Faulty Vision

 

At the end of last August the Heritage Council, a statutory body ‘working for heritage’ released a five-year strategic plan which proposes to set out a new ‘vision’ for the country’s heritage and to map a route towards its realization (see: https://www.heritagecouncil.ie/news/news-features/heritage-at-the-heart-heritage-council-strategy-2018-2022). As so often with such documents this one is strong on lofty aspiration but rather weak on specific action leading to the achievement of goals. However, the idea is that by 2022 thanks to the council’s vision ‘heritage will be at the heart of Irish society and decision-making and that Ireland will be internationally recognised as a centre of excellence in heritage management, conservation and community engagement.’
On Wednesday a building less than ten minutes’ walk from the Heritage Council’s premises in Kilkenny city was gutted by fire. Adjacent to the Nore and across the river from Kilkenny Castle, for which it once served as a dower house, 88/89 Lower John Street dates in large part from the mid-18th century although it incorporated fabric from a much earlier building and contained the remains of a mid-17th century staircase. Despite its enormous architectural and historic significance – and despite being listed for preservation – the house was permitted by the local authority to stand empty for many years, its garden sheared off for the construction of an hotel, thereby severely compromising the site. Last year the house was finally sold, and hopes were raised that the property, its exterior a much-photographed landmark, would finally be restored. Instead it remained in the same condition until this week when left a smoking ruin.
One might have expected the Heritage Council – which declares its vision to be that ‘heritage is enjoyed, managed and protected for the vital contribution that it makes to both our social and economic well-being’ – would make a statement about this terrible loss so close to its own property. Yet it has remained silent: on Wednesday, the council’s Facebook page opted to post a video of Basque dancers in Galway. And ironically on the day after the fire, the Heritage Council was involved in a conference about urban renewal entitled ‘Unlocking Prosperity through Heritage-Led Regeneration.’ A building within Kilkenny offered an opportunity to demonstrate that the benefits of such regeneration, but that opportunity was missed. The Heritage Council’s home page bears the slogan ‘Our Heritage: Where the Past Meets the Future.’ In the case of 88/89 Lower John Street the past wasn’t given the chance to meet the future and all of us are the poorer. Articulating a ‘vision’ is admirable but occasions like this prove it to be insufficient.

 

A Matter of Concern


The old market house in Ballybay, County Monaghan. It was built in 1848 to replace an earlier building serving the same purpose which stood on another site but found to be in poor condition and demolished. Markets were held on the ground floor under the arches, while the space upstairs was used for a variety of purposes: a schoolhouse, a courthouse, a library and an assembly room for dances and concerts. Designed by William Walker, last year the building was offered for sale: now the old market house stands sadly neglected with the threat that it could yet go the same way as its predecessor.

Nature Stakes Her Claim


An abandoned farmhouse in County Westmeath. Normally it is the smaller, less-well constructed buildings which are forsaken, but this one was sturdily built and so its neglected condition is somewhat surprising. The interior still contains much of its furnishings, although now in some disarray. Soon the roof will give way and then the walls tumble, allowing Nature to stake her claim to the site.

At a Crossroads



On the cusp of dereliction: a two-storey, three bay house of coursed rubble limestone at Glencara Crossroads, County Westmeath. Likely dating from the early to mid-19th century, the building is close to Glencara House and may have been associated with that estate, perhaps built for an agent or worker there. Glencara House was constructed c.1824 for the Kelly family to the designs of an unknown architect but alterations were made around 1840 (attributed to J.B. Keane). These included the addition of canted bays, not unlike the clearly added to this little two-storey property, although this is somewhat less sophisticated: note how the entrance and window above are slightly off-centre. Unfortunately the househas stood empty and neglected for a number of years and, like the location, its future is now at a crossroads.


How to Kill a Street


The former entrance to a house on Lower O’Connell Street, Kinsale, County Cork. One of a terrace testifying to the long-standing prosperity of the town, these handsome residences date from c.1800 and have fine cut-limestone door cases and slate covering their upper storeys. All of them have been incorporated into an hotel which faces the harbour. This means the entrances have all been closed, and insensitive uPVC windows inserted at every level. As a consequence an entire section of Lower O’Connell Street has lost both character and, just as important, public engagement. Shabby and neglected, what ought to be a thoroughfare just as bustling as others in Kinsale has instead become a dead space.

Not Such a BelView


Writing of agriculture and manufacturing in County Offaly in 1801, Sir Charles Coote noted that the linen industry then thrived, with several local landowners ‘who keep looms employed, but do not bleach. Mr Holmes of Prospect and Mr Armstrong of Belview are the most extensive manufacturers, and both have large greens, but they only bleach their own linen, their [sic] being bleach yards for public accommodation.’ Almost twenty years later Peter Besnard, Inspector-General for Trade and Manufacture of Linen and Hemp in Ireland, produced a report in which he commented on Offaly: ‘The Manufacturing and Bleaching branches of the Linen Business are carried on in this county as usual, particularly in the neighbourhood of Clara and Charlestown; in the latter place, a new Linen Hall has been built by Andrew Armstong Esq. of Belview, whose family have long been supporters and encouragers of the Linen Trade. Mr Armstrong has built this Hall at his own expense, and likewise gives a premium for the best Web sold in it; and I cannot avoid remarking, that wherever premiums have been established, and judiciously applied, they have been productive of much benefit.’





