The Templetown Mausoleum, located in a graveyard adjacent to Castle Upton, County Antrim, dates from 1789. Both the house and the mausoleum were designed by Robert Adam. Customarily the commission for this monument is attributed to Arthur Upton, Baron (and future Viscount) Templetown. However, a plaque above the entrance notes that it is ‘Sacred to the Memory of the Right Honourable Arthur Upton’, who was Lord Templetown’s uncle and who had died in 1763, so it may be that Adam’s client was Lord Templetown’s father (also brother of the deceased Arthur). In any case, the rectangular mausoleum has a facade taking the form of a triumphal arch with rusticated breakfront. On either side are niches holding classical urns (a third tops the building) and above these circular reliefs of Coade stone featuring classical figures in mourning. Inside, the mausoleum is entirely empty other than a series of plaques on two side walls commemorating various members of the Upton family. Castle Upton itself was remodelled in the 19th century with the loss of its original Adam interiors, so this mausoleum represents a rare surviving example of the architect’s work in Ireland.
Category Archives: Mausoleum
Going into the Night
Tucked away in a corner of the graveyard at Ballynoe, County Cork: a mausoleum dedicated to members of the Nason family. It takes the form of a miniature temple, with arched entrance below pediment (containing a blind oculus) and flanked by two arched winows, the building constructed of rough hewn stone with ashlar employed for door and window surrounds. There were two branches of Nasons, living in different parts of the county, but in 1808 John Nason of Newtown (which lies close to Ballynoe) married Elizabeth Nason of Bettyville (a house east of Fermoy and since demolished), and this mausoleum appears to commemorate them and their descendants (one of whom, incidentally, was Kate Meyrick, née Nason, the notorious night club proprietress in 1920s London). A monument to Elizabeth Nason dominates the interior but a nearby plaque lists subsequent members of the family, the last of whom is given as being of Newtown Lodge in 1929. This house then passed out of Nason ownership and was recently offered for sale.
Piercing the Sky
Piercing the sky, a slender tower in the graveyard of Brooklodge, County Cork. A square base with octagonal belfrey above, this is all that remains of a church erected here in the mid-19th century, on the site of an older structure (described as being in ruins as early as 1615): the main body of the building was demolished in 1923. In one corner of the surrounding graveyard is a large rectangular mausoleum, now almost enveloped in vegetation, erected by the Browne family who lived not far away at Riverstown House.
In Memory
After Monday’s post about the Ponsonby tombs at Fiddown, County Kilkenny, here is a less well-preserved old church: the shell of an early 18th century building at Anatrim, County Laois. A simple barn-like structure, it is distinguished by the stocky, three-stage tower at the west end and a Venetian window, now largely blocked with stones, to the east. The church ceased to be used for services when a new one was built to the immediate south in 1840. What survives in the interior are a couple of fine wall monuments, one to the Delaney family of Ballyfin with a coat of arms inside a cartouche flanked by urns beneath a pediment (†1731-1770), and the other a plain tablet with broken segmental pediment commemorating Isaac Sharp of Roundwood (†1756). In the surrounding graveyard is the Sharp family’s barrel-vaulted mausoleum.
Let us Leave Something to Testify that we have Lived
Originally from Cumberland, Sir John Ponsonby came to Ireland in the early 1650s and was appointed a commissioner for taking the depositions of Protestants concerning murders said to have been committed during the Confederate Wars: as a reward for his labours, he was granted a large parcel of forfeited lands at Kildalton, County Kilkenny. These had previously belonged to the Anglo-Norman D’Alton family (hence the name Kildalton, meaning Church of the Daltons). Appointed Sheriff of Counties Wicklow and Kilkenny in 1654, and elected to represent the latter in the first post-Restoration Irish parliament, Sir John Ponsonby married as his second wife an heiress, Elizabeth Folliott, in whose honour he renamed his Irish estate Bessborough. (For more on this house and its history, please see In the Borough of Bess « The Irish Aesthete and Back to Bessborough « The Irish Aesthete) When he died in 1668, he was buried in the church at Fiddown, several miles to the south of his property. Inside this building and to the immediate right of the east wall window, is a simple framed memorial declaring ‘Here lies ye body of Sir John Besborough who departed this life Anno Dom 1668 in ye 60th year of his age.’ Generations of his descendants came to be laid to rest in the same place, and today the little church remains a rare example in Ireland of a church filled with monuments to the same family.
