The column terminating a vista in front of Furness, County Kildare (see A Gentle Evolution, May 26th last). Originally this column stood in the parkland of Dangan, County Meath, once the property of Richard Colley Wesley, first Baron Mornington (and grandfather of the first Duke of Wellington). When Mrs Delany visited Dangan in 1749 she wrote that in the grounds ‘there is a fir-grove dedicated to Vesta, in the midst of which is her statue; at some distance from it is a mound covered with evergreens, on which is placed a Temple with the statues of Apollo, Neptune, Proserpine, Diana, all have honours paid to them and Fame has been too good a friend to the mentor of all these improvements to be neglected; her Temple is near the house, at the end of the terrace near where The Four Seasons take their stand, very well represented by Flora, Ceres, Bacchus and an old gentleman with a hood on his head, warming his hands over a fire.’ All now gone unfortunately, but the column – topped by a copy of Giambologna’s Mercury – was rescued in the last century and set up in the grounds of Furness to mark the 21st birthday of a previous owner.
A coved ceiling at Somerville, County Meath. As has already been mentioned (see Rise Above It All, April 19th), the house dates from c.1730 but underwent considerable alteration about 100 years later when the entrance was moved from south to north front and a new hall created. Although the room containing this ceiling is now classified as the dining room, an examination of its decoration, which certainly looks to be pre-19th century, reveals clusters of musical instruments in each of the four corners. Might it therefore originally have been intended to serve as a ballroom?
Part of the coved ceiling in the drawing room of Somerville, County Meath. The house dates from c.1730 when it was built for Sir James Somerville, Lord Mayor of Dublin in 1736 and also sometime M.P. for the city. Towards the end of the century, further work was carried out by Sir James’ grandson and it appears the neo-classical plasterwork was added at that time into a space then serving as entrance hall (the entire building was subsequently turned back to front, thereby making this the drawing room). The result is an extravagance of floral garlands and arabesques, ostrich plumes and decorative flourishes together with the family coat of arms, all set inside a sequence of panels. The exceptional quality of the workmanship has led to suggestions the ceiling may have been executed by Dublin stuccodore Michael Stapleton (1747-1801).
A detail of the plaster frieze running around the walls of the staircase hall at Ardbraccan, County Meath. We know that in 1773 James Wyatt produced drawings for the centre block of the house. These were commissioned by Henry Maxwell, Bishop of Meath whose brother Barry Maxwell, Earl of Farnham would likewise employ Wyatt to design a new house for him in County Cavan a few years later. In the event, the architect’s plans for Ardbraccan were modified to incorporate elements from schemes by both Thomas Cooley and Daniel Beaufort, the latter a gifted amateur who was also Rector of nearby Navan. However, the staircase hall’s plasterwork is distinctly Wyatt’esque and so it is surely not too fanciful to imagine that at least this part of his proposal was executed without intervention from other hands.
A solitary obelisk standing on raised ground in what was once the parkland of Dangan Castle, County Meath. Dangan was the seat of Richard Wesley, created first Baron Mornington in 1746. He spent a great deal of money improving his house and grounds, and Bishop Pococke in his 1752 Tour in Ireland described the former as being ‘situated on a most beautiful flat, with an Amphitheater of hills rising round it, one over another, in a most beautiful manner; at the lower end is a very large piece of water, at one corner of which is an Island, it is a regular fortification, there is a ship a sloop and boats on the water, and a yard for building; the hill beyond it, is improved into a beautiful wilderness: on a round hill near the house is a Temple, and the hills round are adorned with obelisks: Pillars and some buildings, altogether the most beautiful thing I ever saw.’ Mrs Delany also visited Dangan several times, being godmother to Mornington’s heir Garret, future first Earl of Mornington and, in turn, the father of Arthur Wellesley, future Duke of Wellington who likewise spent much of his childhood here. Yet before the end of the century the family had sold the estate, the house was accidentally destroyed by fire and in 1841 J. Stirling Coyne could write ‘The noble woods, too, which adorned the demesne, have shared in the general destruction; and all the giants of the sylvan scene have been prostrated by the ruthless axe.’ Today there remain few signs of Dangan’s former splendour other than this obelisk rising in the midst of a field, and another not far away, the latter restored of late with help from the Meath branch of An Taisce.
