A-Bandon




Like many Irish houses, Castle Bernard, County Cork has a long and complex architectural history, some aspects of which are still not clear. The place takes its name from the Bernard family, the first of whom – christened Francis like many of his successors – came here during the Plantation of Munster in the late 16th century. He acquired lands which had formerly been owned by the O’Mahonys and was centred around a great square tower house called Castle Mahon to the immediate south of the river Bandon. This became the Bernards’ residence, its name at some date changed to Castler Bernard, until c.1715, Francis Bernard, great-grandson of the original settler, and Solicitor-General of Ireland, Prime Serjeant and Judge of the Court of Common Pleas initiated work on a new building, seemingly to the designs of John Coltsman of Cork. This involved adding wings to the old tower house, the whole encased in brick with Corinthian pilasters and other ornamentations in Portland stone. A decade later the surrounding demesne was transformed into a formal garden with terraces, cascades, jets d’eau and statuary. This arrangement lasted until the end of the 18th century when Castle Bernard underwent a further transformation.





In 1794 the Cork architect Michael Shanahan, best-known work commissioned in Ulster by his patron Frederick Hervey, Earl-Bishop of Derry, prepared designs for a new house at Castle Bernard. (For more on Shanahan and the Earl-Bishop, see It’s Downhill All the Way, October 28th 2013 and Let the Door be Instantly Open, For There is Much Wealth Within, March 31st 2014). This involved pulling down the additions to the original tower house, and instead erecting a structure to its immediate east, a linking corridor running between the two. In 1800 another Corkman, William Deane, prepared estimates of £522.4s.4d. for work in finishing the house. In both instances, the client was Francis Bernard who from 1793 gradually scaled the hierarchy of the peerage until 1800 when created first Earl of Bandon. The house he commissioned was classical in style, of two storeys over basement and with a nine-bay entrance front. The garden front was similar but broken by a substantial full-height bow occupying the three centre bays. Just fifteen years later, Lord Bandon undertook further work, this time by an unknown architect, in order to give it the – largely superficial – appearance of a gothic castle, and thereby provide better links both to the old tower house and to the Bernard family’s ancient pedigree. While the garden front experienced little other than the insertion of gothic tracery in its windows, battlements and turrets were added to the façade, and the Bernard coat of arms carved in stone above the main entrance. No great changes were made to the interior, which despite the gothic fenestration otherwise retained its classical decoration. On the ground floor, an entrance hall with Ionic pilasters and columns gave access to a wide corridor which ran like a spine down the centre of the house. Among the reception rooms, the most notable was an oval drawing room overlooking the garden: one sees in its design the abiding influence of the Earl-Bishop on Shanahan.





The Bernard family remained in residence at Castle Bernard until June 1921 when the 70-year old fourth earl and his wife were woken in the early hours of the morning by a group of IRA members and ordered out of the house, which was then set on fire. Lord Bandon was then taken into captivity by the men and held for the next three weeks, constantly moved from house to house before being released at the gates of the now-ruined Castle Bernard after three weeks: during this time he had lost a stone in weight and never recovered from the experience, dying less than three years later. He and his wife had no children, so the title passed to a first cousin twice-removed, Air Chief Marshal Percy Bernard, widely known as ‘Paddy’ Bandon. But he inherited not a lot else and so, although some compensation was received by the family, Castle Bernard was not rebuilt (the fifth earl constructed a modest bungalow behind the ruin). Since he in turn had no son, the earldom became extinct. Although his descendants still live on the estate, the land in front of Castle Bernard is now a golf course.