A religious settlement is thought to have been established at Fiddown in the sixth century, but the origins of the present building can be traced back to c.1200. Like so many others, the church evidently underwent some vicissitudes during the 17th century and in 1731 Dr Edward Tenison, then Bishop of Ossory, reported it was in need of a new roof and that the walls needed to be pointed; the following year, ‘the roof was taken down in order to put on a better one.’ The rector during this period, the Rev Robert Watts, was energetic in his ambition to improve the condition of the building and ensure its future. To the left of the east window, a white marble plaque framed in black Kilkenny marble advises ‘This Chancel was Rebuilt and Beautified by Revd Robert Watts M.A. Dean of St Canice and Vicar of Fiddown 1747 who after a Contest at Law and in Equity Carried on for Nineteen Years and Fifteen hundred Pounds Expended by him Recovered the Great Tithes of the Parish from the Subtractor for the Benefit of all Succeeding Incumbents. Quatenus nobis Denegatur dui Vivere Relinquamus aliquid que nos vixisse testemur.’ (Insofar as it is denied to us to live, let us leave something to testify that we have lived). Evidently at some earlier date, a righ to the tithes from this parish had been granted to someone else, but the Rev Watts was determined to have them back and went to law in order to make sure this happened. In 1748 he presented the church with a set of communion plate., no doubt benefiting from the additional income he now enjoyed thanks to the restitution of tithes. The building continued thereafter to be in excellent repair; at the start of the 19th century it was reported to have been ‘very handsomely fitted up by the late Earl of Bessborough’ (presumably the second earl who had died in 1793). Following a visitation by the Bishop of Ossory in 1829, the church was described as being ‘in excellent repair both inside and outside, all the wood work has been recently painted, and a new Gallery and Vestry Room have been erected.’ Average attendance at services was given as 40. The earliest Ordnance Survey maps show the building to have been considerably larger than what can be seen today on the site. Following the construction of a new Church of Ireland church in Piltown in 1859-62, the main body of its predecessor at Fiddown was taken down, leaving only the chancel which by then had been serving for almost 200 years as the Ponsonby family’s mortuary chapel.
A number of memorials inside Fiddown church commemorate members of the Briscoe family, who also lived in this part of the country. (The surrounding graveyard contains a tomb marking the burial place of one Edward Briscoe, ‘of Crofton in the County of Cumberland in England, who departed this life the 20th day of July Anno Dom 1709 and in the 58th year of his age.’ Sir John Ponsonby’s first wife, Dorothy Briscoe likewise came from Crofton, Cumberland, so it seems safe to assume that Edward was some relative of the family). But the greater part of the church’s interior is dedicated to celebrating the Ponsonbys, with the north wall dominated by a large memorial devoted to Brabazon Ponsonby who in 1744 rebuilt Bessborough, five years after he had been created first Earl of Bessborough. This splendid monument features the earl and his wife dressed as ancient Romans atop an engraved sarcophagus, the whole set within a frame of Sienese marble columns supporting a pediment carrying the family arms. The inscriptions reads ‘Under this Marble lie the Remains of Brabazon Ponsonby, Earl of Bessborough, Viscount Duncannon and Baron Bessborough in Ireland, and Baron Ponsonby of Sysonby in Leicester Shire in Great Britain, and of Sarah his wife Grand Daughter and Heiress to Primate Margetson. The Virtues of their Private lives need not here be Recited, they are Engraved in the Hearts and Minds of many who will deliver them from one Generation to another beyond the duration of a Perishable Tomb. This monument is Erected, not as a necessary Memorial of them but as a Testimony of Gratitude and Respect owing from their son William Earl of Bessborough. He had the Honor of Serving his Majesty King George the 2nd in Several Publick employments of great Trust and Dignity and Departed this Life July 1758 aged 81. She in May 1733 aged 52.’ The work is signed on one side by W Atkinson of London (d.1766). Both the second and third earls lived for the greater part of their lives in England and the church therefore has no monuments to either; it was only in the 19th century that the fourth earl and his family settled back at Bessborough and thereafter further memorials were added to the interior so that today they stretch back over three centuries. As already mentioned, cuch buildings are not common in Ireland, although a similar example stands not too far away at Clonagam, County Waterford which is likewise filled with funerary monuments, this time to the de la Poer Beresfords, Marquesses of Waterford (please see Awaiting the Day of Judgement « The Irish Aesthete).
