Tag Archives: Irish Castle

Towering over the Town



Herewith the old Tower House in Bangor, County Down. Overlooking the harbour, it was built in 1637 by James Hamilton, a Scotsman who had originally arrived in Ireland in 1587 and settled in Dublin where he was one of the first Fellows of Trinity College, founded five years later. Following the accession of fellow-Scot James Stuart to the English throne as James I, Hamilton moved north and established a settlement in County Down, which he represented in the House of Commons until created Viscount Claneboye in 1622. While an abbey had been established in Bangor in the mid-sixth century, the town owes its present existence to Hamilton who made it a borough and encouraged trade. The tower house was constructed to serve as a custom house, Bangor having been granted port status by James I in 1620. In later centuries it had a chequered history but in recent years has served as a tourist information centre (although firmly closed to tourists – and everyone else – when the Irish Aesthete visited in mid-August…)


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A Gateway to the Past



Following Monday’s text about souvenirs of Dromoland Castle’s earlier history, it is worth looking at another feature on the estate. A previous residence of the O’Brien family, Leamaneh Castle, County Clare has featured here before (see The Legacy of Máire Rúa « The Irish Aesthete). That building was constructed around 1480 by Turlogh O’Brien, King of Thomond, and is said to derive its name from the Irish ‘Leim an eich’ (The horse’s Leap). In 1543, Turlogh’s son, Murrough O’Brien, surrendered the castle and pledged loyalty to the English crown; subsequently, he was created first Earl of Thomond and Baron Inchiquin. In 1648, his descendant Conor O’Brien extended the tower with the addition of a four-storey manor house following his marriage to Máire ní Mahon who on account of her flaming red hair, was commonly known as Máire Rúa (Red Mary).  The couple’s son, Sir Donough O’Brien later abandoned Leamaneh, moving to Dromoland. In 1902, Lucius William O’Brien, 15th Baron Inchiquin, organised for the castle’s 17th century stone gatehouse to be removed and re-erected at the entrance of Dromoland’s walled gardens, where it can still be seen. 



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Souvenirs of a Lost Demesne


Dromoland Castle is now such a familiar part of the County Clare landscape that it is easy to overlook the fact that this was by no means the only residence ever built on the same site, being instead merely the latest of them. It appears likely that a 16th century tower house stood here before being swept away by, or incorporated into, an early 18th century house. A water colour of the latter building, painted shortly before it was swept away, shows this to have been of classical design, and of ten bays and two storeys over raised basement with a four-bay pedimented breakfront. It only stood for some 100 years because in 1813, the estate’s owner Sir Edward O’Brien, fourth baronet, decided that he needed a new house, and invited the young architect James Pain, then working at Lough Cutra, County Galway (see Domat Omnia Virtus* « The Irish Aesthete) to come up with designs. Pain’s initial proposal was for another classical residence and nothing came of the project, but then Sir Edward also looked at schemes from Richard and William Vitruvius Morrison, and from Thomas Hopper  and did not used these either (although Hopper’s Doric Temple gatelodge still greets visitors to the estate, as can be seen below). Six years later Pain, together with his brother George, came up with another scheme, this time for a large Gothic castle. The design proved acceptable and was slowly constructed over the next two decades at a cost of some £50,000. Writing in 1837, as building work concluded, Samuel Lewis described the new residence as ‘a superb edifice in the castellated style, lately erected on the site of the ancient mansion, and surrounded by an extensive and richly wooded demesne…’ 





While the Pain brothers’ castle now dominates the Dromoland estate, traces remain of its 18th century predecessor. Set atop an artificial mound to the west of the house – and now regrettably wedged between a road and a motorway – is an elegant octagonal Belvedere. The building dates from the early 1740s and is believed to have been designed by self-trained architectural draughtsman John Aheron, a protégé of Dromoland’s then-owner Sir Edward O’Brien. Passionately interested in horses – and gambling – Sir Edward apparently commissioned the Belvedere so that he could watch racing across his land, and have views as far as Ennis, the county town some seven miles away. The building is of rubble stone with brick dressings, which may have once been rendered, and cut stone used for the cornice, string course and arches over the door and windows, three of which are glazed, the others blind. Entrance to the building is gained via a flight of stone steps on the eastern front while on the opposite side a cutting in the ground provides access to a semi-basement, presumably where servants would have prepared food and drink. The single room main floor has a vaulted ceiling and was heated by a fireplace set in the north-west wall. Having fallen into disrepair, the Belvedere was repaired some years ago.  





