VIII as Constable of Limerick Cathedral. A tradition of service to the crown ran in the family, which helps to explain Osborne Etchingham’s presence in Ireland in the aftermath of the Dissolution of the Monasteries. As a reward for his efforts, and in return for exchange with property he held in England, in 1545 he requested and received the lands of Dunbrody Abbey, County Wexford which had been suppressed nine years before. Dunbrody, of which considerable ruins remain, was a Cistercian foundation dating from the 1180s.



Osborne Etchingham died a year after receiving Dunbrody Abbey, so it is unlikely he ever spent much time there. He was succeeded by his son Edward, reported to be ‘of dissolute character’. He may have been responsible for converting Dunbrody Abbey into a residence, but it is unclear how much time he spent there since he was arrested by government forces for being involved with pirates, and is said to have died in the Tower of London in 1582. Dunbrody passed to his brother John, and then in turn to the latter’s son and grandson, both also called John. When the last of these died in 1650 leaving no sons but a daughter Jane, to whom the Dunbrody estate was specifically left by the terms of his will, thereby overriding an earlier entail. Her uncle Arthur Etchingham disputed the will’s terms, and even at one stage forcibly seized Dunbrody. However, in 1660 Jane Etchingham married Sir Arthur Chichester, future second Earl of Donegall and together the couple succeeded in securing their ownership of the property. The Chichester family, now Marquesses of Donegall, remain living in the area to the present time.



The remains of Dunbrody Castle lie some short distance from the old abbey. The building’s origins remain unclear, as it has been suggested that at least in part it is a medieval castle. However, more likely it dates from the first half of the 17th century and was constructed as a modern alternative to the converted abbey buildings. This suggests that either the penultimate or last John Etchingham commissioned the work, but that it was left uncompleted following the outbreak of widespread civil unrest from 1641 onwards. The castle consists of a rectangular bawn, with a substantial cylindrical tower on the east side and three similar but smaller towers on the west. Linking them are the bare bones of a long, two-storey house that appears to date from the 18th century, the frontage bearing the remains of weather slating while its roofline is castellated in brick (which may be a still later addition). Occupied at one point by the Chichesters’ land agent, the building was never a permanent home, which accounts for its odd appearance. Today the ruins provide the backdrop for a craftshop and yew maze.

Lineally Descended



Still in Nobber, County Meath and immediately to the east of the old railway line (see last Wednesday’s post) are the ivy-covered remains of a late-medieval tower that was once part of the church of St John, already ruinous by 1641; a small, 18th century replacement stands close by. Outside the latter and mounted on a wall is the Cruise Monument, now upright but once recumbent in the choir of the old church. It depicts a knight in full armour, with is sword to the right, and carries the inscription ‘HERE LIETH THE BODY OF GERALD CRUISE OF BRITTAS AND MARGARET PLUNKETT HIS WIFE, WHICH GERALD DID BUILD THIS MONUMENT AND IS HERE LINEALLY DESCENDED FROM SR MAURICE CRUISE WHOE DIED THE FIRST YEAR OF KING HENRY THE THIRD IN ANNO DOMINI 1216 TO WHOSE SOVLES GOD GRANT HIS MERCY AMEN 1619+’


End of the Line


The platform and what remains of the former station alongside the railway line that once passed through Nobber, County Meath. Operated by the Midland and Great Western Railway Company, the line opened in 1872 and ran between Navan and Kingscourt, County Cavan. Like a great many other branch lines, it was never particularly successful commercially but at a time when other forms of transport were limited, provided a valuable means of travel in this part of the country. The line was closed to passenger traffic in 1947 but continued to be used for movement of freight although this station closed altogether in 1963. The station has since fallen into its present dereliction but an adjacent warehouse is used for storing machinery.