The Armstrong family appears to have settled in this part of the country in the 18th century, one John Armstrong (born 1748) marrying Jane Holmes, whose family lived nearby in a house called Prospect (still standing). He married a second time and had a son Andrew Armstrong, the man mentioned by both Sir Charles Coote and Peter Besnard as being active in the linen industry. A large range of now-derelict buildings on ground below Belview testify to the one-time importance of this business, in the 18th and early 19th centuries by far the most commercially viable in Ireland. From the early 1700s onwards Irish linen was imported duty free to England and to the American colonies, so that eventually this one product accounted for around fifty per cent of Ireland’s total exports. It is understandable that so many entrepreneurial spirits became involved in the business and, if they managed their concern sufficiently well, grew rich, as did the Armstrongs. As was so often the case, they gradually climbed the social scale, moving away from the commercial class to become landed gentry. John Herbert Armstrong, for example, who inherited Belview in the mid-19th century , joined the army and served as a major in the Royal Tyrone Fusiliers. He further cemented his gentry status by marrying Eliza Catherine Lowry whose family, related to the Earls of Belmore, lived at Pomeroy House, County Tyrone. Their son in turn married Emily Theodosia Blacker-Douglas whose family were large landowners (with over 8,000 acres in County Kerry) and lived in Elm Park, outside Armagh. However, after selling their estate in 1912 under the Irish Land Act, the Armstrongs left Belview, which was subsequently leased to a variety of tenants.





Located on the border of Counties Offaly and Westmeath, Belview is a substantial house, the front portion of which dates from the second half of the 18th century. To the rear is an older L-shaped building which looks to have been adapted into a service wing when the newer section was added. The latter featured the usual layout of the period, with a drawing room, dining room and morning room/office opening off a central entrance hall on the ground floor: traces of neo-classical plasterwork survive in some of these spaces. Outside the east-facing façade is of five bays, with a Venetian window on the first floor. Below a short flight of stone steps led to a tripartite limestone doorcase with engaged Doric columns and an open pediment. The house testifies to the Armstrongs’ wish to identify themselves with the local gentry, as well as to the wealth that could be accumulated through the linen trade. A folly built in the form of a monastic round tower by Andrew Armstrong in 1817 and now buried in the nearby woodland, likewise provides evidence of the family’s social ambitions. The house was abandoned some decades ago and is now a roofless ruin.

In need of TLC


The limestone doorcase of Abbeyfield House, Ennis, County Clare. Believed to date from c.1750, in the early 19th century the building was home to Matilda Crowe with whom Thomas ‘Honest Tom’ Steele, the friend and supporter of Daniel O’Connell, was passionately in love. He would sit on a rock on the other side of the river Fergus and gaze at Abbeyfield House in the hope of catching a glimpse of Miss Steele but to no avail: she ignored his overtures. Today the house is a police station and desperately in need of some of the love once lavished on its former chatelaine.

A Writer’s Haven



Dating from c.1800, this house in Banagher, County Offaly is described in http://www.buildingsofireland as being a striking feature of the streetscape ‘and one of the grandest structures within the town.’ The bowed breakfront with conical roof and the finely tooled stone doorcase is charming, as are the Wyatt windows on ground and first floor. In use as an hotel from the early 19th century onwards, two celebrated writers spent several years here: Anthony Trollope between 1841 and 1844 while working as a Post Office Surveyor’s Clerk (and writing his first published novel The McDermotts of Ballycloran) and James Pope-Hennessy in the early 1970s while writing biographies of both Trollope and Robert Louis Stevenson. Badly damaged in an arson attack in September 2012, damage to the building was not repaired which now looks in danger of being lost forever.


Awaiting Salvation


No site looks its best in torrential rain, but under these circumstances there is something especially melancholic about Kilmacurragh, County Wicklow. Over the past couple of decades, the historic gardens here have undergone a wonderful and welcome rebirth, but the house which has formed the centrepiece of the estate for over three centuries now stands a roofless shell. It is located on the site of an early Christian settlement, based around a hermitage established by St Mochorog, said to be an Englishman of royal birth who came to Ireland at the start of the 7th century. A monastic community remained here until Henry VIII’s dissolution of all such religious establishments, but some of the building’s foundations have been found under parts of the present garden at Kilmacurragh. Ownership of the lands were then disputed between the local Byrne family and various settlers. However, in 1697 Thomas Acton secured a lease on the property from the Parsons family, then as now based in Birr, County Offaly (where their gardens are likewise renowned). The original Thomas Acton – grandfather of the one already mentioned – is believed to have come to Ireland in the mid-17th century with the Commonwealth army, and like so many other of its members to have stayed because rewarded for his service with property here. In 1716 the younger Thomas Acton obtained from the then-Viscount Rosse ‘leases for lives renewable forever’ at Kilmacurragh; twenty years later his son William Acton married the Viscount’s cousin, Jane Parsons. Thereafter successive generations of Actons would live at Kilmacurragh and develop its gardens until the opening decades of the last century.