An estate map of c.1740 shows the gardens at Dromoland to have had an elaborate formal layout featuring a series of avenues and terraces, as well as vistas of which a Temple of Mercury formed part: located to the north-east of the house, it stands at the crossing point of two straight paths. Encircled by yew trees, the temple is composed of eight Doric columns supporting a timber dome covered in lead on which perches a bronze statue of Mercury, derived from Giambologna’s original of 1580. Seemingly, Sir Edward O’Brien had gambled the entire Dromoland estate on one of his stable, a horse called Sean Buí, winning a race at Newmarket. Fortunately the horse came in first and following the animal’s death, he was buried beneath the temple. Sir Edward’s passion for equestrian sport can be found in another souvenir of the 18th estate: an archway into the former stableyard. Now rather lost at the rear of a bedroom extension, the archway is of crisp limestone ashlar and bears a tablet set into the pediment. Dated 1736, it is inscribed with a motto derived from one of Horace’s Odes and reads ‘In Equis Patrum Virtus’ (In horses lie the father’s power). As is well known, Dromoland Castle and surrounding 330 acres were sold by the O’Brien family in 1962 and then became an hotel, as continues to be the case.


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An Occurrence of a Very Extraordinary Kind


Originally from Cornwall, the Codd family is thought to have come to Ireland as part of the Cambro-Norman invasion. One Hivelot Cod witnessed a charter of Raymond FitzGerald (otherwise known as Raymond le Gros) at some date between 1175-1185, and within a decade or so Hugh Cod who attested a grant to Dunbrody Abbey before 1200, indicating that by then the Codds already had become established in what is now County Wexford where they built and occupied a number of castles. So it remained until the upheavals of the 17th century when, while some branches of the family converted to the Anglican faith, others remained resolutely members of the Roman Catholic church and suffered in consequence. One of them, James Codd of Clougheast Castle near Carne, a captain in the Confederate army, was killed at Duncannon in 1643, seemingly leaving one daughter. The Down Survey of 1655 notes that in 1641 James Codd, an Irish Papist, had owned 194 acres in Carne parish 186 of which, including Clougheast Castle, were then granted to Edmond Waddy, a cornet in the Cromwellian army. His descendants lived in the old building until the late 18th century when Dr Richard Waddy, described as a physician and yeoman, began constructing a new three-storey house to one side of the castle.  It has been proposed that this building was burnt by insurgents during the 1798 Rising.





