Tag Archives: Old Church

The Heavy Hand is Uppermost




After last Friday’s text about the Massy mausoleum in the graveyard of Ardagh, County Limerick (Blessed are the Dead « The Irish Aesthete), here is another such monument in the same site. In this instance, it commemorates William Smith O’Brien, one of the key figures in the Young Ireland movement who, following a failed armed uprising in 1848, was transported to Van Diemen’s Land (Tasmania), although pardoned and permitted to return to his native country in 1856. Erected the year after O’Brien’s death in 1864, the mausoleum was designed by Limerick-born architect William Fogerty in the Hiberno-Romanesque style. It contains the remains not just of O’Brien but also his wife Lucy Caroline Gabbett, who predeceased him, and the couple’s eldest son Edward William O’Brien, described on an inscription  as “A Just Man, Lover of His People.” Above the cast-iron panelled door can be seen the O’Brien coat of arms carved in sandstone. The chevron pattern mouldings above the door are supported by Connemara marble columns, and note how the outermost limestone arch concludes in balls of shamrocks. Inside the tympanum is O’Brien’s motto,  ‘Is laidir an lamh in uachtair’ (The heavy hand is uppermost) Sandstone and limestone are also employed in alternate bands around the rest of the building, with a series of blind arches on three sides.




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Sweet Innisfallen


‘Innisfallen, it is paying no great compliment to say it is the most beautiful in the king’s dominions, and perhaps in Europe. It contains twenty acres of land, and has every variety that the range of beauty, unmixed with the sublime, can give. The general feature is that of wood; the surface undulates into swelling hills, and sinks into little vales; the slopes are in every direction, the declivities die gently away, forming those slight inequalities which are the greatest beauty of dressed grounds. The little valleys let in views of the surrounding lake between the hills, while the swells break the regular outline of the water, and give to the whole an agreeable confusion. The wood has all the variety into which nature has thrown the surface; in some parts it is so thick as to appear impenetrable, and secludes all farther view; in others, it breaks into tufts of tall timber, under which cattle feed. Here they open, as if to offer to the spectator the view of the naked lawn; in others close, as if purposely to forbid a more prying examination. Trees of large size and commanding figure form in some places natural arches; the ivy mixing with the branches, and hanging across in festoons of foliage, while on one side the lake glitters among the trees, and on the other a thick gloom dwells in the recesses of the wood. The figure of the island renders one part a beautiful object to another; for the coast being broken and indented, forms bays surrounded either with rock or wood: slight promontories shoot into the lake, whose rocky edges are crowned with wood. These are the great features of Innisfallen; the slighter touches are full of beauties easily imagined by the reader. Every circumstance of the wood, the water, the rocks, and lawn, are characteristic, and have a beauty in the assemblage from mere disposition. I must, however, observe that this delicious retreat is not kept as one could wish…as to what might be made of the island, if its noble proprietor (Lord Kenmare) had an inclination, it admits of being converted into a terrestrial paradise; lawning with the intermixture of other shrubs and wood, and a little dress, would make it an example of what ornamented grounds might be, but which not one in a thousand is. Take the island, however, as it is, with its few imperfections, and where are we to find such another? What a delicious retreat! an emperor could not bestow such a one as Innisfallen; with a cottage, a few cows, and a swarm of poultry, is it possible that happiness should refuse to be a guest here?
From A Tour in Ireland, with general observations on the present state of that kingdom in 1776–78, by Arthur Young (London, 1780) 





‘Innisfallen Island, about half-way between the east and the west shores of the lake [Lough Leane], is interesting on account of the historical associations connected with it, the charm thrown around it by the poetry of Moore, and more especially for its own exceeding beauty. Of all islands it is perhaps the most delightful.
The island appears from the lake or the adjoining shore to be densely covered with magnificent timber and gigantic evergreens, but upon landing, the interior of the island will be found to afford a variety of scenery well worthy of a visit — beautiful glades and lawns, embellished by thickets of flowering shrubs and evergreens, amongst which the arbutus and hollies are conspicuous for their size and beauty. Many of the timber trees are oaks, out the greater number are magnificent old ash trees of remarkable magnitude and luxuriance of growth.
The Abbey, whose ruins are near the landing-place, is believed to have been founded about 650 by St. Finian, to whom the cathedral of Aghadoe was dedicated. In the east end are two lancet windows, which, with this gable, have been recently re- stored. A little away to the right is the small “Romanesque” church standing by itself. The round-headed West doorway, with remains of well-carved mouldings, is, architecturally, the best thing on the island, and may date back as far as the 11th century. ”Quiet, innocent, and tender is that lovely spot,” wrote the delighted Thackeray after his visit in 1842.’
From Black’s Guide to Killarney and the South of Ireland by Adam and James Black (Edinburgh, 1876)