A Swift Exit


Jonathan Swift, Dean of St Patrick’s Cathedral, Dublin and author of sundry celebrated works including Gulliver’s Travels and A Modest Proposal, is associated with Fortgranite, a County Wicklow house, the contents of which are being sold tomorrow. The Swift family’s rise in fortune originated with an earlier cleric, the Rev Thomas Swift who in 1566 became vicar of St Andrew’s church in Canterbury, Kent and subsequently married the heiress daughter of the Bishop of Bath and Wells, Thomas Godwin. The latter was recalled in the first name of the Rev Thomas’ eldest great-grandson, Godwin Swift, a lawyer who after 1660 served as Attorney General to the Viceroy the Duke of Ormonde, and was duly rewarded for his service with an estate in County Kilkenny, Swifte’s Heath. One of Godwin Swift’s younger brothers, Jonathan, also moved to Ireland but died within a year, aged only 27. He left a pregnant wife who seven months later gave birth to a son, also called Jonathan, the future dean. He benefitted from the support of his uncle Godwin (who incidentally had fifteen sons and four daughters by four wives), and then from the latter’s son Willoughby (Jonathan Swift’s cousin) who paid for his education and secured employment as secretary with Sir William Temple. His later clerical and literary careers are well known. What has any of this to do with Rockgranite? In 1711, Godwin Swift’s grandson Thomas Swift married Frances Dennis, heiress of a timber merchant from Kinsale, County Cork: the couple had two sons, the Rev. Meade Swift-Dennis and John Swift-Dennis. In 1782, these two men were joint beneficiaries of the substantial estate left by their late uncle, James Dennis, former Chief Baron of the Exchequer and first (and last) Lord Tracton. The only condition was that they adopt the arms and name of Dennis. They duly did so, the Rev. Meade Dennis subsequently acquiring the Fortgranite estate which was left to his son Thomas Stratford Dennis. As the latter’s middle name indicates, he was related to the Stratford family, his grandmother being a daughter of the first Earl of Aldborough, a name that has been discussed here more than once (see in particular Splendours and Follies, September 30th 2013, A Thundering Disgrace, January 13th 2014 and A Thundering Disgrace No More?, February 27th 2017).






Fortgranite is a house originally dating from c.1730, although sections of the basement suggest that there might already have been a tower house on the site, a not-unusual circumstance. The house was built for one George Pendred, whose family may have been Cornish in origin. He married an heiress Cordelia Saunders, daughter of lawyer and politician Morley Saunders, who c.1716 built a splendid house in County Wicklow, Saunders Grove (burnt 1923). As elsewhere in this take, the son of George and Cordelia Pendred changed his surname to Saunders in order to benefit from a family legacy, and was called Morley Pendred Saunders. His daughter Delia married the Rev. Meade Swift (later Dennis) and in turn their eldest son Thomas Stratford Dennis married his cousin Katherine Saunders. Thus two generations of one family benefitted from marrying two generations of another. In turn Fortgranite appears to have gone through two remodellings in the 19th century, the first c.1810-15 following the marriage of Thomas Dennis to Katherine Saunders, the second undertaken by the couple’s eldest son Meade Dennis in the early 1870s, the last occasion when such enterprises were made before the onset of the Land Wars and consequent decline of Big House estates in the following decade. As a result of these two refurbishments, Fortgranite shows little evidence of its earlier manifestations, displaying the gravitas typical of a high-Victorian country house. Still, until recently the interior was filled with evidence of former eras, and of the diverse families who had both inherited the place and, through marriage and other connections, bequeathed items to it. All either now gone, or about to do so following tomorrow’s contents sale. With them are dispersed the collective links to Patrick Swift, to the Earls of Aldborough, to timber merchants of Cork and Anglican clergy of Westmeath, to an entire history of Ireland’s gentry. All scattered, never to be brought together again.



For further information on tomorrow’s sale at Fortgranite, County Wicklow, see https://fonsiemealy.ie

In Need of Support


The involvement of Irish families in the Caribbean slave trade was discussed here some weeks ago when considering Monasterboice House, County Louth (see Dirty Money, March 11th 2019). The same source of revenue appears to have played a part in funding extensive work in the early 19th century at Kilwaughter Castle, County Antrim. The original house here is believed to date from 1622, a fortified dwelling built by Sir Patrick Agnew who around that time had purchased the land on which it stands from Sir Randall MacDonnell, first Earl of Antrim. Successive generations lived here until William Agnew died in 1776, leaving the property to his grandson Edward Jones, then still a boy, with the proviso that the latter take the surname Agnew. He was a younger son of Valentine Jones, who was extensively involved in slave trading in the West Indies, as was his eldest son (another Valentine) who lived in the Caribbean for some 33 years and, two years before Edward inherited Kilwaughter, was elected a member of the House of Assembly in Barbados. Unfortunately the next generation of Valentine Jones disgraced the family by misappropriating funds and colouring rum to give it the appearance of age: in 1809 he was found guilty of fraud and peculation, and sentenced to three years in Newgate Prison.






