Death is the Door of Life



The Malone Mausoleum in the graveyard of Kilbixy, County Westmeath was erected in the late 18th century, its design attributed to James Wyatt who is thought also to have been responsible for the adjacent St Bigseach’ church. The building was commissioned by Richard Malone, first (and last) Baron Sunderlin who lived nearby in the long-lost Baronston House. Faced with ashlar limestone, it takes the form of a weighty square block on a stepped base plinth above which rises a pyramidal roof. Comparisons have been made with the mausolea of Halicarnassus and Knidos, and, with regard to the north-east elevation, the fourth century BC Choragic Monument of Thrasyllos on the south face of Athens’ Acropolis. The building’s Greek cross interior contains three sarcophagi, one for Malone, one for his late uncle Anthony Malone (whose extensive estates he had inherited) and one for his brother Edmond, a well-known Shakespearean scholar of the period. Access to the interior is via double doors, above which is an inscription reading ‘Mors Janua Vitae’ (Death is the Door of Life) while on the south-west can be seen the Malone coat of arms with the inscription ‘Fidelis at Urnam’ (Faithful until Death). Thanks to the Follies Trust, the mausoleum underwent extensive restoration in 2023 but recently a tree in the graveyard came down beside it and while this does not appear to have damaged the main structure, the cast-iron railings may have suffered. 



The Irish Aesthete is generously supported by

How Dreadful is this Place



Like Drimnagh Castle, seen here on Monday, the nearby St Mary’s church would once have stood amidst woodland and fields several miles outside the city of Dublin, whereas today it is surrounded by suburban housing estates. Set inside a circular enclosure, this has been a religious site since at least the arrival of the Cambro-Normans, if not longer.  In 1193 the church was given by Prince John to form a prebend in the St Patrick’s collegiate church (later Cathedral) and afterwards vested in the Archbishop of Dublin. The English engraver Francis Jukes produced a view of the area in 1795 which shows the church’s tower which still survives, but the main body of the building was reconstructed in 1817 with a loan of £1,000 from the Board of First Fruits. A new Church of Ireland church was built close by in the last century, but this one continues to be used for services by a religious organisation called the Hope Centre. The entrance at the base of the tower has a fine cut limestone doorcase with broken pediment beneath which is a plaque with a quotation from the Book of Genesis ‘How Dreadful is this Place, none other is the House of God, and this is the Gate of Heaven.’ Above it is a solitary skull; seemingly there were also crossbones but these went missing in the 1990s.


The Irish Aesthete is generously supported by

The Old and the New



Unused for almost 160 years, the old church at Ballyclog, County Tyrone dates from 1622 when it was built on the site of an ancient place of worship by the then-rector, the Rev Bradley. Constructed of dark stone with a brick belfry, the building was summarised by Samuel Lewis in 1837 as ‘a small plain ancient structure with a tower and spire; and in the churchyard are the family vaults of the Steuarts of Steuart Hall, and the Bells of Belmont, to whom some handsome monuments of freestone have been erected.’ Three decades later, another rector, the Rev. Greene, decided the time had come to commission a new church, erected within sight of its predecessor. Used for services since 1868, St Patrick’s was designed by Welland and Gillespie, joint architects to the Ecclesiastical Commissioners of the Church of Ireland. It has been described by Prof. Alistair Rowan as ‘a roguish little building…wilfully adapting Irish architectural elements to jazzy ends.’ Among the most obvious of these elements is a tower on the south-west corner, which rises from a battered base around which snake bands of red stone up to a greatly extended conical spire. 



The Irish Aesthete is generously supported by

Larkin’ about




What survives of the little parish church of Ballylarkin, County Kilkenny, its name derived from the Irish Baile Uí Lorcáin meaning Town of Ó Lorcáins (they being the family who initially controlled this part of the country). The building is believed to date from the 13th century but inside on the south wall is a later piscina and a triple sedilia probably inserted in the 14th century. 