Tomb to the Unknown
The modest graveyard of Killathy, County Cork contains the remains of a late-medieval church but is dominated by the roofless shell of a large mausoleum, its pedimented facade of limestone ashlar featuring rusticated pilasters on either side of a wide arched opening, access to the interior barred by substantial metal gates (and a great deal of vegetation). The cement-rendered sides and rear of the building are completely plain and there is no indication anywhere for whom it might have been constructed, no crest, no name, nothing. Killathy lies mid-point between Castle Hyde, home to generations of the Hyde family, and Convamore, now a ruin but once residence of the Hares, Earls of Listowel: perhaps this mausoleum was erected for one of these families?
*A helpful reader has pointed out that the NIAH proposes the mausoleum was erected by the Jackson family.
Ireland’s Taj Mahal
Welcome to Ireland’s equivalent of the Taj Mahal, and the smallest chapel in Europe (also reputedly the second-smallest in the world), located in the centre of Carrick-on-Shannon, County Leitrim. Designed by architect William Hague and completed in 1879, the chapel was commissioned by local businessman Edward Costello to commemorate his wife Mary Josephine who had died two years earlier at the age of 47. Erected on the site of a former Methodist chapel and faced with ashlar limestone, the building measures 12 feet wide by 16 feet long. Crests on either side of the entrance contain the letters EMC and the Costello coat of arms with the motto ‘Ne te quaesiveris extra’ (Do not look outside for yourself). Lined in Bath stone, the interior has a carved marble altar behind which are stained glass windows by Mayer of Munich. Sunk into the floor and on either side of tiles bearing symbols of the Passion of Christ, are two large sheets of glass: through that on the left can be seen the coffin of Mrs Costello, while her husband’s remains lie to the right.
Sharing the Site
In a graveyard high above Swinford, County Mayo is this mausoleum where members of the Brabazon family were formerly interred. The Brabazons had come to the area in the first half of the 17th century and were later responsible for developing the town, close to which they built a fine house, Brabazon House, which survived until 1980 when pulled down by the local Health Board. Also gone is St Mary’s, the Church of Ireland where they once worshipped, so this mausoleum, seemingly ‘repaired’ in 1828 by Sir William Brabazon, who was then MP for the area (and who died 12 years later after choking on a chicken bone), is the last remaining evidence of the family’s presence in the area. However, the Brabazons do not have the place to themselves: on top of the mausoleum is a large marble column topped with a cross, which commemorates one Patrick Corley who died in 1875 at the age of 60, while on another side of the mausoleum is a plaque dedicated to successive generations of the O’Donnel family who lived some five miles south at Fahyness (now Faheens).
Shabby Treatment
The O’Callaghan Mausoleum, located in the Shanrahan graveyard outside Clogheen, County Tipperary. This was erected in 1742 to commemorate Cornelius O’Callaghan, member of an ancient Irish family who had converted to the Established church and thereafter enjoyed a successful career as a lawyer and Member of Parliament for the Borough of Fethard in the same county. The barrel-vaulted interior of this rather plain gable-ended building contains a fine monument to O’Callaghan, ancestor of the Viscount Lismore who in 1810 would commission John Nash to design Shanbally Castle nearby. (Alas, the castle was shamefully demolished in the late 1950s, the remains being blown up in 1960 so that the cut stone could be used for road building). Occupying much of the end wall, this monument was carved by the Dublin sculptor David Sheehan and depicts the deceased above a Latin inscription and beneath a pediment that supports reclining putti on either side of an urn. Unfortunately the mausoleum now acts as little more than a garden shed for lawn mowers and the other equipment: hardly the most respectful way to treat this historic building, or the man it commemorates.
Little Italy
As many readers will know, Charles Bianconi was an Italian-born entrepreneur who at the age of 16 came to Dublin in 1802 to work as a printer and engraver. Moving to Carrick-on-Suir a few years later, in 1815 he eventually settled in Clonmel, County Tipperary and there established a highly successful business offering passengers inexpensive and efficient travel in coaches around the country. In May 1854, his elder daughter, Catherine Henrietta Bianconi, died at the age of 25 and her father decided to build a mortuary chapel in Boherlahan, a village close to the Longfield estate which he had bought some years earlier. In November 1861, the limestone and sandstone chapel – designed by Bianconi and built at a cost of £1,000 – received the remains of Catherine Henrietta which were placed in a vault; her father would join her there following his own death in 1875.