Edward Jones Agnew was only a child when he inherited Kilwaughter, and for the next 12 years the estate was administered by agents while he attended Harrow and then Trinity College Dublin. It was only in the late 1780s that he came to County Antrim and took responsibility for Kilwaughter, accompanied by his younger sister Margaret. Seemingly they arrived to find the house almost entirely stripped of its contents: ‘there was not so much as a tablecloth, or a spoon or a knife or fork for them to take their dinner with.’ By this date the old building was neglected, and out-of-date, so its young proprietor decided to embark on a an extensive programme of refurbishment and enlargement. The architect chosen for this task was John Nash, who from 1801 onwards was engaged in designing Killymoon Castle, County Antrim for the Stewart family, cousins of the Agnews. Beginning in 1806, Nash transformed Kilwaugher into an elaborate castle, adding a vast wing to the immediate east of the original fortified house. The focal point of his design is a castellated tower in the south-east corner, its sandstone window sills carved with elaborate abstract decorations. From here, a range of reception rooms ran northwards to a narrower but taller polygonal tower, with views over the parkland towards a newly created lake covering more than five acres. While his land holdings were substantial and could have borne much of the expense involved (Killymoon Castle is supposed to have cost £80,000), might Edward Jones Agnew have benefitted from the estate of his slave-trading father Valentine Jones who died in 1805, just a year before work began at Kilwaughter? The enquiry seems not unreasonable to make.






The later history of Kilwaughter is not especially happy. Edward Jones Agnew never married (nor did his sister Margaret with whom he lived) but had several children with the daughter of a tenant farmer: she and other members of her family were later sent to Baltimore, Maryland with the promise of an annual stipend. When Agnew died in 1834, the estate was inherited by his illegitimate son William who, together with his sister, were then cared for by their aunt Margaret. However, following her death and William Agnew becoming an adult, he moved to Paris and spent most of the next 40 years there, dying unmarried in 1891 and, it seems, leaving sundry debts for the payment of which a mortgage of £30,000 had to be raised. A niece, Mary Maria Augusta Simon (daughter of his sister) next inherited the estate but by this time she was married to an Italian count Ugo Balzani, and living between his family home near Bologna and Oxford. For some thirty years Kilwaughter was rented to John Galt Smith, an Irish linen exporter and distant relative of the Agnews, and his socially ambitious American wife Bessie who modernised the building and entertained extensively; he died in 1899 but she remained there until 1922 before returning to her native country. By now, the castle was surrounded by very little land and when the Second World War broke out it was seized by the government as ‘alien’ property (the Balzani family being Italian and therefore deemed to be enemies of the state). For a period it was occupied by American troops but then stood empty before being sold by the Northern Irish government to a Belfast scrap metal company which stripped off the lead, thereby leading to the roof giving way. What remained was handed back to the Balzani family, and understandably they decided to sell the property: this finally occurred in 1982. Since then efforts have been made to ensure the security of the building, and ideally its restoration: some of the walls are literally in need of support. The present owners, and a number of local people are valiantly battling to save Kilwaughter from total ruin (a task not helped by the presence of lime quarries in the immediate vicinity). As these photographs make plain, those involved in the project face a substantial challenge and deserve all possible assistance.