‘Moore has sung the praises of this island in the following lines :
“Sweet Innisfallen, fare thee well,
May calm and sunshine long be thine!
How fair thou art let others tell
To feel how fair shall long be mine.
Sweet Innisfallen, long shall dwell
In memory’s dream that sunny smile,
Which o’er thee on that evening fell,
When first I saw thy fairy isle.”
Innisfallen Abbey is supposed to have been founded by St. Finan about the year 600. The ruins lie scattered about the island. The celebrated ” Annals of Innisfallen ” were composed here by two monks. This work, which is among the earliest records of Irish history, was written on parchment. The original manuscript, containing fifty-seven quarto leaves, is now in the Bodleian Library at Oxford; but it was preserved for several centuries in the Abbey of Innisfallen. It contains a History of the World down to the arrival of St. Patrick in Ireland in the year 432, and from that period it is a History of Ireland down to 1320. There are several copies of the work in existence, one of which is in the library of Trinity College, Dublin. From many passages in these Annals we learn that the monks did not seem to have enjoyed their little isle altogether unmolested in the so-called “good old times.” In one place we read thus: — “Anno 11 80. This Abbey of Innisfallen being ever esteemed a paradise and a secure sanctuary, the treasure and the most valuable effects of the whole county were deposited in the hands of the clergy ; notwithstanding which, we find the abbey was plundered in this year by Mildwin, son of Daniel O’Donoghue. Many of the clergy were slain, and even in their cemetery by the McCarthys. But God soon punished this act of impiety and sacrilege, by bringing many of its authors to an untimely end”.’ From Souvenir of the lakes of Killarney and Glengariff published by T Nelson & Sons (London, 1892)


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Once Sumptuous


Buttevant: ‘It is called in the Ecclesiastical books Bothon; by the Irish and Spencer, Kilnemullagh; and was formerly an antient corporation, being once governed by a mayor and aldermen; but by the wars it has gone to decay; ‘tis said to have suffered greatly by the last plague in Ireland. There are still to be seen the remains of a wall that surrounded the town; in this place are the remains of the once sumptuous abbey of Buttevant, founded by David de Barry (who lies buried therein) in the reign of Edw. 1st. He was lord justice of Ireland, and his tomb remains in the choir, opposite the great altar. The walls of the choir, with the nave of the church and several other buildings remain entire; also the steeple, which is a high square erected on a large gothic arch. To the S. is St Mary’s Chapel, in which are several tombs of antient Irish families; on the N.W. side of the abbey stands a ruined tower, said to have been erected by an earl of Desmond, who retired here; ‘tis called Cullin. On each side of the W. entrance of the abbey, are large piles of skulls, which some say were brought thither after the Battle of Knocknanoise, which was fought but five miles from hence.’
From Topographia Hibernica: or the Topography of Ireland, Antient and Modern, by Wm. Wenman Seward (Dublin, 1795)





‘To the south is St Mary’s Chapel, in which are several tombs of ancient Irish families, viz the Barrys, Magners, Fitz-Geralds, Prendergasts, O’Callaghans, Donegans, Meads, Dowlings, and Healys. In this chapel are the remains of an altar, and two others in the nave of the church, on each side of the choir, in which are other tombs of the Barrys, Nagles, Lombards and Supples; also, one of a later date, of Mr. Richard Morgan, who died October 15, 1748, in the 107th year of his age. This man lived above 70 years at Castle-Pooky, near Doneraile; he had been clerk of the crown and peace for this county, in king James’s time, never eat salt with his meat, and died with no other complaint than the mere effect of old age. Beside the above-mentioned tombs, there are others of the Coghlans, Mac Auliffs and O’Kiefs. About 12 years ago, as they were making a grave, the body of a woman was discovered, who had been buried here 20 years before quite whole and entire; she died of the small-pox. The skin appeared hard, dry and very stiff, of a dark brown colour; she was interred in a dry vault between two lime walls, through which the wind and air had a free passage; which probably contributed to parch up the body, and keep it so long from corruption.’
From The Ancient and Present State of the County and City of Cork by Charles Smith (Cork, 1815)