A Very Sumptuous Establishment


A PhD thesis presented by Michael Ahern in 2003 (and subsequently published) explores the history of the Society of Friends, otherwise known as Quakers, in County Tipperary from the mid-17th to early 20th centuries. In the text, Dr Ahern notes how, ‘One of the most remarkable achievements of this persecuted minority, consisting of farmers, tradesmen and small business people, was the manner in which they triumphed over adversity and, in the course of time, became successful and prosperous members of the middle class. Participation in the affairs of their own Society provided a sound training which enabled members to cope with the business procedures of the secular world. Although the administrative meetings of the Society generally related to religious concerns, a large proportion of their activities was strictly practical in content and created an environment which cultivated business and administrative expertise.’ During the second half of the 18th century, one of the businesses in which they came to have a powerful presence was milling. Certain urban centres likewise became centres for this activity, among them Clonmel, County Tipperary.’ Legislation passed by the Irish parliament in 1757 offered financial incentives for the land carriage of corn to Dublin; for every five hundred-weight of flour brought to market, a premium of three pence per mile (excluding the first 10 miles) was paid. The result was an explosion in both the production of wheat and corn, and the establishment of mills, especially in areas like Clonmel, which benefitted from fast-moving water (in this case, the river Suir). Anner Mill, the first such Quaker operation, was opened here in 1771 by John Grubb, whose family would become synonymous with the industry. Many more followed, so that in 1797 when legislation was proposed to abolish financial incentives, the business was sufficiently well-established as to be in no need of subsidy: ‘The principal millers in the neighbourhood of Clonmell,’ declared John FitzGibbon, Lord Clare, ‘a part of the kingdom from which there is a considerable influx of corn to the city, do not complain of the bill; on the contrary many have declared that they will not suffer any loss from it.’






Of English origin, the Sparrow family had settled in Ireland in the mid-17th century and soon converted to the Quaker faith. They were based in the Wexford region where one of them, Samuel Sparrow, participated in the 1798 Rebellion and then fled to the United States, were he remained for the rest of his life. Long before then, at some date during the first decades of the 18th century, Richard Sparrow moved from Wexford to Clonmel where he established himself as a baker. His son, Simmons Sparrow, was more ambitious and, like many other members of his church, became involved in the area’s burgeoning milling industry. In 1778 he opened a large mill on the north side of Suir Island, which looked across to Clonmel’s quays and which could take advantage of the river’s fast-moving water. This building continued in operation until 1801 when it was destroyed by fire; eight years later the site was sold by the Sparrows to another Quaker, Thomas Hughes. In the meantime, Simmons Sparrow opened another mill to the immediate west of the town at Toberaheena while for a period in the mid-1790s his son Richard leased another two mills still further west along the Suir. Following Simmons Sparrow’s death the business was continued by Richard but he seems to have lived beyond his means and eventually lost everything, dying in Clapham, outside London in 1814 after which his estate in Tipperary was auctioned to pay the deceased’s debts.





In 1798, the American Quaker preacher and abolitionist William Savery visited this country and noted with dismay that ‘Friends in Ireland seemed to live like princes of the earth, more than in any country I have seen – their gardens, horses, carriages, and various conveniences, with the abundance of their tables, appeared to me to call for much more gratitude and humility, than in some instances, it is feared is the case’. While in Clonmel, where he stayed with the successful miller (and Quaker) Sarah Grubb, Savery visited the home of Richard Sparrow, judging it to be ‘a very sumptuous establishment indeed, which I did not omit to tell him was quite too much so’, his stables being fit for a nobleman. The house in question was Oaklands, seen in today’s photographs. Little information exists about the building, the fine entrance to which was shown here last Saturday. Of three storeys over basement, it has four bays, with a central breakfront accommodating two and a plain limestone portico supported by paired Doric columns, behind which was a doorcase with fan- and substantial sidelights. The garden front featured a substantial canted bow and a flight of cast-iron steps giving access to one of the reception rooms. This was one of four such spaces on the ground floor of the ‘sumptuous’ interior, of which little now remains. Following Richard Sparrow’s financial collapse, Oaklands passed to the Rialls, another Quaker family involved in banking. However, within a few years their own fortunes suffered a setback when the bank, like many other such private establishments in the aftermath of the Napoleonic Wars, failed and was forced to close in 1820 (its premises, for a long time part of the Clonmel Arms Hotel, have stood vacant and awaiting redevelopment for some time). In due course they were followed by Colonel Pownoll Phipps, a fascinating character who – for reasons too complicated to explain here – had as a teenage boy found himself stranded with is siblings, but without their parents, in Revolutionary France, and had then gone on to serve in the British army in India under the future Duke of Wellington; he died at Oaklands in 1858 and the estate was, at least for a while, owned by his eldest son. It then passed through a succession of different hands, and was still occupied, but in poor condition, fifteen years ago, later standing empty. The inevitable consequence of this was that the house attracted the attention of vandals and finally was gutted by fire in October 2017, leaving it in the state seen today.