Not a picture by John Hinde but a photograph taken earlier this summer of the gate lodge at Fosterstown House, County Meath. Located immediately south of Trim, the main house dates from the 1840s but evidently there was an earlier property on the site since it was recorded that the future Duke of Wellington lived there at least some of the time after he had been elected to the Irish House of Commons as MP for Trim. This information was reported by Samuel Lewis in his Topographical Dictionary of Ireland published in 1837 when Wellington was still alive (he died fifteen years later). In any case the little white-washed and thatched lodge is older than the house at the end of the drive; it dates from c.1800 and provides a charming introduction to Fosterstown.
In 1142 St Malachy of Armagh was responsible for founding Ireland’s first Cistercian monastery at Mellifont, County Louth. Five years later a small group of this house’s residents walked some 35 miles to establish a second monastery close to the banks of the Boyne river at Bective, County Meath. Built on land granted by Murchadh O’Melaghlin, King of Meath the new monastery was dedicated to the Virgin Mary and quickly grew into a thriving community. Half a century after its foundation, such was the importance of Bective Abbey that in 1196 the body of the Anglo-Norman Lord of Meath Hugh de Lacy was interred here; it was later moved to St Mary’s Abbey in Dublin. By the start of the following century Irish Cistercians would appear to have slipped into laxness; attempts by the church authorities to initiate a programme were rebuffed, not least by the Abbot of Bective who in 1217 participated in a ‘riot’ at Jerpoint Abbey, County Kilkenny and was further charged with imprisoning a man in a tree stump until he died. The Abbot was subsequently sent to Clairvaux in France for trial and prior of the Norman Abbey of Beaubec appointed to take responsibility for Bective.
Nothing remains of the original monastic establishment at Bective; the earliest part of the present range of buildings dates from the 12th – 13th century buildings and include there remain the chapter house on the south-east side, a plain rectangular building with central column, also part of the west range and fragments of the aisled cruciform church. By the 15th century a serious decline in numbers had occurred and the premises were reduced in size. The church, for example, was substantially shortened and its south aisles demolished which in turn blocked off the adjoining arcades. Massive fortified towers were erected on the church’s west façade and on the south-west corner of the monastery, giving Bective the appearance more of a castle than a religious establishment. The most striking feature to the modern eye is the cloister that was built at this time, smaller than its predecessor (measuring no more than 33 feet square) and now the best-preserved Cistercian cloister in Ireland. The passages are set not beyond the walls but within them and are thus recessed, with each arcade composed of three miniature arches supported by double-column shafts. In one instance a panel between inner and outer shaft is decorated with the carved figure of an unidentified cleric set into an ogee-headed niche with his arms including three fleur-de-lys (see the top-most picture for a detail of this feature).
Despite having fewer occupants, Bective Abbey remained a considerable land owner; at the time of the dissolution of the monasteries in 1537, this establishment was recorded as possessing a total of 4,400 acres in Meath. And the land was of high quality, so there was no shortage of lay people eager to acquire it, beginning with the Staffordshire-born Thomas Agard who came to Ireland in the crown service and charged with the task of assessing the country’s mineral resources and the possibility of developing lead mines. He began the process of converting the former monastery into a domestic residence, with the cloister transformed into an internal courtyard and the refectory turned into a Great Hall. Larger openings were inserted to create windows and tall chimneys rose above the roofline. After Agard’s death house and estate were briefly owned by Ireland’s Lord Chancellor John Allen before being bought in 1552 by Andrew Wyse, Vice-Treasurer of Ireland for £1,380 16s 7d. It passed through a couple of generations of his family but already by 1619 the abbey was described as being deserted. Twenty years later the property came into the possession of Sir Richard Bolton, like Agard originally from Staffordshire but by this date Lord Chancellor of Ireland. The estate remained in the possession of the Boltons for the next two centuries although they usually rented it out and by 1800 had built Bective House on the other side of the Boyne. In 1884 Bective was inherited by the Rev. George Martin, Rector of Agher, County Meath and ten years later he vested the abbey ruins to the Board of Public Works. It has remained in state ownership ever since but has recently been made more accessible than hitherto the case. The surrounding flat land and its high towers make Bective Abbey easy to spot and since access to the site has recently been improved exploration of this wondrous relic of late-mediaeval/early modern Irish architecture is a delight.