‘The ruins of the abbey are finely situated on the steep bank of the river Awbeg, and consist chiefly of the walls of the nave, chancel and some portions of the domestic buildings; the upper part of the central tower, supported on arches of light and graceful elevation, fell down in 1814; the tomb of the founder, David de Barry, is supposed to be in the centre of the chancel, but is marked only by some broken stones which appear to have formed an enclosure. On the south side of the nave are the remains of a finely proportioned chapel in which, and also in the nave and chancel, are numerous tombs and inscriptions to the memory of the Barrys, Fitzgeralds, Lombards and others.’
From A Topographical Dictionary of Ireland by Samuel Lewis (London, 1837) 


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A Place of Pilgrimage



June 23rd 1752: ‘This country being entirely unknown I have been the more particular in relation to it, for my own satisfaction. From the Ferry I went westward along the Strand, and passed under an old Church called Kilkenny, a chapel of Ease to Enniskeel, a mile farther I came to a village called Balyaristan: and having a letter to Mr. Stewart the Minister of Inniskeel I came in two miles to his house, the first half on the strand and the remainder within the sand banks ; opposite to it is a small Island called Keel or Inniskeel (Island Bed) in which are two churches, about one the Protestants bury, and at the other the Papists; At low water they ride over to it.’
From Richard Pococke’s Tour of Ireland in 1752, edited by George T. Stokes (Dublin, 1891)




No longer to be seen on Inishkeel or indeed in this part of the world: St Conall’s Bell and Shrine. Made of iron, the original plain hand bell, used to summon the local people to services, likely dates from the 7th or 8th century. It is indicative of the growing fame of St Conall that several hundred years later, this simple device was decorated with a bronze mount and then, in the 15th century, an elaborate shrine of bronze and silver parcel-gilt, with silver plates, rock crystal studs and a chain, was made to house the implement. Both the bell and its shrine were kept for many centuries by the local O’Breslin family, supposedly descendants of the saint’s family, and would be exhibited annually during celebrations of his feast day (May 22nd) when pilgrims gathered on Inishkeel. Writing for the Ordnance Survey in 1835, described how ‘This chain O’Breslin threw around his neck, and from it the bell hung down his breast, exhibiting to the enthusiastic pilgrims the glittering gems and the symbol of the bloody sacrifice.’ At some date around this time, the bell and shrine were purchased by Major James Nesbitt, a local magistrate and Deputy Lieutenant of Donegal, who lived a little further south in a house called Woodhill. The items then passed through a couple of hands before being bought by the English antiquarian and collector Augustus Wollaston Franks who in 1889 presented them to the British Museum where he served as Keeper of British and Medieval Antiquities. Bell and shrine remain in the museum’s collection to the present day, although they were loaned for exhibition in the Donegal County Museum ten years ago.
Inishkeel is a little island off the coast of south-west County Donegal, only accessible on foot when the tide is sufficiently low. Here, in the late 6th century, Saint Conall Cael, about whom almost nothing is known, founded a monastic settlement which, like so many others, in due course became a renowned place of pilgrimage. Remains of two small churches, one dedicated to St Conall, the other to the Virgin, both dating from the 13th century and later, can be seen here. They have each undergone some restoration work (the east end of the St Conall’s church has evidently been reconstructed, since numbers can be seen on many of its stones). There are also several cross slabs still standing, including two on which carved decorations of interlaced design may still be seen: one of them is believed to have been the shaft of a high cross from the 11th/12th century. When the buildings here fell out of use is unclear, but the island continued to be populated into the 19th century: the 1841 census shows there were 16 people living on Inishkeel. Today, while one roofed house still stands, it is otherwise uninhabited. Looking at the scant remains, it is difficult to believe that this was once the centre of a thriving monastic community and a place to which pilgrims flocked. 




No longer to be found on Inishkeel or indeed in this part of the world: St Conall’s Bell and Shrine. Made of iron, the original plain hand bell, used to summon the local people to services, likely dates from the 7th or 8th century. It is indicative of the growing fame of St Conall that several hundred years later, this simple device was decorated with a bronze mount and then, in the 15th century, an elaborate shrine of bronze and silver parcel-gilt, with silver plates, rock crystal studs and a chain, was made to house the implement. Both the bell and its shrine were kept for many centuries by the local O’Breslin family, supposedly descendants of the saint’s family, and would be exhibited annually during celebrations of his feast day (May 22nd) when pilgrims gathered on Inishkeel. Writing for the Ordnance Survey in 1835, described how ‘This chain O’Breslin threw around his neck, and from it the bell hung down his breast, exhibiting to the enthusiastic pilgrims the glittering gems and the symbol of the bloody sacrifice.’ At some date around this time, the bell and shrine were purchased by Major James Nesbitt, a local magistrate and Deputy Lieutenant of Donegal, who lived a little further south in a house called Woodhill. The items then passed through a couple of hands before being bought by the English antiquarian and collector Augustus Wollaston Franks who in 1889 presented them to the British Museum where he served as Keeper of British and Medieval Antiquities. Bell and shrine remain in the museum’s collection to the present day, although they were loaned for exhibition in the Donegal County Museum ten years ago. 