The Irish Aesthete is generously supported by

Sacred Origin and Pious Association


‘From childhood it has been my fortune to see, many times, as fine a specimen of a round tower as time and the ravages of man allowed to remain in our midst. It was situated at a remote village, called Kilbannon, distant some three miles from the ancient archiepiscopal town of Tuam. Standing at the northern side of a little graveyard and upon a perfectly level plain, it is visible for miles round. Near it are the ruins of an old Dominican monastery or nunnery (for it is variously described in old annals)…The name of the place, “Kilbannon”, is indicative of its sacred origin and pious association ; and tradition ascribes to the ruins the fame of a Saint Bennan, who is supposed to have been a disciple of Jarlath, the first Bishop of Tuam, after whom that See was called in ecclesiastical history. St. Jarlath was believed to have been an intimate follower of the glorious Apostle himself, and we may note, that but a few short miles, as the crow flies, from the Church of Bennan was the illustrious school of Cluan-fois, otherwise Cloonfush, founded by St. Jarlath, and in his time and long after known as “the mother of many memorable missionaries”.’
From ‘The Round Tower of Kilbannon’ by Richard J. Kelly, The Irish Monthly, Vol.14, 1886




‘There is a pillar tower at Kilbennan, near Taam. Before the young Bishop Benignus, or Bennin, had come to the territory of Conmaicne, or Tuam, in the Barony of Dunmore, the place now called Kilbannon had been known by the name Dun-Lugaidh, i.e., Louis’s Fortress. When St. Benignus, in company with St Patrick, had come from Donach Patrick to Dun-Lugaidh, it is said that the saint dug a fountain, in the waters of which he baptized nine lepers, who became instantly healed of their leprosy. Niatha, the chieftain of that district, and all his followers and clients, and all the people of the entire country of Conmaicne — St. Jarlath’s cousins, himself and his father and relatives — were baptized in that fountain. That well, or fountain, is to be seen to this day at Kilbennan. Its waters gush forth from the foot of the Round Tower which to this hour is to be seen. Two things remain to this day to confirm the truth of the historical event — first, the “Dun” or pillar tower of Lughaidh ; second, the fountain gushing forth at its foot. At the time, say, A.D. 440, the Dun existed, it was the fortified home of the chieftain Xiatha.’
From The Aryan Origin of the Gaelic Race and Language by the Rev. Ulick J. Bourke (1875)




Kilbannon: Sometimes called Ballygaddy, which is the name of the townland and bridge adjoining the site, is situated two miles N. W. from Tuam Railway Station. The Round Tower still remains, to the height of about forty-five feet. It is broken away on one side, but the doorway is nearly perfect, being of the ordinary form, round-headed, and with inclining jambs. The Church adjoining is a rude early Christian building. No vestiges of genuine antiquity have come under my observation, save the Round Tower, which is associated with the name of St. Bunaun-one of three brothers; another, St. Bernaun, being the reputed founder of Knockmoy.’
From The Towers and Temples of Ancient Ireland by Marcus Keane (1867) 


The Irish Aesthete is generously supported by

Salvaged



Dating from c.1796-1801, St Mary’s Church in Johnstown, County Kilkenny is typical of the form such buildings took at the period, aided by support from the Board of First Fruits. Of three bays with windows on the south side but none on the north and the entrance through a tower at the west end, it conforms to type except for two features, one being the aforementioned door and the other being the window at the east end. Both of these are late-medieval and believed to have come from another church a few miles away at Fertagh. This had been the site of an Augustinian priory and, after the Reformation, served as a parish church for the Church of Ireland. When that building’s roof collapsed in 1780, it was abandoned and then the present church built in Johnstown. Below are a couple of early memorials found on the east wall, one of them to John Hely of nearby Foulkscourt, who had been responsible for developing the village in the 1770s.



The Irish Aesthete is generously supported by

Early Georgian at its Finest



Justly described by Alistair Rowan as the ‘finest early Georgian church in north west Ulster’, this is St John’s, Clondehorky, County Donegal. Dating from 1752, its design has been attributed to Michael Priestley, an architect who worked in the area during this period: it may have been commissioned by the Wrays who then owned the nearby Ards estate (their successors there, the Stewart family, had a vault by the church). Unlike many other Church of Ireland places of worship, this one underwent little alteration in the 19th century, aside from the addition of a small vestry on the north side in 1853. Otherwise, it looks much as it did when first erected, with four Gibbsian segment-headed windows on the south side and Venetian windows at the west and east end, the latter being particularly substantial and having rusticated blocks take the place of pilasters.