Much of the information here came from a most interesting article, The Agnews of Kilwaughter by Jacqueline Haugseng-Agnew in Familia: Ulster Genealogical Review, No.32, 2016.
For more on Kilwaughter Castle and work being undertaken to secure its future, please see https://www.kilwaughtercastle.com

Dirty Money


In the 1830s, William Drummond Delap of Monasterboice House, County Louth was paid £1,933 by the British government. The reason: he was being compensated for the abolition of slavery in the Caribbean colonies. Mr Delap, it transpires, had owned 96 slaves on two plantations in Jamaica. Slavery there, and on the other islands in the area, had been abolished in 1833, but such was the level of complaint about loss of revenue from former owners, not least those like Mr Delap who lived on the opposite side of the Atlantic, that four years later parliament passed the Slave Compensation Act, resulting in some £20 million being paid out.
Little work has been done in Ireland on the benefits enjoyed during the 17th and 18th centuries by some country house estate owners who were involved in plantations, although twelve years ago History Ireland published a highly informative article by Nini Rodgers on the subject of Irish links to the slave trade (see: https://www.historyireland.com/18th-19th-century-history/the-irish-and-the-atlantic-slave-trade). In England, and indeed in France too, much more research has been undertaken on the matter, not least at University College London’s Centre for the Study of the Legacies of British Slave-ownership, where archival examination has discovered who were the beneficiaries: it has, for example, documented which country houses owe their existence, in part or whole, to money that came through slavery in the Caribbean. In 2013, the centre created a database of the individuals who were paid compensation when slavery was finally abolished, and it includes some 170 names of people in Ireland, not least William Dunlop Delap. His brother Colonel James Bogle Delap, a friend of George IV, received £4,960. Among the others, some are well-known, such as two members of the banking La Touche family (£6,865 between them) and Howe Peter Browne, second Marquess of Sligo (£5,425). However, by far the largest beneficiary was one Charles McGarel of Larne, County Antrim whose claim for 2,777 slaves on twelve different plantations led to his receiving no less than £135,076. (To explore the documentation relating to Ireland, see: https://www.ucl.ac.uk/lbs/search).





William Drummond Delap was a descendant of Hugh Dunlop who around 1600 moved from Ayrshire in Scotland to Sligo where he was involved in the wine trade. His son Robert moved to County Donegal, which is where successive generations of the family lived, their surname becoming corrupted to Delap. Robert Delap, born in 1754, graduated from Trinity College Dublin and was admitted to the Middle Temple before being called to the Irish bar in 1778. Two years before he had married Mary Ann Bogle, daughter of James Bogle of Castlefin, County Donegal. It was Mary Ann’s family, likewise of Scottish origin, which had plantation interests in Jamaica: the UCL Legacies of British Slave-ownership site lists 21 persons of that name. Evidently she acquired a substantial stake in these properties following her marriage: Robert Delap died at sea while returning from the Caribbean in 1782, leaving a widow with several young children including William Drummond who was then barely two years old. In 1805 he married Catherine, eldest daughter of William Foster, Bishop of Clogher and brother of John Foster, last Speaker of the Irish House of Commons. In 1811 John Foster described his niece’s husband as ‘a good man of business resident in London where he acted as a merchant and has a West India property of his own to look after.’ Around 1830 he decided to move to Co Louth, where many of his wife’s family owned land, and there he bought various parcels to create an estate of more than 1,200 acres on which he either built, or more likely enlarged, Monasterboice House. He also laid out elaborate terraced gardens and planted many specimen trees. On a rise south-west of the house he erected a folly, called Drummond Tower after his maternal grandmother who had helped to raise him after his father’s early death. In 1861 he resumed by licence the family’s original surname of Dunlop.





Not much appears to be known about the history of Monasterboice House, now a ruinous building. At its core looks to be a typical late-mediaeval tower house, which as was so often the case has been subject to various structural alterations but is still clearly distinct rising on the northern section of the site. To the south is what appears to be a late 18th/early 19th century residence, of two storeys over basement, three bays with the centre one in the form of a substantial bow. The ground floor of this has glazed doors that once opened onto the terraced gardens and is flanked by Wyatt windows typical of the period. The house’s principal entrance lies on the west side, and was formerly approached by a long avenue. Perhaps to harmonise with the old tower house, this section was gothicised in the Tudoresque manner with arched windows and a large porte-cochere in front of a castellated porch. The back of the house opens to two large yards beyond which was the walled garden. It looks as though the building was developed in three sections, first the tower house, then the villa and finally a Tudor-Gothic expansion. In Samuel Lewis’s Topographical Dictionary of Ireland, he writes of Monasterboice House that ‘a spacious mansion is now being erected by the proprietor.’ Lewis’ work came out in 1837, just as compensation was being paid to former plantation owners, such as William Drummond Delap/Dunlop. A suspicion forms that the money he then received was used to improve his country residence. Future generations did not enjoy it for long: his son and heir Robert Foster Dunlop married a cousin, the Hon Anna Skeffington but the couple had no son and their daughters do not seem to have occupied the place. At the start of the last century, the estate built up by William Drummond Delap was divided up and while the Louth Archaeological and History Society Journal reported in 1945 that the house was ‘in a fair state of preservation’ that is certainly no longer the case.