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In the Ancient Style


One of the lesser-known figures in early 18th century Irish cultural life is the Rev John Stearne, successively Dean of St Patrick’s, Dublin, then Bishop of Dromore and finally Bishop of Clogher. Born in 1660, he was the son of another John Stearne, Professor of Medicine at Trinity College Dublin and founder of what would become the Royal College of Physicians of Ireland. In 1705 the younger Stearne succeeded his mother’s kinsman Jerome Ryves as Dean of St Patrick’s where he rebuilt the deanery (a house that would be destroyed by fire in 1781), the first of several such projects he undertook. The next came following his elevation in 1713 to the Bishopric of Dromore where he inherited an incomplete episcopal palace at Magheralin from his predecessor, Tobias Pullen. The latter had spent some residence which Stearne further extended and finished at a cost of more than £333: this building is also, alas, no more. Then, following his translation to Clogher, he is recorded by his near contemporary Walter Harris as having spent £3,000 ‘in building and other improvements.’  A considerable amount of the money is likely to have gone towards a new cathedral, commissioned by Stearne only a year before his death in 1744. 





A bachelor, Bishop Stearne was an ardent bibliophile, one of the keenest book collectors of his generation. In June 1713 he informed his friend William King, Archbishop of Dublin (another great book collector) that he sought a remedy for ‘that disease which inclines men to buy more books than they can have much use for.’ Even while he was Dean of St Patrick’s, his fondness for acquiring volumes had been noted in verses by William Percival, Dean of Emly, who wrote:
‘Near St Sepulchre’s stands a building
Which, as report goes, ne’er had child in;
The house is large, and to adorn her,
From garret down to chimney corner,
The upper chambers were well lined
With antique books, and books new coined;
Which plainly shewed its founder’s head
With learning of all sorts supplied…’*
His collection would become a useful resource for many scholars, not least the aforementioned Walter Harris who, in the preface to his updating of Sir James Ware’s writings, gratefully noted that the bishop ‘gave me free leave to make Extracts out of his valuable Collections relating to Ireland.’ In June 1738, John Copping, newly appointed Dean of Clogher told Sir Hans Sloane that Stearne, then aged 78, ‘carries in him a magazine of knowledge, unimpaired by his great age, with a constitution of body which I dare not match. An easy temper, with an engaging affability makes his house the constant resort of all the learned and polite world, and as he is a bachelor, you will not wonder that his hospitable doors are open to the ladies.’ Copping added that the bishop was as communicative as he was knowing. ‘His study is large, containing I believe 6 or 7000 volumes, among which are some curious pieces, and I believe there is nothing in his collection with which he is not intimately acquainted.’ Five years earlier, Stearne had donated £1,000 to his alma mater Trinity College Dublin for the construction of a printing house (designed by Richard Castle) and two years later gave a further £200 for the purchase of block types used in printing. It might have been expected therefore that following his death he would leave his library, which he had long regarded as ‘a resource for others’, to the college where he had long served as vice-chancellor. Instead, he opted to divide the collection between different institutions, TCD having already received in 1741 the collection of depositions relating to the 1641 rebellion, which Stearne had bought from the widow of Dr John Madden. Over 2,000 works from his collection to the library established more than forty years earlier by Narcissus Marsh, declaring in his will that this was but ‘a small token of the great regard I have for the bountiful erector and endower of this Library.’ By the terms of his will, he endowed a number of charities, including Dr Stevens’ Hospital and St Patrick’s Hospital (established by his old friend, Jonathan Swift), as well as leaving funds for the completion of the cathedral which was then under construction at Clogher. 