Perhaps because of the assault on his property, Dr Waddy became a loyal supporter of the British government and following the collapse of the rising in June 1798, he led a search party that discovered two key figures in the Wexford rebellion, John Henry Colclough and Bagenal Harvey, who had been hiding on the Greater Saltee Island several miles off the coast: both men were subsequently hanged. While toasted by government authorities for his actions, Waddy then attracted widespread opprobrium in the area, so much so that he retreated to Clougheast Castle and barricaded himself there with a handful of servants. However, in February 1800, the
Gentleman’s Magazine carried a report of ‘an occurrence of a very extraordinary kind’ which had occurred there some time before. According to the article, Dr Waddy was in such fear for his own security that the entrance to his bedroom was secured by an antique portcullis. It then explained that ‘A few days ago, a mendicant popish friar of Taghmon, named Burn, visited the doctor in his castle, and was hospitably entertained at dinner – in the evening, when it was time to part, Burn begged to be allowed to remain, and after some difficulty on the part of his host, was permitted to lie in a second bed in the vaulted chamber. While the Doctor and the friar were going to their beds, the friar expressed great anxiety that his host should say his prayers, a duty which the Doctor, who had drank freely, seemed disposed to neglect; in the middle of the night, Doctor Waddy heard somebody drawing his cavalry sword, which hung at his bed’s head, and immediately after was attacked by the friar, and was now endeavouring to murder his host; the latter received several wounds in the head and arm, and at length the friar supposing that he had accomplished his purpose, attempted escape under the portcullis. Doctor Waddy had just strength enough remaining to loose the cord which supported it, and it fell on the priest with such violence, almost to sever his body, which fell down lifeless into the apartment below. The next morning the body of the friar was found, and the servants, going into their master’s apartment, found him covered in his own blood – Immediate medical aid was had, and we have the satisfaction of hearing that Doctor Waddy is now out of danger. A Coroner’s Inquest was held on the body of Burn, and the jury (composed of the Roman Catholic inhabitants of the neighbourhood) found a verdict of “accidental death”.’ Several decades later, in the first volume of his entertaining but unreliable Personal Reminiscences, Sir Jonah Barrington told the story of Dr Waddy and the friar but embellished it by describing how half of the deceased (that part which lay inside the portcullis) was eaten by the castle’s occupant, too fearful to leave his home in search of other food. A fanciful story, but quite without basis in fact. Dr Waddy remained in possession of Clougheast Castle until his death in 1826 when it was inherited by his only son John, also a physician and a local Justice of the Peace.





Dr John Waddy appears not to have lived in Clougheast Castle but instead to have built a new residence nearby, a two-storey thatched house. Through his mother, Oscar Wilde was related to the Waddys and is said to have visited Clougheast Cottage, as the building was called, on several occasions. Dr John Waddy died without issue in 1875, and while his widow remained there for at least a decade, the property was later sold and passed through a succession of hands before being bought by the present owner more than 20 years ago. By then, the adjacent house, built by Dr Richard Waddy but then left a shell, had been turned into a family home (and the courtyard converted into a number of residences) but the castle itself needed the complete renovation it has since received.  Thought to date from the 15th century when constructed by the Codds, it rises three storeys over a barrel-vaulted chamber, climbing to the attic gable which incorporates a dovecote. Above, this a walled walk around the pitched roof provides superlative views across the surrounding landscape. Many of the rooms below, given new floors and ceilings, still retain their fireplace and window openings. During the course of the restoration, many items were discovered spanning the centuries since the castle was first raised; these have been carefully preserved and help to explain the building’s evolution. This has been a long and carefully considered enterprise, as so often embarked upon by the owner without necessarily appreciating how much time and effort (and indeed cost) would be involved. An philanthropic undertaking that merits everyone’s gratitude.


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Undaunted and Vigorous Still


‘Dunloe Castle stands on a bold promontory overlooking the river near the bridge. It has a worn, but wild and hardy look about it, as if it had suffered much at the hand of time, but remained undaunted and vigorous still. The view from the castle is most exquisite, and the row down the river will be found to be not the least interesting portion of the excursion…The castle has been kept in good repair by its various proprietors. Its position was, in former days, a strong one; and it was doubtless erected for the purpose of commanding the river and the pass into the mountains. In the time of Henry VIII and Elizabeth, it frequently stood the brunt of warfare; and in 1641 it was besieged and nearly demolished by the Parliamentary forces under Ludlow.’
From The Lakes of Killarney by Robert Michael Ballantyne (1865)




‘Let no one leave Killarney without rowing a mile or two down the Laune and visiting Dunloe Castle by water; – as we did in the “gloaming” of a summer evening, when the lake was calm – the grey fly floating on its surface, and the salmon and trout springing from the waters…but here stands the Castle on its bold promontory above the river – a firm, fearless looking keep, approached by a steep hill-road, recalling both by its shape and situation, one of the Rhine towers. Land, by all means and, as it is permitted, ascend; and passing through a turngate, walk along the terrace, which commands a view of the magnificent slopes, which a little pains might easily convert into hanging gardens. The greater part of the kitchen-offices were burnt some years ago, so that the dwelling-castle has a gaunt and isolated appearance, in accordance with the wild mountain scenery.’
From A Week in Killarney by Mr and Mrs S.C. Hall (1843)