Relics of Auld Decency



The remains of Tober House, County Wicklow. The building is believed to date from c.1720 when constructed for a branch of the Powell family (not Power, as is often stated) It appears the house originally rose two storeys over basement but an additional floor was later added above the moulded string course. It’s curious to note that the windows on the ground floor are not symmetrically spaced: one of them on the ground floor being much closer to the entrance than the other. Parts of the slate cladding on the south wall survive, as does the handsome limestone lugged doorcase. Tober is said to have been gutted by fire at the end of the 18th century, perhaps during the time of the 1798 Rebellion when this part of the country was engulfed by violence. It has stood a ruin ever since.



Eventual Salvation


The entrance to Derrynane, County Kerry, ancestral home to Daniel O’Connell. It is interesting to read in Emer Crooke’s recently-published book on how country houses fared during the first decades after Independence* that when O’Connell’s descendants first offered the property to the state in 1945, this was declined. A letter from the Department of Finance written in October of that year argued that ‘in view of the uncertainty as to the purchase price, the capital expenditure involved in putting the house to rights and the large recurring expenditure entailed in maintenance the minister does not favour state acquisition.’ Responsibility for Derrynane was shortly after taken on by a private trust but it soon ran into difficulty and began appealing to the government for funds. When these were not forthcoming, the house was placed on the market but in 1963, after no buyer had been found, the state took on Derrynane which has ever since been managed by the Office of Public Works.


*White Elephants: The Country House and the State in Independent Ireland, 1922-73 by Emer Crooke (University College Dublin Press)

Theory and Practice



One of James Gandon’s designs for the façade of Emo Court, County Laois. In the 1780s the architect was employed by enlightened patron John Dawson, first Earl of Portarlington to come up with plans for a new house on his country estate. This is one of Gandon’s proposals, and interesting to compare with Emo Court as eventually built. The process was devilled with setbacks, beginning with the Lord Portarlington’s unexpected death in 1798, by which time only the shell of the house had been constructed. It took more than sixty years, and the involvement of a number of other architects, before work on the building was finally completed. As a result and reflecting changes in taste, various alterations, external and internal, were made to the original scheme. Many of Gandon’s original drawings, plus those of his successors, are currently on display in the Irish Architectural Archive, 45 Merrion Square, Dublin. Below is one of the Gandon proposals for the garden front, and a photograph of the same prospect today.


Stalled?


The Catholic Committee (sometimes called the Catholic Convention) was a body set up in 1757 to campaign for the repeal of the Penal Laws, and greater religious and political freedom for members of the Roman Catholic church. One of its founders was the antiquarian Charles O’Conor who lived in County Roscommon, and it is likely that as a result of his involvement other men in the same part of the country became involved with the committee. Hugh O’Beirne was among this number, a merchant based in Carrick-on-Shannon, County Leitrim who eventually became sufficiently affluent that he was able to acquire several thousand acres of land and build himself a residence at Jamestown, County Leitrim. In late 1792 Theobald Wolfe Tone, then Assistant Secretary of the Catholic Committee, encountered Hugh O’Beirne at a gathering in Dublin and wrote, ‘Met “Met Mr. O’Beirne of Co Leitrim, a sensible man. . . says the common people are up in high spirits and anxious for the event. Bravo! Better to have the peasantry of one county than twenty members of Parliament.’