Leading to Ruin



The main entrance to Oaklands, County Tipperary, a house built in the late 18th century. Centred on fine rusticated limestone gateposts, the walls curve outward to a pair of lodges. That on the right retains what is likely to have been the original form of both, single storey with a pedimented façade featuring windows on either side of a doorcase slightly recessed inside an arch. At some date the lodge on the left was enlarged, and given a hodge-podge of decorative details including Doric pilasters and Tudoresque mouldings above the windows. All now derelict, like the house to which these gates once gave access.



More on Oaklands next Monday.

Distinctly Diminutive


The south lodge at Berkeley Forest, County Wexford. Dating from c.1800 it is in Georgian Gothic form and once featured a doorcase (now blocked up) between the two lancet windows with granite surrounds. The other side of the house, which just has two windows, gives an idea of this building’s diminutive proportions.

Faith of our Fathers


‘St Patrick’s, Ardragh, County Monaghan – This church, or rather part of a church, has just been consecrated and has been built by Mr. E.P. Shirley from Messrs. Slater and Carpenter’s designs. It is a simple oblong building, with an apsidal sanctuary opening out of it by an arch at the east end. The whole is to form the chancel of a much larger church, but for the present it will be used for the parishioners. It is four bays in length, and has lancets moulded on the inside. The chancel arch is built up in the west wall, and encloses a traceried rose-window, with a temporary door and porch under. The roof is of timber, with arched principals. The sanctuary is apsidal, with a moulded lancet in each side. The roof is of solid stone, arched on the inside and weathered on the outside.’ (The Builder, 9th January 1869).




St Patrick’s, Ardragh was built on the initiative of Evelyn Philip Shirley, owner of the Lough Fea estate some six miles to the south-west of the church. It has been proposed that the building was, at least in part, intended as a mortuary chapel for the family, since a vault was placed beneath the sanctuary but this was more likely due to the fact that the ground outside drops steeply at this point. Just as significantly, neither the building’s first patron, nor any of his descendants, have been buried in the church, making the argument for the building being their mortuary chapel even less likely. On the other hand, it does appear that the initial plan was for a much larger church, of which the present one would have served only as chancel and choir, but the reality of attendance numbers at Church of Ireland services probably put paid to that idea. In any case, a foundation stone was laid here in November 1865 and work on the site began the following May, the church being consecrated in October 1868. Designed by London architect William Slater (who specialised in such religious buildings), it is situated amid a grove of beech trees on a rise, so that the church can be seen from some distance. The exterior takes the form of a four-bay gabled hall with a bellcote above the western gable front and a polygonal apse at the east end with an ashlar roof, which, as has been often noted, looks like a miniature baptistery. The four drop arched lancets of the nave are framed between off-set buttresses which continue around the chancel. While locally-quaried limestone was used for the main body of the building, a pinkish sandstone was employed for decorative features such as the window surrounds (linked by bands in the same material) and quoins on the buttresses and little entrance porch. In addition to the bellcote, the roofline also carries a slender round chimneystack in the north-west corner.