Almost from the moment of arrival at Kilmacurragh, the Actons seem to have been particularly interested in the improvement of their demesne. Presumably around the same period that he built the present house at the close of the 17th century, Thomas also laid out a formal Dutch-style park, with canals and formal avenues. He also created a forty-acre Deer Park. In turn his son William Acton laid out a two-mile beech avenue to celebrate his marriage to Jane Parsons in 1736. Fourteen years later she received a premium of £10 from the Dublin Society (founded less than two decades before) for the planting of ‘foreign trees’ and accordingly large numbers of these were given a place on the estate. In 1780 her son, another Thomas Acton, married Sidney Davis who would in turn receive grants from the same society for growing small plantations, using the money to acquire further rare species. Lt. Col. William Acton inherited the estate in 1817 and he undertook further work, both in the demesne and on the house. With regard to the former, he is believed to have built the walled garden with an orangery and ranges of glasshouses, as well as providing employment during the Great Famine by the restoration of the ha-ha that surrounded the old deer park. He also further added to the planting at Kilmacurragh, buying trees from a nursery established nearby at Dunganstown in 1780. When he died in 1854, the estate was inherited by his eldest son, once more Thomas, who did most to give the gardens their present appearance, not least by sweeping away the formal layout created by his forebears more than a century and a half earlier. Thomas Acton and his sister Janet worked closely with David Moore, then curator of the Botanic Gardens at Glasnevin, Dublin, and with his son and successor in the position, Sir Frederick Moore. It has been noted that Kilmacurragh during this period became an unofficial outpost for the Botanic Gardens, thanks to its climate and soil but also to its sympathetic owner who with his like-minded sibling travelled the world in search of plants to bring home to County Wicklow.





The fourth Thomas Acton never married and when he died in 1908 Kilmacurragh was inherited by his nephew Captain Charles Annesley Acton, another bachelor. He had little time to take care of the place since on the outbreak of the First World War he signed up for service and was killed in September 1915 while assisting another wounded soldier. Kilmacurragh duly passed to his only brother Major Reginald Thomas Annesley Ball-Acton who in turn was killed just eight months later at Ypres: his heir was a two-year old boy Charles (later a well-known music critic for The Irish Times). During his youth the house stood empty and the grounds lay neglected, but in 1932 the place was taken over by a German, Charles Budina, who successfully ran an hotel there. Unfortunately, following Charles Acton’s sale of Kilmacurragh in 1944 a legal dispute seems to have arisen over possession of the property which was eventually acquired by the Land Commission thirty years later. More recently the gardens have come under the care of the National Botanic Gardens, an ideal association given the long links between the two sites. Since then much wonderful work has been undertaken in the grounds to bring them back to peak condition. However the house, which suffered the consequences of two fires in 1978 and 1982, has fallen into a ruinous state. Much has been written about the building of Kilmacurragh, traditionally dated to 1697 when Thomas Acton first took a lease on the land here. However, a few years ago in the Irish Arts Review Peter Pearson, who had examined relevant family papers including Thomas Acton’s account book, proposed that the house was constructed about a decade later. Nevertheless it would still have been one of the first unfortified residences in this part of the country and it appears likely that William Robinson, the Surveyor General (who was paid £1.1.3d by Thomas Acton in 1704 for unspecified work) had a hand in its design. Stylistically Kilmacurragh is suggestive of Robinson’s work, not least a handsome doorcase that once provided access to the building which was originally of five bays and two storeys (with an attic window in the pedimented breakfront). Photographs of the interior when still intact show it to have been extensively panelled, with a staircase featuring barley-sugar balusters not unlike those found in the Red House, Youghal, County Cork and other contemporaneous houses. The wings on either side of the main block were added in the 1840s by Lt Col. William Acton. Alas, nothing of his work on the house, nor that of his predecessors, remains. Today only the outer walls survive to look especially dispiriting in the rain…

Protected



The glebe house at Killeevan, County Monaghan: the church where its occupant would have taken services stands close by. The core of clerical residence is believed to date from c.1800and the handsome bow certainly suggests an early 19th century date. It was described by Samuel Lewis in 1837 as a ‘neat building’ but sadly that is no longer the case, despite the structure being listed for protection.