Hugh O’Beirne took the Oath of Allegiance to the United Irishmen but does not seem to have been penalized for his association with the society in the aftermath of 1798: in the years before his death in 1813, he was a Justice of the Peace for Roscommon. He was succeeded by his son Francis, likewise a J.P. and also Deputy Lieutenant for County Leitrim. In 1843 he enlarged the small Catholic chapel built by his father for the people of Jamestown; behind this Francis also erected a school and schoolmaster’s house. On his death in 1854, the estate – which at its height ran to over 7,500 acres in County Leitrim (and almost another 250 in neighbouring Roscommon) – passed to his son Hugh. His children seem to have been the last of the O’Beirnes to have lived in Jamestown, one son, likewise called Hugh, entered the British Diplomatic Service and along with Lord Kitchener drowned when the vessel they were on, HMS Hampshire, was sunk by a German U-boat off the Orkney coast in June 1916.





The house shown in today’s photographs, Tinny Park, County Roscommon, was until recently owned by a branch of the same family. It is believed to date from around the mid-19th century and is a typical gentleman farmer’s residence, complete with handsome yard to the rear. Of two storeys over basement with a central door approached via a short flight of stone steps, the interior conforms to the usual country house plan, albeit on a small scale: double doors to the rear of the two main reception rooms lead to smaller spaces, and the entrance hall is largely taken up by a staircase. Unoccupied for the previous ten years, Tinny Park was offered for sale for the first time in the summer of 2016, the price on just over six acres was a modest €250,000. It duly sold and, evidently, refurbishment work began, not all of it advantageous: old photographs show the exterior covered in render, all of which has been stripped away. This work now looks to have stalled and when visited last winter the house wore a forsaken appearance. One can only hope that restoration has since resumed (and that in due course the exterior will be correctly re-rendered).


An Italian in Ireland


In May 1717 Robert, first Viscount Molesworth wrote from England to his wife Letitia with advice of a planned return to Ireland and the fact that ‘I will carry with me the best architect in Europe.’ The latter was a young Florentine, Alessandro Galilei (1691-1737) who had been brought to London in 1714 by Lord Molesworth’s eldest son John, for the previous three years British Envoy to Florence. It was presumably there that he met Galilei and when Molesworth was recalled to London, he invited the architect, then aged 23, to accompany him with the expectation of commissions from English clients. The Molesworths, père et fils, were key figures in a group of enthusiastic cultural patrons described by the viscount as the ‘new Junta for Architecture.’ Their mission: to reconfigure architectural design on these islands in the neo-classical style, or what one of them called ‘Grecian & best taste’. Although Galilei spent four years in England, with a six-month interlude in Ireland in 1718, and despite backing from the Molesworths and other members of their circle, he achieved almost no success: for example, he made designs for new churches then being commissioned in London but none of them was executed. Similarly, despite being recommended by Lord Molesworth to design St Werburgh’s in Dublin in 1715, he did not get the job: the viscount later wrote that those behind the commission were ‘uncapable of comprehending what an artist Galilei is’. The fact that he was a Roman Catholic is thought also not to have helped his cause. Understandably in August 1719 he returned to Florence, where he was created Engineer of Court Buildings and Fortresses by the Grand Duke of Tuscany. Despite further importuning from the Molesworths and others, he never returned to this part of the world. In 1730, the Florentine pope Clement XII invited him to Rome where his best-known work, the façade of San Giovanni in Laterano (1732) can still be seen: he died in the city five years after its completion.