The interior of St Patrick’s reflects the simplicity of its exterior, although a key feature has since been lost. As originally decorated, the walls of the apse were lined in blue and red alabaster mined from a quarry on the Shirley estate and worked by the Dublin firm of Sibthorpe & Son; this has since been removed owing to incursion of damp. Alabaster from the same quarry can still be seen in the shafts of the columns of the chancel arch. These terminate in carved capitals of stone from Lough Fea, also used for the surrounds of the windows and western door. The windows throughout the church were made by the London firm of Clayton & Bell, those on the north and south sides simply decorated with shamrocks, roses and acorns, those in the chancel showing Christ as the Good Shepherd, the True Vine and the Light of the World, while the small rose window at the west end contains scenes from the life of St Patrick. The chancel floor carries Minton tiles showing the various Shirley coats of arms. Architect William Slater was also responsible for designing the furnishings, not least the reading desk of blue alabaster, its front carved into multiple panels containing shamrocks. Note too the octagonal baptismal font of Caen stone with more alabaster for inlays and Connemara marble for the shafts. St Patrick’s remains beautifully maintained to the present time, and still in use for services.




Text here…

 

On the Ball II


Today surrounded by architecturally inconsequential housing estates, this is Ballsgrove, built on raised ground overlooking Drogheda, County Louth. It was built as a country villa by George Ball, member of a family which had been prominent merchants and citizens of the town since the 14th century, although they also owned an estate called Ballygall near Glasnevin, Dublin. This was sold by George Ball in 1725, the proceeds seemingly being used to pay for the construction of Ballsgrove. Facing west, the house is of five bays and two storeys over raised basement. At some date in the 19th century the rear was given single-storey canted bays. These have castellations, as does the the little octagonal pavilion built on the south-east corner seen below.

On the Ball I


Now marooned on a bend in the riverside Ring Road of Drogheda, County Louth, this was formerly the entrance to the Ballsgrove estate. Dating from 1804 and taking the form of a triumphal arch, the limestone carriage arch is flanked by narrow pedestrian gates separated from above oval niches above by a Greek key impost course. In the tympanum of the pediment is the Ball family coat of arms. George Ball was responsible for erecting this entrance but it was his grandfather, also called George Ball, who built Ballsgrove, sometimes also called The Grove (altho’ a plaque in the wall here calls it The Ball). The latter was also responsible for laying out fine terraced gardens, which were sometimes open to the public. In 1752 Mrs Delany visited the site and reported in a letter, ‘You wind up a very steep hill (which otherwise would be insurmountable) planted with trees – some in walks, others in groves, so that part of it looks like a thick wood – on the top is a long level walk with old trees on each side of it, and at the end a pretty, clean house and spruce garden full of flowers, which belongs to Mr Ball, who is so obliging to the town as to permit that fine walk to be a public one, and it is the Mall of Drogheda. The view from it is surprisingly beautiful. At the foot of this fine hill winds the River Boyne.’ All a far cry from present circumstances here.