Located on a rise above the village, the cathedral at Clogher has always sat within the walls of what was once a Celtic hill-fort. As a religious settlement, the building is said to owe its origins to St Macartan, a companion of St Patrick, who c.493 founded a monastery here. In 1111, at the reforming Synod of Ráth Breasail, Clogher was established as a diocese, its boundaries roughly conforming to those of the medieval Kingdom of Airgíalla, although for a period during the 12th century its centre was moved to Louth. Nothing survives of the original cathedral. Dedicated to St Macartan, it was rebuilt c.1183 and then again in c.1295, before the entire site was severely damaged in two fires in the years 1395 and 1396. Further damage was inflicted on several occasions during the upheavals of the 16th century, so that by the time James Spottiswood was appointed bishop in 1621, he found the cathedral church ‘altogether ruynous. The walls of an Abbey church standeth by, which will beare no roofe.’ Although he undertook extensive restoration works, these suffered again over the course of the Confederate Wars and their aftermath, and it was only in the early 18th century that this part of the country experienced sufficient peace for John Stearne to undertake the construction of a new cathedral, although in doing so, almost all evidence of earlier buildings here were cleared. Stearne’s architect is believed to have been the builder/architect James Martin, about whom little is known except that he died almost the same time as did the bishop. Although quite clearly a classical structure, the building was described at the time as being ‘in the ancient style of English architecture.’ As explained by Peter Galloway in The Cathedrals of Ireland (1992) this clearly does not suggest the latest iteration of St Macartan’s was an early example of the Gothic revival, but rather that it had a cruciform plan ‘which was a notable move away from the hall-and-tower type of church in standard design in the late 17th century.’ In 1816-18, alterations ‘in the Grecian style’ were made to the cathedral by the then-dean, Richard Bagwell, the most obvious instance of which was the addition of an open stonework balustrade with obelisk finials around the top of the tower at the west end. Internally, further changes took place in 1865 when the galleries along the south and north sides were removed, so that only that on the west side, accommodating the organ, can be found today. The interior of the building is relatively plain, relieved by a variety of memorials between round-headed windows, most of which have been filled with stained glass: the Venetian east window has Ionic columns and pilasters and commemorates Lord John George Beresford, Bishop of Clogher 1819-20. Still well-maintained by the local community, St Macartan’s is perhaps not the most engaging cathedral in Ireland: one wonders what might have been its final appearance had both John Stearne and James Martin lived to see the work completed. 


*Patrick Delany, Dean of Down, also wrote a verse, Written on a Window, at the Deanery House, St Patrick’s, in which he mentioned the genial hospitality provided there by both Stearne and his successor Jonathan Swift.
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Death is the Door of Life



The Malone Mausoleum in the graveyard of Kilbixy, County Westmeath was erected in the late 18th century, its design attributed to James Wyatt who is thought also to have been responsible for the adjacent St Bigseach’ church. The building was commissioned by Richard Malone, first (and last) Baron Sunderlin who lived nearby in the long-lost Baronston House. Faced with ashlar limestone, it takes the form of a weighty square block on a stepped base plinth above which rises a pyramidal roof. Comparisons have been made with the mausolea of Halicarnassus and Knidos, and, with regard to the north-east elevation, the fourth century BC Choragic Monument of Thrasyllos on the south face of Athens’ Acropolis. The building’s Greek cross interior contains three sarcophagi, one for Malone, one for his late uncle Anthony Malone (whose extensive estates he had inherited) and one for his brother Edmond, a well-known Shakespearean scholar of the period. Access to the interior is via double doors, above which is an inscription reading ‘Mors Janua Vitae’ (Death is the Door of Life) while on the south-west can be seen the Malone coat of arms with the inscription ‘Fidelis at Urnam’ (Faithful until Death). Thanks to the Follies Trust, the mausoleum underwent extensive restoration in 2023 but recently a tree in the graveyard came down beside it and while this does not appear to have damaged the main structure, the cast-iron railings may have suffered. 



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How Dreadful is this Place



Like Drimnagh Castle, seen here on Monday, the nearby St Mary’s church would once have stood amidst woodland and fields several miles outside the city of Dublin, whereas today it is surrounded by suburban housing estates. Set inside a circular enclosure, this has been a religious site since at least the arrival of the Cambro-Normans, if not longer.  In 1193 the church was given by Prince John to form a prebend in the St Patrick’s collegiate church (later Cathedral) and afterwards vested in the Archbishop of Dublin. The English engraver Francis Jukes produced a view of the area in 1795 which shows the church’s tower which still survives, but the main body of the building was reconstructed in 1817 with a loan of £1,000 from the Board of First Fruits. A new Church of Ireland church was built close by in the last century, but this one continues to be used for services by a religious organisation called the Hope Centre. The entrance at the base of the tower has a fine cut limestone doorcase with broken pediment beneath which is a plaque with a quotation from the Book of Genesis ‘How Dreadful is this Place, none other is the House of God, and this is the Gate of Heaven.’ Above it is a solitary skull; seemingly there were also crossbones but these went missing in the 1990s.