‘As we drive along, behold beneath us a view of Dunloe Castle, the remains of an old fortress, that, like Ross Castle, was used by the turbulent chiefs of the country as a place of strength and security. It suffered many vicissitudes and, at last, during the reign of Oliver Cromwell, was partly demolished by bombardment. It has been, by some late repairs, converted into a very romantic residence by the late Major Mahoney, whose politeness and attention every stranger was sure to experience. There is an embattled walk around the top, from which an extensive view of the Lake and the surrounding mountains may be taken, if the stranger deem it of sufficient importance to pause for it.’
From A New Guide to the Scenery of Killarney by D.E. Fitzpatrick (1845)


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A Fine Specimen


Handsomely set against a background of woodland, the 16th century tower house at Castlegrove, County Galway is known as both Feartagar Castle and Jennings Castle, the latter name derived from a family believed to have lived there for a period. The building is thought to have been constructed by the de Burgos (otherwise Burkes) who controlled much of the land in this part of the country, but the Jennings may indeed have been responsible, since the two families were related to each other. The surname Jennings originally McSeonins, or sons of John (de Burgo), which was first anglicised to Jonine and then to Jennings, sometimes spelled Jenings.




The castle comprises a rectangular, five-storey tower measuring some 12 by 10 metres. Both the eastern and west roof gables survive, as do chimney stacks on either end as well as on the northern side. At the top of each of the four corners are well-preserved curved bartizans, while above the pointed arch doorway on the eastern wall is a further machicolation. At various levels on every side are a series of arrow slits as well as a number of mullion windows with hood mouldings. Although apparently unoccupied since the mid-17th century, the building is in an excellent state of repair, certainly when compared with many other tower houses found elsewhere around the country. 




The castle is believed to have remained in the hands of the de Burgo or Jennings family until the 1650s when, like so many other such properties, it was taken from the owners by the Cromwellian government in the aftermath of the Confederate Wars. It was then granted to the Blakes, members of another well-known County Galway family who had likewise been displaced from their original land holdings. Successive generations of Blakes lived on the property until the mid-19th century, a new house being erected here in the 1830s. However, in the aftermath of the Great Famine, the entire estate was sold through the Encumbered Estates Court, bought for £15,750 by John Cannon. Following his death, it was sold again to Frederick Lewin and was inherited by his son Thomas before being burnt July 1922, seemingly by anti-Treaty forces. The remains are now lost in nearby woodland, with the older tower house today in better condition than its successor. 

A Momentary Lull


Particularly at this time of year, it is hard to catch a picture of Ross Castle, County Kerry without the inclusion of milling crowds since every car, coach and jaunting cart in the area visits the place. Located on the shore of Lough Leane, the castle is a 15th century tower house and keep originally constructed for the the O’Donoghues Mór. It passed to the McCarthys in the 1580s and thence to Sir Valentine Browne, forebear of the Earls of Kenmare. Today it is under the care of the Office of Public Works.

A Missed Opportunity




In her marvellous memoir Bricks and Flower, Katherine Everett described how, in August 1922 and at the age of 50, she had cycled from Limerick to Macroom, County Cork at the request of her distant cousin and godmother Olive, Lady Ardilaun to see what remained of the latter’s property, a castle in the centre of the town which had just been burned by anti-Treaty forces. Located above the river Sullane, the castle dates back to the 12th century and for several hundred years was occupied by the McCarthys before eventually passing into the ownership of the Hedges Eyre family before eventually being inherited by Lady Ardilaun. Two years after the fire, she sold the castle to a group of local businessmen; the main part of the building was demolished in the 1960s, with just the outer walls remaining, a series of mediocre school buildings erected within them. What survives suffers badly from neglect (as indeed does the river and the nine-arch bridge crossing which dates from c.1800) with the local county council failing to make the most of what has potential to be a popular visitor attraction. Instead, Macroom’s most significant piece of architectural heritage as been left to moulder: a missed opportunity.