Marmaduke Coghill was born in Dublin in 1673, eldest son of Sir John Coghill, Judge of the Prerogative Court and one of the Masters in Chancery. Marmaduke was something of an infant prodigy, entering Trinity College at the age of fourteen and graduating as a Bachelor of Law four years later. At 19 he was a member of the Irish House of Commons, sitting for the next 50 years first representing the Borough of Armagh and then Dublin University. In due course liken his father before him he served as a judge of the Prerogative Court and later became Chancellor of the Exchequer in Ireland. He was described by a contemporary as being ‘a zealous and active friend, and of an engaging and affable manner, but he was not blessed with good looks’ (another account called him ‘a fat apoplectic looking old gentleman with short legs and a shorter throat’).
Following his father’s death in 1699 Marmaduke Coghill inherited land on the outskirts of Dublin, in an area called Clonturk but now known as Drumcondra. Initially he lived there in an extant house which still stands, Belvedere (or Belvidere), of which more on another occasion. However, in the early 1720s he embarked on building a new residence not far away, Drumcondra House. Here he lived with his sister Mary, like him unmarried, until his death in 1738; five years later she built a church close to the house and inside erected a monument to her brother sculpted by Peter Scheemakers. Following her death, Drumcondra House passed to a niece, Hester Coghill who was married to Charles Moore, Earl of Charleville. The family subsequently rented out the property as a private residence until the early 1840s when acquired by a Vincentian priest who established a Missionary College on the site, All Hallows. A few years ago the property passed into the hands of Dublin City University to become part of that institution’s campus.




So what are the links between Drumcondra House and Alessandro Galilei? As mentioned, the latter had scant success gaining commissions while in either England or Ireland, but the one building with which he has always been associated is Castletown, County Kildare. While Galilei was in Ireland with the Molesworths, he seems to have met William Conolly, Speaker of the Irish House of Commons and the country’s richest man: it was for Conolly that the architect proposed the basic design of Castletown’s façade, although work on the building did not begin until 1722 (by which time Galilei had long since returned to Italy) and is thought to have been overseen by Edward Lovett Pearce. Marmaduke Coghill was a friend and political ally of Conolly, so there is no reason why he should not also have met Galilei and indeed likewise have asked him for advice and designs for his own new residence in Drumcondra. To the immediate east of the main house is the shell of a classical temple (see below), its pedimented stone façade featuring a central doorcase with segmental pediment flanked by windows with regular pediments on either side of which is a pilaster topped with Corinthian capital. The design for this building has long been attributed to Galilei, but why not also therefore the façade of the house which the temple faces? As can be seen by the photograph on the top of this page, it has many of the same features albeit on a larger scale, suggesting that whoever was responsible for one was also architect of the other. As Maurice Craig once wrote of the façade, ‘there is nothing much resembling it anywhere else in Ireland.’ Matters are complicated because the south face of Drumcondra House, altogether more severe and pure (a two-storey pedimented breakfront imposed on the central portion of an otherwise plain, three-storey, seven-bay block) was designed Coghill by Edward Lovett Pearce in 1726. And of course, that was precisely when Pearce was also working at Castletown for Coghill’s friend William Conolly. All of which suggests that Galilei achieved more in Ireland than is usually thought, and certainly more than he ever did in England. Meanwhile, as these other images will show, the interiors of Drumcondra House, currently undergoing a gradual programme of restoration and refurbishment, reveal some of the most intact early 18th century panelled rooms in the country. A building worthy of further study.

 

Ghost House


I dwell in a lonely house I know
That vanished many a summer ago,
And left no trace but the cellar walls,
And a cellar in which the daylight falls
And the purple-stemmed wild raspberries grow.

O’er ruined fences the grape-vines shield
The woods come back to the mowing field;
The orchard tree has grown one copse
Of new wood and old where the woodpecker chops;
The footpath down to the well is healed.




I dwell with a strangely aching heart
In that vanished abode there far apart
On that disused and forgotten road
That has no dust-bath now for the toad.
Night comes; the black bats tumble and dart;

The whippoorwill is coming to shout
And hush and cluck and flutter about:
I hear him begin far enough away
Full many a time to say his say
Before he arrives to say it out.




It is under the small, dim, summer star.
I know not who these mute folk are
Who share the unlit place with me—
Those stones out under the low-limbed tree
Doubtless bear names that the mosses mar.

They are tireless folk, but slow and sad—
Though two, close-keeping, are lass and lad,—
With none among them that ever sings,
And yet, in view of how many things,
As sweet companions as might be had.


Ghost House by Robert Frost. 
Crossdrum Lower, County Meath – one of the houses featured in The Irish Aesthete: Ruins of Ireland (Cico Books), now available to order from your favourite local bookshop or online from Amazon…