The Wily Foxes





The Fox family of County Longford were of ancient origin, their name being Ó Sionnaigh before it was anglicized. In the 11th century Tadhg O Catharnaigh (Kearney) was Chief of Teffia in Co. Meath and as a result of his wiliness came to be known as ‘An Sionnach’ – The Fox. His descendants kept the title, and eventually gained control of the Barony of Kilcoursey, County Offaly, the head of the family continuing to be known as The Fox. Among these descendants was one Patrick Fox, who appears to have been based in Dublin in the late 16th century when he worked closely with English government forces and as a result managed to secure lands in what is now County Longford which had hitherto belonged to the O’Farrells. On his death in 1618 he passed the estate to his eldest son Nathaniel, then aged 30, who built a house there, seemingly incorporating parts of the old O’Farrell castle of Rathreagh. This residence was called Foxhall.
Close to the house at Foxhall, Sir Nathaniel Fox erected a small church, now roofless and in poor condition, the south wall of which is dominated by his tomb (he died in 1634). This wonderful monument takes the form of a limestone altar tomb on which can be seen the reclining figure of Sir Nathaniel, garbed as a knight in full armour lying on his side: the head, right hand and left leg of the effigy are long gone, so that just the truncated torso and thigh remain. An orb and skull can be seen at his feet while what remains of his right arm rests on a tasselled cushion. On either side of the effigy are paired Ionic pilasters supporting an arch on which rest sphinxes. Winged putti can be seen within the arch above which is an entablature with obelisks and elaborate scrollwork. A panel above Sir Nathaniel contains the Fox coat of arms, and below two shields is a Latin inscription which translates as follows: ‘Here lies Nathaniel Fox, of Rathreagh, founder of this church, eldest son and heir of Patrick Fox of Moyvore in Co. Westmeath, who had as wife, Elizabeth, daughter of Walter Hussey of Moyhussey Knight. By whom he had 8 sons and 5 daughters, of whom 8 sons and 3 daughters survived. Patrick, son of the aforesaid Nath., sole heir, had as wife, Barbara, daughter of Lord Patrick Plunkett, Baron of Dunsany. The same Nath. and Elizabeth, lived for 25 years as man and wife, and he died at Rathreagh,2nd of Feb. A.D. 1634, aged 46.’ The entrance to the church at the west end is through a fine cut-limestone classical doorcase with a plaque noting that the building was enlarged and restored in 1772. Presumably this work was undertaken by Francis Fox of Foxhall who in 1759 married Mary Edgeworth of Edgeworthstown, linking the two families. This connection was further strengthened in 1824 when their grandson, Major Barry Fox married Mary Edgeworth’s great-niece Sophia, half-sister of writer Maris Edgeworth.





Writing of Foxhall in July 1797, Maria Edgeworth noted that ‘The house is partly an old castle, and the place quite out of order, run to ruin during [Mr Fox’s] two year absence with his regiment of Militia, besides it rained the whole time we were there and the prospect is bounded by black bogs.’ The Mr Fox to whom she here refers was the aforementioned Francis Fox, Colonel of the Longford Militia. One must presume that the condition of the house improved as three years later Maria Edgeworth again wrote to one of her siblings, ‘We – that is my father, Mrs E, Charlotte and Maria are just returned from Foxhall where we have been dining and making merry with excellent raisin wine and walking and seeing the monument and statue recumbent of that valiant knight Sir Nat Fox who has a one foot upon a globe and the other upon a skull.’ Her host Francis Fox had in 1787 married Lady Anne Maxwell, daughter of the first Earl of Farnham. This may be of relevance when one looks at the photograph of Foxhall (the last below), as there are strong similarities between the house and Farnham, the latter remodelled and enlarged from 1802 onwards for the second Lord Farnham (Lady Anne’s brother) to the designs of Francis Johnston (this is even allowing for major alterations made to Farnham in 1961). Both buildings are were of three-storeys and with a three-bay breakfront, the respective owner’s coat of arms being featured in the pediment above. Farnham was certainly larger, suggesting that Francis Fox having found his house, in Maria Edgeworth’s words, ‘run to ruin’ decided to undertake a major refurbishment and to emulate his brother-in-law’s residence. We shall likely never know because the house no longer stands. The last of the male Foxes to live here, Richard Maxwell Fox, died in 1885 and having no living sons the estate was inherited by his eldest daughter Adeline. It would appear neither she nor her two sisters married, and that they preferred to live in England. The greater part of the Fox land having already been sold, the house and demesne went the same way in the 1920s, and the former was eventually demolished by the Land Commission in 1946. The yard buildings, which stood directly behind the house, still survive to give some idea of what the place must once have been like.





Please note: In Ireland, as in so much of the world, a great many buildings are closed to the public at present. On the other hand, locations that are in decay or ruin, and open to the elements are often accessible. As a result, this site is likely to feature many such properties over the coming weeks. The Irish Aesthete apologises, but promises to keep the tone as upbeat and cheerful as possible.