A Well Selected Site


‘The Cathedral of Aghadoe  or Achadh-dá-eó’ (the Field of the Two Yews) is situated three miles west of Killarney, on high ground, 405 feet above sea level, from which, perhaps, a better general idea of the magnificence of the lake and mountain scenery of the district can be got than from any other point of vantage in the neighbourhood. The ground slopes up the whole way from the north shore of the Lower Lake to the Cathedral, a distance of about a mile. No one who has visited any considerable number of ancient ecclesiastical buildings can fail to have been struck by the care which the monks took in selecting sites where feelings of religious devotion might be intensified by the contemplation of all that is beautiful in nature. Sometimes the church stands beside a brawling stream, amidst the sylvan scenery of some secluded glen; or it is found by the banks of the broad river flowing through the rich meadows of the plain; or, as at Aghadoe, the charm lies in the extent of the landscape to be seen from an elevation, with its ever-changing effects of light and shade and variations of colour. The ecclesiastical remains at Aghadoe consist of the ruins of the Cathedral and the stump of a round tower, besides which are the mouldering remains of an old castle on the grassy hill-side sloping down towards the Lake. A church was founded here at a very early period by St Finan, the Leper, who also founded the monastery of Innisfallen, and whose festival is held on March 16th. Aghadoe afterwards became the site of a bishopric which was in later times joined to that of Ardfert…’
From ‘Notes on the Antiquities in Co Kerry’ by J. Romilly Allen, Journal of the Royal Society of Antiquaries of Ireland, Volume II, Fifth Series, 1892





‘All the interest of this building is concentrated in the west door. It is of four orders. The external order is more or less destroyed; it is now composed of three different ornaments, parts of three arches which have been stuck in when the door was repaired and patched up. I have rubbings of one…it is an uncommon variety of the incised chevron. The height of this doorway above the present level of the ground is 5ft 3in; the width at the top is 2ft 7in, and 2 ft 9in at the bottom. The bases of the jambs are square, plain and slightly projecting. The shafts have the rope pattern with beads…There is a peculiar ornament running around one of the orders. I should say the height of the jambs is 5ft 8in, not 4ft, and that one-third of their length is hidden which spoils the proportions of the door as represented. It is built of sandstone which is said to have been brought from a distance, there being none like it to be found for many miles around…’
From Notes on Irish Architecture by Edwin, third Earl of Dunraven, edited by Margaret Stokes (London, 1877)





‘The Castle or Military Tower is situated outside the churchyard, a little way down the hill to the south. It is a circular Norman keep of the thirteenth century, 21 ft diameter inside, having walls about 6ft thick, rudely built of rounded, water-worn boulders. A staircase in the thickness of the wall leads to the first floor, and there are indications of a second floor above. The doorway is on the east side on a level with the ground. The tower stands within a square intrenchment, having projecting bastions of the south side.’
From ‘Report on the Forty-Sixth Annual General Meeting at Kerry, Ireland’. Archaeologica Cambrensis, The Journal of the Cambrian Archaeological Society, Volume IX, Fifth Series, 1892)

For what Purpose?



Located on Patrick’s Hill and above a stone outcrop in the village of Dunfanaghy, County Donegal, this crenellated little tower’s origins are unclear. While it does not appear on the original Ordnance Survey map of the late 1830s, it is shown on Griffith’s Valuation map a couple of decades later. Was it constructed as a folly or a lookout post with views across the local Sheephaven Bay? And who commissioned it? Set on a plinth and of rubble stone, the structure has a pointed arch opening on the west side and square-headed window opening to the north, with an infilled opening on the south face. It holds one small room: what can its purpose have been?