The Irish Aesthete is generously supported by

Erected for their Posterity



Above the pointed arch doorway with cable moulding at the entrance to a now-roofless church in Naul, County Dublin is a plaque stating that the building had been ‘Erected by Hon. Edward Hussey and his wife Lady Mabel (nee Barnwall) for their posterity in the year of Our Lord God 1710.’ This memorial also features the Hussey coat of arms and motto ‘Cor Immobile’ (Immovable Hearts). The plaque suggests the building dates from the early 18th century but more likely it was reconstructed then as a chantry chapel for the Husseys (whose vault lies within the nave), because the Civil Survey of 1654-6 described it as being ruinous with only ‘the walles of ye parish church’ still standing. In addition, at the east end there remains a fine double ogee-headed window (a second, less ornamented opening can be found on the south wall). At the start of the 19th century, a Church of Ireland church was constructed to the immediate north of this little structure but was then demolished in 1949 due to insufficient numbers attending services there.



The Irish Aesthete is generously supported by

Glimpses into the Past


Barely a mile to the north of Castle Carra, County Mayo (see last Monday, Difficult to Locate without a Guide « The Irish Aesthete) can be another substantial ruin, this time of a religious settlement. Like the castle, Burriscarra Abbey, as it is now popularly known,  is believed to have been established by the Anglo-Norman Adam de Staunton. He granted the land here to the mendicant Carmelite order, founded by St Berthold in 1154. The date given for the establishment of the house at Burriscarra is 1298, just over a quarter century after the first Carmelite friary had been founded in Leighlinbridge, County Carlow. At Burriscarra, the friars did not remain in situ for long. For reasons unknown – perhaps warfare, perhaps devastation caused by the Black Death – by 1383 they had gone, after which the property lay abandoned for some 30 years. 





In 1413, the former Carmelite friary at Burriscarra was given to the Augustinian order which had already established a house elsewhere in the county at Ballinrobe (see Unclear Past, Unclear Future « The Irish Aesthete). The Augustinians appear to have been invited by Edmund and Richard Staunton, descendants of Adam de Staunton. On arrival, the friars found the place in a poor state of repair, these circumstances made worse in 1430 when the buildings were burned, presumably during one of the internecine disputes that bedevilled Ireland throughout the 15th century. In consequence, a Papal indulgence was granted to anyone who visited the church and gave alms for its repair.  After the rebuilding of the friary a dispute arose between the Carmelites and the Augustinians over ownership of the property. However, it appears the Augustinians remained in residence of the friary until, like all other religious houses, it was suppressed in the 16th century. In 1607 the lands of Burriscarra were granted by James I to one John King, who then sold them on to the Bowens, after which, like nearby Castle Carra, they passed into the possession of the Lynch family and eventually being taken into the care of the Office of Public Works. 





Today Burriscarra friary consists of a roofless church with a side aisle on its south-west side and the remains of a two-storey domestic range incorporating a cloister garth to the immediate north. Much of what survives likely dates from the rebuilding of the property in the 15th century, following damage caused by the fire of 1430. Access to the church is through a small round arched window at the west end. At the head of the building, what was once a very substantial east window occupying much of the gable wall was later blocked up and a much smaller opening created. The southern wall had another three large windows and while these remain, all their tracery is lost. Below these, in what would have been the choir, are a sedilia and piscina. The former is demarcated by a trefoil arch concluding on either side with a carved head, one of which has suffered considerable damage. Note also how the decoration of column capitals inside the arch differ from each other and that the ogee-headed window inside the arch is slightly off-centre, as also is the point of the adjacent piscina’s arch. The only window to retain its tracery can be found inside the side aisle, accessed via two large arched openings on the south wall nave. Like nearby Castle Carra and the subsequent 18th century house, what survives of this religious establishment offers us glimpses into the complexities of this country’s history.

The Irish Aesthete is generously supported by

Unspoilt



Sitting in a graveyard on the edge of Strangford Lough, his little Roman Catholic church at Ardkeen on the Ards Peninsula, County Down dates from 1777, as legislation against dissenters from the Established Church was beginning to be revoked. It was erected by general subscription overseen by a local priest, Fr Daniel O’Dorman and initially served the entire peninsula but in the 19th century, as other churches were constructed, the building became less used and was reduced to the status of a mortuary chapel: seemingly it now hosts a service only once a year, on All Souls’ Day (November 1st). The church retains much of its original appearance, including arch-headed sash windows and a roof covered in rough-hewn ‘Tullycavey’ slates. Inside also little has changed, with the box pews still in place and on the south side of the altar a simple confessional box. In 2019 the church won one of the Ulster Architectural Heritage’s Angel Awards for Best Maintenance of a Community Building, but it now looks once more in need of  attention, as the condition of the window frames indicates.



The Irish Aesthete is generously supported by