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The Old and the New



Unused for almost 160 years, the old church at Ballyclog, County Tyrone dates from 1622 when it was built on the site of an ancient place of worship by the then-rector, the Rev Bradley. Constructed of dark stone with a brick belfry, the building was summarised by Samuel Lewis in 1837 as ‘a small plain ancient structure with a tower and spire; and in the churchyard are the family vaults of the Steuarts of Steuart Hall, and the Bells of Belmont, to whom some handsome monuments of freestone have been erected.’ Three decades later, another rector, the Rev. Greene, decided the time had come to commission a new church, erected within sight of its predecessor. Used for services since 1868, St Patrick’s was designed by Welland and Gillespie, joint architects to the Ecclesiastical Commissioners of the Church of Ireland. It has been described by Prof. Alistair Rowan as ‘a roguish little building…wilfully adapting Irish architectural elements to jazzy ends.’ Among the most obvious of these elements is a tower on the south-west corner, which rises from a battered base around which snake bands of red stone up to a greatly extended conical spire. 



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Larkin’ about




What survives of the little parish church of Ballylarkin, County Kilkenny, its name derived from the Irish Baile Uí Lorcáin meaning Town of Ó Lorcáins (they being the family who initially controlled this part of the country). The building is believed to date from the 13th century but inside on the south wall is a later piscina and a triple sedilia probably inserted in the 14th century. 




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Sacred Origin and Pious Association


‘From childhood it has been my fortune to see, many times, as fine a specimen of a round tower as time and the ravages of man allowed to remain in our midst. It was situated at a remote village, called Kilbannon, distant some three miles from the ancient archiepiscopal town of Tuam. Standing at the northern side of a little graveyard and upon a perfectly level plain, it is visible for miles round. Near it are the ruins of an old Dominican monastery or nunnery (for it is variously described in old annals)…The name of the place, “Kilbannon”, is indicative of its sacred origin and pious association ; and tradition ascribes to the ruins the fame of a Saint Bennan, who is supposed to have been a disciple of Jarlath, the first Bishop of Tuam, after whom that See was called in ecclesiastical history. St. Jarlath was believed to have been an intimate follower of the glorious Apostle himself, and we may note, that but a few short miles, as the crow flies, from the Church of Bennan was the illustrious school of Cluan-fois, otherwise Cloonfush, founded by St. Jarlath, and in his time and long after known as “the mother of many memorable missionaries”.’
From ‘The Round Tower of Kilbannon’ by Richard J. Kelly, The Irish Monthly, Vol.14, 1886




‘There is a pillar tower at Kilbennan, near Taam. Before the young Bishop Benignus, or Bennin, had come to the territory of Conmaicne, or Tuam, in the Barony of Dunmore, the place now called Kilbannon had been known by the name Dun-Lugaidh, i.e., Louis’s Fortress. When St. Benignus, in company with St Patrick, had come from Donach Patrick to Dun-Lugaidh, it is said that the saint dug a fountain, in the waters of which he baptized nine lepers, who became instantly healed of their leprosy. Niatha, the chieftain of that district, and all his followers and clients, and all the people of the entire country of Conmaicne — St. Jarlath’s cousins, himself and his father and relatives — were baptized in that fountain. That well, or fountain, is to be seen to this day at Kilbennan. Its waters gush forth from the foot of the Round Tower which to this hour is to be seen. Two things remain to this day to confirm the truth of the historical event — first, the “Dun” or pillar tower of Lughaidh ; second, the fountain gushing forth at its foot. At the time, say, A.D. 440, the Dun existed, it was the fortified home of the chieftain Xiatha.’
From The Aryan Origin of the Gaelic Race and Language by the Rev. Ulick J. Bourke (1875)




‘Kilbannon: Sometimes called Ballygaddy, which is the name of the townland and bridge adjoining the site, is situated two miles N. W. from Tuam Railway Station. The Round Tower still remains, to the height of about forty-five feet. It is broken away on one side, but the doorway is nearly perfect, being of the ordinary form, round-headed, and with inclining jambs. The Church adjoining is a rude early Christian building. No vestiges of genuine antiquity have come under my observation, save the Round Tower, which is associated with the name of St. Bunaun-one of three brothers; another, St. Bernaun, being the reputed founder of Knockmoy.’
From The Towers and Temples of Ancient Ireland by Marcus Keane (1867) 


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